Tag Archives: alessio perardi

Album Review – Burning Sun / Power To Survive (2026)

Posted on by
Reply

Behold the third opus by this rising force of the European Power Metal scene, featuring ten uplifting songs that are meant to help you get through hard times.

Founded in 2022 in Debrecen, Hungary by bassist Zoltán Papi, Burning Sun are a rising force in the underground Heavy, Power and Speed Metal scene. Delivering the kind of metal that is rare nowadays, the kind of music that is rooted in Helloween, Gamma Ray, Edguy, Hammerfall and 90’s Power Metal with no compromises, only pure dedication and passion, the band currently formed of Nicolas Peter on vocals and guitars, Pancho Ireland also on the guitars, Zoltán Papi on bass, and Edmond Kulcsár on drums returns with their third full-length opus, titled Power to Survive, following up on their critically acclaimed 2023 debut Wake of Ashes, and their 2025 sophomore Retribution. Adorned by a classy artwork by Artem Astaroth, showcasing the character of Emaly, who plays a major role in the band’s identity as she appears on all artworks, such a high-energy album features ten uplifting songs that are meant to help you get through hard times, just the way we like it in Heavy and Power Metal.

It’s pedal to the metal in the frantic Power Metal extravaganza titled Quest Divine, with the soaring vocals by Nicolas matching perfectly with the song’s riffs and beats; followed by Emaly’s Hymn, featuring Herbie Langhans of Steel Rhino and The Lightbringer of Sweden, offering more of that characteristic European Power Metal sound we all love so much. In other words, simply raise your fists and sing it along with those metal warriors. Nicolas and Pancho then bring forward an Iron Maiden-inspired twin guitar attack in Tale of Brothers, while Zoltán and Edmond take care of the song’s thunderous, galloping rhythm; and their striking guitars are screaming loud once again in Light of the World, offering us all a very good reason to headbang like there’s no tomorrow. And featuring the indomitable Alexandra Lioness (aka Aleksandra Stamenković) of Chaos Rising, Frozen Crown and Jenner, get ready to be caught in a Power Metal mosh to the sound of Over and Beyond, again presenting Nicolas’ trademark, electrifying vocals.

Come Home might be the most generic of all songs, sounding like a billion other songs recorded by several bands out there; whereas the thunderous bass by Zoltán and the classic beats by Edmond kick off the mid-tempo battle hymn Spirit Alive, presenting hints of classic Hard Rock added to their core sonority. It’s then time for a short but extremely fast Gamma Ray-inspired tune titled Prayer before we face Holy Light, a beautiful ballad led by the passionate vocals by Nicolas that brings peace to our hearts, flowing into the closing tune We Rise Again, a sword yielding anthem led by the unstoppable beats and fills by Edmond, inspiring us all to join Burning Sun in the battlefield until our last breath.

Inspired by the 90’s golden era of European Power Metal and taking their name from a phenomenal Helloween song, Burning Sun channel soaring melodies, driving rhythms, and heroic storytelling in their new album, and you can get in touch with those metal warriors via Facebook and Instagram, including their live performances, listen to their battle hymns on any streaming service like Spotify, and of course, buy their striking new album from BandCamp or by clicking HERE. We all need a lot of power to survive in our rotten and decaying world, and the power of true Heavy Metal like what Burning Sun have to offer in their newborn beast is undoubtedly the most effective one for such a demanding challenge.

Best moments of the album: Emaly’s Hymn, Over and Beyond and We Rise Again.

Worst moments of the album: Come Home.

Released in 2026 Pride & Joy Music

Track listing
1. Quest Divine 4:09
2. Emaly’s Hymn 4:18
3. Tale of Brothers 5:20
4. Light of the World 3:37
5. Over and Beyond 3:41
6. Come Home 3:55
7. Spirit Alive 4:50
8. Prayer 0:42
9. Holy Light 3:15
10. We Rise Again 5:05

Band members
Nicolas Peter – vocals, guitars
Pancho Ireland – guitars
Zoltán Papi – bass
Edmond Kulcsár – drums

Guest musicians
Herbie Langhans – vocals on “Emaly’s Hymn”
Alexandra Lioness – additional vocals on “Over and Beyond”
Alessio Perardi – additional vocals

Album Review – Preludio Ancestral / Oblivion (2018)

Posted on by
1

A magnificent opus of epic-painted Power Metal with symphonic arrangements and amazing guitar work, where various guest musicians help give form to an album that will be a delight for any lover of the genre.

Formed back in 2005 by guitarist Leonardo Gatti in San Miguel, a city in the northwest region of Greater Buenos Aires located around 30km from the City of Buenos Aires, Argentina, Symphonic Power Metal band Preludio Ancestral has been making a name for themselves since their inception with a steady flow of high-quality releases, starting with the EP Silencio and the full-length album Hacia lo Inmortal, both in 2012, followed by the 2013 EP Putrefaction, the 2015 album Kybalion, and the 2016 album El Misterio de la Pasión Divina, gaining strong recognition not only in their native country, where they even opened for acts like Rhapsody of Fire and Stratovarius, but also everywhere where the epicness and electricity of Power Metal are admired.

Now in 2018 the band comprised of the aforementioned Leo Gatti on the guitars and keyboards, Ari Katajamäki on bass and Diego Camaño on drums are set to release a brand new album titled Oblivion, a magnificent opus of epic-painted Power Metal with symphonic arrangements and an awesome guitar work, where various guest musicians hailing from different parts of Argentina and Europe give form to an album that will be a delight for any lover of the genre. As a matter of fact, due to the fact that almost every song of the album has a different lead singer, Oblivion feels like three or four album in one, with the music always remaining fresh and captivating throughout its 10 distinct songs (or 12 if you purchase the special Japanese edition of the album).

Presagio is a cinematic intro that takes you to the world of Preludio Ancestral, where the flammable sound of the guitar by Leo and the unstoppable beats by Diego are joined by Alessio Perardi on vocals in King of Silence, a classic Melodic Power Metal tune the likes of Dragonforce and Stratovarius; followed by Storm, a Power Metal extravaganza led by the intricate drums by Diego with Enzo Donnarumma taking the vocal duties, while Leo and Ari bring tons of melody and feeling to the musicality. And Alessio is back on vocals for a fast and harmonious exhibit of modern-day Melodic Metal named Fear of Falling, showcasing all elements we love in this type of music. Furthermore, Ari is simply fantastic with his bass, smashing his strings mercilessly while guest keyboardist Gabliel Crisafulli embellishes the overall sound with his kick-ass solo.

With Fran Vázquez on vocals, Preludio Ancestral offer a mid-tempo, melodic tune titled Ready to Rock, leaning towards the darker and deeper metal crafted by icons such as Dio and Saxon. Moreover, can you feel those beats pounding inside your mind? Moving on with the album, the title-track Oblivion, featuring Juan Pablo Kilberg on vocals, could be part of a concept album due to its initial narration and pace, morphing into straightforward Power Metal the likes of Helloween and the early days of Sonata Arctica, with Juan Pablo also delivering a crisp guitar solo to make things even more epic. Then it’s time to slow things down a bit with a power ballad titled Universal Love, presenting more of the voice of Alessio Perardi, passionate solos by Leo and a dense background, but unfortunately with the overall result falling flat after a while.

In Reflection in the Wind they get back to a faster and more slashing musicality, presenting a solid instrumental base by Leo, Ari and Diego that sets the perfect stage for Kimmo Perämäki to thrive on vocals. This is one of those songs to sing along with the band wherever you are, not to mention another spectacular keyboard solo by Gabliel Crisafulli. In Dust World, a classic mid-tempo tune led by the powerful riffs by Leo, Alessio Perardi returns for one last breath of his potent vocals, while Ari and Diego keep the atmosphere as thunderous as it can be, before the closing act in Oblivion, titled Metal Walls, brings Daniel García on vocals in what can be considered the most modernized of all tracks, displaying elements from distinguished styles such as Alternative, Industrial, Dark Metal and Hard Rock, and let me tall you that the final result is above all expectations, in special due to the amazing job done by Leo on keyboards.

In summary, Oblivion (available for a full listen on Spotify) will not only cement the name of Preludio Ancestral as one of the best and most professional bands from this new wave of Symphonic and Power Metal in their homeland, but it will also help the band spread their wings and reach higher grounds in the world of heavy music. And if you wan to show your honest support to such up-and-coming act, simply go check their Facebook page and YouTube channel for news and other shenanigans, and purchase Oblivion through the band’s own BandCamp page, through the Xtreem Music webstore, through the Spiritual Beast webstore, or on Amazon. May the power of Heavy Metal be with Preludio Ancestral anywhere they go, and may other bands from Argentina and South America follow their steps and deliver more metal music to fans tired of having bad and fake music shoveled down their throats by their local TV shows, radio stations, and websites.

Best moments of the album: King of Silence, Fear of Falling and Reflection in the Wind.

Worst moments of the album: Universal Love.

Released in 2018 Fighter Records/Spiritual Beast

Track listing
1. Presagio 1:04
2. King of Silence 3:49
3. Storm 4:02
4. Fear of Falling 4:30
5. Ready to Rock 3:45
6. Oblivion 5:07
7. Universal Love 4:24
8. Reflection in the Wind 3:31
9. Dust World 4:49
10. Metal Walls 5:35 

Japanese Edition bonus tracks
11. Like A Star (New Version) 3:31
12. No Man’s Land 3:27

Band members
Leonardo Gatti – guitars, keyboards
Ari Katajamäki – bass
Diego Camaño – drums

Guest musicians
Alessio Perardi – vocals on “King of Silence”, “Dust World”, “Fear of Falling” and “Universal Love”
Fran Vázquez – vocals on “Ready to Rock”
Daniel García – vocals on “Metal Walls”
Juan Pablo Kilberg – vocals on “Oblivion”
Raffaele Raffo Albanese – vocals on “No Man’s Land”
Kimmo Perämäki – vocals on “Reflection in the Wind”
Enzo Donnarumma – vocals on “Storm”
Gabliel Crisafulli – keyboards solos on “Oblivion”, “Reflection in the Wind” and “Fear of Falling”
Juan Pablo Kilberg – guitar solos on “Oblivion”
José Paz – keyboards on “Presagio”