Album Review – Celtic Hills / Mystai Keltoy (2021)

A massive metal attack made in Italy offering us all 11 tracks that speak of ancient alien civilizations, European pyramids, legends and historical facts of Friuli.

3.5rating

celtic-hills-mystai-keltoy-2021Mystai Keltoy, an enigmatic name that alludes to the Elusian Mysteries, is also the name of the brand new album by an Italian Melodic Power/Thrash Metal entity formed in 2010 that goes by the epic name of Celtic Hills, offering us fans of heavy music 11 tracks that speak of ancient alien civilizations, European pyramids, legends and historical facts of Friuli. Recorded and produced at The Groove Factory in Udine, Italy by Michele Guaitoli, and displaying a classy artwork representing the myth of the ancient visitors hand painted by artist Sheila Franco, Mystai Keltoy is a journey through several metal styles from early Thrash Metal to modern-day Power Metal, showcasing all the talent of the band comprised of Jonathan Vanderbilt on vocals and guitar, Jacopo Novello on bass, and Simone Cescutti on drums.

The Iron Maiden-like riffs by Jonathan and the crushing drums by Simone kick off the band’s metal extravaganza in The Light, blending the magic of traditional Heavy Metal with the acidity of the Speed Metal played by Megadeth. And let’s keep banging our heads to the smashing drums by Simone in Blood is not Water, accompanied by the thunderous bass by Jacopo, reminding me of some classic compositions by Overkill, Exodus and Metal Church, whereas powerful backing vocals add an extra touch of epicness to the imposing The Tomorrow of Our Sons, supporting Jonathan and his old school vocal lines. Putting the pedal to the metal, the trio fires the absolutely pulverizing battle hymn The 7-Headed Dragon of Osoppo, where all three musicians are in total sync with their incendiary riffs, bass punches and pounding drums, resulting in a lesson in Italian Heavy and Thrash Metal. There’s no time to breathe as those Italian metallers deliver another kick-ass tune entitled The Landing of the Gods, with Jonathan slashing his stringed axe nonstop.

Already Lost is epic and bold form the very first second, with the trio being on fire throughout the entire song which “forgets” their previous Speed Metal and invests into a pure Melodic Metal sonority. Then a futuristic atmosphere walks hand in hand with the metal demolition spearheaded by Simone’s drums in Falling Star, where it’s impressive how only three musicians can generate such dense sound; followed by Battle Of Frigidium, once again drinking from the same fountain as renowned acts the likes of Manowar, Iron Maiden and Iced Earth, with Jonathan’s vocals getting darker and more enraged as the music progresses. Featuring guest vocals by Italian singer Germana Noage (Aetherna, ƝOΔGE), Celtic Hills offer us fans a more melodic side of their music à la Nightwish, After Forever and Lacuna Coil in Eden, while Temple of Love never really takes off albeit sounding similar to the previous song, and never showing the same amount of adrenaline form the rest of the album. Finally, closing the album it’s time for a Melodic Power Metal tune entirely sung in Italian entitled Allitteratio, with Jacopo and Simone kicking some ass with their groovy and heavy kitchen.

celtic-hills-2021If you’re curious to see how the fusion of heavy music and legends of ancient civilizations sounds, you can enjoy Mystai Keltoy in its entirety on Spotify, but if I were you I would certainly purchase a copy of the album by clicking HERE. And, of course, you can start following Celtic Hills on Facebook and on Instagram for news, tour dates and other nice-to-know information about the band. Inspired by the history of the populations that inhabited the area of present-day Carnia and Friuli, as aforementioned, but seen with a different perspective, Mystai Keltoy will blow your mind so heavy and detailed it sounds, leaving you eager for more as soon as it’s over and, therefore, keeping the fires of Italian metal burning bright thanks to the amazing job done by the unstoppable Celtic Hills.

Best moments of the album: The 7-Headed Dragon of Osoppo, The Landing of the Gods and Eden.

Worst moments of the album: Temple of Love.

Released in 2021 Elevate Records

Track listing  
1. The Light 3:16
2. Blood is not Water 4:05
3. The Tomorrow of Our Sons 3:29
4. The 7-Headed Dragon of Osoppo 4:02
5. The Landing of the Gods 3:27
6. Already Lost 3:51
7. Falling Star 3:58
8. Battle Of Frigidium 4:59
9. Eden 3:54
10. Temple of Love 3:10
11. Allitteratio 3:20

Band members
Jonathan Vanderbilt – vocals, guitar
Jacopo Novello – bass
Simone Cescutti – drums

Guest musician
Germana Noage – vocals on “Eden”

Album Review – Nuclear Winter / Greystone (2021)

Harare, Zimbabwe-based Melodic and Industrial Death Metal one-man army is back in action sharper than ever with his most powerful and detailed album to date.

3.5rating

nuclear-winter-greystone-2021After the success of his 2020 EP Stormscapes, Harare, Zimbabwe-based Melodic/Industrial Death Metal one-man army Nuclear Winter is set to unleash the project’s third full-length opus, entitled Greystone, where the band’s mastermind, vocalist and multi-instrumentalist Gary Stautmeister recorded, wrote and produced everything by himself, giving the whole album a very personal touch. “I’m very happy to have completed this new album titled Greystone. I was aiming to produce something heavy but also more electronic than my previous EP. It was quite challenging mix-wise because each song uses a slightly different sound on the drums/bass/guitars, but I feel the overall production is an improvement from my previous work, and the songs are now hopefully more distinct from each other. I especially like Corridor of Shells – which is about a battle in which the surrendering army brings shame to their country,” proudly commented Gary about his new “baby”.

And Gary doesn’t waste a single second and begins shredding his guitar mercilessly in the opening tune The Wastelands, all boosted by the song’s futuristic background elements, therefore reminding me of some creations by the iconic Fear Factory. More of his fusion of Industrial and Death Metal comes in the form of the visceral and somber Stygian Awakening, with Gary growling like a demonic entity while at the same time generating an interesting paradox with his own clean vocals, resulting in a headbanging, epic and progressive creation by this Zimbabwean lone wolf; whereas Gary’s metallic bass jabs will hit you hard in the head in The Harvest Moon, another whimsical, multi-layered creation that travels through the realms of Progressive, Death and Melodic Metal flawlessly. It’s quite impressive how his music is so dense and detailed taking into account he’s only one single musician, and in Orwellian Future his undeniable talent becomes even clearer as he’s capable of bringing some welcome hints of electronic music to the song’s overall heaviness.

Time for Gary to invest in a more rockin’ sound in Corridor of Shells, where our one-man band kicks some serious ass with his riffs and solos while crushing his drums with tons of intricacy, sounding very atmospheric and therefore living up to the legacy of modern-day Industrial Metal. The Wavering Shadows beings in full force showcasing strident riffs, epic keyboards and hammering drums, keeping the album at a high level of obscurity and insanity, with Gary firing truly demonic, Black Metal-inspired gnarls, while he will put you to dance under the moonlight in Hidden Shrine, showcasing elements from 80’s electronic bands the likes of Depeche Mode, Pet Shop Boys and New Order added to the project’s core essence. The second to last explosion of Industrial Death Metal by Gary, entitled Graveyard Sculpture, continues his path of devastation and insanity, with the machine-like drums walking hand in hand with all futuristic keys; and The Failing Dawn, the closing tune of the album, might not be as impactful as its predecessors, but it still showcases Gary’s own “darkness versus light” vocal duel and his always visceral riffage.

nuclear-winter-2021In a nutshell, as aforementioned, it’s truly impressive how Gary manages to sound like a full-bodied band even doing all by himself, and in Greystone we must all admit he outdid himself in terms of creativity, punch and heaviness, offering us fans of heavy music what’s perhaps the best metal album that has ever been recorded in Zimbabwe, and even if Zimbabwe might not be considered a true metal country that still means a lot. Hence, don’t forget to show Gary your support and admiration by following him and his Nuclear Winter on Facebook and on Twitter, by streaming all of his wicked compositions on Spotify, and above all that, by purchasing your copy of Greystone from the MDD Records’ BandCamp page (or click HERE for all locations where you can stream or buy the full album). As he keeps evolving as a musician (and as a producer), let’s wait and see what’s next in the career of Mr. Gary Stautmeister, and until then we can keep enjoying all tracks from the excellent Greystone in the name of Heavy Metal and Rock N’ Roll.

Best moments of the album: Stygian Awakening, Corridor of Shells and The Wavering Shadows.

Worst moments of the album: The Failing Dawn.

Released in 2021 MDD Records

Track listing
1. The Wastelands 4:00
2. Stygian Awakening 4:12
3. The Harvest Moon 3:58
4. Orwellian Future 3:43
5. Corridor of Shells 4:20
6. The Wavering Shadows 4:07
7. Hidden Shrine 4:40
8. Graveyard Sculpture 3:13
9. The Failing Dawn 4:08

Band members
Gary Stautmeister – vocals, all instruments

Album Review – Marble / S.A.V.E (2021)

It’s time to bang your heads to the three theological virtues and the seven deadly sins in the form of first-class Melodic Metal made in Italy.

3.5rating

marble-s.a.v.e-2021Formed in the spring of 2003 in Mortara, a town and comune located in the Province of Pavia, in the region of Lombardy, Italy, Melodic Metal band Marble is finally back in full force after over a decade with their sophomore installment, entitled S.A.V.E, the follow-up to their highly acclaimed 2008 album A.t.G.o.d. Mixed and Mastered by Giulio Capone (Moonlight Haze) and displaying a stunning artwork by renowned Finnish artist Jan “Örkki” Yrlund of Darkgrove Design, S.A.V.E presents an irrepressible mix of heavy guitar riffs, powerful aggressiveness, amazing guitar solos, surprising keyboard harmonies and original technical rhythms by Paul Beretta and Omar Gornati on the guitars, Jacopo Marchesi on keyboards, Daniel Fleba on bass and Norman Ceriotti on drums, blended with frontwoman Eleonora Travaglino’s breathtaking, catchy melodies and epic choruses, while at the same time dealing with human behavior and entwined with the three theological virtues and the seven deadly sins in a gloomy and decadent mood, being therefore recommended for fans of both melodic and extreme music.

The smooth keys by Jacopo set the tone in the opening track Mine, based on the sin of greed, before exploding into violent and melodic Heavy Metal with Paul and Omar kicking ass with their classic riffs, whereas investing in a more Progressive Metal vein thanks to the intricate beats by Norman we have Heartless Disease, where Eleonora declaims the song’s words about the sin of luxury (“Outline of a moral / You will never fall into / You try to blame me for what? Blame your creed / This life is not an heartless disease”), followed by 30 Silver Coins, a song about hope, featuring guest vocals by Maurizio Caverzan (Ghostheart Nebula, Verlaine) who makes an interesting duo with Eleanora, leaning towards Melodic Death Metal at times. And it’s time to talk about vanity in My Mask Collection, where instead of being progressive like they wanted the music sounds a little confused or mixed, fortunately getting better after a while thanks to the good job done by Norman on drums. And inspired by the music by Nightwish, Lacuna Coil and Epica, the quintet fires the headbanging tune What Leads Us To, with Eleonora taking the lead with her captivating vocals singing about the sin of envy, accompanied by the crisp guitars by Paul and Omar.

Then Daniel and Norman smash their thunderous weapons in a song about gluttony entitled To Feed The Worms, inviting us all to dance and raise our horns together with the band in a solid display of Progressive and Melodic Metal, not to mention another awesome vocal performance by Eleonora; and a gripping vibe sets the tone in the ballad A Darker Shade Of Me, dealing with the sin of wrath, where Eleonora declaims the song’s poetic lyrics accompanied by acoustic guitars. Following such introspective tune, the band gets back to a more electrifying sonority firing the epic and imposing Where Is The Light, a song about faith led by the Black Sabbath-inspired beats by Norman and the sharp riffage by Paul and Omar. The rumbling, low-tuned bass by Daniel kick off the also melodic Timelines, revolving around the sin of sloth, evolving into a Gothic Metal ballad by Marble that will please all fans of this more delicate side of metal music, with Eleonora stealing the show with her smooth vocals, whereas putting the pedal to the metal it’s time for a classic Heavy Metal feast about charity by Marble entitled Daymare Town, where Jacopo is on absolute fire with his whimsical keys, living up to the legacy of renowned acts the likes of Nightwish and Epica, before soulful riffs and dark bass lines are offered to us all in the instrumental outro Sins And Virtues Ending, closing the album in a somber and melancholic manner.

marble-2021If you want to have a better taste of how the seven deadly sins and the three theological virtues taste and feel in S.A.V.E, you can stream the full album on Spotify, but of course in order to show your utmost support to those Italian metallers you should start following them on Facebook and on Instagram, subscribe to their YouTube channel for more of their great music, and above all that, purchase your favorite copy of S.A.V.E by clicking HERE, as well as from Dead Pulse or Apple Music. As we’re all sinners in the end, why not succumb to our deepest sins and desires to the sound of the Melodic Metal played by Marble? I’m sure the band would love to be part of the soundtrack to your most wicked and immoral moments.

Best moments of the album: What Leads Us To, To Feed The Worms and Daymare Town.

Worst moments of the album: My Mask Collection.

Released in 2021 Sliptrick Records

Track listing
1. Mine 4:38
2. Heartless Disease 3:50
3. 30 Silver Coins 4:41
4. My Mask Collection 4:46
5. What Leads Us To 5:49
6. To Feed The Worms 4:36
7. A Darker Shade Of Me 2:38
8. Where Is The Light 4:17
9. Timelines 3:55
10.Daymare Town 4:05
11. Sins And Virtues Ending 1:57

Band members
Eleonora Travaglino – vocals
Paul Beretta – guitar
Omar Gornati – guitar
Jacopo Marchesi – keyboards
Daniel Fleba – bass
Norman Ceriotti – drums

Guest musician
Maurizio Caverzan – additional vocals on “30 Silver Coins”

Album Review – Tragedian / Seven Dimensions (2021)

This multicultural Melodic Power Metal unity hailing from Germany is ready to enlighten our destiny to the sound of their fourth full-length album, presenting to the world a new and reinvigorated lineup.

The esoteric and the obscure. Tales of the eternal fight between darkness and light… Formed by arcane energies. The mysteries that lay beyond human recognition. We are Tragedian, Power Metal that enlightens your destiny!

Formed in 2002 by American guitarist, songwriter and producer Gabriele Palermo, Tragedian are a multicultural metal band from Hamburg, Germany with a range of influences from Heavy Metal to Speed and Melodic Power Metal, taking their favorite elements from each genre and making their own interpretation. Currently comprised of the aforementioned Gabriele Palermo on the guitars together with Venezuelan vocalist Joan Pabón, German bassist Dawid Wieczorek, German keyboardist and pianist  Denis Scheither, and Italian drummer Nicolò Bernini, the band is about to unleash their fourth full-length album, entitled Seven Dimensions, the first with Joan, Dawid and Denis on the lineup. Produced by Gabriele himself, post-produced and mixed by Eike Freese at Chameleon Studios in Hamburg, and featuring an ethereal artwork by Polish artist Piotr Szafraniec (Archart Studio), Seven Dimensions takes the band to a different direction of Melodic Metal, showcasing nine new, electrifying anthems plus three previously released tracks reworked by the quintet.

Blazing guitars and whimsical keys kick off the Melodic Metal extravaganza titled Rising Rage, with Nicolò dictating the rhythm with his classic beats in a fast, harmonious and epic manner just the way we like it, and with Joan proving why he was chosen to be the band’s new lead singer. Then more of Gabriele’s slashing riffs and solos penetrate deep inside our ears in Aloneless, where Dawid and Nicolò’s low-tuned, rumbling sounds make a vibrant paradox with Denis’ classy keys. Put differently, it will certainly please all fans of bands like Stratovarius, Rhapsody of Fire and Angra, whereas investing in a more direct sonority, the band blends the electricity of Power Metal with the rebelliousness of old school Heavy Metal and Hard Rock in Out of the Dark, featuring guest guitars by Dan Palmer (Zebra Head, Death By Stereo), and the final result is simply awesome. And putting the pedal to the metal the quintet fires the melodic hurricane Darkest of My Days, where Joan is amazing on vocals supported by the unstoppable drums by Nicolò, not to mention the razor-edge guitar lines by Gabriele.

In Bringer of Dreams, featuring guest vocals by Wade Black (Crimson Glory, Leatherwolf), after a not-so-promising start the music fortunately evolves into another solid feast of Melodic Power Metal by Tragedian, with Joan and Wade bringing joy to our hearts with their dynamic vocal duo; and it’s time for a power ballad led by Joan’s passionate vocals and Denis’ melancholic piano notes entitled Crying in the Rain, also presenting background female vocals which bring an additional touch of finesse to the overall result, albeit going on for too long. Back to a more imposing and epic musicality, Nicolò kicks ass once again on drums while Gabriele keeps extracting sheer adrenaline from his axe in Enlightened, all spiced up by a classic Stratovarius-inspired keyboard solo by Denis, followed by an avalanche of classic riffs and nonstop drums in Forevermore, with the groovy bass punches by Dawid bringing thunder to the music. Needless to say, it can’t get any more melodic than this.

Destiny sounds relatively generic compared to the rest of the album, which doesn’t mean it’s a bad song, though, it’s just that it falls flat after a while despite the solid instrumental pieces blasted by the quintet. Then Joan showcases all his vocal potency and range is his mother tongue in Para Siempre (Forever), a very entertaining tune (and of course very special and personal for Joan himself) that results in a lecture in Spanish Melodic Metal; and those power metallers are never tired of embellishing the airwaves with their stylish sounds like what they do in The Journey, where Gabriele and Denis are once again in absolute sync form start to finish. Guest vocalist Zak Stevens (Savatage, Circle II Circle) adds his touch of melancholy and epicness to the inspiring ballad Forces of the Light, where we’re invited to let Tragedian’s enfolding music soothe our souls while Joan and Zak give a lecture in vocal performance, closing the digital edition of the album. However, you should definitely go for the CD version of Seven Dimensions, as the bonus tracks Crying in the Rain (duet version) and Forces of the Light (full orchestral version) are definitely worth the investment in the physical edition, especially the orchestral version for the embracing ballad with Zak Stevens.

As already mentioned, the addition of Joan, Dawid and Denis to Tragedian’s lineup brought a new share of epicness, melody and creativity to Gabriele’s brainchild, with Seven Dimensions perfectly depicting the band’s renewed energy throughout each one of the albums’ ten vibrant tracks (or twelve, if we also count the two bonus tracks of the CD version). Having said that, let’s all show the guys from Tragedian how much we admire their music, and that they’ve chosen to follow an exciting path in this new phase of their career by giving them a shout on Facebook and on Instagram, by streaming more of their music on Spotify, and especially by purchasing a copy of Seven Dimensions or by streaming it in full by clicking HERE. This is first-class, international Melodic Power Metal that deserves our attention and recognition, my friends, and let’s hope Gabriele and his melodic army keep delivering sheer awesomeness to all of us with all of their future releases, always displaying their refined techniques, and of course, their passion for heavy music.

Best moments of the album: Rising Rage, Out of the Dark, Forevermore and Forces of the Light.

Worst moments of the album: Crying in the Rain and Destiny.

Released in 2021 Pride & Joy Music

Track listing
1. Rising Rage 4:19
2. Aloneless 4:03
3. Out of the Dark 3:42
4. Darkest of My Days 3:42
5. Bringer of Dreams 5:35
6. Crying in the Rain 4:48
7. Enlightened 5:01
8. Forevermore 4:13
9. Destiny 4:19
10. Para Siempre (Forever) 3:37
11. The Journey 4:32
12. Forces of the Light 6:35

CD Edition bonus tracks
13. Crying in the Rain (duet version) 4:49
14. Forces of the Light (full orchestral version) 4:50

Band members
Joan Pabón – vocals
Gabriele Palermo – guitar
Dawid Wieczorek – bass
Denis Scheither – keyboards, piano
Nicolò Bernini – drums

Guest musicians
Wade Black – vocals on “Bringer of Dreams”
Zak Stevens – vocals on “Forces of the Light”
Dan Palmer – guitars on “Out Of The Dark”

Album Review – Eleine / Dancing In Hell (2020)

The time has come for us all to dance in the fires of hell to the sound of the striking new opus by this unstoppable Swedish Symphonic Metal group.

My dear metalheads, if you haven’t taken a listen yet at any of the songs from Dancing In Hell, the brand new opus by Landskrona, Sweden-based Symphonic Metal unity Eleine, I highly recommend you do so as soon as possible and get ready to be absolutely stunned by frontwoman Madeleine “Eleine” Liljestam, guitarist Rikard Ekberg, bassist Anton Helgesson and Jesper Sunnhagen throughout the 50 minutes of first-class, undisputed music found in what’s most probably the best Symphonic Metal album of 2020. With Dancing In Hell, the follow-up to their awesome 2019 EP All Shall Burn,  Eleine sound even more powerful, beautiful and unique than in their previous releases, taking a natural step into darker and heavier sounds and setting a new standard within the symphonic genre with hard-hitting, melodic and seductive metal hymns. Written and produced by Rikard and Madeleine, mixed, mastered and co-recorded by Thomas “Plec” Johansson at The Panic Room, and featuring another incendiary and sexy artwork by Néstor Ávalos, the album brings forward stories of inner demons, strength and loss, all embraced by majestic passages, heavy-as-hell riffs and the always sharp and hypnotizing voice of the one and only Madeleine.

Eleine kick off their amazing album with Enemies, originally released in their incendiary 2019 EP, and I won’t repeat myself and say how awesome this tune is. Simply enjoy all of its power and epicness, which is also the case in the title-track Dancing in Hell, one of the band’s heaviest compositions since their inception, offering our ears a massive wall of sounds boosted by symphonic elements with Jesper being unstoppable on drums, while Eleine embellishes the airwaves with her piercing vocals as usual. Then in Ava of Death we’re treated to in-your-face words beautifully declaimed by Eleine (“We will not forgive / Nor will we forget / The willful deceit that spread / Your future is dark / Soon filled with regret”) while Rikard and Anton slash their stringed weapons in a true headbanging mode, whereas it’s time to go full symphonic and epic in Crawl from the Ashes, with Jesper dictating the song’s imposing rhythm while Rikard continues to add the word “metal” to the overall musicality. And Eleine kidnaps our senses once again in As I Breathe, giving life to the song’s dark lyrics (“Have you no eyes at all / You’re standing against your own kind / Sickness from mind and heart / Eating flesh of those who risk it all / We’ll rise / You’ll fall / We run / You crawl”) while her bandmates fire a crisp fusion of Symphonic, Melodic and Groove Metal.

Anton takes the lead with his rumbling, metallic bass jabs in Memoriam, a mid-tempo symphonic tune tailored for admirers of the music by bands like Epica and Nightwish where all background elements only make the song even more thrilling and vibrant, followed by Where Your Rotting Corpse Lie (W.Y.R.C.L.), almost six minutes of grandiose metal music for our total delight where Rikard is not only bestial with his flammable riffs but also with his sick, deep guttural, while Jesper keeps the atmosphere heavy and dense with his unstoppable drums. All Shall Burn is the second song from their 2019 EP, and once again there’s nothing else to say about such amazing and imposing tune, whereas Die from Within is a lot more melodic than its predecessors, with Rikard sounding astounding on the guitar while Eleine brings her touch of finesse and passion to this metallic Opera-inspired tune, showcasing a beautiful paradox between her angelical voice and Rikard’s harsh roars. Lastly, after the serene and melancholic piano interlude The World We Knew, the band offers us all a cinematic and symphonic version for Die from Within, even more enfolding than the original one, with Eleine displaying all her vocal potency, therefore having an absolutely passionate performance supported by all the song’s booming orchestrations.

As already mentioned in the beginning of this review, Eleine are absolutely majestic throughout the entire Dancing In Hell, not only perfectly representing all the magic, epicness and feeling of classic Symphonic Metal in each of the album’s 11 tracks, but also sounding fresh and distinguished in a genre that’s considered already saturated by many critics and fans from all over the world. If you don’t believe me, you’ll have to wait a few more days to be undoubtedly surprised by Madeleine, Rikard & Co. when Dancing In Hell is officially released, but until then you can obviously take a look at what the band’s up to on Facebook and on Instagram, watch all of their astonishing official videos (including all the singles already released from their new album) on YouTube, stream more of their music on Spotify and, above all, purchase a copy or select your favorite streaming version of the album by clicking HERE or HERE, as well as buy a great selection of music, tees, prints and accessories from their own webstore. The time has come for us all to dance in the scorching fires of hell, and there’s nothing better than Eleine’s striking new album to serve as our devilish soundtrack to that.

Best moments of the album: Enemies, Dancing in Hell, As I Breathe and Where Your Rotting Corpse Lie (W.Y.R.C.L.).

Worst moments of the album: None.

Released in 2020 Black Lodge Records

Track listing
1. Enemies 5:22
2. Dancing in Hell 5:06
3. Ava of Death 4:06
4. Crawl from the Ashes 4:02
5. As I Breathe 3:56
6. Memoriam 6:15
7. Where Your Rotting Corpse Lie (W.Y.R.C.L.) 5:55
8. All Shall Burn 4:21
9. Die from Within 4:38
10. The World We Knew 1:35
11. Die from Within (Symphonic Version) 4:34

Band members
Madeleine “Eleine” Liljestam – vocals
Rikard Ekberg – guitar, growls, vocals
Anton Helgesson – bass
Jesper Sunnhagen – drums

Album Review – Memoira / Carnival of Creation (2020)

Combining a symphonic atmosphere with beautiful female vocals, this Finnish Gothic Metal outfit is back after a long hiatus with their third (and amazing) full-length album.

Known for their melancholic melodies and powerful guitar riffs, while combining a symphonic atmosphere with beautiful female vocals, Pori/Jyväskylä, Finland-based Symphonic Gothic Metal act Memoira is back after a long hiatus with their third full-length album, entitled Carnival Of Creation, the follow-up to their 2008 self-titled debut album and to their 2013 release Memories, Tragedies, Masquerades. Featuring a dark and melancholic artwork by Finnish artist Niina Varheenmaa, Carnival of Creation is highly recommended for fans of the music by Kamelot, Nightwish and Delain, among others, showcasing all the passion for the darkest and most delicate side of metal by founding members Jani Puusa on the guitars and Lassi Nuolivaara on keyboards and piano, together with newcomers Annika Jalkanen (For Selena and Sin, Blood Region) on vocals, Hannu Lindholm (The Howl) on the guitars, Niko Laaksonen (Randy Reckless, Blowtorch, Rorschach) on bass and Matti Virtanen (Dark Tone Company, Concrete Words, Anomaly) on drums.

And the gentle piano notes by Lassi intertwined with the enfolding voice by Annika set the tone in the charming opening track Dawn of Time, a very pleasant fusion of Gothic Metal and modern Hard Rock to properly kick things off in Carnival of Creation, followed by the title-track Carnival of Creation, bringing forward circus-inspired keys, potent beats by Matti and a strong symphonic vibe, with the band’s guitar duo Jani and Hannu keeping the ambience as dense and electrifying as possible through their riffs. Then get ready for over six minutes of adrenaline and groove in Queen Element, where sheer poetry flows from Annika’s mesmerizing vocals (“First rays of the sun awake the sleeping land / The roots of the bitter earth shall guide her hand / She pours the wine, sweet taste of divine”) while Niko pounds his bass in great fashion accompanied by the kick-ass drums by Matti; whereas sounding like a symphonic and delicate 80’s-inspired version of the Melodic Metal played by Stratovarius, Hunter’s Moon will please all fans of Scandinavian metal, with Lassi being in absolute sync with Niko and Matti, therefore generating a bold and gripping atmosphere.

Dark Passenger is an embracing metal waltz by Memoira that will penetrate deep inside your soul, with Annika once again stealing the spotlight with her dark and gentle vocals while her bandmates provide her a beautiful wall of sounds perfect for her to shine even brighter; and clearly inspired by the trademark sonority by Nightwish, Shooting Star reminds me of one of their greatest classics “Nemo”, with Niko bringing the groove with his rumbling bass. Put differently, it couldn’t have sounded more pleasant nor more atmospheric, which is also the case in Snowglobe, another gentle composition by Memoira with Annika taking the lead once again accompanied by the melancholic and smooth piano notes by Lassi, resulting in a lecture in Gothic Rock and Metal made in Finland. Last but not least, it’s time for a thrilling fusion of Gothic and Symphonic Metal in Crimson Bride Symphony, where all band member are on absolute fire, especially Jani and Hannu with their precise riffage, while Annika invites us all to dance to Memoira’s top-of-the-line music.

In a nutshell, Carnival of Creation, which is available for a full listen on Spotify, will undoubtedly take Memoira back to the position they deserve in the world of heavy music as one of the most interesting and talented bands from the Finnish Gothic scene, and if you want to show your support to such amazing band from the land of ice and snow you should follow them on Facebook and on Instagram, subscribe to their YouTube channel, and of course grab your copy of the album from their own webstore, from the Inverse Store, from Apple Music or from Amazon. Memoira seem to be back for good, inviting us all to join them in their dark and atmospheric carnival of Symphonic Gothic Metal, with their new album pointing to a bright and thrilling future ahead of those skillful Finnish rockers.

Best moments of the album: Dawn of Time, Queen Element and Crimson Bride Symphony.

Worst moments of the album: None.

Released in 2020 Inverse Records

Track listing
1. Dawn of Time 5:52
2. Carnival of Creation 5:54
3. Queen Element 6:12
4. Hunter’s Moon 5:15
5. Dark Passenger 6:16
6. Shooting Star 5:45
7. Snowglobe 6:50
8. Crimson Bride Symphony 7:50

Band members
Annika Jalkanen – vocals
Jani Puusa – guitar
Hannu Lindholm – guitar
Lassi Nuolivaara – keyboards, piano
Niko Laaksonen – bass
Matti Virtanen – drums

Album Review – Helion Prime / Question Everything (2020)

A stunning concept album of Power Metal with each song revolving around different figures throughout human history who had the courage to question the status quo of their respective worlds and societies.

Two years after the release of their sophomore album Terror of the Cybernetic Space Monster, the unstoppable Sacramento, California-based Sci-Fi Power Metal entity Helion Prime returns with their third effort (and the much shorter title) Question Everything, their first album with new vocalist Mary Zimmer, from bands like Luna Mortis, The Ottoman Empire, Earthen and White Empress, among others, who has also accompanied the band on two separate tours of the United States. Not only that, Question Everything also sees the band’s original singer, Heather Michele, returning in a writing capacity and contributing in all lyrics and melodies, supporting guitarists Jason Ashcraft and Chad Anderson, bassist Jeremy Steinhouse and drummer Alex Bosson in their quest for science and heavy music. Mixed by Chris Collier and mastered by Brett Caldas-Lima with additional mixing, drum edits and reamping by Alex Nasla of Gear Gods Studio, and featuring a stylish cover art by American artist Marc Whisnant, Question Everything is a concept album with each song revolving around different figures throughout human history who had the courage to question the status quo of their respective worlds and societies, in some cases even dealing with harsh persecution as a result.

The exciting opening track The Final Theory kicks off in full force to the strident guitars by Jason and Chad, setting the stage for Mary and her smooth, powerful vocals and offering our avid ears some good classic Melodic Metal to start their 60-minute journey through space and science. In Madame Mercury, a beautiful song in honor of American mathematician Katherine Johnson (who sadly passed away earlier this year), whose calculations of orbital mechanics during her 35 years as a NASA employee were critical to the success of the first and subsequent US crewed spaceflights, we’re treated to strong lyrics declaimed by Mary (“Born in a time defined / By bias in our laws / Held to a standard of / Injustice with no cause / Came a mighty force of reckoning / A gale of objectivity / One with the audacity / To know where she belonged”) while the music remains solid, cohesive and epic from start to finish; followed by Prof, a headbanging tune led by the galloping bass and beats by Jeremy and Alex, with the music growing in intensity until reaching a truly epic rhythm and vibe, and with its background keys also making an interesting paradox with the slashing riffs by the band’s guitar duo.

In The Gadfly, based on the one and only Greek philosopher Socrates, a serene intro explodes into a fusion of modern-day Power Metal with Symphonic and Melodic Metal, resulting in one of the most progressive of all songs, with the solos by Chad being absolutely incendiary. Then we have the breathtaking Photo 51, based on the life and discoveries of English chemist and X-ray crystallographer Rosalind Franklin, showcasing their most Iron Maiden/Helloween-inspired vein and with Mary living up to the legacy of grandiose female vocalists the likes of Brittney Slayes and Floor Jansen, not to mention how bestial Alex is behind his drums, whereas strident guitars ignite another Heavy Metal extravaganza titled E Pur Si Muove, where its keys add an extra touch of finesse to the overall result while Jason, Chad and Jeremy blast their stringed weapons in great fashion. And featuring guest vocals by American singer John Yelland (Judicator, Dire Peril, Principium), Words of The Abbot is another fast-paced, epic creation by Helion Prime, with the amazing job done by both Jason and Chad on the guitars providing Mary all she needs to shine on vocals once again.

Based on the fictional character Dr. Cornelius from the 1968 masterpiece Planet of the Apes (and I must say how much I love this movie, having watched it for the first time when I was just a little boy with my dad), The Forbidden Zone brings forward dark and epic lyrics (“What lies beyond / Those barren mountains / Hiding on that shore / I refrain”) with the music remaining absolutely loyal to the band’s foundations, offering us all their purest display of Symphonic Power Metal; followed by the title-track Question Everything, featuring the band’s former vocalists Heather Michele (Graveshadow) and Sozos Michael (Planeswalker), something I believe only Helloween had done before in the song “Pumpkins United”, with Michael Kiske, Andi Deris and Kai Hansen sharing the vocal duties. And let me tell you that the Helion Prime vocal triumvirate kicks some serious ass throughout the entire song, while Jason, Chad, Jeremy and Alex breathe fire, adrenaline and speed through their respective instruments. Then despite it’s 80’s inspired rhythm and vocal lines, as well as the soulful solos by Chad, Reawakening never really takes off, falling flat after a while, but fortunately for all of us the band closes the album with their cover version for Kong at the Gates/Forbidden Zone, from their 1999 album Famous Monsters by the Misfits (check out the original version HERE), with Helion Prime’s version sounding amazing (and very melodic) while presenting the band’s own twist, speahrheaded by the rebellious vocals by Mary.

“This album has truly been amazing to work on. The idea behind it is something I’ve been holding on to since around the time I started the band. Aside from writing some of what I consider to be Prime’s best work it was a great experience getting to work with Heather again on an album as she once again contributed her talents for the lyrics,” said Jason about the band’s newborn opus, and we must all admit it’s indeed their most complex and detailed about since their inception back in 2014. Well, when a Sci-Fi Metal band is named after an alien planet featured in the film The Chronicles of Riddick, you know their music will have a lot of content to support all their noise, right? It’s like if we could call their style “Nerd Metal” in the best way possible, and if you want to experiment their nerdy and thrilling music you can stream Question Everything in full on Spotify. In addition, don’t forget to also follow the band on Facebook and on Instagram, and above all, to purchase your copy of their new album from their own webstore, from Apple Music or from Amazon. Those Helion Prime chose to write about in Question Everything faced prejudice, mockery and persecution, yet through it all they held true to their beliefs and ideas, serving as an inspiration for all minds to continue thinking outside the box and staying true to themselves, and of course for Helion Prime to unleash upon us one of the best Symphonic Power Metal albums of the year.

Best moments of the album: Photo 51, Words of The Abbot and Question Everything.

Worst moments of the album: Reawakening.

Released in 2020 Saibot Reigns

Track listing
1. The Final Theory 4:20
2. Madame Mercury 4:19
3. Prof 3:55
4. The Gadfly 6:35
5. Photo 51 5:13
6. E Pur Si Muove 5:48
7. Words of The Abbot 4:55
8. The Forbidden Zone 4:32
9. Question Everything 5:56
10. Reawakening 6:54
11. Kong at the Gates/Forbidden Zone (Misfits cover) 3:39

Band members
Mary Zimmer – vocals
Jason Ashcraft – rhythm guitars
Chad Anderson – lead guitars
Jeremy Steinhouse – bass
Alex Bosson – drums

Guest musicians
John Yelland – vocals on “Words of The Abbot”
Heather Michele – vocals on “Question Everything”
Sozos Michael – vocals on “Question Everything”

Album Review – Reternity / A Test Of Shadows (2020)

Just one year after the release of their debut album, this German Melodic Heavy Metal outfit returns in full force with a worthy and stronger successor in every way.

Just one year after the release of Facing the Demon and after several successful club shows and festivals, the creative duo consisting of frontman Stefan Zörner and guitarist Carsten Sauter, together with guitarist Oskar Schmidt, bassist Didi Schenk and drummer Suat Gören, collectively known as Heilbronn, Germany-based Melodic Heavy Metal outfit Reternity, are back in full force with their sophomore album entitled A Test of Shadows, a worthy and stronger successor in every way. Produced in cooperation with Jonas Kümmerle at Analog Mixing Studio, A Test Of Shadows brings forward compact songs without unnecessary lengths, always spiced up by the melodic and expressive vocals of Stefan as well as the powerful and original riffs of Carsten, with a musical spectrum ranging from homages to the Speed and Thrash Metal scene of the blissful 80’s to heavy and danceable mid-tempo hymns and neck-breakers, resulting in a sound that should quickly grow on the heart of every friend of melodic, varied metal.

A creepy version to an excerpt from Ludwig van Beethoven’s Symphony NO. 9 in D Minor, OP. 125: IV. Finale: Presto – Allegro Assai – Rezitativo – Allegro Assai sets the stage for Sniper’s Death, where Suat begins crushing his drums in great fashion, offering Stefan all he needs to shine on vocals in a thrilling and heavy-as-hell Melodic Heavy Metal feast, also showcasing Thrash Metal-infused guitars. There’s more of their groovy and smashing riffs in This Is the End, courtesy of the band’s infernal guitar duo Carsten and Oskar supported by Didi’s rumbling bass, keeping the album at a high level of adrenaline and exhaling pure metal, and it’s interesting to see how the band has invested a lot more on the thrill and heaviness of classic Heavy Metal this time rather than the melody of their previous release as in My Crush, with Stefan doing a great job declaiming the song’s passionate lyrics. In the title-track A Test of Shadows, a very progressive and dark creation by Reternity, Carsten’s and Oskar’s riffage sounds as razor-edged as possible, with Suat dictating the pace with his intricate beats and fills. Needless to say, this should sound amazing when played live; and  starting with elements from Groove Metal and from the heavier-than-usual rock blasted by Volbeat and Godsmack they offer us all A Grave Called Home, alternating between more introspective, serene moments and obscure, pounding guitars and drums.

Time to put the pedal to the metal once again in (We Were) the Gods, with Stefan’s precise vocal lines being amazingly supported by his bandmates’ backing vocals in a hybrid of classic Heavy Metal with contemporary Melodic Metal, not to mention Suat’s old school beats, and they keep hammering our heads with their fusion of harmony and aggressiveness in Falling Shadows, where Didi once again blasts metallic sounds form his bass while the band’s guitar duo offers our ears Iron Maiden-inspired riffs. In You’ll See the Sun they tried to sound a little bit more stoner or alternative than usual; however, it didn’t work as well as expected, with even Stefan’s vocals sounding uninspired and bland, feeling disconnected from the rest of such amazing album. Fortunately, in No Deeper Hole the boys get back to a more frantic and berserk mode thanks to the smashing drums by Suat and the always incendiary riffs and solos by Carsten and Oskar, and the sheer electricity flowing from all instruments will surely generate some nice circle pits during their live concerts. Lastly, obscure piano notes kick off the somber and melancholic Stranded, created in collaboration with Jazz musician Aljoscha Crema, by far the most personal of all songs where Stefan has another superb performance on vocals, putting a gentle and introspective ending to A Test Of Shadows.

In summary, if you consider yourself a diehard fan of melodic and classic Heavy Metal, I highly recommend you take a shot at A Test Of Shadows, first by streaming the album in full on YouTube and on Spotify, and then, even more important than that, by purchasing the album from your favorite retailer, including the MDD shop, Nuclear Blast, Apple Music and Amazon. Also, don’t forget to follow Reternity on Facebook for news, tour dates and other nice-to-know details about Stefan, Carsten & Co., as I’m more than sure those German metallers will keep embellishing the airwaves with their refined and extremely pleasant creations for many years to come, just like what they have to offer us in A Test Of Shadows, an album that explains why not only the big German bands like Scorpions and Helloween have conquered the world of heavy music, but also why the underground scene in Germany is by far one of the best in the entire world.

Best moments of the album: (We Were) the Gods, Falling Shadows and No Deeper Hole.

Worst moments of the album: You’ll See the Sun.

Released in 2020 Black Sunset

Track listing
1. Symphony NO. 9 in D Minor, OP. 125: IV. Finale: Presto – Allegro Assai – Rezitativo – Allegro Assai (Intro) 0:19
2. Sniper’s Death 4:08
3. This Is the End 3:21
4. My Crush 4:12
5. A Test of Shadows 4:29
6. A Grave Called Home 5:07
7. (We Were) the Gods 4:11
8. Falling Shadows 4:06
9. You’ll See the Sun 4:29
10. No Deeper Hole 2:47
11. Stranded 5:18

Band members
Stefan Zörner – vocals
Carsten Sauter – guitars
Oskar Schmidt – guitars
Didi Schenk – bass
Suat Gören – drums

Guest musician
Aljoscha Crema – piano on “Stranded”

Album Review – Winter’s Verge / The Ballad of James Tig (2020)

One of Cyprus’ most successful metal bands returns with their most ambitious project to date, telling the story of a man who lost his family at sea seeking revenge against a sea monster.

One of Cyprus’ most successful metal bands of all time, Nicosia-based Symphonic Power Metal act Winter’s Verge has been on a roll since their inception in 2005, having released so far four studio albums and three EP’s, and building a strong reputation as one of the most exciting live acts in Cyprus with a powerful blend of Epic, Melodic and Symphonic Metal. Currently comprised of George Charalambous on vocals, Deniel Pavlovsky and Savvas Parperi on the guitars, Miguel Trapezaris on bass, Stavry Michael on keyboards and Danny Koullis Georgiou Conway on drums, Winter’s Verge’s music is highly conceptual and takes place within a mythological realm called Tiberon, with all songs and lyrics allowing fans to explore the themes, characters and locations for their own interpretation. Now in 2020, after three years in the making, the band is ready to stun us all once again with The Ballad of James Tig, their fifth full-length opus and their most ambitious projects to date, telling the story of James Tig, a man who lost his family at sea when he was a young boy and had set his life-long dream to find the legendary Killagorak, a sea monster who he believes was what killed his family when he was very young, therefore seeking revenge.

With a concept and lyrics by renowned local author and playwright Frixos Masouras, featuring a classic artwork designed by George Vasiliou, mixed and produced by vocalist George Charalambous himself, mastered by George Eracleous at Oneirism Studios, and featuring guest vocalist Teodora Stoyanova Freya (known for her work with Bulgarian Viking Metal band Freija and with a metal project called Magic of the North) playing the part of Nina in the story, The Ballad of James Tig is not just another concept storyline, but a much bolder project by Winter’s Verge with a huge sounding scope and symphonic sound, cementing the band’s name as one of the most exciting and innovative metal bands from the entire Eastern Mediterranean region.

Get ready to embark on a musical voyage together with Winter’s Verge, beginning with the symphonic and serene opening aria It Begins, with George taking the lead with his soulful vocals while his bandmates embellish the airwaves with their respective instruments, whereas the keys by Stavry and all background orchestrations are soon joined by the pounding Power Metal drums by Danny in the heavier and faster A Thousand Souls, where the band’s guitar duo Deniel and Savvas are on fire with their riffs and solos, also presenting tons of breaks and variations to make things even more impactful. Sounding very theatrical from the very first second, Dead Reckoning is a lot more symphonic than metallic, which obviously means the focus is on its melody rather than its heaviness, while George does a great job once again on vocals, and featuring Teodora as a guest vocalist for the first time we have the charming and enfolding Timeless, with the delicate piano notes by Stavry adding an extra touch of finesse to this beautiful ballad by Winter’s Verge.

Killagorak (yes, the monster itself) is a two-minute imposing, epic interlude that will embrace you and prepare your senses for the breathtaking I Accept, starting in full force spearheaded by Danny and his intricate and powerful beats while Deniel and Savvas keep slashing their strings in great fashion, once again with Teodora and George making a dynamic vocal duo for our total delight. Then we have Blood on the Foam, a pirate-inspired Metal Opera where the Progressive Power Metal played by Winter’s Verge is flawlessly intertwined with pure symphonic passages, not to mention how thunderous the bass jabs by Miguel and the drums by Danny sound; and we’re treated to one final round of Teodora’s gorgeous, operatic vocals in The Sea, offering our ears eight minutes of dark passages, introspective vocals and crushing riffs. In the end, you’ll feel absolutely mesmerized by such detailed and thrilling song, before The Ballad of James Tig, a true ballad of the seas, closes the album on a high note, with its semi-acoustic guitars and tribal beats permeating the air and putting a climatic and melancholic conclusion to the story told by Winter’s Verge.

You can get in touch with such distinguished band on Facebook and subscribe to their YouTube channel for more of their stylish music and official videos, but of course in order to show your utmost support to underground Symphonic Metal you should definitely purchase The Ballad of James Tig from your favorite retailer such as Nuclear Blast, Season of Mist, EMP, Apple Music and Amazon, as well as stream the album in full on Spotify as soon as it’s released in the coming weeks. It’s truly mesmerizing the way Winter’s Verge told the tale of James Tig in their new album, uniting music and storytelling in a compelling way and, above all that, providing us fans of heavy music a very good reason to sail the unruly waters of the mythological realm if Tiberon together with James Tig himself, and obviously with our six talented Cypriot metallers.

Best moments of the album: A Thousand Souls, I Accept and The Sea.

Worst moments of the album: Dead Reckoning.

Released in 2020 Pride & Joy Music

Track listing
1. It Begins 6:57
2. A Thousand Souls 4:57
3. Dead Reckoning 4:41
4. Timeless 6:57
5. Killagorak 2:11
6. I Accept 5:03
7. Blood on the Foam 6:06
8. The Sea 7:59
9. The Ballad of James Tig 4:07

Band members
George Charalambous – vocals
Deniel Pavlovsky – guitars
Savvas Parperi – guitars
Miguel Trapezaris – bass
Stavry Michael – keyboards
Danny Koullis Georgiou Conway – drums

Guest musician
Teodora Stoyanova Freya – female vocals on “Timeless”, “I Accept” and “The Sea”

Album Review – Re-Armed / Ignis Aeternum (2020)

A modern, melodic and entertaining album of heavy music about positivity, about constant change and seeing life as it is in every level, directly from Finland into your heart and soul.

Mixing their trademark Melodic Death Metal with classic Death and Thrash Metal and symphonic influences in order to bring to the scene a more vibrant and modern sound, Kerava, Finland-based unity Re-Armed has been on a constant evolution since their inception in 2001, moving from what’s usually known as the Gothenburg sound to their current shape and form, culminating with the release of their brand new album Ignis Aeternum, the fourth full-length opus in their solid career. Produced and recorded at Studio UG and mixed at ShedStudios in Kerava,  mastered at Audiamond in Niinikoski, Finland, and featuring a caustic and grim artwork by Brazilian artist Romulo Dias, Ignis Aeternum is about positivity, about constant change and seeing life as it is in every level. It is a trip, a breathtaking view about life’s diversity, and an ode to life, all embraced by the slashing metal music blasted by frontman Jouni Matilainen, guitarists Allan Välimaa and Oskari Niekka, bassist Juhana Heinonen and drummer Iiro Karjalainen with tons of precision, dexterity and feeling, just the way we like it in Melodic Death Metal.

It’s time to put the pedal to the metal together with the guys from Re-Armed in the epic and insurgent Dive Within, with Iiro sounding absolutely bestial on drums, providing his bandmates all they need to kick some serious ass with their respective sonic weapons, spiced up by a beautiful ending featuring a stanza taken from Eino Leino’s poem “Hymni Tulelle”. Then we’re treated to more of the melodic and electrifying sounds crafted by the quintet in Beyond the Horizon, sounding futuristic and extremely sharp while Allan and Oskari fire some Arch Enemy-inspired riffs accompanied by the whimsical keys by guest Sami Tiittanen; and the rumbling bass jabs by Juhana kick off the vibrant Melodic Death Metal extravaganza titled Ode to Life, featuring guest guitarist Euge Valovirta (CyHra, Godsplague), a song perfect for breaking your neck headbanging where their razor-edged guitars are nicely complemented by all epic background elements.

Gentle piano notes quickly explode into violent and atmospheric Melodic Metal in Eager to Collapse, with Iiro and Juhana bringing thunder and groove to the music while Jouni keeps vociferating rabidly, whereas Resistance is even darker and more epic than its predecessors, led by the vile riffage by Allan and Oskari while their bandmates add an extra touch of progressiveness, rage and heaviness to the overall result, inspiring us all to slam into the circle pit. Spiced up by futuristic background keys and tones, the band offers the thrilling The Hollow Lights, blending their trademark Melodic Death Metal with the most venomous elements from Death and Thrash Metal, flowing majestically until its climatic ending, while in Remain Unbounded the band’s guitar duo shreds their strings mercilessly until Iiro comes crushing with his Black Metal-inspired beats, keeping the song at a high level of violence and alternating between vicious, high-speed moments and more intricate, mid-tempo passages.

Get ready to bang your heads like there’s no tomorrow with Re-Armed in Words Left Unsaid, where the bass punches by Juhana will make your skull tremble while Jouni’s growls and roars sound as heavy as hell from start to finish. Following this vicious onrush of sounds the band brings forward Voyager, another solid composition showcasing all their talent and passion for Scandinavian metal, with Jouni and guest vocalist Micko Hell (Denigrate, Gloomy Grim) making a thrilling metallic duet on vocals while Iiro once again shines with his spot-on drumming. Lastly, Re-Armed conclude such great album of heavy music with another sample of their endless energy and firepower in the form of Built to Last, where Allan and Oskari are in absolute sync with Sami’s keys, therefore building the perfect setting for Jouni to thrive with his wicked gnarls until the song end’s in sheer melancholy.

In order to show your utmost support to those talented metallers from the land of ice and snow, simply follow them on Facebook and on Instagram, subscribe to their YouTube channel and search for them on Spotify for more of their music, and above all that, purchase your favorite version of Ignis Aeternum from several locations such as the Black Lion Records’ BandCamp page and Big Cartel, from Record Shop X, from the EMP store, from IndieMerchstore or from Apple Music. The title of the album translates from Latin as “eternal fire”, and there’s nothing better to represent life as a fire that never ceases to exist no matter what, giving the entire album an even stronger meaning and purpose and, consequently, keeping Re-Armed’s inner fire also burning for many years to come in their homeland and anywhere else where modern and captivating metal music is truly appreciated.

Best moments of the album: Dive Within, Ode to Life and The Hollow Lights.

Worst moments of the album: Eager to Collapse.

Released in 2020 Black Lion Productions

Track listing
1. Dive Within 4:31
2. Beyond the Horizon 5:12
3. Ode to Life 4:10
4. Eager to Collapse 3:47
5. Resistance 4:34
6. The Hollow Lights 4:27
7. Remain Unbounded 5:17
8. Words Left Unsaid 4:37
9. Voyager 5:22
10. Built to Last 4:57

Band members
Jouni Matilainen – lead vocals
Allan Välimaa – guitars
Oskari Niekka – guitars, backing vocals
Juhana Heinonen – bass, backing vocals
Iiro Karjalainen – drums

Guest musicians
Euge Valovirta – guitars on “Ode to Life”
Micko Hell – additional vocals on “Voyager”
Sami Tiittanen – keyboards
Aapo Salo – orchestra, symphonic arrangements