This California-based Symphonic Metal entity returns with their most ambitious release to date, showcasing a broader dynamic range, heavier arrangements, and a more pronounced dramatic identity.
Founded in 2015 by vocalist and keyboardist Diego Valadez, and known for their distinctive theatrical approach and dynamic blend of Symphonic, Melodic, and Progressive Metal elements, Los Angeles, California-based outfit Anthea is back with their third full-length album, titled Beyond The Dawn, the follow-up to their 2022 sophomore opus Tales Untold. Recorded at Dream Vale Studios, produced, mixed and mastered by the band’s own Diego Valadez, displaying a stylish artwork by Dávid Busai of Mordiggian Art, and featuring “The Sirens” Mel Del Real and Astrid Anaya on backing vocals, the new album by Diego Valadez on clean vocals, keyboards and orchestration, Juan Pina on harsh vocals and guitars, Marcos Mejia also on the guitars, Gabby Hawk on bass, and Peter Vasquez on drums is undoubtedly their most ambitious release to date, showcasing a broader dynamic range, heavier arrangements, and a more pronounced dramatic identity highly recommended for fans of Dynazty, Kamelot, and Powerwolf.
The title-track Beyond The Dawn blends the finesse of Symphonic Metal with the darkness of Black Metal thanks to the stunning clash of the clean vocals by Diego with the devilish gnarls by Juan, followed by Phantom in the Masquerade, offering a more direct version of Symphonic and Melodic Metal, with Juan and Marcos extracting pure adrenaline from their stringed axes. The Lost Soul sounds as epic and imposing as its predecessors, with Peter adding endless fuel and heaviness to the music with his classic drumming; whereas Awakening (Song for Spring) leans towards the current music played by bands like Epica and Nightwish, with Diego’s vocals being nicely supported by “The Sirens.” And Bygone Age (Chicxulub) is a multi-layered tune that sounds pure Symphonic Metal at times, also venturing through Symphonic Black Metal lands to give it an extra kick.
From Shadows to Light is a cinematic creation by Anthea, showcasing another ass-kicking performance by Peter on drums, supported by the massive bass lines by Gabby, followed by Crystal Moon, a good instrumental tune that unfortunately gets a bit tiresome after a while. They get back on track with the incendiary Wanderer’s Quell, with the riffs and keys by Marcos and Juan transpiring Melodic Power Metal. And it’s time to slow things down and enjoy the dark power ballad Whispers of the Heart, with Diego’s vocals and Marcos’ solo sounding stunning. Duality of Gaia is a straightforward Melodic Metal tune presenting their trademark fusion of clean and harsh vocals, always supported by the classic kitchen by Gabby and Peter; while lastly, we’re treated to their cover version for Tahnee Caine and Tryanglz’s hit Burnin’ in the Third Degree (check the original version HERE, recorded for the 1984 film The Terminator, and featured prominently in the Tech Noir nightclub scenes). Needless to say, they turn the song’s techno essence into sheer metal madness.
“This record pushed us to explore every corner of our sound – from fast and heavy tracks to more emotional and melodic moments,” commented the band, presenting a mature and confident chapter in their journey, offering a cohesive yet varied listening experience shaped by themes of growth, transition, uncertainty, and renewal. Blending compelling melodies, powerful orchestration, and expressive songwriting, the album surely helps the band to establish themselves as a distinctive voice within modern Symphonic Metal. With that said, you can get to know more about Diego Valadez and his Anthea on Facebook an on Instagram, stream their classy music on any platform like Spotify, and of course grab you copy of Beyond The Dawn from Rockshots Records, letting the melodious and electrifying Symphonic Metal by those American metallers penetrate deep inside your metal heart.
Best moments of the album:Beyond The Dawn, From Shadows to Light and Wanderer’s Quell.
Worst moments of the album:Crystal Moon.
Released in 2026 Rockshots Records
Track listing 1. Beyond The Dawn 4:13
2. Phantom in the Masquerade 3:32
3. The Lost Soul 3:44
4. Awakening (Song for Spring) 4:16
5. Bygone Age (Chicxulub) 4:03
6. From Shadows to Light 4:40
7. Crystal Moon 4:11
8. Wanderer’s Quell 3:53
9. Whispers of the Heart 4:46
10. Duality of Gaia 4:12
11. Burnin’ in the Third Degree (Tahnee Caine and Tryanglz cover) 3:38
Band members Diego Valadez – lead vocals, keyboards, orchestration
Juan Pina – rhythm guitars, harsh vocals
Marcos Mejia – lead guitars
Gabby Hawk – bass
Peter Vasquez – drums
Guest musicians
Mel Del Real – backing vocals
Astrid Anaya – backing vocals
The Argentinian guardians of heavy music return with their sixth album, continuing to evolve toward an even more epic and melodic Power Metal sound while shaping a strong and distinctive identity.
Hailing from Buenos Aires, Argentina, the shape-shifting Heavy/Power Metal entity Preludio Ancestral returns in 2026 with a new opus, entitled Guardians of Twilight, following up on their underground cult albums Hacia lo inmortal (2012), Kybalion (2015), El misterio de la pasión divina (2016), Oblivion (2018), and Magnus (2023). Currently formed of Jackson “Jax” Harwood and Cole Maverick Turner on vocals, the band’s mastermind Leonardo Gatti on the guitars, keyboards, orchestrations and bass (who was also responsible for composing, mixing and mastering the album), Juan Pablo Kilberg also on the guitars, and Martin de Pas on drums, the band continues to evolve toward an even more epic and melodic Power Metal sound in their new opus, shaping a strong and distinctive identity while reaffirming Leonardo’s epic vision and status as one of Latin America’s most inspired composers in the genre.
The striking guitars by Leo and Juan permeate the air in the epic and powerful Blades of the Burning Sky, also presenting soaring vocal lines with elements from Hard Rock and AOR, which in the end sounds amazing, followed by Riders of the Crimson Storm, another song with a beyond Power Metal name led by Martin’s unstoppable beats and fills. The Shadow Throne is a bit generic compared to the previous songs, not as powerful nor engaging, but the vocal lines are again impeccable, whereas in Flame of the Eternal Dragon the name and the sound transpire Rhapsody of Fire, blending the finesse of Symphonic Metal with the excitement of Power Metal. Leo and Juan are on fire with their killer riffs and solos in The Storm of a Thousand Wings, boosted by Leo’s own keys, orchestrations and thunderous bass; and the band goes full Melodic Rock and AOR in The Sorceress of My Heart, with their soulful guitar solos walking hand in hand with the classic beats by Martin.
The second half of the album invites us all to grab our swords and shields and go slay some dragons in Rise of the Golden Flame, another excellent Power Metal extravaganza showcasing striking guitar solos and backing vocals, and the fight goes on in Vengeance of the Dragonheart, with Martin hammering his drums nonstop and, therefore, adding an extra touch of pure Heavy Metal to their core sound. Leo continues to fire his trademark solos in Crown of the Rising Sun, with the music alternating between sheer adrenaline and epic, fist raising moments, followed by The Last Stand of Light, another solid hybrid of Symphonic Power Metal and Melodic Rock and Metal with all vocals sounding truly powerful and passionate. Those Argentinian warriors definitely know how to add Heavy Metal magic to their song titles, which is also the case in Forged in the Skyfire, as epic as the rest of the album; while lastly we have Twilight of the Hero, a climatic ending to the album showcasing another round of soaring vocals, striking riffs and pounding drums.
In the end, the sixth studio album by this excellent band from Argentina will surely please admirers of the music blasted by renowned acts the likes of Stratovarius, Rhapsody of Fire, Masterplan and Gamma Ray, among many others, keeping the fires of Melodic and Symphonic Power Metal burning brighter than a thousand suns. You can get in touch with Leonardo and his henchmen via Facebook, stream their music on Spotify, and of course purchase Guardians of Twilight from their own BandCamp, from the Fighter Records’ BandCamp, or from Xtreem Music’s webstore. Because they are the guardians of Heavy Metal, and they’ll keep fighting for good music no matter what armed with their striking new album.
Best moments of the album:Blades of the Burning Sky, Flame of the Eternal Dragon and Rise of the Golden Flame.
Worst moments of the album:The Shadow Throne.
Released in 2026 Fighter Records
Track listing 1. Blades of the Burning Sky 5:06
2. Riders of the Crimson Storm 3:41
3. The Shadow Throne 4:46
4. Flame of the Eternal Dragon 3:43
5. The Storm of a Thousand Wings 4:36
6. The Sorceress of My Heart 5:02
7. Rise of the Golden Flame 3:59
8. Vengeance of the Dragonheart 5:00
9. Crown of the Rising Sun 3:46
10. The Last Stand of Light 4:12
11. Forged in the Skyfire 4:09
12. Twilight of the Hero 4:35
Band members Jackson “Jax” Harwood – vocals, choirs
Cole Maverick Turner – vocals, choirs
Leonardo Gatti – guitars, keyboards, orchestrations, bass
Juan Pablo Kilberg – guitars, choirs
Martin de Pas – drums
This powerful German Symphonic Metal ensemble is back with their sophomore album, revolving around the major themes of power, freedom, rebellion, love, guilt, war, and the cycle of life and death.
Having carved out their own niche with an unmistakable blend of catchy Power Metal, detailed Melodic Metal, symphonic influences, and dark, mystical tones since their inception in 2012, Villingen-Schwenningen, Germany-based Symphonic Power Metal ensemble Timeless Rage is back with their sophomore effort My Kingdom Come, the follow-up to their 2022 album Untold. Currently formed of vocalist Nicolaj Ruhnow, guitarists Christian Pirch and Michael Benk, bassist Daniel Wengle, keyboardist Anna Keil, and drummer Klaus Buchfink, Timeless Rage have created an album with five chapters that range from orchestral opulence to uncompromising metal power, with its content revolving around the major themes of power, freedom, rebellion, love, guilt, war, and the cycle of life and death. Theological, mythological, and human perspectives are interwoven, questioning moral certainties as well as religious and social structures.
My Kingdom Come is simply epic and imposing from the very beginning, with Nicolaj stealing the spotlight with a powerful vocal performance while Christian and Michael deliver sheer adrenaline from their axes. Then Daniel’s bass and Klaus’ drums are boosted by the striking keys by Anna in The Seed Of Fear, resulting in a bold, multi-layered Symphonic Metal aria tailored for admirers of the genre; whereas investing in a more direct Power Metal sound led by the hammering drums by Klaus we have The Devil’s Masquerade, perfect for their live concerts. Conquistadores feels like an epic adventure on unruly waters, alternating between fast and heavy Power Metal moments and ethereal passages; and Moonbite Serenade offers us all six minutes of absolute heaviness in the form of Symphonic Metal led by the crushing drums by Klaus while Anna’s keys add an extra touch of epicness to their music.
A Vampire’s Legacy continues their symphonic adventure, perfect for admirers of the music by Kamelot, with Nicolaj once again delivering a striking vocal performance for our total delight. After the serene interlude Regrets, we’re treated to The Enemy Is You, where the band puts the pedal to the metal and brings forward the heaviest sound of all songs, in special the demolishing beats and fills by Klaus supported by Daniel’s rumbling bass, followed by We All Shall Fall, which despite its nice atmosphere and the haunting keys by Anna sounds a bit generic in the end compared to the rest of the album. Lastly, blending elements from Melodic Rock and AOR to their core sonority the band fires The Pale Death, also presenting another excellent riff attack by Christian and Michael to properly conclude the album.
In a nutshell, Timeless Rage deliver in My Kingdom Come a work that appeals to genre fans as well as listeners who value storytelling, atmosphere, and musical class, and you can join those talented Teutonic metal warriors on Facebook and Instagram (or simply by clicking HERE), staying up to date with all things surrounding the band, including their breathtaking live performances, as well as stream their music on Spotify, and purchase a copy of their thrilling new album from BandCamp or from Metalapolis Records. In a sea of never-ending gimmicks, Timeless Rage focus on what really matters, which is first-class heavy music with a strong background story, and I’m sure My Kingdom Come will be featured among the top Symphonic Metal albums of the year all across the world.
Best moments of the album:The Seed of Fear, Moonbite Serenade and The Enemy Is You.
Worst moments of the album:We All Shall Fall.
Released in 2026 Metalapolis Records
Track listing 1. My Kingdom Come 5:09
2. The Seed Of Fear 5:19
3. The Devil’s Masquerade 3:54
4. Conquistadores 4:56
5. Moonbite Serenade 6:16
6. A Vampire’s Legacy 4:20
7. Regrets 1:07
8. The Enemy Is You 5:06
9. We All Shall Fall 5:24
10. The Pale Death 4:21
Band members Nicolaj Ruhnow – vocals
Christian Pirch – guitars
Michael Benk – guitars, backing vocals
Daniel Wengle – bass, backing vocals
Anna Keil – keyboards, backing vocals
Klaus Buchfink – drums
This promising American Melodic Metal band will captivate your senses with their new EP, weaving intimate, confessional lyrics through a massive and atmospheric soundscape, sounding at the same time both crushing and cathartic.
Blending an amalgamation of styles including Melodic, Alternative, Symphonic, Death, and Doom Metal alongside a rich emotional tapestry of confessional songwriting, vocalist and keyboardist Chase Baldwin and bassist Benjamin Jacobs founded The Lucidia Project back in 2022 in Fargo, North Dakota, in the United States, releasing their self-titled demo that same year, followed by the EP Requiem in 2023, and the standalone single Soul Killer in 2024. Now in 2025 the band formed of the aforementioned Chase Baldwin on vocals, piano, strings and drum programming, and Benjamin Jacobs on bass, alongside guitarists Daniel Williams and Garrett Carroll, is set to unleash a new EP entitled The Twilight Affliction, taking a vast array of artistic influences from Tori Amos to Katatonia and Nightwish, and presenting listeners with a sonic identity that is both intimate and momentous. Produced, engineered, mixed and mastered by Danny Meyer at Sunway Studios, with the band’s own Chase Baldwin also working as a recording engineer and co-producer, the six-song EP weaves intimate, confessional lyrics through a massive and atmospheric soundscape, sounding at the same time crushing and cathartic.
Chase already showcases his passion for delicate sounds with his piano in Prophecy, being gradually joined by his bandmates in a lecture in Progressive Metal, with the band’s guitar duo delivering classy yet powerful riffs nonstop. The second song of the EP, titled Bloodlines, brings forward a more metallic version of the band, with Chase offering harsher vocals while Daniel, Garrett and Benjamin fire a striking stringed attack; and the band then goes full Progressive Metal in December, with their stylish riffs, classic drums and enfolding vocals turning it into a must-listen for fans of the genre. Lockdown is a song with a traumatic name for the newest generation, starting in an ethereal manner before evolving into pure progressiveness and electricity led by Daniel and Garrett’s piercing guitars; and it’s time for a beautiful ballad spearheaded by Chase’s stylish vocals and piano titled Lights Out, embracing us all in total darkness until the very end. Then closing the EP we’re treated to In My Sleep, where once again their whimsical but strong sounds fill every single space in the air, blending slower, charming passages with more visceral and melancholic nuances.
In a nutshell, The Twilight Affliction stands as the band’s most cohesive and emotionally resonant work to date, a testament to the band’s growing sonic identity, sounding absolutely moody, orchestral, and unapologetically vulnerable. “This EP is a journey through the darker corners of the human experience -loss, disillusionment, resilience,” commented the band’s mastermind Chase Baldwin. “It’s not just about grief or despair; it’s about finding clarity in the twilight, even when the light fades.” You can get in touch with the guys from The Lucidia Project and learn more about their music, their goals and plans for the future on Facebook and on Instagram, stream their classy creations on Spotify, and purchase your copy of their new EP by clicking HERE. The Lucidia Project are a precious gem of the current American heavy music scene, and their new opus The Twilight Afflicition will most definitely help them reach new heights and keep delivering first-class music to us metalheads in the coming years.
Best moments of the album:Prophecy and December.
Worst moments of the album: None.
Released in 2025 Independent
Track listing 1. Prophecy 4:53
2. Bloodlines 3:59
3. December 4:27
4. Lockdown 5:14
5. Lights Out 4:46
6. In My Sleep 8:30
Band members Chase Baldwin – vocals, piano, strings, drum programming
Daniel Williams – guitars
Garrett Carroll – guitars
Benjamin Jacobs – bass
Inspired by the past, a new Swedish Melodic Metal entity arises with their debut offering, a tribute to the bands that led them onto the path they are on today.
A new Swedish Melodic Metal band which incorporates many different influences from the fields of AOR, Melodic Rock, Hard Rock, and Progressive Rock and Metal into their sound, Heathen’s Eye are set to release their debut album, entitled Port Inspiro, or “inspired by the past” in Esperanto, a tribute to the bands that led the band onto the path they are on today. Featuring five experienced musicians with background in several genres, the band formed of Robb Lindh on vocals, Göran Hamrin on the guitars, Ola Hellström on bass, Mikael Andersson on keyboards, and Jonas Jönsson on drums brings together all of their influences from the 80’s and 90’s to the album, being therefore recommended for fans of Masterplan, Accept, Queensryche, Firewind, and Lynch Mob, among others.
Jonas revs up the band’s rockin’ engine in One Black Lie, quickly evolving into a beyond solid feast of European Hard Rock, with Robb distilling his hypnotizing vocals for the delight of fans of the genre. The band then takes us back to the golden years of 80’s Hard Rock with Mirrorman, with Göran’s stylish riffs walking hand in hand with Mikael’s mesmerizing keys; whereas a cinematic, creepy intro explodes into another feast of Melodic Rock and Metal entitled Ghosts Of Yesterday, more cadenced and harmonious than its predecessors. Robb continues to fire his beyond melodious vocals in Still Water Runs Deep, while Mikael’s keys and Jonas’ beats add an extra Rock N’ Roll touch to the music, and the rumbling bass by Ola exhales groove and heaviness in the fast-paced Firepriest, a song perfect for hitting the highway on a hot summer day. After such a hurricane of rock music, it’s time for a cheesy but very melodic ballad titled Is It Over Now, with Robb stealing the show with his passionate vocal lines.
Just the start of Endless Lines transpires the 80’s, gradually evolving into another mid-tempo Hard Rock aria where Jonas takes the lead armed with his fierce beats, followed by Lost In The Wind, another beautiful ballad by those Swedish rockers, with the minimalist guitar lines by Göran clashing perfectly with Robb’s vocals. Shine is a very generic Melodic Rock tune that doesn’t add much to the album, despite the band’s classy musicianship being there as usual; while they get back on track in Monsters, offering a six minute voyage through the realms of classic Hard Rock, Melodic Rock and Metal, and even Rock N’ Roll, with Göran and Ola extracting sheer adrenaline from their axes until the very last second. The band keeps rockin’ our world with Blind, adding hints of old school Heavy Metal to their core Hard Rock; and lastly, we’re treated to another six-minute feast of melody and passion titled Time To Deliver, with Jonas pounding his drums while Mikael’s keys bring a pinch of modernity to the music.
Most members of Heathen’s Eye live in the beautiful north, the land of snow, aurora borealis, months of eternal darkness in the winter, and warm days when the sun never sets in the summer. These contrasts are also reflected in their music, which spans over Heavy Rock, airy ballads and Progressive Metal, exactly like what they have to offer us all in Port Inspiro. Hence, you can get to know more about this exciting new name of the Swedish rock and metal scene by following them on Facebook, and purchase a copy of their classy debut from the Pride & Joy Music shop. Inspired by the past, Heathen’s Eye is crafting the future of Melodic Rock and Metal in their new album, leaving us eager for more in the coming years.
Best moments of the album:Mirrorman, Firepriest and Monsters.
Worst moments of the album:Shine.
Released in 2025 Pride & Joy Music
Track listing 1. One Black Lie 4:57
2. Mirrorman 5:08
3. Ghosts Of Yesterday 5:07
4. Still Water Runs Deep 4:58
5. Firepriest 5:33
6. Is It Over Now 5:34
7. Endless Lines 4:37
8. Lost In The Wind 5:08
9. Shine 4:32
10. Monsters 6:14
11. Blind 5:32
12. Time To Deliver 6:07
Band members Robb Lindh – vocals
Göran Hamrin – guitars
Ola Hellström – bass
Mikael Andersson – keyboards
Jonas Jönsson – drums
Strong voice and airy lungs… Three lives are not enough… To sing of all the wonders I’ve seen!
Slava Ukraini! As the temperatures are rising in this month of July, there’s nothing better than celebrating the summer heat with the ass-kicking heavy music crafted by our metal lady of the month here on The Headbanging Moose. The name Olha Ihorivna Bohdanova, or Ольга Ігорівна Богданова in her mother tongue, might not mean much to you, but once you associate it with Helle Bohdanova (or Helle Bogdanova), the unstoppable frontwoman for Ukrainian Melodic/Progressive Metal band Ignea, then all will make a lot more sense to you and you’ll start headbanging like a true metalmaniac to the sound of her incredible vocals. There’s no escape from her hypnotizing voice, but I’m sure that’s exactly what you want, as you dive deep into her realm of heaviness, melody and endless fire. Because there will most definitely be fire, no doubt about that, which means you better get ready to be burned alive while Helle penetrates deep inside your mind with her flammable vocals.
Born on October 22, 1991 in Kyiv, the capital and most populous city of Ukraine, Helle is a vinyl lover, a dark style enthusiast, and a proud Kyivan who’s been making a name for herself as the voice of Ignea, blending Melodic, Symphonic and Progressive Metal with Middle-Eastern Folk influences for a unique sonic experience for any fan of good music. It was back in 2011 when keyboardist Evgeny Zhytnyuk and guitarist Dmitry Volovnenko formed the band that would later become Ignea, Progressive Metal band Parallax, as the first Ukrainian band to play what they would label as “Oriental Metal”, singing about topics such as life on Mars, Sputnik-1, war, The John Carter movie, and the Pioneer One series. In 2012, the band was joined by bassist Xander Kamyshin, guitarist Max Khmelevsky and our ruthless vocalist Helle Bohdanova, and started rehearsals. Dmitry decided to pursue his life and career interests outside Parallax and left the band, and in 2013 the band released their debut EP, titled Sputnik, followed by a 2014 single named Petrichor.
The band then announced their name change to Ignea on November 22, 2015, already releasing a new single named Alga (named after a war call of Crimean Tatar people who were defending their land) less than a week later. Playing a mix of heavy riffs with symphonic, electronic and folk elements, and of course strong story-telling, therefore creating a powerful OST-like experience while staying true to the melodic essence of their music, the band then released a rebranded version of their EP Sputnik back in 2016, followed by their 2017 first full-length opus The Sign of Faith (showcasing a heavier sound, both clean and extreme vocals, and authentic Middle-Eastern melodies), their 2020 sophomore effort The Realms of Fire and Death (a concept album with powerful story-telling, metaphors, and symbols, accompanied by a book of short tales incorporating the lyrics of each song), the 2021 split EP Bestia (a concept EP about the human nature of Slavic mythological creatures and the world’s duality) alongside Ukrainian Symphonic Metal band Ersedu, and more recently the 2023 album Dreams of Lands Unseen (a concept album that reflects the life of Ukrainian photographer and documentarian Sofia Yablonska, known for traveling to very distant corners of the world while documenting the lives of tribes and natives, which was especially dangerous and uncommon for a woman of her time), which had its release date postponed to 2023 because of the Russia-Ukraine full-scale war. Also, don’t forget to check the band’s official videos for the songs Jinnslammer, Queen Dies, Seytanu Akbar, Nomad’s Luck, Dunes, and many more on their official YouTube channel, including live performances of some of their best creations.
The high quality of their music not only led them to tour across several countries, including Germany, Austria, the Netherlands, Slovakia, Czech Republic, France, Lithuania, Spain, Portugal, and of course, Ukraine, but The Realms of Fire and Death was also selected as the metal album of the year and the band as the best Ukrainian metal band of 2020, according to the Ukrainian national awards named The Best Ukrainian Metal Act. Also, despite the Russia-Ukraine war, the band managed to play multiple charity shows in Ukraine, and embark on an Europe and UK tour with Industrial Metal legends Fear Factory, playing 43 shows within a span of only two months. Needless to say, you should definitely buy and/or stream their entire discography on BandCamp or on Spotify for a very good time alongside Helle and the boys.
Currently formed of our beloved Helle Bohdanova on vocals alongside Dmytro Vinnichenko on the guitars, Oleksandr Kamyshin on bass, Yevhenii Zhytniuk on keyboards, and Ivan Kholmohorov on drums, the band proudly serves as cultural ambassadors for Ukraine, diligently raising awareness about the country’s ongoing situation among their international fanbase, as well as solidifying their status with appearances in several major European festivals including Wacken Open Air, Summer Breeze, Bloodstock, and Leyendas del Rock. Not only that, nine songs by Ignea have been featured in the highly anticipated video game S.T.A.L.K.E.R. 2: Heart of Chornobyl, a collaboration that brings the Ukrainian band’s powerful and atmospheric music to the immersive post-apocalyptic world of the game, enhancing its dark and gritty ambiance.
One curious fact about Helle and her contribution to the success of Ignea was her adventure through Faroese lands with their cover version of Í Tokuni, featured on their 2020 album The Realms of Fire and Death, and originally released by Syðrugøta, Faroe Islands-based Nordic Folk Rock/Pop artist Eivør in her 2015 album Slør (check the original version HERE). Helle was learning Norwegian when it was time to record her vocals, and her experience ended up being weird as the song’s language, Faroese, is close but not that much to Norwegian. “I’m learning Norwegian indeed, and it actually didn’t help, even made it worse. Because lots of words are similar in written form but they’re pronounced absolutely differently, so I had to force myself to get away from Norwegian. But I enjoyed singing it so much, it’s almost like a mantra for me. And there’s also some kind of throat extreme vocals which I’ve never done before and it came out naturally for me from the first take. It’s like I’ve always done that.”
Apart from her already solid career with Ignea, Helle can also be found as a guest vocalist for Brazilian/Polish Symphonic Death Metal band Itself, singing in the song Voices of the Unheard, from their 2023 album The Absence, and in the song Untimeliness, from the 2024 album Shadow Empress, by German Progressive Metal project Nino Helfrich. Unfortunately for now those are the only two songs featuring Helle as a guest musician, but I’m sure we’ll see a lot more of her alongside some of the biggest names of the underground as well as mainstream artists in the near future, as her voice is fantastic and deserves to be featured in an array of songs and albums from all types of music, not only heavy music.
Regarding her idols, interests and influences, Helle mentioned already that she has been interested in mythology since her very early childhood, resulting in for example mentions of the Egyptian goddess Sekhmet, the Japanese goddess Fuji, the Norwegian god Logi and the Slavic god Svarog in the excellent song Gods Of Fire. “For me, it’s more about the vibe and different worlds, not about science or history. In my belief, each person has its god/gods, just like each country has a president or monarchy. I cannot explain that, but so far, this is how I see it. If I could, I would include much more gods in the song but it would be too long!” Another one of her idols is travel photographer and reporter Sofia Yablonska, with their album Dreams of Lands Unseen revolving around her life and philosophy. “I think the most amazing thing is that she felt very contemporary to me. We’re nearly a century apart and yet, her philosophy and thoughts are very modern and applicable for today. She was definitely ahead of her time in all aspects. Moreover, she always took her life in her hands and overcame all the obstacles she faced, no matter what dangers and discomforts appeared,” commented Helle.
It was back in 2023 when Helle, after winning Best Vocals, received 36% of the votes in the category Best Brutal Vocals and won another award for Ignea at the very competitive and fun FemMetal Awards that year, adding to the band’s previously won awards for Best Metal Act, Best Music Video, and Best Album. Just to give you an idea of how competitive the Best Brutal Vocals category was that year, the other nominees were Carla Harvey (Butcher Babies), Fernanda Lira (Crypta), Liv Jagrell (Liv Sin), Obscura (Asagraum), Prika Amaral (Nervosa), and Sofia Frasz (Exiled Hope), all phenomenal vocalists from excellent bands of the current metal scene worldwide who I’m sure you’ve already heard of, and who keep making the world of heavy music a much better place when they take the global stages by storm.
Helle was also asked in one of her interviews about her thoughts on playing live with an orchestra, to which she replied that although it’s a beautiful idea, it’s at the same time very hard and expensive to bring together 40 or more people on tour. “Even huge bands are sometimes not able to play with an orchestra,” said Hellen. Having been touring internationally since 2018, Hellen said she believes it’s very positive to tour with bands that have quite a different audience, helping them in gaining more new fans on tour. “I think some bands we’d like to tour with someday are Amorphis, Moonspell, Cellar Darling, Delain, and Lacuna Coil, to name a few,” commented Helle, also saying that all can change depending on their musical direction. Moreover, Ignea toured with Fear Factory, Butcher Babies, and Ghosts of Atlantis not too long ago, saying it was a huge honor for them to join that amazing lineup, proving how dynamic their music can be, as well as a three-week tour across nine countries within the Female Metal Voices Tour 2018 headlined by Butcher Babies and Kobra and the Lotus.
This slideshow requires JavaScript.
In their 2020 album The Realms of Fire and Death, Helle recorded the song Чорне Полум’я in their native language Ukrainian for the first time ever in the band’s history (although the band had been playing it live together with Queen Dies since 2018). “To be honest, I’m a global citizen and I’m not that connected to certain geographic location. This planet is my home and I feel good on the road. Singing in Ukrainian seemed very suitable for this particular song, and I’m glad we did it. It was also perceived very well by our listeners, so maybe we’ll do such experiments in the future, if we feel that a certain song should be recorded in Ukrainian. It’s not an intentional thing, it comes from our inspiration,” said Helle, who also commented if the band will record more songs in Ukrainian in the future. “I think that we’ll stick to English as our primary language but we’ll definitely create more songs in Ukrainian, because sometimes you listen to the instrumentals and you just hear Ukrainian there, you know. Also, we were very pleasantly surprised that lots of our listeners are particularly waiting for this song and we’re very flattered that they want to hear Ignea music in our mother tongue.”
Having been impacted directly by the Russia-Ukraine full-scale war, Helle said that the band has been very active with informing their audience abroad about everything happening in her homeland, mentioning that there have been very difficult times for them not just as a band, but as Ukrainian citizens. “We used to share updates on Patreon but the platform approached us, just like it approached other Ukrainian creators, and forced us to remove all info about the war and stop ‘financing the war.’ We did as they said because we’ve grown a big community on Patreon and it’s the band’s main source of income at this point. All I’m saying is we sometimes feel that the world is turning its back on us, no matter what atrocities Russia commits. Interviews have become one of the few places to freely talk about it. As for predictions, we won’t do any. Everyone’s tired of this war but we’ve got no other way but win it, be it near future, or not. Occupation by Russia is the worst that can ever happen.”
By the way, Helle mentioned that there’s one Ukrainian saying that’s screamed by all artists and fans at every show in her homeland, and will certainly still be screamed at least until the war is over, which is “Слава Україні – Героям Слава!” (“Glory to Ukraine – Glory to Heroes!”). In addition, when asked which Ukrainian bands she would recommend to any metalhead across the globe, she listed the bands Hell:on (Death Metal), 1914 (Blackened Death/Doom Metal), Fleshgore (Brutal Death Metal), Pušča (Post-Black Metal), Vidmershiy Shmat (Black Metal), Angered Crowd (Death/Groove Metal), and Death Pill (Hardcore), among others, saying the Ukrainian scene has been growing in recent years with more bands, more shows, and more support to the local metal acts.
Our unstoppable diva also has a very cool view of concept albums. “I can tell that perhaps concept albums are easier to present and promote, so it can be a reason why the bands tend to do it nowadays. But what I loved most about doing the concept album is that you create a world and you’re surfing it while writing music, words… It’s more than just putting together songs that are not connected to each other. My day job is also related to texts and I’ve been writing as long as I remember myself. So, story-telling is something that captivates me and the listeners as well.” As you might have just noticed, Helle is also a writer, having already published a book of poems and often shared her creations with her supporters on Patreon. “Words were always easy for me to put together. I started reading and writing at a very early age, and, for some reason, it’s always been easier for me to write rhymed pieces, poems, or lyrics,” she said. “I’d say that whatever I’m trying to do – write music, paint, do some hand-made stuff, I’m just best with words. And maybe I should really master it more and more. As for inspiration, I get inspired most by travelling and seeing new places, new people.”
In 2021, Helle also released a podcast available on all major streaming platforms like Spotify named The Bandsment, which is about everything bands are doing to get out of the basement. These band to band talks and videos dedicated to certain aspect of music business are for independent bands who want to be more efficient in their growth and day-to-day operations, rock and metal artists who want to share their experience of running the band and cross-promote, people willing to start a band and don’t know where to begin with, and everyone who is interested in the backstage life of bands and how they function. Among the bands and artists interviewed we can find some very interesting names like Baest and Diva Satanica (Bloodhunter, Nervosa), and although there aren’t any new episodes after March 2021, the content of the thirteen episodes available are more than interesting and useful already.
In a nutshell, the indomitable Helle Bohdanova is much more than just a singer. She’s a true frontwoman, a talented, focused and very professional musician, a writer, a traveler, a businesswoman, a music lover, a proud Ukrainian, and so on (and you can get more details about all of her endeavors by clicking HERE). Just like her own moniker and the name of her band state, she will burn your soul like the fires of hell, always in the name of heavy music, and always showcasing endless passion for what she does. Helle might be one of the most precious gems of the current Ukrainian scene, and if you consider yourself a true admirer and supporter of the underground, simply go check her music and her art, as I’m sure you’ll get addicted to all of her incendiary creations.
These four-piece melodeath outfit from Italy is back with their sophomore album, a conceptual journey into the depths of the human psyche, exploring difficult yet universal emotions such as loneliness, self-doubt, and alienation.
Combining heavy and melodic Death Metal foundations with modern textures and acidic synths, Bergamo, Italy-based all-female Gothic/Melodic Death Metal outfit Hellfox is unleashing their sophomore opus, beautifully entitled The Spectrum of Human Gravity, following up on their 2022 debut The Call. Recorded by Alessio Lucatti at Eden Studio, mixed and Mastered by Simone Mularoni at Domination Studio, and showcasing a very stylish cover art by Eva Marabotti, the new album by Greta Hammonia Antico on vocals, Gloria Naflekt Kaps on the guitars, Priscilla Poe Foresti on bass and vocals, and Federica Fedi Piscopo on drums is a conceptual journey into the depths of the human psyche, exploring difficult yet universal emotions such as loneliness, self-doubt, and alienation through allegorical storytelling and striking visual metaphors, with each song giving voice to a different “face of the self,” capturing the chaos and coherence that define our inner worlds.
Acoustic, serene guitar lines permeate the air in Nautilus before we’re treated to the epic feast titled Seaweed Braids, where their clash of harsh growls and clean vocals works well amidst a Doom Metal-infused sonority; and the metallic bass by Priscilla ignites the also melodic Empty, gradually joined by the pounding drums by Federica and the sharp guitars by Gloria, presenting a good dosage of Alternative Metal added to its core. Water On The Ceiling also presents a spot-on fusion of Gothic and Melodic Metal led by the classic beats by Federica while Priscilla keeps roaring like a she-demon in contrast with the angelic vocals by Greta, whereas Greta keeps embellishing the airwaves with her charming vocals in Pareidolia while Gloria extracts sheer heaviness from her dark riffage.
Then what seems to be a heavy ballad quickly explodes into a feast of Melodic and Alternative Metal titled Atlas, offering more of the band’s trademark paradox of darkness and light represented by the respective vocals by Priscilla and Greta, followed by Six Times Lighter, another song with strong and rumbling bass lines by Priscilla, accompanied by the hammering beats by Federica while at the same time sounding gentle and whimsical. A very modern start ignites the absolutely headbanging The Centipede, where the stringed axes by Gloria and Priscilla will make your head tremble, followed by The Warrior, The Child, The Healer, most definitely the song with the coolest or most poetic name, kicking off with the harmonious riffs by Gloria and being quickly joined by the penetrating vocals by Greta. And lastly, the quartet brings forward the embracing Voices, a decent outro with cinematic vocalizations, but that’s it.
In a nutshell, the music found in The Spectrum of Human Gravity thrives on contrast, with their dual melodic and growled female vocals, distorted layers, and atmospheric electronics merging into an emotional and immersive sound, with influences ranging from Amorphis and In Flames to Dark Tranquillity, embracing vulnerability, rage, beauty, and discomfort in equal measure. If you want to experience all that contrast proposed by the girls from Hellfox, you can find them on Facebook and on Instagram, including their tour dates (currently mainly in Italy, but I’m sure we’ll soon see them spread their wings over other parts of Europe and of the entire world), stream their music on Spotify or on any other streaming service, and of course purchase a copy of their excellent new album from the Rockshots Records webstore. You can also click HERE for all things Hellfox, letting the melodious yet visceral sonic duality from their new album reach deep inside your heart and soul and, consequently, firing them up for more first-class albums in a not-so-distant future.
Best moments of the album:Water On The Ceiling, Atlas and The Warrior, The Child, The Healer.
Worst moments of the album:Voices.
Released in 2025 Rockshots Records
Track listing 1. Nautilus – Seaweed Braids 4:33
2. Empty 3:44
3. Water On The Ceiling 3:50
4. Pareidolia 4:41
5. Atlas 3:53
6. Six Times Lighter 4:13
7. The Centipede 4:19
8. The Warrior, The Child, The Healer 4:34
9. Voices 1:19
Band members Greta Hammonia Antico – clean vocals
Gloria Naflekt Kaps – guitars
Priscilla Poe Foresti – bass, harsh vocals
Federica Fedi Piscopo – drums
Sailors, comrades and buccaneers from every nook and cranny of Toronto gathered this Wednesday night for an electrifying feast of first-class Melodic and Symphonic Power Metal.
Sailors, comrades and buccaneers from every nook and cranny of Toronto gathered at the always cozy Lee’s Palace this Wednesday night for a cinematic, thrilling feast of Melodic and Symphonic Metal, plus some colorful and vibrant Hard Rock, courtesy of VISIONS OF ATLANTIS with special guest SERAINA TELLI during their Armada Over North America Tour 2025, brought to the city by the iconic Noel Peters of Inertia Entertainment. Keith Ibbitson of Metal Paparazzi and I were there to cover such a unique experience in the city, and I must say that from all Symphonic Metal bands out there these days, Visions of Atlantis are by far the most entertaining one, and the one I can listen to on a regular basis without getting bored at all. Quite the contrary, right after the show I kept listening to their music instead of switching to something else, just to give you an idea of how exciting the whole night was.
But before those Austrian pirates (seasoned with French and Italian elements) hit the stage, we were treated to the electrifying Hard Rock by Switzerland’s own SERAINA TELLI, a pleasant surprise as I’ve been following her work since she was part of Burning Witches, but I honestly had zero hope of seeing her live with her solo career in Canada. Well, it was amazing watching Seraina on the stage at Lee’s Palace, as she simply kicked ass with her beyond powerful and beautiful voice, colorful looks (which matched perfectly with her 2023 debut solo album Addicted to Color, available on Spotify), and rockin’ moves, and the crowd loved every single moment of her show. Not even the fact the bass lines were pre-recorded took away the energy of her show, with songs like Addicted to Color and Wish You Well masterfully depicting her passion for Rock N’ Roll. There was a funny moment when during one of her interactions with the crowd she asked us to sing with her some sort of “oooh-oh-oh-oh!”, and one guy screamed “what does that mean?” Seraina laughed out loud as she was caught by surprise, sayinbg no one had ever asked her that before, and that moment made the whole show even more intimate and relaxed. Hopefully we’ll see her again soon in Toronto, because at the same time she’s addicted to color, Toronto is just starting to get addicted to her music.
Setlist Addicted to Color
Wish You Well
I’m Not Sorry
Take Care
I Dare to
Think!
All Your Tears
If No One Else Had Ever Been There Before
Modern Warrior
Band members Seraina Telli – vocals, guitar
Mike Malloth – drums
It was 9pm sharp when the Austrian pirate ship of Melodic/Symphonic Power Metal buccaneers VISIONS OF ATLANTIS docked in the “port” of Lee’s Palace for one of the most entertaining shows of the year, making everyone at the venue raise their fists, jump up and down, dance, headbang, and even row on the floor, thanks to their awesome pirate gimmick (or maybe they’re real pirates, who knows). Their latest albums Pirates (2022) and Pirates II – Armada (2024) resulted in an amazing live album titled Armada (Live Over Europe) (2025), available on Spotify, and that was basically their setlist for the night. I had no idea how they would behave during their first-ever headlining tour in Canada and in the US, after having a few opening slots like when they opened for Korpiklaani in 2024, but Visions of Atlantis were incredible from start to finish and, therefore, deserve a bigger venue when they get back to the city (as much as I love Lee’s Palace).
Songs like Monsters, Heroes of the Dawn, Where the Sky and Ocean Blend, Clocks, Tonight I’m Alive, Hellfire, and so on (and holy shit, they definitely know how to craft catchy tunes!) sounded thrilling live thanks to the perfect synchronicity between their pirate frontman Michele Guaitoli and their stunning siren Clémentine Delauney, plus their heavy artillery brought forth by Christian Douscha, Herbert Glos, and Thomas Caser. Michele and Clémentine are by far one of the best, most talented and most charismatic vocal duos in heavy music, maybe only losing to Helloween’s iconic vocalists Michael Kiske and Andi Deris (just to give you an idea of how good Michele and Clémentine are), and their clash of vocal styles kept the energy flowing majestically during their entire show. Michele brings power and fun to the stage with his crazy pirate character, while Clémentine is simply hypnotizing, driving the crowd crazy and putting huge smiles on everyone’s faces.
The last part of the show was a very entertaining and demanding one, starting with the pirate ship rowing during Pirates Will Return, the unstoppable jumping during the “jump jump” song Melancholy Angel, and of course the screaming of “HAIL JOLLY ROGER!” and “ARMADA!” during their now all-time hit Armada. I was even tired after the show was over, but a good type of exhaustion, I mean, when you’re tired but very satisfied and happy, got it? And if you ask me, not only they need to return to Toronto sooner than you can say “ARMADA!” with an even bigger headlining show, but they also deserve a spot opening for bands like Iron Maiden, Judas Priest and Helloween anywhere in the world. Visions of Atlantis are absolutely awesome, and if you don’t like them, it’s time for you to walk the plank.
Setlist To Those Who Choose to Fight
The Land of the Free
Monsters
Heroes of the Dawn
Where the Sky and Ocean Blend
Clocks
Legion of the Seas
Tonight I’m Alive
Collide
Hellfire
The Dead of the Sea
Underwater
Magic of the Night
Pirates Will Return
Melancholy Angel
Encore:
Master the Hurricane
Armada
Band members Clémentine Delauney – female vocals
Michele Guaitoli – male vocals
Christian Douscha – guitars
Herbert Glos – bass
Thomas Caser – drums
Three of the best bands of the current Symphonic Rock and Metal scene worldwide beautifully warmed up the city of Toronto on a cold but fun night of first-class music.
Despite the cold rain that fell over Toronto during most of the day this Thursday (after a warm and sunny Wednesday, by the way), the turnout at The Axis Club to see EDGE OF PARADISE, XANDRIA and DELAIN during their North American Tour 2025, another excellent event brought to the city by Noel Peters of Inertia Entertainment, was amazing, with over 3/4 of the venue taken by metalheads eager for some Symphonic and Melodic Metal, plus of course some of the city’s best metal photographers like Keith Ibbitson of Metal Paparazzi. Not only that, now that pretty much all the snow has already melted, the time needed to get in and out of the city, as well as to find a parking spot, has improved considerably, allowing fans to get to the venue in time for all attractions. Doors opening at 6:30pm and the first show starting only at 7:15pm also helped a lot, giving people time to grab some merch and drinks before the shows started.
The first band to hit the stage was Los Angeles, California’s own Hard rock band EDGE OF PARADISE, spearheaded by the beyond stunning frontwoman Margarita Monet. They sounded absolutely amazing live, driving the energy level up and properly prepping all fans for the upcoming attractions. Having just released their sixth album Prophecy, the band played a few new songs as part of their setlist, including Prophecy Unbound, Death Note and Falling Light, and the crowd’s response to their new songs couldn’t have been better. This was not the first time the band played in Toronto, and definitely not the last, as I’m sure Maragarita and the boys will return to the city with their Rock N’ Roll attitude sooner than later, and who knows, maybe next time as headliners of their own tour.
Setlist Prophecy Unbound
The Other Side of Fear
Hologram
Death Note
Falling Light
Give it to Me (Mind Assassin)
The Unknown
Band members Margarita Monet – vocals
Dave Bates – lead guitar
David Ruiz – rhythm guitar
Kenny Lockwood – bass
Jamie Moreno – drums
From all three bands playing Thursday night, Bielefeld, North Rhine-Westphalia, Germany-based Symphonic Metal act XANDRIA is by far my favorite one, in special after the Greek goddess Ambre Vourvahis joined the band back in 2022, with their 2023 album The Wonders Still Awaiting and their 2024 EP Universal Tales being used as the base for their setlist. Songs like You Will Never Be Our God, Reborn and Universal sounded powerful onstage, plus of course the fan-favorite closing song Nightfall, proving they’re more than ready for a headlining spot in Toronto in the near future. As mentioned a few times in other reviews for Xandria, the band’s founder Marco Heubaum nailed it with their new lineup, with Ambre of course being the icing on the cake in their recent “rebirth”, and that translates into sheer admiration, screams and horns high in the air every time they hit the stages of Toronto. The volume of the vocals during the entire night for all three bands, not only for Xandria, was a hit and miss mainly due to their high range, but nothing that would make any of the shows less enjoyable, and of course Ambre killed it as usual for our total delight.
Setlist You Will Never Be Our God
Reborn
Universal
200 Years
Two Worlds
Live the Tale
Nightfall
Band members Ambre Vourvahis – vocals
Marco Heubaum – guitars, keyboards, programming, backing vocals
Rob Klawonn – guitars
Tim Schwarz – bass
Dimitrio Gatsios – drums
Diana Leah had big shoes to fill back in 2022 as the replacement of the iconic vocalist Charlotte Wessels for Dutch Symphonic Metal/Rock band DELAIN, but after seeing her live this Thursday in Toronto I must say the Romanian kicks some serious ass and the band was spot-on in choosing her as their new frontwoman. The drumming by Sander Zoer and the grinding riffs and solos by Ronald Landa also sounded fantastic during the entire night, while Diana sounded superb on both new songs like The Reaping and Dance With the Devil, from their new EP Dance With the Devil, and old songs such as April Rain, Not Enough and We Are the Others. The lighting was also on point the entire night for all bands, and in the case of Delain that only made their show even more special for their fans. Just like what happened with Edge of Paradise and Xandria, I’m beyond certain we’ll see Delain again in Canadian lands sooner than later based on the smiles on their own faces and on the faces of all fans at the venue, proving Symphonic Metal indeed has its place in the heart of Torontonian metalheads.
Setlist The Cold
Suckerpunch
The Reaping
Dance With the Devil
Burning Bridges
Creatures
Sleepwalkers Dream
Stardust
Get the Devil Out of Me
Your Body Is a Battleground
Queen of Shadow
The Gathering
Don’t Let Go
Moth to a Flame
April Rain
Not Enough
We Are the Others
Band members Diana Leah – lead vocals
Ronald Landa – guitars, harsh vocals
Ludovico Cioffi – bass, harsh vocals
Martijn Westerholt – keyboards, orchestrations
Sander Zoer – drums
Croatia’s own Melodic and Gothic Rock and Metal real-life couple will take you on a new distinctive sonic journey to the sound of their exciting sophomore album.
Two years after the release of their debut album Burning the Night, Split, Croatia-based Melodic/Gothic Rock/Metal duo Ewiniar is back with their sophomore effort, titled Another World, representing their commitment to reinforcing the band’s standing as a noteworthy musical entity. Produced by the band’s own Marin Tramontana, and mixed and mastered by Theodor Borovski at Slaughtered Studio, the album once again depicts the perfect synchronicity between the real-life couple formed of Katarina Tramontana on vocals and the aforementioned Marin Tramontana on the guitars, bass and keyboards, this time supported by session drummer Hugo Ribeiro, offering audiences another distinctive sonic journey recommended for fans of the most melodic and delicate side of heavy music.
As atmospheric as it can be, the duo invites us all on a whimsical voyage in the opening tune Shattered Illusion, with Katarina already showcasing her vocal potency accompanied by the classy riffs and keys by Marin, whereas Your Name is a Melodic Rock and Metal creation bringing to our ears more of the couple’s charming, captivating sounds, even presenting hints of the music played by HIM and Lord of the Lost, with guest Hugo sounding precise on drums as usual. Marin’s bass lines bring an extra touch of groove to Cyanide, flirting with Alternative Metal, and that fusion of sounds ends up working really well, consequently boosting Katarina’s vocals considerably; followed by Sister Moon, keeping the ambience dark and delicate, with Martin and Hugo’s groovy kitchen reverberating in the air. And once again venturing through the realms of Gothic Rock and Metal, Katarina will mesmerize us all with her vocals in Mistaken, supported by the stylish keys by Marin.
It’s then time to slow things down and invest in a more pensive, melancholic sound in the serene ballad Indifference Begins, with Marin once again extracting delicate yet piercing sounds form his guitar, accompanied by the slow and steady beats by Hugo. Only Darkness Remains is another Gothic Metal extravaganza by such talented couple, presenting minimalist guitar lines, classic beats and the trademark charming vocals by Katarina, followed by Never Again, a thrilling song with an 80’s vibe, in special in its riffs and bass lines, that should sound amazing if played live one day. Needless to say, Katarina steals the spotlight on vocals once again. Then their second to last blast of finesse and dark sounds, titled Shadows Still Align, brings forward more of their 80’s and 90’s-inspired Melodic Death and Gothic Metal the likes of Dark The Suns, Insomnium and Aeonian Sorrow, with Hugo dictating the pace behind his drums; and there’s no better way to end the album than with another power ballad by Katarina and Marin, entitled Watching the Night Go By, exhaling passion, darkness and melancholy to the stunning vocals by Katarina and the Paradise Lost-fueled riffs by Marin.
In summary, Katarina and Marin nailed it once again with Another World (which is by the way available for a full listen on YouTube and on Spotify), moving forward in their career and showcasing an evolution in their sound while of course still being loyal to their musical roots presented in their debut album. Hence, don’t forget to give the duo a shout on Facebook and on Instagram to let them know how much you enjoy their music, and obviously to grab a copy of Another World from their own BandCamp page, inspiring them to keep embellishing the airwaves and to keep guiding us to different worlds to the sound of their melodious and delicate music.
Best moments of the album:Your Name, Cyanide and Never Again.
Worst moments of the album:Mistaken.
Released in 2023 Independent
Track listing 1. Shattered Illusion 3:29
2. Your Name 3:34
3. Cyanide 3:52
4. Sister Moon 4:14
5. Mistaken 3:44
6. Indifference Begins 4:37
7. Only Darkness Remains 4:35
8. Never Again 3:55
9. Shadows Still Align 4:10
10. Watching the Night Go By 3:56
Band members Katarina Tramontana – vocals
Marin Tramontana – guitars, bass, keyboards