Metal Chick of the Month – Jeanine Grob

Heavy metal is our way! Loud and fast is what we want!

Happy 2023, my dear metalheads! Are you ready for another year of underground awesomeness here at The Heabanging Moose? I’m sure you are, and in order to properly kick off such promising year for heavy music let’s continue our tradition of honoring a badass bass player as our metal lady of the month of January, just like what we did in all previous years, sounds good? And you better get ready as our ruthless bassist will crush your skull with her rumbling bass and rebellious attitude, helping to put her homeland Switzerland in the map of Heavy and Power Metal together with her also extremely talented bandmates. I’m talking about Jeanine Grob, the red-haired bassist for Switzerland-based all-female Heavy/Power Metal coven Burning Witches. Having said that, it’s time to bang our heads and raise our horns to the sound of the thunderous bass by Jeanine Grob, and let the witches burn in the name of heavy music.

Born on June 4, 1990 in Brugg, a Swiss municipality and a town in the canton of Aargau, the talented Jeanine, or simply Jay as her friends like to call her, considers herself some sort of “novice” in music, as she explained that after meeting Romana Kalkuhl (rhythm guitarist with Atlas & Axis who had been looking for a cast for an all-female metal band for a long time) at a party she actually went to her music school for guitar lessons just for fun, but after a while Romana asked if she could handle the bass guitar. Needless to say, she fell in love with that instrument, and of course Romana asked her if she wanted to be part of her all-female band, leading to the creation of Burning Witches. “Romana is something of the fun factor. She didn’t start the band to be famous or anything like that. She just wants to have fun and see how an all-female band works. For me that was great. I could stand on stage with my best friend and bang my head. Never thought it would develop this far with the band,” commented Jeanine in one of her interviews.

It was during the spring of 2015 when Swiss Heavy/Power Metal act Burning Witches was officially formed by Romana, with Jeanine becoming the band’s first official member, later being joined by vocalist Seraina Telli, drummer Lala Frischknecht and guitarist Alea Wyss. Although there have been a few changes to the band’s lineup since their inception, Romana, Jeanine and Lala have remained as its core, with vocalist Laura Guldemond and guitarist Larissa Ernst being the other two current members of the band. As you all know, Laura is from the Netherlands, which means her mother tongue is Dutch and not German like the rest of the band, but that’s not an issue at all for the band according to Jeanine. “Our band language is now English. Of course, situations can arise from time to time in which you have to ask exactly what that was meant to prevent misunderstandings. But before we quarrel about it, let’s talk about it. But it’s definitely not a problem – and then there’s Google.”

Together with the Burning Witches, Jeanine recorded their self-titled debut album in 2017, the 2018 album Hexenhammer, the 2020 album Dance with the Devil, and their 2021 opus The Witch of the North, as well as the EP’s Wings of Steel, in 2019, and Acoustic Sessions, in 2020, the live album Burning Alive, in 2018, and of course their self-titled debut demo in 2016. In addition, Jeanine has also been featured in several compilations alongside the Burning Witches, including Maximum Metal Vol. 243 (Metal Hammer, 2018), Lauschangriff Vol. 67 (Rock Hard, 2018) and Metal Hammer 1/2019 (Metal Hammer, 2019) with the song Executed; Maximum Metal Vol. 254 (Metal Hammer, 2020) and Lauschangriff Vol. 79 (Rock Hard, 2020) with the song Sea of Lies; and Maximum Metal Vol. 264 (Metal Hammer, 2021) and Lauschangriff Vol. 86 (Rock Hard, 2021) with the song Flight of the Valkyries. You can find those and plenty of other amazing songs and videos from the Burning Witches on YouTube, such as The Witch Of The North, Hexenhammer, We Stand As One, Black Widow, and Dance With The Devil, and countless live footage where you can enjoy Jeanine kicking ass armed with her bass, like the band’s performances live at Salzhaus Brugg in Swtizerland in 2018, at Hell Diest in Belgium in 2022, and at New Wave of Heavy Metal Festival in  Germany in 2018.

When asked about how the band managed the transition from Seraina to Laura on vocals, and if there was a lot of pressure to find the right replacement for a much-vaunted frontwoman like Seraina as quickly as possible, Jeanine said that because Romana writes the music to sound like Burning Witches no matter what, there were no issues nor pressure during that period of change, complementing by saying she thinks Laura sounds even more metal than Seraina (although she considers both great vocalists). “And what makes us very happy, of course, is that Laura is very well received by the fans, and that is ultimately what counts. In terms of character, Laura fits perfectly into the band, she’s just as crazy as we are,” said Jeanine, who doesn’t know exactly where the band could go, while also saying the band would never change their style just to be more successful, and that it was never their declared goal to become such popular metal band. “Hey, we were allowed to perform in Wacken – the dream of every musician who is at home in the metal scene. But we kept our feet on the ground and didn’t take off. And I’m not planning where I want to be in five years, for example to tour with Iron Maiden. We take it as it comes and enjoy every single step!”

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In terms of her idols and influences, Jeanine and the rest of the band are of course inspired by bands the likes of Iron Maiden, Judas Priest, Manowar, Amon Amarth, and Switzerland’s biggest metal band of all time, Celtic Frost, always listening to a variety of music ranging from Jazz to Extreme Metal. Our dauntless bassist is also a huge fan of Exodus, but of course she said the biggest dream tour for her would be with Iron Maiden or Judas Priest, saying she would probably faint if she could go on tour with Iron Maiden. Furthermore, as their musical roots are definitely in the 80’s, Jeanine said there are many parents who attend their concerts and take their kids with them, which certainly has a positive impact on the future of heavy music. Speaking about touring and the life on the road, Jeanine mentioned that playing at Bang Your Head, one of the biggest festivals in Germany, was a fantastic experience to the band and a moment that will be remembered by them. And when asked about the band’s cover version for Manowar’s classic Battle Hymn, Jeanine said that “we’re all Manowar fans and Romana had the brilliant idea of ​​asking Ross The Boss to play on our cover version. And to our delight, he absolutely loved the idea. His bassist Michael Lepond (Symphony X) also found the suggestion exciting, and that’s how the whole thing got rolling.”

Jeanine also has an interesting view on the use of Spotify, YouTube and other streaming services today, and how they impact her music. “Everything is more fast-moving today, especially with all the media platforms that are now available. But I think the real fans who are interested in our music will listen to everything online as well. What was certainly better for us musicians in the past, when everything was still released on disk or CD, is that there were no platforms from which you could simply download music for free. A lot of people are not even aware that we musicians are not doing us any favors because we don’t get anything for our work. On the other hand, these new technologies also offer completely new possibilities. Nowadays it’s much easier to reach people and make them aware of us and our music. If you used to walk into a record store and see a CD from a band you’ve never heard of in your life, you probably hesitated rather than grabbing it spontaneously. Today you’re online, just listen to one or the other song, and if you like it, then you buy it. Everything has its pros and cons.”

In one of her interviews, Jeanine said she likes the fact that the Burning Witches are known as an all-girls group, complementing by pointing out to the importance of having more women in a male-dominated scene. “As a woman, it takes a lot of courage to stand up and fight to be taken seriously. When it all started for us back then, we had to fight against the prejudice that we didn’t set it all up ourselves. It was rumored that we first got a record deal and only then gave concerts, which of course is nonsense. And you really have to want success, because the music business isn’t always a bed of roses. What I can also imagine is that female bands quickly get in each other’s hair and then the whole thing falls apart quite quickly. Luckily, that’s not a risk for us, because we’re all very direct and open when dealing with each other and discuss differences of opinion straight away,” also saying that being called “witches” makes total sense for them, as in metal music no woman wants to be a “princess”. By the way, although Jeanine said the band doesn’t have any male groupies, there’s a fun video on YouTube from when the band played in St. Louis, a major city in Missouri along the Mississippi River in the United States, where one of the guys told Jeanine he loves her, and of course the band played along to make the experience even more fun.

As it happens to many, many bands and musicians out there, the girls from the Burning Witches have what can be called regular jobs, including of course Jeanine, but she said that luckily they all have great bosses who support them, saying that if they’re absent for several weeks then they take unpaid leave. “I work in sales, where it wasn’t always easy for the last three years – a lot was promised, but when it came down to it, they suddenly said I was here to work and you couldn’t make money with music anyway. But I was lucky enough to find a new job where I am now really supported. The whole thing is always based on reciprocity. I’m willing to give a lot, but I expect something in return. But this flexibility is not a matter of course, especially in sales, so I was really lucky.” Moreover, on the music side of business, Jeanine is very happy with all the support the band gets behind the scenes from VO Pulver (Poltergeist, Gurd), Marcel “Schmier” Schirmer (Destruction) and Damir Eskic (Destruction). “It’s definitely not the case that Schmier dictates anything to us, like getting involved in the songwriting or something like that, we really enjoy total freedom there. But of course we are also extremely happy about his input, after all he has been in the scene for over 30 years and brings a lot of experience with him. In the end we design the songs the way we want them to, but we also have an open ear for tips and ideas.”

There are several interviews with Jeanine and her bandmates online, such as this one in 2019 with Metal Underground when the Burning Witches performed in the UK for the first time supporting Brujeria and Cryptopsy, talking about the origin of their name, the role of women in modern metal and much more; this one to Bloodstream TV in 2022; this one right before their show at Hell Diest in Belgium in 2022; these five question by Rockers Den Magazine in 2022; or this simple but fun backstage footage from Dortmund, Germany when they were touring with Destruction in 2020. There’s no escape from Jeanine and her rumbling bass, as you can see, because you know, our red-haired diva is a witch of heavy music, and that’s all that she needs to hypnotize us all and drag us to their metal coven for all eternity.

Jeanine Grob’s Official Facebook page
Jeanine Grob’s Official Instagram
Burning Witches’ Official Facebook page
Burning Witches’ Official Instagram
Burning Witches’ Official YouTube channel
Burning Witches’ Official Twitter

Interview – Alex Mancini (Unknown Refuge)

Do you know what it is to grow up in the digital age of expression? Let’s have a chat with Alex Mancini, the talented vocalist and bassist for UK rockers Unknown Refuge, where he talks about that, the band’s debut album From The Darkness, and a lot more.

alex-mancini-unknown-refuge

Alex Mancini (Unknown Refuge)

The Headbanging Moose: Thank you for your time in chatting with us today! Could you please introduce yourselves to our readers and talk a little about the idea behind Unknown Refuge?

Alex Mancini: Hi I’m Alex, I’m the lead singer from Unknown refuge, we originally formed in 2016. The idea Unknown Refuge really came from us needing a band name for our first gig, we looked around where we were rehearsing and I saw a sign that said refuge point which made me wonder where mine was and that’s where the idea Unknown Refuge came from.

THM: You guys have just released your debut album From The Darkness. How difficult was it for the band to record it, and what inspired each band member to write the songs from the album?

AM:   It wasn’t too difficult for the band to record it, it was just difficult in terms of organizing a time where we were all available to pit aside a few weeks. The songs primarily stem from things I come across in my own life and I reflect these themes through use of ideas such as mythology, wars and some of my own personal experiences.

THM: I had a very good time enjoying each and every track from the album, but of course everyone has a favorite song and in my case it’s I’m Not A Bad Guy. I just love the pace, the punch and the lyrics from this specific song. What about you guys? Which song or songs from the album are your favorite ones and why?

Alex: My favourite is Journey because it depicts a lot of my life and I really enjoy playing it.

Morgan Deveney (drums): I’d say Battle Hymn  is my favorite I just love the energy behind the riff and the drums.

Jack Tracey (lead guitar): I really like playing Palace Walls, I quite like the breakdown and think it gives it a really good feel.

Harry Skinner (rhythm guitar): I’d say my favorite is To The Light,  I just really enjoy that opening riff.

THM: Who are your main idols in music and in life in general, and how much do they influence the band’s style and lyrical content?

AM:   I’d say we take a lot of influence from old metal bands such as Metallica, Iron Maiden, Slash and we try and incorporate that with new ideas to form what we believe is a new style of Hard Rock/Metal.

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Album Review – Unknown Refuge / From The Darkness (2021)

THM: You might be tired already of answering questions about the effect of COVID-19 to the music scene worldwide, with of course a huge negative impact on the shows and events industry. How has this pandemic been to you guys? As you’re a fairly new band, do you think you’re suffering more or less than established bands out there?

AM: We’ve definitely been suffering less than bands that completely rely on that income. Fortunately we have jobs on the side as this isn’t our full time career; however it has presented its own struggles with trying to produce new music and get people interested whilst no gigs are available.

THM: When Unknown Refuge was formed back in 2016, you were still teenagers in your 15’s. How have you guys managed the balance between Unknown Refuge and your studies since the band’s inception? Apart from touring, of course, what else in your student’s life is let’s say hampering your work with the band?

AM: Music is something that we all love deeply and I believe that no matter what we’re doing outside of that we’ll always try and make the time to progress our musical careers as much as we can.

THM: All band members are really young and were pretty much born already in the digital era. However, I would like to know your opinion on illegal downloads, on streaming services such as Spotify versus buying the physical copy of an album, and so on. And taking all that into account, how do you envision the future of the music industry in the coming years?

AM: That’s a tough one, I personally love physical copies of music, I do not agree with illegal streaming or downloading and I think places such as Spotify and streaming services like that are slowly killing the music industry. I know that that’s how people consume content nowadays, I can’t see that changing, but for me personally I think physical copies will always hold a place in my heart as that’s what I was around whilst growing up with rocker parents.

THM: Let’s have some fun now and talk about what could be considered a “dream tour” for Unknown Refuge. If you could choose 2 or 3 bands to tour with for one year, who would those be and why?

AM: I’d say Alter Bridge, Volbeat and Iron Maiden would be absolutely amazing. We are all huge fans of these and to play with bands that we admire so much would be a dream come true.

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Unknown Refuge

THM: What’s next for Unknown Refuge? Now that you have already released your first album, which is the most important milestone for any band, what else do you have planned for the band in the short and long term?

AM: As soon as we are able we are going to get out and gig as much as possible, beyond that hopefully we will have new material written and be looking at recording a second album soon.

THM: Once again, thanks a lot for your time and for letting us know a little more about Unknown Refuge! Keep on rockin’, and please feel free to send any final messages you want to our readers.

AM: Thank you for having us, I’d just like to say thank you to everyone who has supported us so far, and if you haven’t then please checkout our website and Facebook for updates as to what we have coming up!

Links
Unknown Refuge Official Website | Facebook | Instagram | YouTube | Spotify | BandCamp | Big Cartel

Album Review – Unknown Refuge / From The Darkness (2021)

Get ready to rock to the debut album by four young musicians hailing from the UK, offering us all ten electrifying songs dealing with the struggles of growing up in the digital age of expression.

Formed early in 2016 by Alex Mancini, then aged 15 as lead singer, and four friends from the Music and Performing Arts Service in Salford, a large English town directly west of Manchester city center, Bolton-based Hard Rock outfit Unknown Refuge offers an accomplished, mature sound and performance that will set your fillings on edge despite the young ages of its members, those being the aforementioned Alex Mancini on vocals and bass, Jack Tracey and Harry Skinner on the guitars, and Morgan Deveney on drums. Now in 2021 it’s time for such promising act to unleash upon us their debut album, entitled From The Darkness, a 10-track electrifying opus showcasing forward-thinking from those young rockers and demonstrating laser-sharp musicianship accompanied by thoughtful songwriting, telling the evolution of a songwriter’s life growing up as a teenager, the personal interests during those years as well as capturing some of the struggles faced while growing up in the digital age of expression.

The cinematic, obscure intro From The Darkness sets the stage for the quartet to kick some ass in To The Light, where Jack already fires a sick guitar solo as his welcome card, accompanied by the classic vocals by Alex and the rhythmic beats by Morgan, blending the most incendiary elements form Hard Rock, Rock N’ Roll and old school Heavy Metal. Then with Alex’s menacing bass and Morgan’s heavy beats generating a thunderous ambience, the band fires the old school feast titled Kicked To The Floor, highly recommended for fans of the modern rock and metal music crafted by Alter Bridge; and it’s time for the boys to put the pedal to the metal and blast a Motörhead-fueled rockin’ tune titled Battle Hymn, showcasing slashing riffs by Jack and Harry while Alex leads his crew with his straightforward vocals and thunderous bass punches. And Shadows is another great composition by Unknown Refuge, bringing elements from the music by Volbeat and Godsmack to their core Hard Rock, with Morgan pounding his drums mercilessly nonstop.

Presenting hints of 80’s Heavy and Progressive Metal, which only proves how versatile the band is, Palace Walls is slightly darker than its predecessors, with Jack and Harry showcasing another awesome job on the guitars, not to mention how smoothly Alex’s vocals flow from start to finish, whereas razor-edged riffs ignite the also fun and vibrant Wall Of Lies, once again blending the past and present of rock music and with its thrilling pace being led by the rhythmic drumming by Morgan. Following such entertaining song, we face another round of their kick-ass modern-day Hard Rock in If The Gods Be Good, with Alex being supported by the band’s classic backing vocals, therefore being perfect for hitting the road or raising your horns on the dance floor. And speeding things up a bit, the quartet fires the Godsmack-inspired extravaganza I’m Not A Bad Guy, offering a hybrid of Alternative Rock and Metal with old school thrash the likes of Metallica, also with Jack and Harry being on absolute fire from start to finish. And last but not least, old school, epic riffs kick off the closing tune titled Journey, with its headbanging rhythm and dense atmosphere being exactly what Alex needs to declaim the song’s pensive words, putting a climatic ending to such powerful album of Rock N’ Roll.

It’s quite easy to join the boys from Unknown Refuge in their quest for Rock N’ Roll. All you need to do is follow them on Facebook and on Instagram, subscribe to their YouTube channel, stream their music on Spotify, and above all that, grab your copy of From The Darkness from their own BandCamp page or Big Cartel (where by the way you’ll find an amazing bundle containing a CD, a charcoal grey Unknown Refuge shirt and four beer mats), or from Apple Music. Growing up as a teenager anywhere in the world nowadays is a true pain in the ass, but there’s nothing better than our good old Rock N’ Roll to guide us through such difficult times, just like what Unknown Refuge did in their debut album. That being said, how about hitting the dance floor to the high-octane music found in From The Darkness? It doesn’t matter if you’re a teenager or a grown-up, that will definitely make your day a lot better.

Best moments of the album: To The Light, Battle Hymn and I’m Not A Bad Guy.

Worst moments of the album: None.

Released in 2021 Independent

Track listing
1. From The Darkness 1:09
2. To The Light 5:09
3. Kicked To The Floor 4:56
4. Battle Hymn 5:04
5. Shadows 3:32
6. Palace Walls 4:46
7. Wall Of Lies 3:23
8. If The Gods Be Good 3:14
9. I’m Not A Bad Guy 3:10
10. Journey 5:16

Band members
Alex Mancini – vocals, bass
Jack Tracey – lead guitar
Harry Skinner – rhythm guitar
Morgan Deveney – drums

Album Review – Burning Witches / Dance with the Devil (2020)

The witches are back to mesmerize us all and put us to dance with them forever and ever to the sound of their incendiary Heavy Metal.

Swiss Heavy/Power Metal outfit Burning Witches is by far one of the hottest exports from the Alpine Republic since the release of their self-titled debut album in 2017, receiving a very positive feedback from fans and critics from all over the world. Formed in 2015 in Brugg, a Swiss municipality and a town in the canton of Aargau, the band currently comprised of Dutch newcomer Laura Guldemond on vocals (replacing the band’s original singer Seraina Telli in 2019), Romana Kalkuhl and Sonia Nusselder on the guitars, Jeanine Grob on bass and Lala Frischknecht on drums is ready to show the world everything they got once again with their third full-length installment Dance with the Devil, the follow-up to their highly acclaimed sophomore album Hexenhammer, released in 2018, and a lesson in Heavy Metal by five talented ladies who have always loved and breathed heavy music that will certainly inspire you to raise your horns and bang your head like there’s no tomorrow.

An eerie, mesmerizing intro titled The Incantation captivates our senses for the infernal Lucid Nightmare, with Romana and Sonia blasting sheer adrenaline through their sick riffage. Put differently, it’s classic Heavy Metal from the 80’s with Laura kicking some serious ass with her witch-like, soaring vocals, setting the bar really high for the rest of the album. Then it’s time to dance with our beloved Swiss witches in the title-track Dance with the Devil, a Hard Rock extravaganza led by Lala’s spot-on beats and Laura’s stunning vocals while the band’s stringed trio fills every single space in the air with adrenaline and electricity; followed by Wings of Steel, originally released in their 2019 EP Wings of Steel, a pure Heavy Metal tune showcasing the band’s dexterity and passion for what they do, all spiced up by Romana’s and Sonia’s classy guitar solos.

And Laura keeps blasting her high-pitched, piercing vocal lines in Six Feet Underground, another solid tune where Jeanine and Lala make the earth tremble with their low-tuned, metallic weapons, whereas in Black Magic we’re treated to an introspective, melancholic intro where Laura beautifully declaims the song’s words, evolving into a stunning ballad presenting passionate guitar solos and an ethereal atmosphere, showing a more delicate side of the band. Less visceral than the previous songs but still heavy-as-hell, Sea of Lies is a good composition bringing to our ears a great performance by Lala on drums, providing her bandmates a solid base for them to effectively slash their strings, while a Judas Priest-inspired riff kick off the metallic anthem The Sisters of Fate, perfect for banging your head nonstop with the girls or for hitting the road with your loved ones. This is the epitome of the band’s killer Heavy Metal with a Rock N’ Roll twist, with their guitar riffs and solos penetrating deep inside our minds.

Necronomicon is one of the darkest and most devilish of all songs, with Laura impersonating a true witch with her raspy, demonic vocals while Jeanine doesn’t stop hammering her bass strings, also presenting more of the band’s razor-edged riffs and solos, and bringing forward Helloween-inspired riffs blended with the classic Hard Rock by bands like Europe and Survivor we have The Final Fight, another lesson in charisma and vocal potency by Laura, therefore highly recommended for singing along with the band. Then taking their heaviness to a new level the quintet blasts the battle anthem Threefold Return, presenting an old school shredding infused with rumbling bass punches and rhythmic drums which will please all fans of classic Heavy and Power Metal without a shadow of a doubt, and lastly we have their cover version for Manowar’s classic Battle Hymn, featuring guest guitarist Ross the Boss (Manowar, Ross the Boss) and guest bassist Mike LePond (Symphony X, Ross the Boss). This is a sensational rendition by the witches with a welcome feminine touch, and still as strong and insurgent as the original version (which you can take a listen at HERE).

If you consider yourself a true metalhead and you think you have what it takes to face the stunning metal witches from Switzerland, go check what they’re up to on Facebook and on Instagram, and of course go grab your copy of the breathtaking Dance with the Devil (also available for a full listen on Spotify) from the Nuclear Blast webstore in different formats by clicking HERE or HERE. Hence, after putting your hands on such entertaining album of heavy music, you’ll quickly realize the unrelenting Burning Witches have taken over your mind for good, inspiring you to dance with them forever and ever to the sound of their undisputed Heavy Metal.

Best moments of the album: Lucid Nightmare, Dance with the Devil, The Sisters of Fate and The Final Fight.

Worst moments of the album: Sea of Lies.

Released in 2020 Nuclear Blast

Track listing
1. The Incantation 0:57
2. Lucid Nightmare 4:50
3. Dance with the Devil 4:26
4. Wings of Steel 4:29
5. Six Feet Underground 4:31
6. Black Magic 5:06
7. Sea of Lies 4:56
8. The Sisters of Fate 3:31
9. Necronomicon 4:12
10. The Final Fight 4:35
11. Threefold Return 3:56
12. Battle Hymn (Manowar cover) 6:55

Band members
Laura Guldemond – vocals
Romana Kalkuhl – guitars
Sonia Nusselder – guitars
Jeanine Grob – bass
Lala Frischknecht – drums

Guest musicians
Ross the Boss – guitars on “Battle Hymn”
Mike LePond – bass on “Battle Hymn”