Album Review – Olde Throne / Megalith (2025)

Behold the new opus by this New Zealand-based Melodic and Atmospheric Black Metal entity, a primal journey into the depths of prehistory, delving into the primordial darkness of the Neolithic age.

A Melodic and Atmospheric Black Metal band born in a time when main composer and frontman Harrison McKenzie was living in Glencoe, Scotland, the amazing Christchurch, New Zealand-based project Old Throne returns with another bold and multi-layered opus, entitled Megalith, following up on their 2022 debut An Gorta Mór and their 2023 sophomore In the Land of Ghosts. Even after moving back to his native New Zealand, Harrison felt deeply inspired by his experience in the highlands, translating such inspiration into the music found in all of his albums. Mixed and mastered by Tim Yatras (Austere, Germ), and displaying a stunning artwork by German illustrator Misanthropic Art, the newborn spawn by Harrison on vocals, guitars and bass, alongside Zannibal on lead guitars and synthesizers and the aforementioned Tim Yatras as their session drummer, is a primal journey into the depths of prehistory, delving into the primordial darkness of the Neolithic age. Drawing inspiration from stories of Celtic mythology, the album’s narrative is rooted in tales dating back as far as 10,000 BC, with the use of flutes, throat singing and tribal drums forging an immersive brand of Neolithic Black Metal.

The soothing sounds of Mother Nature permeate the air in the intro Primordial Realm, inviting us all to join Old Throne in an distant era long forgotten in The Most Elder Days, a lecture in Atmospheric Black Metal spearheaded by Harrison’s striking riffs and devilish roars, with all background elements giving it an even more epic and visceral vibe just the way we like it in extreme music. It’s then pedal to the metal in the Black Metal attack entitled My Throne, offering more of the band’s killer riffage, boosted by the blast beats by Tim; whereas An Drochshúil, an Irish-Gaelic term meaning “the evil eye” which refers to a supernatural curse or affliction caused by a malevolent glare or look, believed to bring harm to a person or animal, perfectly depicts that type of evil, with Zannibal’s synths bringing an extra dosage of darkness to the song.

Ail Na Mireann, which means the “Stone of the Divisions” and refers to a significant ancient stone on the Hill of Uisneach in County Westmeath, Ireland, sees the band shift to an even more obscure, melancholic sonority, with Harrison’s strident riffs and rumbling bass matching perfectly with his desperate growls. Then we face a stunning Atmospheric Black Metal storm titled Temple of the Sky, where Tim shows no mercy for his drums while Harrison and Zannibal extract pure adrenaline from their axes, not to mention the song’s captivating, mysterious female vocal lines. The second to last song in Megalith, titled Sceach Geal, a sacred tree in Irish folklore strongly associated with fairies and mystical beings, slows things down a bit while maintaining the album’s epic vibe, losing a bit of its energy close to the end, though; and lastly, get ready for the darkest of all songs, the ruthless Tuan’s Bane, alternating between Doom Metal moments and the sheer aggression of Black Metal, also offering some enfolding passages until its climatic and furious finale.

Conceived as a single, unbroken auditory ritual, Megalith is a continuous concept piece, with each track flowing seamlessly into the next, demanding to be experienced in its entirety from beginning to end, therefore resulting in the perfect meeting spot for SAOR and Naglfar alike, just to name a couple. Harrison and his henchmen are waiting for you with their breathtaking Neolithic Black Metal experience on Facebook and on Instagram, and don’t forget to also stream their undisputed creations on Spotify, and to purchase a copy of the excellent Megalith from the project’s own BandCamp, as well as from the Avantgarde Music’s BandCamp or from Sound Cave (in both CD and LP formats), or simply click HERE for all things Old Throne. This is by far one of the most interesting and unique Melodic and Atmospheric Black Metal projects of the current scene worldwide, and I’m sure you’ll have an absolute blast going back ten thousand years together with Old Throne to the sound of their imposing new album.

Best moments of the album: The Most Elder Days, Temple of the Sky and Tuan’s Bane.

Worst moments of the album: Sceach Geal.

Released in 2025 Avantgarde Music

Track listing
1. Primordial Realm 1:15
2. The Most Elder Days 5:14
3. My Throne 3:17
4. An Drochshúil 5:18
5. Ail Na Mireann 6:39
6. Temple of the Sky 6:18
7. Sceach Geal 6:50
8. Tuan’s Bane 7:58

Band members
Harrison McKenzie – vocals, guitars, bass
Zannibal – lead guitars, synthesizers

Guest musician
Tim Yatras – drums (session)

Concert Review – Ingested (The Velvet Underground, Toronto, ON, 06/02/2023)

The “slam tour of the year” beautifully crushed the “slam capital of the world” to pieces on a hot and humid night thanks to five of the best bands of the current extreme music scene.

OPENING ACTS: Mendacity, Organectomy, Vomit Forth and Devourment

A night of nonstop brutal slammin’ death metal. That pretty much summarizes what happened at The Velvet Underground this past Friday in Toronto, when MENDACITY, ORGANECTOMY, VOMIT FORTH, DEVOURMENT and INGESTED brought to the city the ruthless, venomous Ingesting North America 2023 – The Slam Tour Of The Year, another beautiful event organized by Noel Peters of Inertia Entertainment. By the way, he was explaining to my buddy Keith Ibbitson of Lower Eastside Photography that the guys from Belarusian Death Metal horde Extermination Dismemberment couldn’t get their Canadian visas ready on time and, therefore, couldn’t make it to the concert in Toronto. However, all five bands demanded the fans to raise their horns for those Belarusian slammers, showing how united the scene is and will always be.

And although there was no Extermination Dismemberment it was still a night to remember, with Innisfil, Ontario-based Technical/Brutal Death Metal trio MENDACITY kicking off the event at around 7:30pm, and they more than nailed it with their fusion of technical and progressive sounds with the brutality of Death Metal. Kyle Lam was fantastic on bass, and I just wish the sound of it was a little bit higher so we could all enjoy his rumbling lines better, while Jason and Jeff Burt were crushing their respective guitars and drums. There weren’t any mosh pits as the crowd was still very small when they started, but they got some great feedback form the audience with lots of horns in the air, shouts and claps, and if you’re curious to know how technical and brutal they sound at the same time, you can find their music on BandCamp and on Spotify.

Band members
Jason Burt – vocals, guitars
Kyle Lam – bass, backing vocals
Jeff Burt – drums, backing vocals

After a really short break, more precisely at 8:05pm, Christchurch, New Zealand-based Slam/Brutal Death Metal unity ORGANECTOMY began their pulverizing performance, and I must say they were in my opinion the most impressive of all bands. I didn’t know anything about those guys before the show, and now I’m listening to their music nonstop on Spotify. Frontman Alex Paul was vicious throughout their entire set, inspiring everyone at the venue to slam into the pit, to jump up and down, to do some sick crowd-surfing and so on, to a point that there were only two options for all attendees, which were either being slamming into the pit, or being outside the venue. Their 2022 album Nail Below Nail is freakin’ amazing, and the songs played live from that album such as Concrete, the title-track Nail Below Nail, The Third Mutation, Entranced by Calamity and Coerced Through Submersion sounded insane live! I really hope those guys return to Toronto soon, because their live shows are infernal, and based on the reaction of the band itself to all the action going on inside the pit they’ll surely carry Toronto inside their hearts until their next visit to the city.

Setlist
Impale the Bitch
Terror Form
Entrapped Savagery
Concrete
Nail Below Nail
The Third Mutation
Entranced by Calamity
Severed From Humanity
Coerced Through Submersion

Band members
Alex Paul – vocals
Sam McRobert – guitars
Matthew Bolch – guitars
Tyler Jordan – bass, backing vocals
Levi Sheehan – drums

After such demolishing performance by Organectomy, it was time for Connecticut, United States-based Death Metal horde VOMIT FORTH to turn The Velvet Underground into a cauldron of blood to the delight of all lovers of some brutal slamming. Their frontman Kane Gelaznik looks like a younger version of the almighty George “Corpsegrinder” Fischer, having the same looks, clothes, and even his headbanging and vocals, and that was already enough for me to enjoy their concert to the fullest. Of course the rest of the band was also on fire, in special Nick Herrmann with his sick blast beats, and the songs form their 2022 album Seething Malevolence, those being Eucharist Intact, Carnivorous Incantation, Unrecognizable, Severely Wounded, Predatory Savior and Pain Tolerance drove the audience crazy inside the endless circle pit, including a nice a wall of death. You can enjoy all their sick creations on Spotify or you can click HERE for all things Vomit Forth, and if they have a concert scheduled in your city, don’t think twice and go slam together with those awesome death metallers.

Setlist
Eucharist Intact
Carnivorous Incantation
Unclaimed Cadaver
Rotting Wool
Unrecognizable
Untitled
Severely Wounded
Predatory Savior
Pain Tolerance

Band members
Kane Gelaznik – vocals
Ricky Brayall – guitars
Tyler Bidwell – bass
Nick Herrmann – drums

It was already past 9:30pm when one of the highly anticipated bands of the night, Dallas, Texas-based Slam/Brutal Death Metal institution DEVOURMENT, hit the stage with one of the heaviest concerts you’ll see anywhere. Still promoting their 2019 album Obscene Majesty, the band formed of frontman Ruben Rosas, guitarist Chris Andrews, bassist Dave Spencer and drummer Brad Fincher was ruthless from start to finish, inspiring obviously the crowd to slam into the pit like maniacs and to crush their skulls into a sick wall of death to the sound of songs such as A Virulent Strain of Retaliation, Fucked to Death and Devour the Damned. I just think the lights for those guys were way too red and low, making it almost impossible to see them (and impossible for Keith to take proper pictures of them, by the way), but their brutality was there, stronger and heavier than ever. Their last song, the visceral Babykiller, was the icing on the cake on their flawless and demonic show, leaving all fans eager for more Devourment in Toronto in a not-so-distant future.

Setlist
A Virulent Strain of Retaliation
Fucked to Death
Postmortal Coprophagia
Choking on Bile
Self Disembowelment
Narcissistic Paraphilia
Devour the Damned
Babykiller

Band members
Ruben Rosas – vocals
Chris Andrews – guitars
Dave Spencer – bass
Brad Fincher – drums

INGESTED

Finally, as the clock hit 10:35pm, Manchester, England’s own Slam/Brutal Death Metal/Deathcore institution INGESTED began the destruction of The Velvet Underground with one of the most electrifying performances of the past few months in the city. Spearheaded by their lunatic frontman Jay Evans, and promoting their 2022 album Ashes Lie Still, the band delivered an incendiary performance for an avid crowd eager for some intense circle pits, crowd-surfing and walls of death, and let’s say they got everything they asked for from those UK metallers. There were bodies being carried around nonstop in a lecture in crowd-surfing, with one guy maybe going from the front of the stage all the way to the back, showing how happy the fans were with Ingested’s visceral music.

Their new songs like Shadows in Time and Echoes of Hate sounded even heavier and more caustic live, not to mention of course their demented grand finale with Skinned and Fucked. Jay and his henchmen were absolutely impressed with all the action going on inside the pit, opening a huge smile every single time they saw how excited their Torontonian fans could get while slamming into the pit. Speaking about Jay, that gentle and very polite guy selling their own merch and the stand turned into a monster on stage, with his demonic, piercing eyes, sick grim and demonic vocals setting fire to the concert while the rest of the band was merciless armed with their respective sonic weapons. The Velvet Underground might be a small venue, but the energy flowing from Ingested’s concert on Friday was the equivalent to any arena shows, and I’m sure those guys will return to Canadian lands for another wicked performance sooner than we can say “SLAM!”

Setlist
Rebirth
No Half Measures
The List
Shadows in Time
I, Despoiler
Impending Dominance
Invidious
Echoes of Hate
Copremesis
Skinned and Fucked

Band members
Jay Evans – vocals
Sean Hynes – guitars, backing vocals
Andrew Virrueta – guitars
Thomas O’Malley – bass
Lyn Jeffs – drums

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