Album Review – Centinex / With Guts and Glory (2025)

These Swedish legends return to their roots with a sound that combines the ferocity of early Death Metal with the urgency of Punk Rock in their new album.

Stripping away atmospheric frills and polished production, Swedish Death Metal legends Centinex return to their roots with a sound that combines the ferocity of early Death Metal with the urgency of Punk Rock and elements from Death N’ Roll in the form of their new album, titled With Guts and Glory, their most ferocious and uncompromising offering yet. Following up on their 2020 album Death in Pieces, the new album by Henrik Andersson on vocals, Jörgen Kristensen on the guitars, Martin Schulman on bass, and Florian Rehn on drums is a raw, high-energy album that ditches the excess and focuses on what matters, blasting our faces with unrelenting riffs, d-beats, and thrash-infused aggression.

The album kicks off in full force with the Death and Thrash Metal extravaganza titled Becoming, with Jörgen slashing his axe while Henrik vomits the song’s words like a true beast, and you gotta love the dirty riffs by Jörgen in the excellent fusion of Death and Thrash Metal with Hardcore and Punk Rock elements titled Your Religion Dies Tonight, always supported by the classic beats and fills by Florian. Then the bass by Martin will crush your skull mercilessly in the hard hitting tune Gods Of Guilt, proving extreme music doesn’t need to be played at the speed of light all the time. And back to a more demolishing sonority we face I Am The Way, inspired by old school Death Metal while also presenting hints of the thrash attack by Slayer and Exodus.

A Masterpiece In Flesh is a Motörhead-infused metal onrush by the quartet where once again Florian dictates the pace armed with his unstoppable beats and fills for our absolute delight, whereas they offer a more direct Death Metal sound in In My Dreams, with Jörgen extracting sheer hatred and violence from his guitar while Henrik screams and roars like a demented creature. Symphony Of Screams carries a charming title for a heavy-as-hell, rumbling tune by Centinex, with Martin pounding his bass like there’s no tomorrow; and in order to properly conclude the album the quartet fires another round of aggressiveness and speed titled Sorrowtears, perfect for slamming inside the pit with your good friends.

Forget atmospheric trends, as Centinex keep it raw, fast, and filthy in their newborn spawn, inviting us all to slam into the pit like there’s no tomorrow to the sound of their frantic and caustic creations. You can find more details about the band, their tour dates and their music on Facebook and on Instagram, or simply by clicking HERE, bang your goddamn heads to their wicked discography on Spotify, and obviously support those hardworking guys by purchasing their excellent new album by clicking HERE. With Guts and Glory is not pretty. It’s not supposed to be. It is pure, raw aggression made in Sweden, and it’s exactly what the underground has been craving.

Best moments of the album: I Am The Way, A Masterpiece In Flesh and Sorrowtears.

Worst moments of the album: None.

Released in 2025 Black Lion Records

Track listing
1. Becoming 3:55
2. Your Religion Dies Tonight 3:27
3. Gods Of Guilt 3:44
4. I Am The Way 3:08
5. A Masterpiece In Flesh 3:14
6. In My Dreams 3:47
7. Symphony Of Screams 4:10
8. Sorrowtears 3:32

Band members
Henrik Andersson – vocals
Jörgen Kristensen – guitar
Martin Schulman – bass
Florian Rehn – drums

Concert Review – Judas Priest (Prudential Center, Newark, NJ, 04/19/2024)

The one and only Metal Gods raised the invincible shield in Newark this Friday night in a celebration of pure Heavy Metal magic.

OPENING ACT: Sabaton

Exactly 546 days after seeing Iron Maiden at Prudential Centre, I had the utmost pleasure of visiting the city of Newark, New Jersey again this past Friday to see one of the other pillars of my personal “metal triumvirate”, the almighty Heavy Metal institution JUDAS PRIEST (by the way, the other pillars are the aforementioned Iron Maiden, and Slayer, in case you’re curious about that), supported by the good SABATON, during their undisputed, visceral and absolutely hypnotizing Invincible Shield Tour USA 2024. And just like what happened in 2022, I met with one of my good friends from the IMFC before the show at Bello’s Pub & Grill for some quality chat and drinks. Well, that’s becoming a tradition for me, so maybe next it will be Slayer there?

Anyway, after getting to the venue and grabbing some merch (and let me tell you, the Metal Gods are offering some amazing shirts this tour), we got to our seats to enjoy the warlike performance by Falun, Dalarna, Sweden’s own Power Metal brigade SABATON as the more-than-special openers of the night. Although I’m not a huge fan of their music, I must admit they sound amazing live, and Friday night in Newark was no exception to that. Spearheaded by the charismatic frontman Joakim Brodén, Sabaton killed it with a solid and very entertaining show, each song having its own special war-inspired background story, with their setlist encompassing songs from their 2022 album The Symphony to End All Wars, like Stormtroopers and Soldier of Heaven, plus some classic bangers such as Shiroyama (my favorite of their setlist) and To Hell and Back. Everyone who was already at the venue loved their show, and I bet Sabaton will return to Newark soon headlining their own tour based on the warm reaction from all concert goes this Friday night.

Setlist
The March to War
Ghost Division
The Last Stand
Swedish Pagans
The Red Baron
Bismarck
Stormtroopers
Carolus Rex (Swedish)
Shiroyama
The Attack of the Dead Men
Primo Victoria
Soldier of Heaven
To Hell and Back
Dead Soldier’s Waltz

Band members
Joakim Brodén – lead vocals, keyboards
Thobbe Englund – guitars, backing vocals
Chris Rörland – guitars, backing vocals
Pär Sundström – bass, backing vocals
Hannes Van Dahl – drums, backing vocals 

JUDAS PRIEST

It was only 9pm when the main attraction of the night, my beloved, unparalleled, undisputed Metal Gods JUDAS PRIEST took the city of Newark by storm with one of the most metallic, headbanging and intense concerts I’ve ever witnessed. I’m not kidding, it was one hour and forty five minutes of nonstop Heavy Metal magic, courtesy of Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis, who was by the way phenomenal on drums as usual, taking their heaviness and power to a whole new level Friday night. From the moment the giant banner with the Invincible Shield tour “poem” went up, plus the awesome Invincible Shield tour anthem, until the very last second of the show, it was pure heavy music for the delight of a jam packed Prudential Centre, proving the Metal Gods still got it and that “they’re gonna rock us all ’til our metal hunger’s fed” (if you know what I mean, of course).

Having recently released the majestic opus Invincible Shield, the Metal Gods delivered an ass-kicking mix of timeless classics the likes of Rapid Fire, Love Bites and Sinner, with the brand new songs (which by the way sound like classics too) Panic Attack, Crown of Horns, and my favorite song of the night, the title-track Invincible Shield. Moreover, let’s say that the 72-year old Metal God Rob Halford didn’t want to waste too much time talking, focusing on a stellar vocal performance that made me (and most concert goers) wonder if he’s actually 72, because he sounded decades younger when blasting his soaring, high-pitched vocal lines. Seriously, Halford was flawless, sensational, and so on, making it hard to describe his performance in just a few words. Hence, don’t miss the chance to see him kicking some serious ass on stage this tour, as it’s worth every penny.

One thing I gotta say about the fact that the floor section had seats instead of general admission is that, if you’re going to have seats, make sure people will respect their seats. The crowd was simply rowdy and wild during the entire concert, no one was respecting the seating map, people were standing anywhere they wanted, beer was flying all over people, security was absolutely useless, plus a few minor incidents. That’s why I hate seats. Why not giving everyone the pleasure of standing wherever they want, instead of charging high prices for upfront tickets if no one was going to obey that, right? It was the purest form of “breaking the law, breaking the law” you can think of, so maybe next time in places like Newark the band could avoid offering the seated floor section and just let the crowd go wild.

Anyway, back to the concert, after the band smashed our damned souls with the pulverizing Painkiller, where once again Scott Travis sounded monstrous, I was really hoping for Glenn Tipton to show up during the encore for a couple of songs, which unfortunately didn’t happen. Well, if Glenn was not feeling well enough to do so, that’s more than fine, as long as one of the most important guitarists in the history of heavy music stays strong and keeps fighting against his disease with all his power. No surrender, Glenn! Also, that doesn’t mean the encore wasn’t a real banger, as everyone had the time of their lives enjoying Electric Eye, Hell Bent for Leather, and Living After Midnight, three songs that transpire Heavy Metal, plus of course Richie and Andy made sure they brought Glenn’s energy and passion to the stage during the entire show.

As I mentioned before, there wasn’t a lot of talking during their performance, apart from Halford reminding everyone that the band was celebrating 50 years of Heavy Metal as they released the cult album Rocka Rolla back in 1974, and five decades later here they are still rockin’ hard with Invincible Shield. Damn, time flies, and so did I back to Toronto (pun intended) after an amazing visit to New York and Newark, with my only regret being not having bought tickets for more Judas Priest shows during this awesome tour. Hopefully they’ll announce a new leg soon including Toronto and other Canadian cities, then I’ll make sure I’ll attend multiple concerts to worship the one and only, headbanging, unstoppable Metal Gods. This metalmaniac loves you, guys! Thank you once again for an unforgettable show, and see you on the road!

Setlist
War Pigs (Black Sabbath song)
Invincible Shield Tour Anthem
Panic Attack
You’ve Got Another Thing Comin’
Rapid Fire
Breaking the Law
Lightning Strike
Love Bites
Devil’s Child
Saints in Hell
Crown of Horns
Sinner
Turbo Lover
Invincible Shield
Victim of Changes
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

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Concert Review – Gloryhammer (The Phoenix Concert Theatre, Toronto, ON, 03/12/2024)

One of the torchbearers of Symphonic Power Metal worldwide returned to Toronto after five long years with more of their striking music, swords, goblins, hammers, and HOOTS!

OPENING ACTS: AMMO and Twilight Force

It was a beyond pleasant night in Toronto yesterday with temperatures above the two digits, something VERY uncommon for this time of the year but perfect for enjoying some high-quality Power Metal at The Phoenix Concert Theatre (which by the way desperately needs better parking nearby), courtesy of AMMO, TWILIGHT FORCE and GLORYHAMMER during their most excellent The Red, White & Hoots North American Tour 2024, and the Torontonian fans of all three bands answered their call and joined them in the battlefield for a night of soaring vocals, shredding, orcs, goblins, swords, hammers, princess and princesses, and of course my buddy Keith Ibbitson of Metal Paparazzi and I couldn’t be left out of that metallic party in a land far, far away, right?

Well, to be fair, due to other commitments I couldn’t get to the venue in time to see Toronto’s own Heavy Metal act AMMO, but some people told me they were really good and put on a very entertaining warmup for Twilight Force and Gloryhammer. I checked online and it looks like there have been some significant changes to their lineup since their 2019 EP Taking the Throne, available on BandCamp and on Spotify, which means we can expect new music from those guys in a not-so-distant future. Sorry, AMMO, for not catching you live last night opening for Twilight Force and Gloryhammer, but I’m sure there will be plenty of opportunities to see you guys kicking ass on stage in the coming months.

Setlist
Into Death
Street Metal Werewolves
Doomsayer
Taking the Throne
Empire
Too Metal for Metal

Band members
Alex Zdarvkovic – vocals
Brett Hexx – guitars, backing vocals
Matt Lewis – guitars
Necro Hippie – bass
Struan Robertson – drums

It was around 8pm when Sweden’s iconic Symphonic Power Metal unity TWILIGHT FORCE hit the stage for a fantastic performance, I would say just as electrifying as Gloryhammer, with all band members being on absolute fire throughout the entire show and in sync with the crowd, leading each person at the venue into magical battles with dragons (and there was actually a “floating” dragon released over the crowd during Dragonborn) and other mystical creatures. Having released the album At the Heart of Wintervale last year, Twilight Force was unfortunately missing their lead singer Allyon due to unforeseen issues with his family back home, but that doesn’t mean their show was boring; quite the contrary, Long Island, New York-born (but currently residing in Sweden) vocalist Kristin Starkey, of Italian Melodic Heavy/Power Metal act Temperance, and who’s been doing backing vocals for Twilight Force since 2023, did all the vocals last night and, oh boy, she was incredible. What an amazing voice she has, plus of course her charisma and onstage theatricals, making us even “forget” she’s not the actual vocalist for the band. Sword yielding songs like Dragonborn, Thundersword, and the closing one The Power of the Ancient Force, inspired all fans to raise their fists in the air and enjoy an ass-kicking performance by Twilight Force, and I’m sure soon we’ll see those guys headlining concerts in the city thanks to the more-than-warm reception from their Torontonian fans (and if you want to know more about their music, go check them on BandCamp and on Spotify).

Setlist
Dawn of the Dragonstar
Twilight Force
Dragonborn
Thundersword
Sunlight Knight
Flight of the Sapphire Dragon
Sunlight Knight
At the Heart of Wintervale
The Power of the Ancient Force

Band members
Kristin Starkey – vocals
Lynd – lead & acoustic guitars, lute
Aerendir – rhythm guitars
Born – bass
Blackwald – keyboards, piano, violin, harpsichord
De’Azsh – drums

GLORYHAMMER

Finally, five years after their last concert in Toronto, Scotland’s own Symphonic Power Metal brigade GLORYHAMMER returned to Canadian battlefields armed with their 2023 opus Return To The Kingdom Of Fife, and if there’s one word that could define their show, that word has to be HOOTS! It was a fusion of Heavy and Power Metal with symphonic elements, beer, goblins, hammers and other fantasy elements by Angus McFife II, Ser Proletius, The Hootsman, Zargothrax and Ralathor, putting a huge smile on the faces of everyone who attended the show last night. Blending songs from all of their albums with new ones like Wasteland Warrior Hoots Patrol and Fife Eternal, which are extremely catchy and perfect for live concerts, the band kicked some ass and slayed some goblins for our total delight.

Of course, some of the most anticipated songs of their setlist didn’t disappoint at all, including the amazing battle hymns Gloryhammer, Hootsforce and The Unicorn Invasion of Dundee, with Angus McFife II (aka Sozos Michael) proving why he was chosen to become the band’s frontman with not only an amazing vocal performance, but also being very charismatic and leading the crowd with his requests for fists in the air while holding the Gloryhammer high. Also, I was impressed with the fact that there were even mosh pits during Gloryhammer’s performance, because that’s not the type of music you expect mosh pits. Well, it’s Toronto, so mosh pits can happen anytime. Furthermore, when you have a concert where a goblin appears on stage playing the saxophone, that means ANYTHING can happen, and I bet everyone at the venue can’t wait for Gloryhammer to visit Toronto again in the near future with more swords, hammers, and HOOTS!

Setlist
Incoming Transmission
Holy Flaming Hammer of Unholy Cosmic Frost
Gloryhammer
The Land of Unicorns
Fly Away
Angus McFife
Questlords of Inverness, Ride to the Galactic Fortress!
Also Sprach Zarathustra
Wasteland Warrior Hoots Patrol
Fife Eternal
Masters of the Galaxy
Sword Lord of the Goblin Horde
The Siege of Dunkeld (In Hoots We Trust)
Keeper of the Celestial Flame of Abernethy
Universe on Fire
Hootsforce
The Unicorn Invasion of Dundee
The National Anthem of Unst

Band members
Angus McFife II (Sozos Michael) – vocals
Ser Proletius, Grand Master of the Deathknights of Crail (Paul Templing) – guitars
The Hootsman, Astral Demigod of Unst (James Cartwright) – bass
Zargothrax, Dark Emperor of Dundee (Michael Barber) – keyboards
Ralathor, the Mysterious Submarine Commander of Cowdenbeath (Ben Turk) – drums

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Album Review – Wretched Fate / Carnal Heresy (2023)

***Review by Luke Hayhurst, writer for Morbid Wings (Print) ZineVM Underground Fanzine and Doom-Metal.com***

I find a lot of the cover art that is created by Skadvaldur to be very impressive, but the artwork for Carnal Heresy is a step above even his usual work. This is the sophomoric album from Swedish Death Metal band Wretched Fate and has been put out on CD and LP through those purveyors of all things excellent and dark, Redefining Darkness Records.

Right from the opening moments of Mind Desecrator the carnage on display is all encompassing. A sonically brutal apocalypse of malicious intent laden guitar tones combined with a deep and ominous sounding bass display, as well as a thuggish old school drumming style and gripping vocal work from frontman Adrian Selmani whose rumbling growls are harrowing and yet draw you into every chorus!

Whereas some Death Metal bands like to create a dark and gloomy atmosphere, Wretched Fate sticks doggedly to brutality over everything else, with a viciously technical underbelly in the form of twisting and writhing guitar rhythms. So whilst other bands are focusing on layered atmospherics, Wretched Fate are too busy chugging you into the abyss for any of that!

I wouldn’t expect anything less from an album entitled Carnal Heresy than a full blooded Death Metal beatdown, and these Swedish purveyors of riffs and decimation deliver up a grueling display of powerful and sickening hostility and barbaric violence.

Best moments of the album: I love how the vocals draw you into each chorus!

Worst moments of the album: Nothing, it’s a strong album in all areas.

Released in 2023 by Redefining Darkness Records

Track listing
1. Mind Desecrator 3:24
2. Momentary Suicide 3:25
3. Utterance from the Inhuman Tongue 3:05
4. Cry from Beyond 4:25
5. Umbilical Suffocation 5:26
6. Harlots for Suffering 4:02
7. Upon the Weak 4:40
8. Morbid Testament 4:36
9. Spineless Horror 5:55

Band members
Adrian Selmani – vocals
Mats Andersson – guitars, backing vocals
Fredrik Wikberg – guitars, guitar solo on “Utterance from the Inhuman Tongue”
Robin Magnusson – bass
Samuel Karlstrand – drums

Guest musicians
Alexander Högborn – additional vocals on “Utterance from the Inhuman Tongue”
Mikael Hanni – additional vocals on “Harlots for Suffering”

Links
Wretched Fate Official website | Facebook | Instagram | YouTube | BandCamp | Spotify