Album Review – Argul / Soledad & Orgullo (2026)

Behold the debut by this up-and-coming Peruvian Doom Metal outfit, bringing the past into the present, presenting a blend of the band’s early days with what they are today.

A Doom Metal band formed by guitarist Mauricio Guerrero and drummer Jose María Venturi in Lima, Peru in 2014, originally leaning towards the roots of Heavy Metal and Stoner Rock by drawing inspiration from contemporary bands such as Orange Goblin, Witchcraft, and Reverend Bizarre, but evolving into the more distinct style it is today, sounding slower, heavier, and more introspective, Argul are unleashing upon us their highly anticipated debut, titled Soledad & Orgullo, which is Spanish for “solitude and pride.” Recorded, mixed and mastered by Eddie Plenge at Dragonverde Studios (with the song “Kamog” being recorded and mixed by Alonso and Mauricio Guerrero at Ogro Space), and showcasing a grim cover photo by Jose María Venturi, the debut by the aforementioned Mauricio Guerrero on vocals and lead guitars, Jose María Venturi on vocals and rhythm guitars, Jian Holmes on bass, and Alonso Guerrero on drums (also featuring guest drummer Emilio Carranza on a few songs) brings the past into the present, presenting a blend of the band’s early days with the Argul of today, where heavier atmospheres are moving between crushing weight and quieter, thoughtful moments without losing intensity.

They kick off their doom-laden feast with the dark, sluggish and groovy Ritual, where the dual vocal attack by Mauricio and Jose works beautifully while their ritualistic guitars transpire darkness and sulfur. Then the thunderous bass lines by Jian dictate the pace in the rhythmic, pounding Engendro, with Emilio making sure his beats and fills bring absolute heaviness to their music. Hor Hodin continues from where the previous song left off, showcasing the power of the mighty riff by both Mauricio and Jose; however, it’s when they deliver those sluggish, no shenanigans Doom Metal arias that surpass the ten-minute mark like what happens in Animal Dog that they truly thrive, with their guitars breathing fire accompanied by the massive bass lines by Jian. And last but certainly not least, get ready to be dragged to absolute darkness with the introspective and grim Kamog, where their vocals walk hand in hand with the fierce drumming by Alonso, putting a beyond heavy and climatic ending to the album.

Mostly utilizing their native tongue throughout the entire album, imparting a particularly unique aspect to it, highlighting those contrasts whilst never losing a focused consistency, Ardul are on absolute fire in Soledad & Orgullo, and if you want to put your hands on the album you can find it on their own BandCamp, as well as on the Personal Records’ BandCamp or webstore, and don’t forget to also give those talented Peruvian rockers a shout on Instagram, staying up to date with all things Ardul, including their heavy and doomed live performances. In the end, the primordial is wrapped in a gloomy heaviness. The essence is the obscure and the inevitable. This is Argul’s Soledad & Orgullo.

Best moments of the album: Ritual and Animal Dog.

Worst moments of the album: None.

Released in 2026 Personal Records

Track listing
1. Ritual 10:08
2. Engendro 5:04
3. Hor Hodin 5:47
4. Animal Dog 10:15
5. Kamog 14:20

Band members
Mauricio Guerrero – vocals, lead guitars
Jose María Venturi – vocals, rhythm guitars
Jian Holmes – bass
Alonso Guerrero – drums on “Ritual” and “Kamog”

Guest musician
Emilio Carranza – drums on “Engendro”, “Hor Hodin” and “Animal Dog”

Album Review – Illwind / The Unfolding at the End of Light (2026)

Born under the gray skies and sea mist of Lima, Peru, this Heavy, Doom and Post-Black Metal brigade will attack your senses with the lumbering heaviness of their debut album.

Born under the gray skies and sea mist of Lima, capital of Peru, with influences ranging from Black Metal to Stoner Rock to Post-Punk, and a clear aim to march towards the darker side of existence, the four-piece Heavy/Doom/Post-Black Metal brigade Illwind is unleashing upon humanity their debut opus, titled The Unfolding at the End of Light, providing five original tracks which paint a somber underworld to dive into, and a closing cover to climb back out of. Recorded at Dragonverde Studios, the first-ever offering by Marcos Coifman (Reino Ermitaño) on vocals and bass, Mauricio Guerrero (Argul) and Andres Rhor (Cobra) on the guitars, and Hokama (Arcada) on drums and guitar sounds at first stridently like a traditional doom record – lumbering heaviness, slow-yet-insistent rhythms, emotively clean vocals – but patience, like much orbiting the wider doom world, yields maximum immersion.

The massive Crimson Skies kicks off the album on a purely Doom Metal mode, with the sluggish beats by Hokama darkening the skies while also presenting Sludge Metal riffs and solos to give it an extra kick. Wanderer takes us back to the glory of 70’s Rock N’ Roll through Marcos’ passionate vocals, supported by a killer solo by Mauricio; while Portal keeps the atmosphere as dark and enfolding as it can be, with Marcos once again declaiming the song’s poetic lyrics accompanied by the striking guitars by Mauricio and Andres. Their Sludge Metal riffs bring forward sheer heaviness in God of Sleep, inspiring us all to bang our heads in pitch black darkness; followed by Lucifer’s Mule, offering our ears thirteen minutes of absolute obscurity crafted by the quartet, with their 70’s Heavy Rock vein pulsing stronger than ever boosted by the Stoner Rock drums by Hokama. And finally, let’s bang our heads to their cover for The Stooges’ masterpiece I Wanna be your Dog, an excellent rendition of one of the coolest songs by such an iconic band (and you can check the original version HERE, from their 1969 self-titled album).

With influences ranging from Neurosis and Swans to Black Sabbath and 70’s Hard Rock to Yob, Windhand, Monolord, Bellwitch, and Warning to Sonic Youth, Depeche Mode, or the aforementioned The Stooges, the band reached a mélange of musical mapwork which has truly given The Unfolding at the End of Light a relatively singular sound – equally ambient and extremely heavy, ominously moving yet dreamlike, and all of it with a surprisingly kaleidoscopic tint of melancholy. The album’s richly analog production heightens this sensation and penetrates the listener to his core, and if you also want to be part of such a unique sonic experience you can purchase the album from the Personal Records’ BandCamp or webstore. In other words, it’s time to begin the trip of The Unfolding at the End of Light, embracing you in darkness, and leaving you eager for more of the music by Illwind in the near future.

Best moments of the album: Portal and Lucifer’s Mule.

Worst moments of the album: None.

Released in 2026 Personal Records

Track listing
1. Crimson Skies 10:43
2. Wanderer 5:29
3. Portal 4:47
4. God of Sleep 8:55
5. Lucifer’s Mule 13:13
6. I Wanna be your Dog (The Stooges cover) 4:25

Band members
Marcos Coifman – vocals, bass
Mauricio Guerrero – lead guitar
Andres Rhor – guitar
Hokama – drums, guitar