Album Review – Khôra / Ananke (2025)

Behold this lecture in Atmospheric and Progressive Extreme Metal infused with grandiose orchestrations, endless darkness and energy, and beautiful musicianship.

What started in 2012 in Germany by multi-instrumentalist Ole (of bands like Autokrator, Lycanthropy and Deathstruck) as a one-man project has now turned into a force to be reckoned with in the extreme music scene worldwide. Currently located in Dublin, Ireland, Atmospheric and Progressive Black/Death Metal entity Khôra (in Plato’s account, Khôra is neither being nor nonbeing but an interval between in which the “forms” were originally held) has just unleashed their sophomore opus, entitled Ananke, a more-than-worthy follow-up to their 2020 debut Timaeus. Recorded at Studio Henosis (vocals), Perdition Studio (guitars), Stemcellar Studio (bass), Trackmix Studio (drums), and Steamsaw Studio (orchestrations), mixed and mastered by Frederic Gervais at Studio Henosis, and showcasing a darkly hypnotizing artwork by Simon Chognot of Cold Mind Art, the new album by Ole on the guitars and drums alongside Frédéric (Orakle) on vocals, Göran (Setherial, Svartghast) on bass, and Kjetil (Profane Burial, Haimad) on keyboards and orchestrations, plus an array of special guests including Rune ‘Blasphemer’ Eriksen (Mayhem), Kristian Niemann (Therion), Wolfgang Rothbauer (Thirdmoon), and André ‘Cosmocrator’ Søgnen (The Wretched End), among others, is a lecture in Extreme Metal infused with grandiose orchestrations, endless darkness and energy, and beautiful musicianship, or in other words, a must-listen for fans of the genre.

Featuring a guest guitar solo by Blasphemer (Aura Noir, Vltimas), atmospheric and captivating sounds permeate the air in Empyreal Spindle, exploding into a dark yet very technical feast of Progressive Black Metal led by Ole’s intricate beats and fills. Then we have Legion of the Moirai, with guest vocals by Arnhwald R. (Deathcode Society), sounding even more imposing and somber, with all background orchestrations blackening the skies while Frédéric roars and barks manically nonstop; followed by Wrestling with the Gods, featuring a guest guitar solo by Kristian Niemann (Sorcerer), another striking fusion of Progressive Black and Death Metal where the riffs and bass by Ole and Göran, respectively, exhale aggressiveness, melody and groove. And guest Bill Kranos (Arkhangelsk, Savaoth) delivers striking vocals and a wicked guitar solo in In the Throes of Ascension, a slab of sheer brutality and darkness with Ole stealing the spotlight with his inhumane drumming.

The band then fires a beyond cryptic and epic interlude titled Arcane Creation, setting the stage for the unrelenting On a Starpath, with the harsh vocals by guest Wolfgang Rothbauer (In Slumber, Thirdmoon) crushing your spinal cord mercilessly while the clean vocals by Frédéric and the keys by Kjetil are a lecture in Progressive Metal. It’s pedal to the metal in the infuriated The Sentinel, spearheaded by Ole’s demented vocals and infernal beats while Göran keeps hammering his bass in the name of heavy music; and their Black Metal vein pulses even harder in Supernal Light, with Kjetil  embellishing the airwaves with his keys and orchestrations. The last song of the album, entitled Crowned, offers more of the bands Stygian sounds infused with tons of progressiveness and heaviness, even presenting elements from Doom Metal, a stylish and embracing aria by Ole and his henchmen flowing into the cinematic outro Q.E.D, which puts a sinister, Mephistophelian ending to such a fantastic opus.

You can enjoy this precious gem of the underground metal scene in all of its glory on YouTube and on Spotify, and of course show your total support to Khôra by purchasing the album from the Les Acteurs de l’Ombre Productions’ BandCamp or webstore. The guys from Khôra, who are also waiting for you on Facebook with more nice-to-know information about the band, simply nailed it with Ananke, raising the bar high for their upcoming releases without a shadow of a doubt, and positioning their newborn spawn as one of the best and most diverse and dynamic albums of the year.

Best moments of the album: Legion of the Moirai, In the Throes of Ascension, The Sentinel and Crowned.

Worst moments of the album: None.

Released in 2025 Les Acteurs de l’Ombre Productions

Track listing
1. Empyreal Spindle 5:18
2. Legion of the Moirai 4:39
3. Wrestling with the Gods 3:57
4. In the Throes of Ascension 3:54
5. Arcane Creation 2:33
6. On a Starpath 4:08
7. The Sentinel 4:01
8. Supernal Light 4:33
9. Crowned 6:47
10. Q.E.D 1:19

Band members
Frédéric – vocals, additional effects
Ole – guitars, drums, vocals on “The Sentinel”
Göran – bass
Kjetil – keyboards, orchestrations, effects

Guest musicians
Blasphemer – guitar solo on “Empyreal Spindle”
Daniel Müller – bass on “Empyreal Spindle” and “Legion of the Moirai”
Cosmocrator – effects on “Empyreal Spindle” and “Q.E.D”
Arnhwald R. – vocals on “Legion of the Moirai”
PJ O’Connell – guitar solos on “Legion of the Moirai”, “On a Starpath” and “Supernal Light”
Kristian Niemann – guitar solo on “Wrestling with the Gods”
Bill Kranos – vocals on “In the Throes of Ascension”, effects on “Wrestling with the Gods”, guitar solos on “In the Throes of Ascension”, “The Sentinel” and “Crowned ”
Wolfgang Rothbauer – harsh vocals on “On a Starpath”

Album Review – In The Woods… / Otra (2025)

These Norwegian Avantgarde Metal veterans are ready to take us on a musical journey down the river that crosses their beautiful homeland in their seventh studio album.

Formed in late 1991 by members of the original lineup of Green Carnation, whom they are a continuation of, Kristiansand, Agder, Norway’s own Avantgarde/Progressive Black/Gothic Metal act In The Woods…, one of the first bands to use the name “Pagan Metal” as a description for their style, is ready to stun us all once again with their seventh studio album, titled Otra, the follow-up to their critically acclaimed 2022 opus Diversum. Recorded at In The Woods Homestudio (vocals, guitars, bass), and by John Ronny Bøe at Krutt Studio (drums), mixed and mastered by Frédéric Gervais at Studio Henosis, and with a stylish artwork and layout by Seiya Ogino of Ogino Design, the new album by Bernt Fjellestad on vocals, Kåre André Sletteberg on the guitars and keyboards, Bernt Horne Sørensen also on the guitars, Nils Olav Drivdal on bass, and Anders Kobro on drums is a must-listen for fans of Ulver, Shores of Null, Saturnus, and Dødheimsgard, among others, with all songs revolving around stories connected to the eponymous river that winds for 245 kilometers through the South of Norway and spills into the Skagerrak, the strait that separates the country from Denmark and Sweden, at the band’s home in Kristiansand.

Melancholy and doom flow from the vocals by Bernt Fjellestad in The Things You Shouldn’t Know before the whole band begins their darkened attack led by the pounding drums by Anders. In addition, Kåre also sounds sharp on keyboards, resulting in over eight minutes of majestic avantgarde music. The classic Scandinavian riffs by Kåre and Bernt Horne Sørensen will inspire you to bang your head nonstop in A Misrepresentation of I, again boosted by the deep vociferations by Bernt Fjellestad; whereas the next song, titled The Crimson Crown, also brings forward a pensive, grim start that evolves into a melodic and progressive fusion of Doom and Gothic Metal, with Nils making our heads tremble with his metallic bass lines. The album continues on a serene yet Stygian mode in The Kiss and the Lie, where Nils and Anders once again generate a dense atmosphere perfect for Bernt Fjellestad’s deep clean vocals, followed by Let Me Sing, another solid fusion of Avantgarde and Doom Metal, sounding heavy on bass thanks to the energy Nils puts into his playing. Come Ye Sinners is by far the heaviest and therefore the most exciting of all songs, with their riffs and beats transpiring doom while also living up to the legacy of Avantgarde and Progressive Death Metal; and lastly, it’s sheer melancholy in The Wandering Deity, with Anders dictating the song’s pace supported by the whimsical riffage by Kåre and Bernt Horne Sørensen, ending the album on a climatic and dark vibe.

Demonstrating the strength and artistic maturity of the Norwegians’ third incarnation, Otra is indeed an enticing and highly pleasurable album to listen to, respecting the band’s past while at the same time also breaking new ground. Hence, if you want to be part of this new musical journey by In The Woods… down the river that crosses their beautiful homeland, you can follow them on Facebook and on Instagram for news, tour dates and other nice to know details about the band, stream their classic creations on Spotify, and of course purchase Otra from BandCamp or by clicking HERE. In The Woods… are always evolving, always expanding their horizons, and Otra is the ultimate depiction of their creativity, leaving us eager for more from those Norwegian trailblazers in the coming years without a shadow of a doubt.

Best moments of the album: The Things You Shouldn’t Know, A Misrepresentation of I and Come Ye Sinners.

Worst moments of the album: Let Me Sing.

Released in 2025 Prophecy Productions

Track listing
1. The Things You Shouldn’t Know 8:32
2. A Misrepresentation of I 6:11
3. The Crimson Crown 6:21
4. The Kiss and the Lie 5:31
5. Let Me Sing 7:01
6. Come Ye Sinners 7:16
7. The Wandering Deity 5:57

Band members
Bernt Fjellestad – vocals
Kåre André Sletteberg – guitars, keyboards
Bernt Horne Sørensen – guitars
Nils Olav Drivdal – bass
Anders Kobro – drums

Guest musicians
Alf Erik Sørensen – addditional keyboards
Hector Montero – additional synths