Album Review – Thrashera / Não Gosto! (2020)

Blasting thrashing anthems about devious behavior, sex, alcohol and drug abuse, this Brazilian horde delivers an ode to all things metal in their band new (and rebellious) opus.

With nearly 20 releases under their bullet belts, Brazilian Thrash Metal horde Thrashera is a veritable institution in the underground in their homeland, blasting thrashing anthems about devious behavior, sex, alcohol and drug abuse, horror films, war, massacres, nuclear disasters, violence, underground counterculture, punk issues and the headbanging way of life since their inception in the year of 2010 in the city of Rio de Janeiro by three maniacs deeply into the 80’s wave of Satanic metal and primitive Rock N’ Roll. It’s that lattermost element which has endeared the band to so many across the international underground, and their brand new full-length album, rebelliously titled Não Gosto!, is definitely going to launch Thrashera onto an ever wider stage, which the band will promptly destroy.

Currently comprised of vocalist Chakal, guitarists Madcrusher and Bode de Sade, bassist Anras Vardamir and drummer Surtur Impurus, Thrashera are not just about partying, with the album title, translated to English as “I don’t like it!”, depicting the band’s distrust in the current political and religious scenario in their homeland. “The name of the album stands as a denial manifest towards the present political and religious ideologies in Brazil responsible for ‘killing’ – oppressing – all artistic forms of expression. It’s a reinforcement of our lyric approach in the last decade as a band, in an era where the individual liberty for the underground movement and its followers is in serious danger. Expressing Não Gosto! as a mantra, it’s probably the only reasonable path! Não Gosto! synthesizes all the refusal towards the hypocrisy that commands the world, guiding our masses into the abyss with an unconscious grin. This is also a shout-out and a wakeup call to all the underground forces to organize, react, and unite themselves in order to avoid the extinction of the most marginalized culture in the planet. Metal always said No! And always will!”, commented the band about the album.

A cinematic, eerie and anti-religious intro evolves into a feast of old school Thrash Metal led by Surtur’s frantic beats in Intro Víbora Resistente / Não Gosto!, featuring guest vocals by Luiz Carlos Louzada (Vulcano) and Armando Exekutor (Flageladör), and I must say all vocal lines couldn’t have sounded more demonic than this, with its raw and primeval sound making the whole thing even more entertaining. Then acoustic guitars permeate the air in Maré 669 before all hell breaks loose and Madcrusher and Bode de Sade begin slashing their stringed weapons beautifully, resulting in over six minutes of nonstop electricity and blasphemy blasted by Thrashera with Chakal sounding absolutely demented and wicked on vocals; followed by Rei dos Excessos, a song that begins in full force with Surtur and Anras being in an infernal sync with their respective instruments. Put differently, it’s pure old school thrash with no shenanigans nor any artificial elements, where once again the band worships Satan and all that’s considered immoral or forbidden. And Sangue ao Metal is a fast and furious ode to all things metal led by Chakal’s vicious, deep roars while Surtur keeps hammering and pounding his drums manically, inspired by the classic sonority from the early days of the almighty Slayer.

Sounding heavy-as-hell and utterly aggressive just the way we like it, it’s time for the band to fire a new (and hard) version for their 2012 song Trapped in the 80’s (you can check the original one HERE, released in the split album Guerreiros do Álcool), with the 2020 version sounding more polished and thrashier, leaning at times towards Speed Metal. After such demented onrush of sounds, guess what the band has to offer us all? Well, those guys love metal music more than anything, which becomes beyond clear in the high-octane Metal!, where both Madcrusher and Bode de Sade decimate our ears with their hellish riffs, while Chakal keeps vociferating the song’s boisterous words in the name of Heavy Metal. Mysterious female voices praising the power of women and their fight against sexism ignite another bestial tune titled Correntes Não Prendem Serpentes, where Chakal (together with an uncanny female guest vocalist) barks the song’s lyrics about witches and other female characters, followed by Igreja, the band’s personal  tribute to a cult album titled Cabeça Dinossauro, released in 1986 by an amazing Brazilian band called Titãs (check the original song HERE), with Thrashera’s version sounding and feeling amazing with its raw and visceral Thrash Metal vibe, once again against all that’s wrong with religion and the church.

You can join Thrashera in their cult to Thrash Metal and everything that’s considered evil (and therefore good) by following the band on Facebook, and grab your copy of their rebellious soundtrack to the end of our days from the Hellprod Records’ BandCamp page or webstore. I must warn you, though, that once you enter their realm of depravity, blasphemy and violence, there’s no way back, which in the end is a good thing as you’ll be against all that’s wrong in their homeland right now. This is what first-class old Thrash Metal is all about, always against religion and politics, always fast, furious and infernal, and always perfect for having a beer while slamming into the circle pit with your friends. That’s all that we really like in our lives, and always will.

Best moments of the album: Maré 669, Sangue ao Metal and Metal!.

Worst moments of the album: None.

Released in 2020 Helldprod Records

Track listing
1. Intro Víbora Resistente / Não Gosto! 5:46
2. Maré 669 6:19
3. Rei dos Excessos 3:09
4. Sangue ao Metal 4:08
5. Trapped in the 80’s (Hard version) 4:22
6. Metal! 4:08
7. Correntes Não Prendem Serpentes 5:17
8. Igreja (Titãs cover) 2:51

Band members
Chakal – vocals
Madcrusher – guitars
Bode de Sade – guitars, backing vocals
Anras Vardamir – bass, backing vocals
Surtur Impurus – drums

Guest musicians
Luiz Carlos Louzada – vocals on “Não Gosto!”
Armando Exekutor – vocals on “Não Gosto!”

Album Review – Vulcano / Eye In Hell (2020)

A hellish and incendiary fusion of Thrash, Death and Black Metal blasted by an obstinate veteran squad from Brazil that loves extreme music above all things.

Forged in the distant year of 1981 under the name Astaroth in the fires of Santos, a coastal city in southern Brazil’s São Paulo state, Black, Death and Thrash Metal veterans Vulcano are back in action with a brand new album titled Eye In Hell. Produced by the band’s own guitarist Zhema Rodero together with Ivan Pelliciotti at O Beco Estúdio in Curitiba, Brazil and featuring a classic artwork by Italian artist Roberto Toderico (Paganizer, Pestilence, Sodom, Tygers Of Pan Tang), the album is a bold statement by this five-piece act comprised of vocalist Luiz Carlos Louzada, guitarists Zhema Rodero and Gerson Fajardo, bassist Carlos Diaz and drummer Bruno Conrado, proving why not only they were one of the first influences for their countrymen Sepultura, but also why they attained together with other fellow Brazilian bands like Sarcófago and Mutilator a worldwide cult legend status among some of the most extreme practitioners in heavy music, Norway’s feared Black Metal inner circle of the early 90’s.

And the band begins smashing our heads mercilessly in Bride of Satan with their old school Thrash Metal infused with Death Metal elements, with Bruno sounding insane on drums while Zhema and Gerson give a lecture in shredding. I must say this tune is a fantastic welcome card by Vulcano, and there’s still a lot more to come in the form of an avalanche of scorching riffs and crushing beats in Cursed Babylon, spearheaded by Luiz Carlos and his aggressive roars, and ending in a frantic and violent Slayer-inspired manner for our total delectation. There’s no time to breathe as they fire another bestial tune entitled Evil Empire, where Carlos’ rumbling bass and Bruno’s blast beats bring groove and rage to the musicality. In other words, it’s pure old school extreme music spiced up by the crisp riffs and solos by the band’s guitar duo; and blending the most furious elements from Thrash and Death Metal the band offers us all the wicked Struggling Beside Satan, where Luiz sounds even more demented on vocals while the rest of the band hammers their instruments with sheer brutality from start to finish.

Following the same Bay Area Thrash pattern as its predecessors, Sinister Road is a fantastic option for slamming into the circle pit like a maniac or for some sick headbanging, with Zhema and Gerson being on absolute fire with their stringed axes, whereas in Devil Bloody Banquet the band once again shows they’re never tired of delivering fast and furious metal to the masses. Not only all band members are ruthless with their respective instruments, but if you’re a fan of the early days of Slayer and Exodus you must listen to this excellent composition. Then Bruno doesn’t stop pounding his drums not even for a single second in Sirens of Destruction, another demolishing creation by Vulcano with highlights to the amazing sync between the guitar riffs and Carlos’ groovy bass punches, followed by Dealer of My Curse, a brutal and very melodic hybrid between old school Thrash Metal and contemporary Groove Metal where the amazing riffage by both Zhema and Gerson makes sure the energy level doesn’t go down at all, keeping their music absolutely far from being obsolete or flat.

Rev up your engines as Vulcano are about to kill in the berserk Mysteries of the Black Book, a demolishing aria of thrash where Luiz leads the horde with his rabid roars, not to mention the insanity flowing from their riffs and demented drumming, while Inferno sounds and feels like their personal tribute to all things Thrash Metal, with Carlos and Bruno making the earth tremble with their rumbling weapons. Put differently, don’t waste a single second and go crush your skull into the pit together with the Vulcano boys. In Cybernetic Beast the band gives another lesson in shredding and brutality, showcasing the band’s guitarists’ dexterity while maintaining their core violence intact, followed by When the Days Falls, the second to last song in the album, leaning towards classic Black Metal and sounding heavier than its predecessors (albeit not as fiery nor  as exciting), with Luiz bursting his lungs screaming. Lastly, closing the album the band offers our avid ears the title-track Eye in Hell, pulverizing our senses while Luiz sounds infernal on vocals. Furthermore, it’s interesting how they managed to add elements from Doom, Stoner and Southern Metal to their classic sound, and the final result is not only awesome but also extremely sharp and vile.

There’s an infinite number of locations where you can purchase Eye In Hell in different formats, including TargetShop (CD and vinyl), Nuclear Blast (CD and vinyl), Season of Mist (CD and vinyl), Record Shop X (CD and vinyl), Apple Music and Amazon, and don’t forget to give the band a shout on Facebook and to stream their flammable music on Spotify. One might be asking how a band like Vulcano has managed to survive for so many decades in the underground scene, against all odds, never giving up nor selling out, and the answer to that is quite simple. They love Thrash, Death and Black Metal from the bottom of their hearts, with their new album Eye In Hell perfectly depicting all that passion, obstinance and electricity, and that’s all we always ask for in heavy music.

Best moments of the album: Struggling Beside Satan, Sinister Road, Mysteries of the Black Book and Inferno.

Worst moments of the album: When the Days Falls.

Released in 2020 Mighty Music

Track listing
1. Bride of Satan 3:25
2. Cursed Babylon 2:57
3. Evil Empire 3:15
4. Struggling Beside Satan 2:56
5. Sinister Road 3:14
6. Devil Bloody Banquet 2:53
7. Sirens of Destruction 3:35
8. Dealer of My Curse 3:50
9. Mysteries of the Black Book 2:45
10. Inferno 3:14
11. Cybernetic Beast 3:29
12. When the Days Falls 2:59
13. Eye in Hell 4:07

Band members
Luiz Carlos Louzada – vocals
Zhema Rodero – guitar
Gerson Fajardo – guitar
Carlos Diaz – bass
Bruno Conrado – drums