Metal Chick of the Month – Daísa Munhoz

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How dare you look at me in the eye?

Time to fly back to South America, more specifically to the municipality of Bariri, São Paulo, Brazil, located about 300km from the city of São Paulo (and about 700km from the city of Rio de Janeiro), to talk about another Brazilian Heavy Metal diva, Daísa Munhoz, the beautiful and talented frontwoman of Brazilian Progressive Metal band Vandroya. If you’re simply fanatic for traditional Heavy Metal, I would say she might be the girl of your dreams.

Owner of a very powerful and melodic voice, Daísa started singing when she was only 9 years old, and at the age of fourteen she was already part of a “travelling band”. Our diva said that although she never actually took any singing lessons, she grew up surrounded by every kind of musicians, rehearsals and jam sessions every single day, as her parents are musicians too. That helped her a lot in terms of getting used to how the world of music works, and she learned a lot from every musician that was close to her, especially her mother. She also plays the piano, but “in a mediocre way” in her own words, mainly because she ends up using it more like a guide during her writing and composing process, or sometimes just as a distraction or to relax a little.  Daísa said she never really had any interest in specializing herself in the piano, nor the patience or discipline to do so.

It was when our Heavy Metal bombshell was around 18 or 19 years old that she founded Vandroya, having recorded so far with the band a 2-track demo entitled Within Shadows, in 2005, and more recently their first full-length album, One, in 2012 via Spiritual Beast Records and in 2013 via Inner Wound Recordings. And stay tuned, because the compositions for the next Vandroya album are 100% finished and the recording process will start really soon. By the way, Daísa explained the word “Vandroya” means nothing specifically: it was just a suggestion from a friend back in their early years, based on a character in Avantasia who is called Vandroy. The band just loved the way it sounded.

In addition, you can also see our diva in action in many other different bands and projects. She has been performing for years, including her one time all female band called Inlakesh, as well as a Led Zeppelin tribute band named Black Dog. Not only that, she recorded the vocals on track Song of Deliverance, from the 2013 album Exodus by Slovakian Progressive Power Metal band Signum Regis, as well as the vocals as “Judith” or “Judith, The Princess” in three different albums by Brazilian Melodic Power Metal band Soulspell (a Metal Opera project created by Brazilian drummer Heleno Vale): A Legacy of Honor (2008), The Labyrinth of Truths (2010) and Hollow’s Gathering (2012), winning the Best Female Vocalist award from Whiplash.net in 2010 for her work with Soulspell.

There are so many awesome songs with Daísa on vocals on YouTube you can spend hours and hours just listening and watching to our diva kicking ass, so in order for you to get a delicious taste of her unique voice and the mighty metal music played by Vandroya, my recommendations are the beautiful ballad Why Should We Say Goodbye, the Helloween-ish Power Metal tune The Last Free Land (which I’m pretty sure will inspire you so much you’ll buy Vandroya’s debut album after the first listen), the smooth acoustic version of No Oblivion For Eternity, a live performance of one of their first songs, Within Shadows, as well as their recent cover version for the song Heaven, by Canadian icon Bryan Adams.

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In regards to her main music influences, it’s important to say that Robert Plant is her biggest idol of all time, with the way he sings and moves having a huge impact on her onstage performance, which by the way is beyond superb. However, there are so many awesome artists and bands that it’s hard to name just a few. Sacred names such as Dio, Freddy Mercury, David Coverdale, Glenn Hughes, Russel Allen, Robert Plant, Tina Turner, Janis Joplin, Doro and Ann Wilson are among her biggest idols, being also highly influenced by Iron Maiden, of course, and many German metal bands, especially Helloween, with the unique voice of Michael Kiske leading her into the world of heavy music. Vandroya playing one of my top Helloween songs of all time, the classic March Of Time, is truly outstanding and an amazing tribute from Daísa and her band to the best Teutonic metal band of all time.

In one of her interviews, Daísa stated she has so many idols it’s very hard to choose just a few for a “dream tour”, but that she would truly love to be part of a festival only formed by female-fronted metal bands. It’s about time someone from the Metal Female Voices Fest invites her and the other members of Vandroya to be part of any future editions of the festival, don’t you think?

Lastly, although Daísa grew up listening to a lot of classic rock and hard rock bands, always being completely fanatic for Led Zeppelin, when asked about the top 5 Heavy Metal albums that changed her life, she listed the following ones: Pink Bubbles Go Ape (Helloween), Cowboys from Hell (Pantera), …And Justice for All (Metallica), The Number of the Beast (Iron Maiden) and Black Sabbath (Black Sabbath), I guess not necessarily in this order. Take a good look at this list and answer me if this is not enough awesomeness to consider Daísa a true badass metalhead!

Daísa Munhoz’s Official Facebook page
Vandroya’s Official Facebook page

“…I actually started to search for more female singers and I discovered a lot of amazing and brave warriors that faced this male-dominated market and won it. You know what? I just realized I know so many female singers I could write a book about their careers!” – Daísa Munhoz

Album Review – Sebastien / Dark Chambers Of Déjà-Vu (2015)

Are you ready to enter the dark chambers of complexity, professionalism and passion for Heavy Metal brought forth by this fine Czech band?

Rating4

sebastien-cover-finalWhen I saw my metal heroes Iron Maiden kicking ass last year in the pleasant city of Brno, located in the always amazing Czech Republic, I knew there was something special about that place, some sort of Heavy Metal aura surrounding its antique constructions and exquisite landscapes. Almost one year later, with the release of Dark Chambers Of Déjà-Vu, the brand new album by Melodic Power Metal band Sebastien, I can definitely feel that metallic energy flowing from that historical Moravian city.

Formed in 2008, and after releasing their debut album Tears Of White Roses in 2010 and touring the Czech Republic, Slovakia and Austria, among other European countries, together with bands such as Fates Warning, Masterplan and Circle II Circle in the next couple of years, it was time for the band to return to Grapow Studios in Slovakia to record Dark Chambers Of Déjà-Vu. And just like its predecessor, the new album includes some very special guest performances by Tony Martin (Black Sabbath), Sergey Baidikov (Inner Fear), Zak Stevens (Circle II Circle, Savatage), Roland Grapow (Masterplan), Ailyn Giménez (Sirenia) and Marlin Rya Poemy. Add to that considerable dosages of progressiveness, symphonic elements and riveting storylines, and the final result couldn’t sound more entertaining.

Fans of Power Metal and Symphonic Metal will get instantly hooked to the opening track Stranger at The Door, which relies heavily on that famous “heavy riffs and vocals with an atmospheric background provided by keyboards” formula without sounding cheesy. Moreover, the excellent vocals by George Rain remind me a lot of Tony Kakko from Sonata Arctica, with the growls by guest vocalist Sergey Baidikov (Inner Fear) adding a lot of electricity to the song. Highland Romance, one of the few songs with no special guests, keeps the ball rolling with its old school Sonata Arctica vibe. It’s very cohesive and rhythmic, with a “medieval” touch thanks to the excellent work done by keyboardist Pavel “Dvorkys” Dvorak, followed by the semi-ballad inspired by the gripping Hard Rock from the 80’s entitled Crucifixion Of The Heart, where not only guitars and keyboards are in perfect sync, but its traditional lyrics about love also match perfectly with what the music is proposing.

Following a similar pattern of the previous track, Lamb Of God showcases a passionate performance by George, supported by the precise guest vocals by Tony Martin (Black Sabbath) and a beautiful solo by guitarist Andy Mons, while the symphonic and progressive The Walls Of Lyman-Alpha feels like a blend of Nightwish and Dream Theater, with highlights to the heaviness of its riffs and keyboards which end up making the whole song more enjoyable. And Sphinx In Acheron gets even more symphonic, with the strong ambience crafted by the band enhancing the beautiful vocal duo by Goerge and guest female vocalist Marlin Rya Poemy.

Booklet 16 Seiten - Maße.qxdWhen Frozen Nightingales starts it feels like a heavier version of Van Halen during the Sammy Hagar-era, with its catchy chorus, high-speed rhythm and thrilling symphony turning it into one of the best songs of the album; followed by Sleep In The Glass, where we must give kudos to drummer Lucas R. for being spot on with his solid technique; and the excellent metal ballad The Ocean, with guest singer Zak Stevens delivering a powerful performance together with  George, supported by the heavy artillery of Lucas and bassist Petri Kallio. Man In The Maze, the second song to feature guest singer Sergey Baidikov, is another melodic and straightforward Power Metal tune that will please all fans of the genre, and in case you’re not that much into harsh vocals this is an awesome option to start enjoying the “dark side of singing”.

Speeding up and getting heavier than before (mainly due to drummer Lucas being more “enraged” behind his drum kit), the last part of the album begins with The House Of Medusa, a high-end traditional tune containing all the elements necessary for a great metal song, before My Deepest Winter shows what happens to a song when you have Mr. Roland Grapow on the guitar. It’s slightly darker than most of the other songs, and in my humble opinion it could have even been a little longer to enhance its epicness. Then we have the celestial voice from Spanish diva Ailyn Giménez embellishing the smooth ballad Last Dance At Rosslyn Chapel, and let me tell you that her performance will undoubtedly touch your heart. In addition, it’s amazing how George and Ailyn turn their “dialogue” into sublime poetry, but obviously the song wouldn’t have been so intense without the atmosphere provided by the rest of the band. And last but not least, as I love live songs all I can say is that the two bonus tracks (Dorian and Headless Cross) are outstanding and add so much value to the album it makes me wonder if their next release should in fact be a live album (check the official video below and you’ll see what I’m talking about).

Sebastien can be reached through their Facebook page, YouTube channel and SoundCloud, and if you want to purchase Dark Chambers Of Déjà-Vu you can find it on Amazon or iTunes, among other locations. In other words, are you ready to enter the dark chambers of complexity, professionalism and passion for Heavy Metal brought forth by this fine Czech band?

Best moments of the album: Frozen Nightingales, The House Of Medusa and Last Dance At Rosslyn Chapel.

Worst moments of the album: Highland Romance.

Released in 2015 Pride & Joy Music

Track listing
1. Stranger at The Door (feat. Sergey Baidikov) 4:22
2. Highland Romance 4:26
3. Crucifixion Of The Heart 3:22
4. Lamb Of God (feat. Tony Martin) 4:03
5. The Walls Of Lyman-Alpha 3:16
6. Sphinx In Acheron (feat. Marlin Rya Poemy) 4:18
7. Frozen Nightingales 4:40
8. Sleep In The Glass 4:15
9. The Ocean (feat. Zak Stevens) 4:39
10. Man In The Maze (feat. Sergey Baidikov) 3:49
11. The House Of Medusa 3:30
12. My Deepest Winter (feat. Roland Grapow) 4:40
13. Last Dance At Rosslyn Chapel (feat. Aylin Giménez) 4:03

Bonus tracks
14. Dorian (Live) 5:53
15. Headless Cross (Live) 7:48

Band members
George Rain – vocals
Andy Mons – guitars, backing vocals
Petri Kallio – bass, backing vocals
Pavel “Dvorkys” Dvorak – keyboards
Lucas R. – drums

Guest musicians
Sergey Baidikov – harsh vocals on “Stranger at The Door” and “Man In The Maze”
Tony Martin – additional vocals on “Lamb Of God”
Marlin Rya Poemy – female vocals on “Sphinx In Acheron”
Zak Stevens – additional vocals on “The Ocean”
Roland Grapow – additional guitars on “My Deepest Winter”
Ailyn Giménez – female vocals on “Last Dance At Rosslyn Chapel”

Album Review – Kilmara / Love Songs and Other Nightmares (2014)

An exciting Power Metal “gemstone”, full of heavy riffs, melody and all other elements we love in this type of music, nicely carved by this very competent band from Barcelona.

Rating4

kilmara_coverFor most of us, the word “kilmara” might mean only a semi-precious green stone (also known as jade) used for jewelry, but it has also become a synonym of high-quality Heavy Metal, especially in the past decade. After over 10 years of existence, Melodic Power Metallers from Spain and Germany Kilmara are releasing their third full-length album, Love Songs and Other Nightmares, another “gemstone” carefully polished and ready to shine in their discography.

Let me start by saying that the new album by this Barcelona-based band was produced by none other than the exceptional Roland Grapow (Helloween, Masterplan) at Grapow Studios in Slovakia and published by Sony Music, and by that you can already have an idea of the professionalism you’ll find in each and every track from Love Songs and Other Nightmares. Only talent itself doesn’t bring any good results if not accompanied by a huge amount of dedication and hard work, and Kilmara are a great example of how putting those elements together translates into amusing and captivating music.

From the very first heavier-than-usual riffs of the opening track, Fantasy, Kilmara showcase a modern Power Metal, focusing on smoother and clearer vocal lines (very well done by singer Christian Wolfgang Kohl) instead of traditional high-pitched screams from other bands of the same genre. Not only this song has an awesome chorus, but the addition of some harsh vocals makes everything even more entertaining. Quick question: would Fantasy (or maybe Fantasy’s) be a gentlemen’s club in Spain or somewhere else? At least that’s what the lyrics seem to be talking about.

The galloping rhythm, conducted mainly by Javi Morillo’s excellent work on drums, and the soulful guitar solos keep the energy level up in The Devil’s Eye, followed by the soaring intro and thrilling riffs of The Break Up, another top moment of the album, with lyrics about ending a relationship. By the way, this song would be an awesome way to do so (or at least the break up would happen with an exciting soundtrack). Cold Rain sounds like a sequence to the previous track in terms of lyrics, with highlights to the way the band “prepares” the listener for the catchy chorus.

kilmaraThen Kilmara slow things down with Believe, a semi-ballad with nice instrumental, but not as exciting as the previous tracks, before accelerating everything again with Nothing to Me, a heavy tune with hints of Thrash Metal the likes of Anthrax, with its riffs and double bass dictating the rhythm plus some great lyrics to sing along (“There’s nothing you can say / There’s nothing you can do / There’s nothing that can take away / The damage that you do”). A more traditional Power Metal can be found in Usual Strangers, especially due to its good guitar duo and solos, while Alpha is more melodic, flirting with Symphonic Power Metal. And pay attention to its funny/sexist lyrics, you might see yourself in that situation one day (or maybe many times a week).

And at long last, Kilmara saved for the final part of Love Songs and Other Nightmares three completely different tracks for all types of fans: Insomnia is another good Power Metal track with some interesting lyrics; Play to Win focuses on a more Hard Rock sonority, with its excellent instrumental parts mixed with another good vocal performance by Christian; and finally we have the beautiful ballad Time Flies, with  its powerful chorus as the “main ingredient”. There’s also a German/Spanish version of this song as a bonus track that sounds even more emotive than the regular one, especially the awesome Spanish parts. I myself speak Spanish and, in my humble opinion, I would love to see more Spanish songs by Kilmara: they sound so amazingly powerful when singing in this language.

I guess I could not finish this review without mentioning how gorgeous the “cover girl”, created by Montreal’s own Jessica Allain, in Love Songs and Other Nightmares is. Is she even real? Anyway, this excellent Power Metal album is available at Amazon and iTunes, among other places online and at physical stores, so if you’re a true fan of Power Metal don’t waste your time and go grab this “gemstone” by Kilmara for your collection.

Best moments of the album: Fantasy, The Break Up and Nothing to Me.

Worst moments of the album: Believe and Alpha.

Released in 2014 Sony Music

Track listing
1. Fantasy 4:41
2. The Devil’s Eye 4:20
3. The Break Up 3:59
4. Cold Rain 6:01
5. Believe 4:31
6. Nothing to Me 4:01
7. Usual Strangers 4:51
8. Alpha 4:04
9. Insomnia 4:47
10. Play to Win 5:59
11. Time Flies 6:19

Bonus track
12. Time Flies (German/Spanish version) 6:19

Band members
Christian Wolfgang Kohl – vocals
Jonathan Portilo – guitar
Kike Torres – guitar
Raúl Ruiz – bass
Javi Morillo – drums