Album Review – Malefic By Design / Definitive Indication of Supremacy (2018)

Behold a band of underground veterans from Finland and their deadly debut full-length strike, a pulverizing opus that will summon you to a claustrophobic journey through blazing Armageddon.

Founded in 2015 in the city of Turku, Finland by underground metal veterans Mika Ikonen on vocals, Ville Pekkala, Sasu Haapanen and Miska Lehtivuori on the guitars and Antti Hakkala on drums (and if you haven’t noticed yet, there’s no bass player in their current lineup), who by the way have already released several previous efforts through multiple bands such as Searing Meadow, Ablaze In Hatred, Fall of the Leafe, Mormânt De Snagov and Devastracktor, Blackened Death Metal beast Malefic By Design has just released their deadly debut full-length strike, titled Definitive Indication of Supremacy, a pulverizing collection of catchy choruses and incendiary melodies that will certainly please all fans of modern extreme music.

Recorded in quiet solitude and far away from the public eye, Definitive Indication of Supremacy thoroughly blends the band’s Death Metal core essence with nuances from other styles such as Black and Doom Metal, summoning you to a sinister and claustrophobic journey through blazing Armageddon surrounded by a somber and devilish atmosphere.  The dark and primeval cover art is a good indication of what you’re going to face as soon as you hit play and start listening to the 12 Stygian tracks from Definitive Indication of Supremacy, showing Malefic By Design are among us to spread evil, hate and blasphemy. What else can you ask for in first-class Blackened Death Metal, right?

 The atmospheric and eerie intro Descending Sirens Of Evil opens the gates of the underworld to the demolishing Sickness Of Christ, a heavy and obscure Blackened Death Metal hymn with Mika delivering disturbing, deep growls while Antti dictates the rhythm with his precise beats. Then it’s time for almost seven minutes of pulverizing sounds and tones in Impending Doom, bringing together the most demonic elements of Black and Death Metal, with the band’s guitarists blasting a “melodic hell” with their strings; and the band goes full Black Metal in the visceral and brutal Enslaved By Birth, where Mika sounds more demented than before while Ville, Sasu and Miska bring forth another feast of satanic riffs and solos, resulting in one of the most complete (and therefore best) moments of the album.

Leaning towards traditional Scandinavian Melodic Death Metal, the band fires harmonious and visceral lines in the mid-tempo composition titled Repress The Oblivious, being beyond perfect for headbanging like a true disciple of darkness, whereas in Frozen Phantoms an ominous acoustic intro morphs into another explosion of blackened music by Malefic By Design, with the whole band being in some sort of demonic sync led by the boisterous drums by Antti, with Mika’s growls getting deeper and deeper as the music progresses. And Salvation For Everyone showcases hints of Symphonic Black Metal before reaching a frantic and heavy pace spearheaded by the once again furious drums by Antti, all embraced by a sinister background full of uncanny keyboard notes and sheer heaviness.

Medieval Beliefs is an old school Black and Death Metal creation tailored for succumbing to the dark side and snapping your neck headbanging, with the band’s stringed trio firing more of their diabolical riffs, creating an instant connection with the also very melodic Counterstrike Despise, also closer to more modern Melodic Death Metal while maintaining a vile aura in the background. Furthermore, Mika and his sick gnarls make a good balance with the delicate but fierce riffs by Ville, Sasu and Miska, which is also the case in Regenerated Reflections, an eerie fusion of contemporary Death Metal with traditional waltz (if that makes sense to you), also presenting elements from Doom and Dark Metal, and that amalgamation of styles results in a bold and thrilling chant with highlights to its beyond eccentric and obscure vocal lines. Then an enfolding atmosphere builds the stage for the heavy, mid-tempo Black Metal tune At The Gates, which despite being a good song it’s below the rest of the album in terms of electricity, falling flat after a while, fading into the acoustic outro Satanic Harmony, an interesting way to “depressurize” from all the madness blasted during the entire album.

In summary, Definitive Indication of Supremacy, which is available for a full listen on Spotify and for purchase through several channels such as the More Hate Productions’ BandCamp, Keltainen Jäänsärkijä, Record Shop X, iTunes, Amazon and Discogs, not only brings top-tier Blackened Death Metal to your avid ears from start to finish, but it also positions Malefic By Design as one of the strongest new names in contemporary Scandinavian extreme music. Now it’s just a matter of seeing how impactful their debut album will be on Finnish territory as well as worldwide, and when we’ll be able to savor more of the band’s pugnacious malignancy in the form of a new album.

Best moments of the album: Enslaved By Birth, Salvation For Everyone and Regenerated Reflections.

Worst moments of the album: At The Gates.

Released in 2018 More Hate Productions

Track listing
1. Descending Sirens Of Evil (Instrumental) 1:58
2. Sickness Of Christ 3:46
3. Impending Doom 6:39
4. Enslaved By Birth 3:11
5. Repress The Oblivious 4:17
6. Frozen Phantoms 3:58
7. Salvation For Everyone 4:23
8. Medieval Beliefs 4:00
9. Counterstrike Despise 4:23
10. Regenerated Reflections 6:11
11. At The Gates 6:41
12. Satanic Harmony (Instrumental) 1:44

Band members
Mika Ikonen – vocals
Ville Pekkala – guitars
Sasu Haapanen – guitars, vocals
Miska Lehtivuori – guitars, vocals
Antti Hakkala – drums

Album Review – Grotesque Ceremonium / Demonic Inquisition (2016)

Call it Torturing Metal, Inquisitor Metal or simply old school Death Metal, the destructive music by this one man-army from Turkey will inflict some good pain on your body and soul.

Rating5

153-1Before starting reading this review, go down to the very end of it and take a good listen at the brutal devastation called “Burned At The Stake” by Turkish Death Metal one-man army Grotesque Ceremonium. Are you done listening to it? Good, because that will make it a lot easier for you to understand what an “unholy old school Death Metal band influenced by early 90’s dark, putrid evil” is, also setting the tone for every single song in Demonic Inquisition, the debut full-length album by this promising project led by the multitalented musician Batu Çetin.

Formed in 2014 in Ankara, Turkey, and having released a debut EP entitled Blasphemous Goat Observance that same year, Grotesque Ceremonium return in Demonic Inquisition with a concept album about the Dark Ages and the Medieval Inquisition, where all punishments and inquisition methods were performed by demons and Baphomet’s evil army against all believers of God. Singing about witches, witchcraft, demonic punishments and tortures in the depths of hell (the satanic temple of Baphomet), Mr. Batu Çetin will take you on a tormenting journey accompanied by the sound of his old school extreme music, leaving your agonizing soul completely disoriented and desolated. What else do you need in good Death Metal music, right?

Putrid growls and snarls permeate the air in Defiled Spirits Of Unholy Torments, where Batu displays a very good control of all instruments, in special his obscure riffs and drums like what we see in bands such as Cannibal Corpse and Morbid Angel, therefore sounding as Death Metal as possible. The title-track Demonic Inquisition builds a direct link with the opening track, enhanced by its profane vociferations and a hellish ambience. By growling deeper and deeper, Batu takes us to the hideous pits of Medieval Inquisition in a little over six minutes or torturing passages and pure Death Metal, exactly the way it’s supposed to sound.

In Burned At The Stake, which is obviously about one of the most heartless forms of torture, Batu translates the unbearable pain caused by fire into brutality with his guitar lines and rhythmic drumming, whereas in Malefizhaus & Hexengefangnis, the witch prisons built during the Bamberg Witch Trials with a capacity of 30 to 40 prisoners each, our one-man army once again provides his vision of such disgusting event through his old school musicality, with highlights to his satanic riffs and nefarious growling. If you feel your head burning after all the darkness spilled by Grotesque Ceremonium so far, get ready for more aggressiveness in Barbaric Apostasy, where despite adding hints of Blackened Doom to his beats, Batu never deviates from the foundations of Death Metal. Put differently, simply bang your fuckin’ heads to this amazing feast of extreme music until your brain detaches from your skull.

gro-bandAgonized Screams Of The Damned might be faster than the previous songs, but it’s still sluggish and extremely heavy, which obviously turns it into one of the most devastating songs of the album (if not the most). Moreover, Batu keeps roaring his fiendish gnarls and delivering his very traditional guitar lines, and pay attention to how vocals and riffs follow the exact same pattern during the entire song, showing how methodical this musician is. Following a similar sonority, we are embraced by total fuckin’ darkness in a disquieting composition entitled In The Cauldrons Of Hell, which blends the heaviness of old school Death Metal with the funereal beats from Doom Metal and Blackened Doom.

The last original track in Demonic Inquisition, named Crushing Morbid Death, is sheer Death Metal with no extra ingredients or any type of shenanigans: it’s simply Batu blasting his wicked growls, riffs and drumming in three minutes of Stygian music. And lastly, the cover version for Profanation, by old school American Death Metal band Incantation, lives up to the original version from 1992, an amazing tribute to one of our death metaller’s main influences with highlights to its “lovable” lyrics (“Pentagram is hailed in hell / Star of death brings infinite life / Enter the circle and desecrate / Devours the soul, embalminate the body…”). Not only that, keep in mind Batu is not a full-bodied band like Incantation, but just one single person, yet again showcasing his refined abilities as a musician.

This impactful display of putrescent Death Metal, available as a jewel box CD limited to 500 copies (including an 8-page booklet) or as a digital download, can be purchased at the band’s BandCamp page, at the Satanath Records’ BandCamp page and webstore, or at Discogs. Perhaps we should say Grotesque Ceremonium, the disfigured child created by the mind of Mr. Batu Çetin, is a forbidding form of Death Metal called “Torturing Metal” or maybe even “Inquisitor Metal” due to its vile nature. A good epitome of what Batu is capable of generating in music, and an excellent alternative for any fas avid for the heaviest form of Death Metal you can think of.

Best moments of the album: Malefizhaus & Hexengefangnis and Agonized Screams Of The Damned.

Worst moments of the album: None.

Released in 2016 Satanath Records/More Hate Productions

Track listing
1. Defiled Spirits Of Unholy Torments 4:52
2. Demonic Inquisition 6:28
3. Burned At The Stake 3:08
4. Malefizhaus & Hexengefangnis 5:24
5. Barbaric Apostasy 5:49
6. Agonized Screams Of The Damned 3:53
7. In The Cauldrons Of Hell 4:47
8. Crushing Morbid Death 2:53
9. Profanation (Incantation cover) 5:04

Band members
Batu Çetin – vocals, all instruments