Concert Review – Revocation (Lee’s Palace, Toronto, ON, 09/12/2026)

A feast of absolute raging Death Metal turned up the heat even more on an already hot night in the city of Toronto.

OPENING ACTS: Weeping, Fuming Mouth and Defeated Sanity

We’re lucky the weather is still quite warm in Toronto now that the summer is “unofficially” over (when kids get back to school, parents consider the summer as over, and will sport sweaters and jackets even when the temperature is above +25oC and sunny), and even luckier to host the awesome 20 Years of Torment 2026 Tour with WEEPING, FUMING MOUTH, DEFEATED SANITY, and the guys celebrating those 20 years of pure metal magic, REVOCATION, another great event brought to the city by Noel Peters of Inertia Entertainment. The cozy Lee’s Palace was the place chosen for such a nice gathering, and I was actually surprised it wasn’t too hot inside the venue during the entire night. Keith Ibbitson of Metal Paparazzi is still recovering from his injury and surgery, which means our friend Blair Burch once again helped us with his sharp photography skills to make this review of the concert as incendiary as the bands onstage. Also, traffic to get to Toronto has become a true nightmare no matter what time or day of the week, but fortunately as the first band was only scheduled to play after 7:30pm there was plenty of time to get to the venue before the celebrations started.

It was around 7:40pm when New Jersey’s own Death Metal/Hardcore/Powerviolence quartet WEEPING kicked off their insane performance, melting our faces mercilessly with their scorching heaviness and undisputed technique. Having released the album Spiritual Barbarism back in 2024, plus a new single titled When You Beg now in 2026, all available on BandCamp and on Spotify, the band formed of Theo Vlahos on vocals and guitars, Thomas Deabreu also on the guitars, Anthony Izworski on bass (who’s also the bassist for Fuming Mouth, by the way), and Jon Lievano on drums crushed our damned souls with a no shenanigans concert, kicking some serious ass onstage and, therefore, inspiring everyone on the floor section to already go mental inside the circle pit. Those guys are simply insane, and if you know nothing about them, go check their music asap and keep an eye on their tour dates, because if they ever take your city by storm, you know what to do.

Band members
Theo Vlahos – vocals, guitars
Thomas Deabreu – guitars
Anthony Izworski – bass, backing vocals
Jon Lievano – drums

Perhaps the most anticipated attraction of the night, besides obviously Revocation, was Milford, Massachusetts-based Death Metal/Metalcore/Hardcore outfit FUMING MOUTH, who are becoming a fan-favorite in Toronto when it comes to violence and heaviness. Mark Whelan, Patrick Merson, Anthony Izworski and Jay Weinberg made sure no one was left alive with an overdose of venomous roars, crushing riffs, thunderous bass lines, and demented beats and fills. Of course, the fact that their 2026 album The Ringing Bell (available on both BandCamp and on Spotify) is insane made their task a lot easier, as the crowd was eager to witness some of those new songs live, like Cheat Death, Self‐Exhumed, and Finally Fearless. It was really nice to see Mark explaining what Fuming Mouth means, this evil entity that will kill everyone, saying to several people in the crowd “You will die! You will die! You will die!” and, therefore, creating this fun connection between the band and the fans. We will all die eventually, and if we have the live music by Fuming Mouth to entertain us during our last moments, we’ll surely die happy metalheads.

Setlist
Cheat Death
A Blaze of Nihilism
Hidden in the Moor
Self‐Exhumed
I’ll Find You
Respect Mortality
Visions of Purgatory
Finally Fearless

Band members
Mark Whelan – vocals, guitars
Patrick Merson – guitars
Anthony Izworski – bass
Jay Weinberg – drums

After a short break, German-American squad DEFEATED SANITY kicked off their onrush of demonic, visceral and grim fusion of Technical and Brutal Death Metal, making the foundations of Lee’s Palace tremble so heavy they sounded. Having released the album Chronicles of Lunacy in 2024, available on BandCamp and on Spotify, frontman Josh Welshman alongside the extremely talented guitarist Vaughn Stoffey, the incredible bassist Jacob Schmidt, and the ruthless drummer Lille Gruber were insane onstage, with the circle pit getting out of control due to the extreme violence blasted by all band members. I honestly do not remember a kitchen so technical yet demolishing like the one crafted by Jacob and Lille, and if you enjoy extreme music with a strong technical vibe, go check the music by Defeated Sanity because those guys are amazing both in the studio and live.

Setlist
Introitus
Consumed by Repugnance
Verblendung
Liquifying Cerebral Hemispheres
Accelerating the Rot
Martyrium
The Bell
Dislimbing the Ostracized

Band members
Josh Welshman – vocals
Vaughn Stoffey – guitars
Jacob Schmidt – bass
Lille Gruber – drums

REVOCATION

After three opening bands that were all 10 out of 10, the crowd was more than warmed up for the lecture in Technical Death and Thrash Metal by Boston, Massachusetts-based crew REVOCATION, who might be celebrating 20 years of existence, but the ones receiving all the presents were us fans with each and every song played by those first-class musicians. It doesn’t matter if it was a late start, already close to 10:30pm, because the entire venue was burning with the blend of classics and new songs from their 2025 album New Gods, New Masters, which you can listen in full on Spotify. David Davidson, Harry Lannon, Ash Pearson and Alex Weber proved why they’ve become one of the most important bands of the current tech death scene with an impeccable performance, kicking our asses hard until the very end.

Songs like Nihilistic Violence, Chaos of Forms, Dismantle the Dictator, Summon the Spawn, and Bound by Desire were all played to perfection by those four extremely talented musicians, and the result was of course an intense circle pit that was dragging everyone into it in celebration of our good old Death Metal. There’s this very small Asian girl that’s rockin’ in every single show in Toronto, and of course she was there Saturday night. No idea how she can handle so much alcohol and how she can venture inside those demented circle pits due to her tiny stature and very low weight, but one thing I can say is that she knows how to party, and that’s exactly what Revocation wanted us all to do. They simply asked Toronto to party with them after 20 years kicking ass with their unique heavy music, and we partied hard. Needless to say, I don’t think it will take long for us to see such a phenomenal band in the city again, and we’ll all be there yet again to raise our fists and horns while they melt our faces with their killer tunes.

Setlist
Nihilistic Violence
Scorched Earth Policy
Fracked
Confines of Infinity
The All Seeing
Data Corpse
Chaos of Forms
Of Unworldly Origin
Dismantle the Dictator
Summon the Spawn
Only the Spineless Survive
Bound by Desire

Band members
David Davidson – vocals, guitars
Harry Lannon – guitars
Ash Pearson – drums
Alex Weber – bass

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Album Review – Ape Unit / Turd EP (2015)

Leave five demented Italian apes by themselves for just 10 minutes and what do you get? Total devastation, obviously.

Rating5

Ape Unit_TurdIf you have no idea how impactful the sound of Grindcore can be, you better get ready for an intense sonic earthquake that, despite lasting for only around 10 minutes, will surely leave you disoriented and probably all covered in bruises due to its bestial rage. I’m talking about Turd, the new album by Italian Grindcore/Powerviolence lunatics Ape Unit, a delight for fans of the deranged music by acts such as Napalm Death, Terrorizer, Fuck The Facts and Ratos De Porão, and a true nightmare for “soccer moms” all over the world.

Forged in the year of 2008 in the town of Cuneo, Italy, around 150km east of the city of Genoa, Ape Unit offer a basic but very efficient formula that consists of short and wicked lyrics blended with immensurable amounts of craziness and grinding powerviolence. In other words, don’t expect to find anything philosophical or introspective in their music, all you will find is a very good reason for slamming into the pit like a rabid gorilla. In case you still don’t get it, simply take a good look at the chaotic state of the primates in the amazing artwork by renowned artist Craoman and you’ll have a comprehensive representation of the music by Ape Unit.

The opening track, entitled Puberal Baphomet, and you better get used to beautiful song names like this one, evolves from a heavy and imposing intro to a frantic devastation with highlights to all the screaming by lead singer Mariano Somà, which is very melodic and groovy despite sounding like a carnivorous mutant creature. In Mullet For My Valentine, follow the lyrics if you can while you enjoy its awesome Grindcore vibe (“The only way to rape my crush apart / The 80s: true men and true metal / You must love me / Even if I am a fat ass I’ve got the hairdo of the Gods! / I’ll stay gold: I’m like Jacob B.”); whereas the brutal slamming tune Your Body Will Become My Abat-Jour showcases riffs and drums at an insane speed and ferocity, and of course if you’re a circle- pit lover this is the perfect soundtrack for you to practice your passion.

Ape UnitIn The Will To Smith they get considerably faster with hints of Death Metal added to the song’s musicality, especially through the badass bass lines by Umberto Salvetti, turning it into one minute of visceral barbarism. And could they sound even more demonic in less than 40 seconds? Well, the answer is a song named Tropical Mode-ON, which pretty much feels like being hit by a truck. The following tune, Don’t Touch The Forbidden Congas, talks about a curious “curse”, telling us what happens to your body if you touch the “forbidden congas”, before the vicious Grindcore tune Orango Juice comes kicking you in the head with its Slayer-ish riffs. Besides, I’m not really sure what to say about its lyrics, so you can take your own conclusions about them (“Satan’s coming back to town / To find out another victim / Four legs and one cock / Beg down on your knees / This is the way you beg and suck my dick, now! / So long and thanks for all the juice! / Hail Satanas – Dominus – Satanas / Orango juice down your throat, in your mouth”).

Sperm Bank Robbery presents a “delicate” sounding for an even “cuter” story told while the whole band lacerates their instruments, followed by Children Of Boredom, a merciless ode to the place where the band comes from showcasing the best lyrics of all songs in Turd (“Cuneo, born and raised / But I’m not the Fresh Prince / Tell me now what I should do / Gianna Gancia is not the cure / Fed up of this fucking shit / Children of Boredom”). Last but not least, how about a song called Go Kart Kobain, a demented tune firing sheer violence in your face in less than a minute? And just out of curiosity, this song is a tribute to the iconic American musician Seth Putnam (R.I.P.), the founder of Grindcore band Anal Cunt.

In order to be properly be shredded apart by this excellent Italian quintet, go check their Facebook page and YouTube channel, and if you’re a true fan of violent music go grab your copy of their atomic bomb Turd at their BandCamp or Big Cartel. Needless to say, this solid Grindcore album is the result of leaving five demented Italian apes by themselves for just 10 minutes. And we all love it, of course.

Best moments of the album: Your Body Will Become My Abat-Jour and Don’t Touch The Forbidden Congas.

Worst moments of the album: Sperm Bank Robbery.

Released in 2015 Uterus Productions/Here And Now Records/Zas Autoproduzioni/Distrozione/Don Carlos Productions/Tadca Records/Vollmer Industries

Track listing
1. Puberal Baphomet 2:13
2. Mullet For My Valentine 0:46
3. Your Body Will Become My Abat-Jour 1:09
4. The Will To Smith 0:56
5. Tropical Mode-ON 0:34
6. Don’t Touch The Forbidden Congas 1:53
7. Orango Juice 0:45
8. Sperm Bank Robbery 0:57
9. Children Of Boredom 0:54
10. Go Kart Kobain 0:41

Band members
Mariano Somà – vocals
Marco Losano – guitars
Alberto Cornero – guitars
Umberto Salvetti – bass
Steve Bianco – drums

Guest musician
Mattia Gatti – additional vocals on “Your Body Will Become My
Abat-Jour”