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Concert Review – Kamelot (The Phoenix Concert Theatre, Toronto, ON, 09/19/2026)

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And Toronto witnessed an astonishing night of frozen kings and queens, headbanging pirates, and horns raising knights, for the delight of all fans of Symphonic and Melodic Power Metal in the city.

OPENING ACTS: Frozen Crown and Visions of Atlantis

It was perhaps the coolest day of the season as temperatures dropped below +20oC in Toronto, but FROZEN CROWN, VISIONS OF ATLANTIS and KAMELOT brought their breathtaking Dark Asylum World Tour – North America Pt. I to Toronto to turn up the heat at The Phoenix Concert Theatre, resulting in another beyond successful event hosted by the one and only Noel Peters of Inertia Entertainment. My buddy Blair Burch and I had the pleasure of witnessing the very first show of Frozen Crown in Canadian lands, as well as the usual killer performances by Visions of Atlantis and Kamelot, two of the most beloved bands in the city, and if it wasn’t for them I would have definitely gone full William “D-Fens” Foster in Falling Down on my way back home, because whoever thought it was a good idea to close two lanes of the Gardiner and QEW at 10 or 11pm on a Saturday night, with countless music and sports events in the city, deserves to be tied to one of those endless transit cones and stay there to “enjoy” the view for hours and hours and hours. Rant over.

Let’s get back to the music, because that’s what really matters in the end. The first attraction of the night, Milan, Italy-based Power Metal warriors FROZEN CROWN, hit the stage at 7pm for their first ever concert in Toronto, and they didn’t disappoint at all. Quite the contrary, the crowd was really impressed with their power, their energy, and of course with the striking vocals by frontwoman Giada Etro. She’s extremely talented and charismatic, making their whole concert even more enjoyable. Their setlist might have been short, but it was very effective in presenting their music to whoever wasn’t familiar with the band, blending songs from pretty much all of their albums with new songs from their upcoming opus The Legend of the Six Kings, those being The One, Who Wants to Burn in Heaven, and Reborn, all available on BandCamp and on Spotify. There was even a fast and heavy cover for Iris, the biggest classic by Goo Goo Dolls, with drummer Niso Tomasini kicking ass. Their guitar triumvirate also worked really well, with Federico Mondelli, Alessia Lanzone (very young, very talented, and a nonstop headbanger) and Alexandra Lioness shredding their axes nonstop for our absolute delight. Needless to say, I’m sure we’ll see those Italians back in town sooner than we can imagine based on how fun their show was.

Setlist
Kings
The One
Neverending
Who Wants to Burn in Heaven
Reborn
Iris (Goo Goo Dolls cover)
I Am the Tyrant

Band members
Giada Etro – vocals
Federico Mondelli – guitars, keyboards, vocals
Alessia Lanzone – lead guitars
Alexandra Lioness – lead guitars
Francesco Zof  – bass
Niso Tomasini – drums

It was then time for the most beloved pirates in the history of Melodic and Symphonic Power Metal, the unrelenting VISIONS OF ATLANTIS, to deliver yet another phenomenal performance for their Torontonian diehard fans. They played a similar (but of course shorter) setlist from the last time they invaded the city, with all songs being available in their excellent 2025 live album Armada (Live Over Europe), which is available on Spotify, but that didn’t mean the show was less enjoyable or anything like that. I personally think they selected beyond electrifying and spot-on songs, the perfect balance between melody, drama and pure fun, with everyone dancing to Clocks and Tonight I’m Alive, banging their heads to Hellfire, rowing (yes, rowing) to Pirates Will Return, jumping up and down nonstop to Melancholy Angel, and obviously raising their horns and fists, and slamming into a wild mosh pit, to their biggest hit Armada. Christian Douscha, Herbert Glos and Thomas Caser were on absolute fire, offering the second best duet in heavy music (because, you know, the reigning champions are, and will forever be, Michael Kiska and Andi Deris of Helloween), Clémentine Delauney and Michele Guaitoli, everything they needed to hypnotize us and entertain us from start to finish. Clémentine is from out of this world, a true metal diva with infinite talent, beauty and charisma, and seeing her singing is already alone worth the full price of the ticket. Please get back to Toronto as soon as possible, you headbanging pirates! We love you!

Setlist
Master the Hurricane
Clocks
Tonight I’m Alive
Legion of the Seas
Hellfire
Pirates Will Return
Melancholy Angel
Armada

Band members
Clémentine Delauney – female vocals
Michele Guaitoli – male vocals
Christian Douscha – guitars
Herbert Glos – bass
Thomas Caser – drums

KAMELOT

Tampa, Florida’s own Progressive/Melodic Power Metal institution KAMELOT is one of those bands that always attract a huge amount of people to their concerts in Toronto it doesn’t matter if it’s +40oC and extremely humid, or if it’s -20oC and snowing like hell. Toronto loves Kamelot, and that tight connection between band and fans gets even stronger when they hit any stage in the city like this Saturday night. Having just released the album Dark Asylum, available on any streaming service like Spotify, the band formed of frontman Tommy Karevik, guitarist Thomas Youngblood, bassist Sean Tibbetts, keyboardist Oliver Palotai, and drummer Alex Landenburg, with the support of Frozen Crown’s own Giada Etro on clean and harsh female vocals (and I honestly didn’t know she could do guttural so freakin’ well), and Visions of Atlantis’ undisputed diva Clémentine Delauney, put on another amazing concert for their avid fans.

The nonstop singing, screaming, horns raising, crowd surfing and mosh pitting were absolutely intense from the very first notes of Ashen World, and the band noticed the crowd was ready for total war, keeping the electricity flowing nonstop during their solid setlist. Songs like Liar Liar (Wasteland Monarchy), Godlike Alchemy and the title-track of their new album, Dark Asylum, sounded fantastic live, with Thomas Youngblood and Sean Tibbetts giving a lecture in how to properly treat the guitar and bass, not to mention their interactions with the crowd were also fantastic. However, and sorry Tommy for saying this, the songs with Giada and Clémentine were the top moments of the concert for several fans, including me. You did a great job as their frontman as usual, of course, but you must admit those two girls always steal the show wherever they go, right?

The last part of their set with Sanctuary and Veil of Elysium, plus the encore with March of Mephisto and Sacrimony (Angel of Afterlife), was a pure sonic orgasm for the more avid followers of Kamelot, and their stage set added even more adrenaline and epicness to their performance. I simply love how they were capable of turning a relatively small stage like the one at The Phoenix Concert Theatre into something so special. Well, to be honest, when the band in question is as great as Kamelot, you can already expect a grandiose concert even on the smallest stages on earth. And lastly, as the tour was labeled Dark Asylum World Tour – North America Pt. I, I believe we’ll have a part II in the near future, and if the loud reaction from the fans in Toronto was any indication of how much the city loves Kamelot, I’m sure we’ll gladly be part of that second leg of such an excellent tour.

Setlist
Sanctorium
Ashen World
The Great Pandemonium
Rule the World
Liar Liar (Wasteland Monarchy)
Godlike Alchemy
Karma
Revolution
New Babylon
⁠Dark Asylum
⁠Ivy, My Dear
Drum Solo
One More Flag in the Ground
Keyboard Solo
Sanctuary
Veil of Elysium

Encore:
March of Mephisto
Sacrimony (Angel of Afterlife)
⁠Sanctum Requiem

Band members
Tommy Karevik – vocals
Thomas Youngblood – guitars
Sean Tibbetts – bass
Oliver Palotai – keyboards, orchestrations
Alex Landenburg – drums

Guest musicians
Giada Etro – clean female vocals & harsh screams
Clémentine Delauney – clean female vocals

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Event Review – AC/DC PWR/UP Pop Up (Steam Whistle Brewing, Toronto, ON, 09/15/2026 – 09/16/2026)

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Not even one of the strongest storms in the history of Toronto could stop fans from all over the world to get powered up by the AC/DC PWR/UP Pop Up store.

INTRODUCTION: For those about to rock, go check the AC/DC PWR/UP Pop Up store!

Free and open to all fans, the AC/DC PWR/UP Pop Up will open in every city on AC/DC’s 2026 North American stadium tour, giving fans one more way to be part of the PWR/UP Tour as it rolls through each town. Unfortunately, the Toronto concert scheduled for September 16 at Rogers Stadium had to be cancelled due to the severe damage done to the venue by an otherworldly storm that crushed the city to pieces on September 2, but that didn’t stop AC/DC to make an “appearance” in Toronto in the form of the pop up store on September 15 and 16. The location chosen for the special event was the excellent Steam Whistle Brewing, and of course Keith Ibbitson of Metal Paparazzi, Blair Burch and I were invited to be part of such a unique experience for fans of our good old Rock N’ Roll. Since the shows and pop up store are still happening in Winnipeg, New York, and Philadelphia, you know what to do. For those about to rock alongside AC/DC, we salute you!

AC/DC PWR/UP POP UP

Named after their 2020 album PWRϟUP, which reached #1 in 21 countries, the PWR/UP Tour began with the band’s long-awaited return to the stage at Power Trip in California in 2023, and has since sold out dozens of stadiums across four continents. As the massive tour entered its final leg in North America, the AC/DC PWR/UP Pop Up was created to give fans of one of the biggest bands in the history of Rock N’ Roll a place to gather before show day, and be part of the high voltage energy surrounding the tour. There’s merch you won’t find at the concert. Fans can shop unique collectibles, tour apparel, light-up horns, and other pop-up merchandise. Fans can get up close to AC/DC history. Each location will also feature AC/DC-themed food and drink, iconic props, custom visuals, interactive photo moments, ticket giveaways, PWR/UP Fan Preview events, and the opportunity to enter to win a guitar signed by Angus Young.

There were local fans at the Toronto pop up, superfans who have been following the band all across the world during this tour (similar to what fans of bands like Iron Maiden do), casual rock listeners who got attracted to the store for obvious reasons (who doesn’t want to spend some bucks on high quality merch, right?), and so on. Everybody was having a great time at this supercharged social outing in Toronto, and not even the fact the show was canceled in the city was capable of making the whole event less enjoyable. As special guests, we even received an awesome gift bag with some cool items like the AC/DC High Voltage shirt, which I’ll surely sport on special occasions like one of the upcoming rock and metal concerts in the city. Also, I was told the members of AC/DC themselves were at the pop up store this Wednesday, giving autographs, taking photos, and so on, which means if you’re lucky enough you might also see the guys at the pop up store in your city.

Let’s hope that AC/DC do not call it quits anytime soon, and keep on rockin’ our world like they’ve always done for many decades. We need them back in Toronto for a killer concert, and please, Mother Nature, let those rock giants bring joy to us Torontonian rockers ate least one more time in the coming years. And of course, if or when that happens, I hope the AC/DC PWR/UP Pop Up will also come together with the concert and tour, because that’s what fans of titans like AC/DC, Iron Maiden, Metallica, Judas Priest, Guns N’ Roses and so many other iconic bands want, to not only see their idols kicking some serious ass onstage, but to also turn the days before and after the show into an immersive experience, bringing the sheer power of rock and metal music to our hearts for more than just the few hours of the actual concerts. It’s a long way to the top if you wanna Rock N’ Roll, but a band like AC/DC has mastered that art to perfection, and the AC/DC PWR/UP Pop Up surely brings that energy to us fans and connects us even more with our rock idols.

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Concert Review – Revocation (Lee’s Palace, Toronto, ON, 09/12/2026)

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A feast of absolute raging Death Metal turned up the heat even more on an already hot night in the city of Toronto.

OPENING ACTS: Weeping, Fuming Mouth and Defeated Sanity

We’re lucky the weather is still quite warm in Toronto now that the summer is “unofficially” over (when kids get back to school, parents consider the summer as over, and will sport sweaters and jackets even when the temperature is above +25oC and sunny), and even luckier to host the awesome 20 Years of Torment 2026 Tour with WEEPING, FUMING MOUTH, DEFEATED SANITY, and the guys celebrating those 20 years of pure metal magic, REVOCATION, another great event brought to the city by Noel Peters of Inertia Entertainment. The cozy Lee’s Palace was the place chosen for such a nice gathering, and I was actually surprised it wasn’t too hot inside the venue during the entire night. Keith Ibbitson of Metal Paparazzi is still recovering from his injury and surgery, which means our friend Blair Burch once again helped us with his sharp photography skills to make this review of the concert as incendiary as the bands onstage. Also, traffic to get to Toronto has become a true nightmare no matter what time or day of the week, but fortunately as the first band was only scheduled to play after 7:30pm there was plenty of time to get to the venue before the celebrations started.

It was around 7:40pm when New Jersey’s own Death Metal/Hardcore/Powerviolence quartet WEEPING kicked off their insane performance, melting our faces mercilessly with their scorching heaviness and undisputed technique. Having released the album Spiritual Barbarism back in 2024, plus a new single titled When You Beg now in 2026, all available on BandCamp and on Spotify, the band formed of Theo Vlahos on vocals and guitars, Thomas Deabreu also on the guitars, Anthony Izworski on bass (who’s also the bassist for Fuming Mouth, by the way), and Jon Lievano on drums crushed our damned souls with a no shenanigans concert, kicking some serious ass onstage and, therefore, inspiring everyone on the floor section to already go mental inside the circle pit. Those guys are simply insane, and if you know nothing about them, go check their music asap and keep an eye on their tour dates, because if they ever take your city by storm, you know what to do.

Band members
Theo Vlahos – vocals, guitars
Thomas Deabreu – guitars
Anthony Izworski – bass, backing vocals
Jon Lievano – drums

Perhaps the most anticipated attraction of the night, besides obviously Revocation, was Milford, Massachusetts-based Death Metal/Metalcore/Hardcore outfit FUMING MOUTH, who are becoming a fan-favorite in Toronto when it comes to violence and heaviness. Mark Whelan, Patrick Merson, Anthony Izworski and Jay Weinberg made sure no one was left alive with an overdose of venomous roars, crushing riffs, thunderous bass lines, and demented beats and fills. Of course, the fact that their 2026 album The Ringing Bell (available on both BandCamp and on Spotify) is insane made their task a lot easier, as the crowd was eager to witness some of those new songs live, like Cheat Death, Self‐Exhumed, and Finally Fearless. It was really nice to see Mark explaining what Fuming Mouth means, this evil entity that will kill everyone, saying to several people in the crowd “You will die! You will die! You will die!” and, therefore, creating this fun connection between the band and the fans. We will all die eventually, and if we have the live music by Fuming Mouth to entertain us during our last moments, we’ll surely die happy metalheads.

Setlist
Cheat Death
A Blaze of Nihilism
Hidden in the Moor
Self‐Exhumed
I’ll Find You
Respect Mortality
Visions of Purgatory
Finally Fearless

Band members
Mark Whelan – vocals, guitars
Patrick Merson – guitars
Anthony Izworski – bass
Jay Weinberg – drums

After a short break, German-American squad DEFEATED SANITY kicked off their onrush of demonic, visceral and grim fusion of Technical and Brutal Death Metal, making the foundations of Lee’s Palace tremble so heavy they sounded. Having released the album Chronicles of Lunacy in 2024, available on BandCamp and on Spotify, frontman Josh Welshman alongside the extremely talented guitarist Vaughn Stoffey, the incredible bassist Jacob Schmidt, and the ruthless drummer Lille Gruber were insane onstage, with the circle pit getting out of control due to the extreme violence blasted by all band members. I honestly do not remember a kitchen so technical yet demolishing like the one crafted by Jacob and Lille, and if you enjoy extreme music with a strong technical vibe, go check the music by Defeated Sanity because those guys are amazing both in the studio and live.

Setlist
Introitus
Consumed by Repugnance
Verblendung
Liquifying Cerebral Hemispheres
Accelerating the Rot
Martyrium
The Bell
Dislimbing the Ostracized

Band members
Josh Welshman – vocals
Vaughn Stoffey – guitars
Jacob Schmidt – bass
Lille Gruber – drums

REVOCATION

After three opening bands that were all 10 out of 10, the crowd was more than warmed up for the lecture in Technical Death and Thrash Metal by Boston, Massachusetts-based crew REVOCATION, who might be celebrating 20 years of existence, but the ones receiving all the presents were us fans with each and every song played by those first-class musicians. It doesn’t matter if it was a late start, already close to 10:30pm, because the entire venue was burning with the blend of classics and new songs from their 2025 album New Gods, New Masters, which you can listen in full on Spotify. David Davidson, Harry Lannon, Ash Pearson and Alex Weber proved why they’ve become one of the most important bands of the current tech death scene with an impeccable performance, kicking our asses hard until the very end.

Songs like Nihilistic Violence, Chaos of Forms, Dismantle the Dictator, Summon the Spawn, and Bound by Desire were all played to perfection by those four extremely talented musicians, and the result was of course an intense circle pit that was dragging everyone into it in celebration of our good old Death Metal. There’s this very small Asian girl that’s rockin’ in every single show in Toronto, and of course she was there Saturday night. No idea how she can handle so much alcohol and how she can venture inside those demented circle pits due to her tiny stature and very low weight, but one thing I can say is that she knows how to party, and that’s exactly what Revocation wanted us all to do. They simply asked Toronto to party with them after 20 years kicking ass with their unique heavy music, and we partied hard. Needless to say, I don’t think it will take long for us to see such a phenomenal band in the city again, and we’ll all be there yet again to raise our fists and horns while they melt our faces with their killer tunes.

Setlist
Nihilistic Violence
Scorched Earth Policy
Fracked
Confines of Infinity
The All Seeing
Data Corpse
Chaos of Forms
Of Unworldly Origin
Dismantle the Dictator
Summon the Spawn
Only the Spineless Survive
Bound by Desire

Band members
David Davidson – vocals, guitars
Harry Lannon – guitars
Ash Pearson – drums
Alex Weber – bass

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Concert Review – Dimmu Borgir (History, Toronto, ON, 08/10/2026)

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The Grand Serpent of Black Metal took the city of Toronto by storm on a scorching Monday night.

OPENING ACT: Hulder

It was another hot and humid Monday night this summer in Toronto when the mighty DIMMU BORGIR, supported by the up-and-coming entity HULDER, took the city by storm with an overdose of obscure and blasphemous Black Metal at the excellent History during the band’s Grand Serpent Rising North America 2026. Unfortunately, my buddy Keith Ibbitson of Metal Paparazzi got seriously injured and won’t be able to take any more photos of concerts until at least the end of the year, but he introduced me to his friend Blair Burch, who’s also a metal photographer, and as you can see from the photos in this review Blair is also a badass. The lowest point, though, was the absence of Hypocrisy from the lineup due to issues with their visas to get into North America (or maybe it was just Canada, as no one knows the actual details), plus the fact we could have gotten Suffocation instead like in some US cities, which of course didn’t happen, but Hulder and Dimmu Borgir made sure they played louder than hell to make up for the cancelation of the tour of one of the trailblazers of our beloved Death Metal.

It was 7:30pm when Washington, United States-based Black Metal cult HULDER kicked off their dark, occult and scorching presentation (and I’m glad I was able to make it just in time for their show because Monday night traffic has been slightly lighter during the summer). Having released the magnificent Verbolgen just last Friday (available on both BandCamp and on Spotify), the band formed of the uncanny vocalist and guitarist Hulder and the ruthless bassist Necreon, with the support of live musicians Keld on the lead guitars, and Vapula on drums, put on a fantastic show for everyone already at the venue, playing songs from all of their albums, including some absolute bangers like View From Nemeton, Verses in Oath, and …And We Shall Sing. Hulder is impressive onstage, “hiding” her face behind her long hair, corpse paint and smoke, and letting the music speak on her behalf. I love that type of atmospheric and sinister vibe from bands like Hulder, and I honestly can’t wait to see the band kicking ass live again in Toronto in the not-so-distant future. My only complaint is that Hulder could have easily played for another 20 minutes or so due to the absence of Hypocrisy, which would allow her to melt our faces with another selection of Black Metal lullabies, but it is what it is. I can’t complain about it at all. We finally got Hulder in Toronto, and that was a magnificent debut.

Setlist
A Beacon From Darkened Skies
View From Nemeton
Sylvan Awakening
Hearken the End
Verses in Oath
Veil of Penitence
Drie Raven
…And We Shall Sing

Band members
Hulder – vocals, guitar
Necreon – bass, vocals
Keld – lead guitar
Vapula – drums

DIMMU BORGIR

Finally, eight years after their last visit to Toronto, the indomitable Shagrath and his henchmen Damage (who also plays with Shagrath in Chrome Division), Silenoz, Victor Brandt, Gerlioz and Daray, collectively known as Oslo, Norway’s own Symphonic Black Metal masters DIMMU BORGIR, returned to the city for another devilish performance, this time promoting their brand new offering Grand Serpent Rising, available on both BandCamp and Spotify. Their concert was absolutely venomous, just like a serpent, blending new songs the likes of Ulvgjeld & Blodsodel, As Seen in the Unseen, and Ascent with old school material such as Mourning Palace, Stormblåst, Reptile (one of my favorites of their setlist), and The Serpentine Offering. As you can see, there was a considerable share of blasphemy, blood and venom for each and every person in the crowd, no doubt about that.

The overall sound was EXTREMELY loud to the point it was hurting a bit even for people wearing noise protection earplugs (including myself), but I guess no one really cared about it as long as we could watch the band kicking ass onstage. Shagrath’s vocals continue to impress, as they sound just as harsh and infuriated as in his early days (therefore bringing even more adrenaline to their live shows), Damage was a beast bleeding a lot from his new tattoo on his right arm as he kept shredding his guitar (and there’s nothing more Black Metal than that), but it was Gerlioz on keyboards who stole the show, at least for me. He looks like a demonic hybrid of Rammstein’s Christian “Flake” Lorenz and Depeche Mode’s Andy Fletcher (RIP) in the best way possible, keeping the atmosphere as vibrant, dense and theatrical with his keys. All band members sounded solid and electrifying, but let’s say Gerlioz was the man in Toronto.

As the show was getting closer to its inevitable end, the band unleashed hell upon us all mere mortals with two of their biggest classics, Gateways and the breathtaking Progenies of the Great Apocalypse (definitely the highest moment of the whole night), resulting in a wild reaction by the fans in the mosh pit, increasing the temperature (even more) inside the venue, and leaving the gates of the underworld open wide for Dimmu Borgir to crush Toronto to pieces again in the near future. Hopefully it’s not going to take another eight years for those Norwegian serpents to invade our city with their demolishing concert, be it with a brand new album, a “best of” tour, or playing an entire classic album. As long as we get Dimmu Borgir again in Toronto, we will be very happy metalheads.

Setlist
Ulvgjeld & Blodsodel
Mourning Palace
Kings of the Carnival Creation
Council of Wolves and Snakes
As Seen in the Unseen
Ascent
Stormblåst
Reptile
The Insight and the Catharsis
The Serpentine Offering
Puritania
Gateways
Progenies of the Great Apocalypse
Perfection or Vanity

Band members
Shagrath (Stian Tomt Thoresen) – vocals
Damage (Kjell Karlsen) – lead guitar
Silenoz (Sven Atle Kopperud) – rhythm guitar
Victor Brandt – bass
Gerlioz (Geir Bratland) – keyboards
Daray (Dariusz Brzozowski) – drums

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