Album Review – Serpents Oath / Revelation (2023)

Belgium’s devilish division of Black Metal commandos returns with the third chapter in their tome of satanic secrets, a pulverizing and evil album that reaches further into darkness.

“Live by the rule of Fang and Claw, Survival is the highest Law”

Following in the burnt and blistered wake of their searing sophomore album Ascension, released in 2022, Belgium’s devilish division of Black Metal commandos, collectively known as Serpents Oath, have returned with the third chapter in their tome of satanic secrets, the fulminating Revelation, an album that reaches further into darkness, peers deeper into the abyss and dares to defy the very highest of holy powers. Recorded by Yarne Heylen at Project Zero Studio, and displaying a hellish artwork by renowned Mexican illustrator Néstor Ávalos, the album is highly recommended for fans of Dark Funeral,  Gorgoroth and Marduk, among other Black Metal giants, showcasing the unswerving dedication and the absolute commitment to the cause by vocalist Tes Re Oth, guitarists Baelus and Daenum, bassist Mørkald and drummer Draghul.

The obscure, sulfurous intro Invocatio Genesis will open the gates of hell for the band to crush our souls in Blood Covenant, an infernal old school Black Metal feast spearheaded by the demolishing blast beats by Draghul. What an insane way to start the album, and their ode to pitch black darkness goes on in the infuriated Gateways to Tiamat, where the guitars by Baelus and Daenum will pierce your mind mercilessly in the name of Black Metal. Then the first single of the album, Purification through Fire, will smash you like an insect to the venomous roars by Tes Re Oth and the always thunderous kitchen by Mørkald and Draghul, flowing into the cryptic interlude Invociatio Apocalypsis, once again setting the tone for the demonic Black Metal aria Beyond the Void, living up to the legacy of the genre with its nonstop blast beats, blazing riffage and the always hellish growls by Tes Re Oth.

The second half of the album begins in full force with another bestial creation by Serpents Oath titled Drakonian Gnosis, bringing to our avid ears more of their venomous sounds, and prepare your damned souls for six minutes of devilish, impure sounds in the form of Path of the Serpent, one of the most detailed, multi-layered songs of the album where Tes Re Oth continues to lead his evil horde to the netherworld, and with the riffs by Baelus and Daenum sounding truly venomous. After another atmospheric interlude titled Invocatio Resurrectio, it’s time for those Belgian metallers to kick some ass in Cult of Death, with the bass jabs by Mørkald together with the massive drums by Draghul making the earth tremble until the ground opens to the creatures of the abyss. Sinister guitar lines permeate the air in the also destructive Unto Typhon, another classic Black Metal extravaganza made in Belgium where Draghul shows no mercy for his drums, albeit a bit tiring as it gets close to the end; whereas closing the album we have the epic, somber and caustic Pandaemonium, where the entire band is on absolute fire, blasting our ears with their Black Metal magic, in special Tes Re Oth with his enraged, desperate roars in a beyond majestic conclusion to such infernal voyage to the pits of hell.

Serpents Oath Revelation Wooden Box

There are countless places where you can purchase a copy of the excellent Revelation and show your support to such demonic horde from Belgium, including the Odium Records’ BandCamp page and the band’s own webstore as a digipak CD, a black LP, a red marble LP, or a beyond special wooden collector’s box (limited to 50 copies worldwide and including an LP, a CD, an exclusive T-shirt, an exclusive pendant and an exclusive patch), or click HERE for all things Serpents Oath. Don’t forget to also follow the band on Facebook and on Instagram, and to stream more of their music on Spotify. As aforementioned, the band is reaching further into pitch black darkness with their sulfurous new opus, and they’re waiting for you to join them in that suffocating, devilish void for all eternity.

Best moments of the album: Blood Covenant, Path of the Serpent and Pandaemonium.

Worst moments of the album: Unto Typhon.

Released in 2023 Odium Records

Track listing
1. Invocatio Genesis 0:33
2. Blood Covenant 4:43
3. Gateways to Tiamat 4:46
4. Purification through Fire 4:54
5. Invociatio Apocalypsis 0:43
6. Beyond the Void 4:39
7. Drakonian Gnosis 4:07
8. Path of the Serpent 6:15
9. Invocatio Resurrectio 0:50
10. Cult of Death 4:34
11. Unto Typhon 4:54
12. Pandaemonium 6:08

Band members
Tes Re Oth – vocals
Baelus – guitar
Daenum – guitar
Mørkald – bass
Draghul – drums

Concert Review – Boonsdale Fest 2018 & Wacken Metal Battle Canada Final (The Opera House, Toronto, ON, 06/09/2018)

After a year of silence, Wacken Metal Battle Canada returned in full force in a unique partnership with Boonsdale Fest to decide which underground band would raise the flag of Canadian metal high on “The Holy Land” of heavy music.

INTRODUCTION: BOONSDALE FEST AND WACKEN METAL BATTLE CANADA UNITED

There’s nothing better than a night of ass-kicking heavy music in the always fun month of June in the city of Toronto, and to make things even better how about uniting at The Opera House the 2nd annual Boonsdale Fest, organized by Boonsdale Records and featuring the bands MokomokaiOperus and Borealis, with the 2018 edition of Wacken Metal Battle Canada, where the Best from the West Hammerdrone battled the Best from the East Centuries of Decay for a place alongside the greatest names in the history heavy music at Wacken Open Air later this year. As there was no Wacken Metal Battle Canada in 2017 (each year Wacken allocates 28 slots at W.O.A. for the Metal Battle winners from 28 different countries, and due to the increasing number of countries some are asked to pause for a year to give the chance to others to participate, which was what happened to Canada last year), this year several Canadian independent and underground bands were more than eager to participate in the competition again, with qualifying rounds happening all over the country starting January 12,  until Calgary’s Hammerdrone and Toronto’s Centuries of Decay reached the desired final round in Toronto this Saturday.

In 2016, Wacken Metal Battle Canada crowned Death/Thrash Metal band Profaner as champions, who then by the way advanced to be 2nd place at the international Metal Battle at W.O.A. that same year, so who would be granted the chance to represent Canada at the biggest metal festival in the world in 2018? Well, it’s time to rumble to the heavy music by Centuries of Decay, Hammerdrone, Mokomokai, Operus and Borealis, and wait for guest judges Gustavo Valderrama (Navaja Music, Electric Flow), Tim Henderson (Bravewords.com), Andrew Epstein (Zombitrol Productions, Alan Cross’ A Journal of Musical Things), Chris Gonda (PureGrainAudio.com), Charlie Felix (Sound & Noise, Live Talent), Oscar Rangel (Operus, Ex-Annihilator), Wojtek Sokolowski (Operus) and Luc Lainé (CFLX 95,5 FM) to decide which band would rule them all!

CENTURIES OF DECAY

Centuries of Decay @ The Opera House, Toronto, ON, 06/09/2018

Precisely at 9pm Toronto’s own Progressive/Atmospheric Death Metal act Centuries of Decay hit the stage at The Opera House showing why they were chosen Eastern Canadian Metal Battle champions, led by the deep and very melodic growls by vocalist and guitarist Devin Doucette. Formed in 2014, the quartet released in 2017 their debut self-titled album, available for a listen (and obviously for purchase) at their own BandCamp page, and that album was basically what the metalheads at the venue had the pleasure to witness them playing live. With songs getting close to or even breaking the 10-minute mark, something unimaginable for any artist or band from most non-metal styles that are in pursuit of stardom, Centuries of Decay inspired everyone in the crowd to bang their heads nonstop and feel embraced by their atmospheric music, generating a very nice and interesting feeling in all of us. That’s how exciting progressive and atmospheric heavy music can be, and if these are just the initial steps in the promising career of Centuries of Decay, I can’t wait to see what those four metallers will bring next.

Band members
Devin Doucette – vocals, rhythm guitar
Rob McAllister – lead guitar, backing vocals
Matt Hems – bass
Derrick Doucette – drums

HAMMERDRONE

Hammerdrone @ The Opera House, Toronto, ON, 06/09/2018

After a quick bathroom/beer break, it was time for the winners of the West Hammerdrone to make a lot of noise and crush us with their unrelenting Melodic Death Metal, opening their performance with the violent Dark Harvest, the title-track from their 2017 opus Dark Harvest, which you can buy directly from their BandCamp page, a concept album inspired by the real life but obscure tale of the Scottish terrorist organization the Dark Harvest Commando. Frontman Grahma Harris was on fire during the entire concert, growling and roaring (and also making faces) like a beast, while his bandmates Rick Cardellini (lead guitars), Curtis Beardy (rhythm guitars), Teran Wyer (bass) and Vince Cardellini (drums) delivered a well-balanced fusion of the more harmonious lines from Melodic Death Metal with the sheer heaviness and aggressiveness of old school Death Metal. As a matter of fact, you can download for free a live EP by Hammerdrone titled Rituals of Battle from their BandCamp page, just to give you an idea of how awesome their music sounds live. And after Hammerdrone’s concert was over, I knew the judges were going to have a very difficult time deciding who should be crowned the 2018 champions. Well, at least they had a few more excellent concerts to go until then.

Band members
Graham Harris – vocals
Rick Cardellini – lead guitars
Curtis Beardy – rhythm guitars, backing vocals
Teran Wyer – bass, vocals
Vince Cardellini – drums

MOKOMOKAI

Mokomokai @ The Opera House, Toronto, ON, 06/09/2018

When Peterborough-based four-piece band Mokomokai began blasting their electrifying blend of old school Heavy Metal and Hard Rock, I guess we could say it was the “official” start of Boonsdale Fest, and let me tell you it looked like their Rock N’ Roll party had no time to end. Formed in 2011, and having a distinct name inspired by the preserved heads of Māori, the indigenous people of New Zealand, the quartet formed by John Ellis on vocals and guitar, Bobby Deuce on the guitar, Jeremy Pastic on bass and J J Tartaglia on drums put everyone at the venue to dance with their flammable music, playing songs from their 2017 album The Poison Whiptail, like the excellent Heavy Metal Sky, as well as a cover version for the classic The Wizard, by Black Sabbath (check out the original version HERE), taken from their 1970 masterpiece Black Sabbath, with John even playing the song’s traditional harmonica. After such high level of adrenaline, I have only one thing to say about Mokomokai: if they visit your hometown, don’t miss the chance to see them kicking some serious ass live.

Band members
John Ellis – vocals, guitar
Bobby Deuce – lead & rhythm guitar
Jeremy Pastic – bass
J.J. Tartaglia – drums 

OPERUS

Operus @ The Opera House, Toronto, ON, 06/09/2018

Perhaps the performance by the following band of the night, Toronto-based Epic Symphonic Metal squad Operus, was the most peculiar of the entire event due to all the unique elements found during their concert (and one of them was definitely not on purpose). Formed in 2005, this six-piece act put on an extremely entertaining and atmospheric show still promoting their 2017 album Cenotaph, featuring Oscar Rangel (ex-Annihilator) on the guitar, cellist Robin Howe adding an extra touch of epicness to the band’s music, masked-frontman David Michael Moote with his passionate and theatrical performance, J.J. Tartaglia back on drums to play a completely different style from Mokomokai, and an injured bassist Wojtek Sokolowski who twisted his ankle right at the beginning of the show, but who refused to stop and managed to play their full set before going to ER (and that’s what I call a true metalhead!). That’s another band I highly recommend you go watch live if they’re scheduled to play at a venue near you, and you can find their latest album available on different platforms such as iTunes if epic and symphonic music is your cup of tea.

Band members
David Michael Moote – lead vocals
Rob Holden – guitar
Oscar Rangel – guitar, backing vocals, growls
Robin Howe – cello, backing vocals
Wojtek Sokolowski – bass, backing vocals
J.J. Tartaglia – drums 

BOREALIS

Borealis @ The Opera House, Toronto, ON, 06/09/2018

Last but not least, the festival ended with another very progressive and melodic band named Borealis, formed in 2005 in the Ontarian city of Orangeville, who also delivered a solid and delightful performance playing songs from all of their five full-length albums, such as Revelation, from their 2015 album Purgatory, and The Awakening, from their brand new opus The Offering, released earlier this year. Comprised of lead singer and guitarist Matt Marinelli (who had his bottle of water wisely placed on his mic stand looking like he was going to deliver some “wah wah’s” with his guitar when he was actually just thirsty as hell), guitarist Ken Fobert, bassist Trevor McBride, keyboardist Sean Werlick and drummer Sean Dowell, Borealis did not disappoint their fans, filling all empty spaces in the air with their classy Melodic and Power Metal and keeping everyone pumped up even with the clock getting close to 2am. That’s another band I highly recommend you go check them live as well as go after their discography, because it’s not only top-tier metal music, but the overall production of their albums is also outstanding.

Band members
Matt Marinelli – vocals, guitars
Ken Fobert – guitars
Trevor McBride – bass
Sean Werlick – keyboards
Sean Dowell – drums

AND THE WINNER IS…

Centuries of Decay – 2018 Wacken Metal Battle Canada Winner

…Toronto’s own Progressive/Atmospheric Death Metal squad CENTURIES OF DECAY! It was indeed an amazing concert, and I’m sure they will proudly carry the flag of Canadian metal high during their journey through the holy land of Wacken. Actually, I really wish Wacken Metal Battle Canada could send two bands to the festival, because Hammerdrone were just as demolishing and professional as the Metal Battle winners. At least now more people will get to know Hammerdrone and all other bands of the night, which in the end is the ultimate goal of the Metal Battle and of festivals like Boonsdale Fest, keeping the fire of metal alive by always presenting to us fans new incredible bands from the underground scene. For instance, there was this old school, diehard metalhead (drinking beer at an insane speed of “two tall boys every five minutes”, but who was still able to walk, talk and headbang as if he was having just water) who asked me right after Operus if there was still more to come, and when I said there was still one more band he showed a huge and honest smile and said “this is great, eh?”, and if independent bands can still extract that type of reaction from a veteran like that guy, well, that’s another proof that metal music will never die. Now let’s wait until next year to see which new name will represent Canada at W.O.A. 2019, and if you already have your tickets for the festival this year, don’t forget to go say “hi” and raise your horns to the guys from Centuries of Decay.