Album Review – Gallia / Obscura (2022)

Enjoy this breathtaking album of Symphonic Metal infused with sheer epicness and storytelling, masterfully crafted by an up-and-coming four-headed outfit from Belgium.

Creating Symphonic Metal with an amount of epicness and storytelling that would fit a dark fantasy trilogy on the big screen, leading to what the band itself likes to call “Cinematic Metal”, Stevoort, Belgium-based four-headed outfit Gallia is unleashing upon humanity their first full-length opus, entitled Obscura, building on the story that was set in place by their 2019 EP Everflame, which was about the band’s fight against the dark. Produced, recorded, mixed and mastered by Yarne Heylen at Project Zero Studio and displaying a beautiful artwork by Gogo Melone, Obscura tells the story of the band finishing their duty with the Everflame and returning to a life of freedom, and finding a different world than the one they left behind, presenting noticeable influences from Symphonic Metal bands such as Nightwish, Epica and Xandria while at the same time the theatricality of big composers such as Hans Zimmer and Danny Elfman, all meticulously crafted by frontwoman Elyn Vandenwyngaert, guitarist Yannick Maris, bassist Laurens Vandebroek and drummer Ties Jehoul.

The clock is ticking in the intro Aperture, inviting us all to join Gallia in their cinematic, metallic journey to the sound of the heavy and melodic Return of Time, already starting in full force to the massive drums by Ties in a beyond thrilling exhibit of modern-day Symphonic Metal, with Elyn stealing the spotlight with her powerful voice. The fantastic Blackout Queen feels like the soundtrack to an epic movie, with Laurens kicking some serious ass armed with his thunderous bass while Yannick brings sheer Heavy Metal awesomeness to the sound through his sharp riffs, flowing into the whimsical Mirage, starting in an enfolding way to the sound of the piano before evolving into a very theatrical composition where Ties pounds his drums in a classy manner. Then an eerie, wicked intro suddenly morphs into another Metal Opera titled Reflection, showcasing the incendiary riffs by Yannick intertwined with a dark and beautiful vocal performance by Elyn; whereas Path of the Nomad is even more imposing, epic and dense than its predecessors, bringing forward an amazing job done by all band members and consequently taking the song to a whole new level of magic, with of course Elyn being flawless on vocals.

Then adding elements from Folk Metal to their core sonority, the band delivers the symphonic interlude Free Me, setting the stage for Spirit of the Sea, showcasing a catchy chorus (“Spirit of the Sea, hear my plea, hear my plea / The balance of my life lies in the hands of thee / You decide my destiny / Hear my plea, oh Spirit of the Sea / Let me return to land and tree / I call to you: let me be free”) and a mesmerizing pace and atmosphere; whereas guided by the classic, hammering drums by Ties the band offers our ears the also melodic and vibrant Chaos, with its background elements sounding absolutely majestic. In Euphoria we’re treated to poetic lyrics declaimed by Elyn (“The road is long / but our destiny is straight ahead / We march in faith and think of lands / that we have left”) amidst a multi-layered, melodic Symphonic Metal feast, and their second to last lecture in symphony and heavy music comes in the form of Tears of Gold, presenting over seven minutes of dark passages, rumbling bass lines and crushing riffs. Lastly, it’s time for Eryn to shine on vocals one final time in the stunning ballad New World, growing in intensity to the stylish riffs by Yannick until reaching a climatic, ethereal finale.

In summary, Obscura is one of those musical voyages that make Symphonic Metal so interesting and thrilling, thanks of course to the extreme focus and hard work invested in the making of the album by the talented members of Gallia, positioning them as one of the must-listen names of the current scene. Having said that, in order to support Elyn and the boys and fuel their inner fire to keep delivering first-class music to all of us, let’s all follow them on Facebook and on Instagram for news, tour dates and so on, subscribe to their official YouTube channel and stream more of their music on Spotify, and of course grab a copy of Obscura from the band’s own BandCamp page sooner than you can say “Cinematic Metal”. Heavy music cannot get any more theatrical than what Gallia have to offer us in their new album, leaving us eager for the next chapter in their promising path of heavy music infused with a huge dosage of fantasy.

Best moments of the album: Blackout Queen, Path of the Nomad and Chaos.

Worst moments of the album: Mirage.

Released in 2022 Independent

Track listing
1. Aperture 1:19
2. Return of Time 4:44
3. Blackout Queen 3:34
4. Mirage 4:42
5. Reflection 5:05
6. Path of the Nomad 4:13
7. Free Me 2:35
8. Spirit of the Sea 4:04
9. Chaos 4:21
10. Euphoria 4:13
11. Tears of Gold 7:32
12. New World 5:13

Band members
Elyn Vandenwyngaert – vocals
Yannick Maris – guitars
Laurens Vandebroek – bass
Ties Jehoul – drums

Album Review – Provectus / Postero Mundi (2022)

Inspired by the early pioneers of the genre, this Belgian horde carries the spirit of old school Black Metal in their pulverizing newborn beast.

Founded in 2015 in Vosselaar, a municipality located in the Belgian province of Antwerp, while rooted from the minds of vocalist and guitarist Tempore Anomalia and drummer Obitus, the unrelenting, old school Black Metal horde Provectus focuses on creating quality 90’s Black Metal cutting into a diverse range of lyrical themes, always inspired by the early pioneers of the genre such as Immortal and Dissection. Now in 2022 it’s time for Tempore Anomalia and Obitus, together with bassist Roach, to crush us all with the rawness and brutality found in their first full-length opus Postero Mundi, which translates from Latin as “the next world”, the follow-up to their 2018 debut EP Existential Delusion. Produced and mixed by the band itself, mastered by Yarne Heylen at Project Zero Recording Studio, and featuring a sinister artwork by Kris Verwimp, Postero Mundi carries the spirit of old school Black Metal by distancing itself from the modern fusions and endless subgenres , being therefore highly recommended for admirers of the darkest and most sulfurous side of extreme music.

Sinister organ pipes and epic background sounds invite us all to join Provectus in pitch black darkness in the intro Gloria Dolorem before the trio pulverizes our souls with the title-track Postero Mundi, with Obitus delivering pure hatred from his old school Black Metal blast beats accompanied by the rumbling bass by Roach while Tempore Anomalia vociferates like a true servant of the underworld. In Aetherflow Dimensions we face poetry flowing from the song’s lyrics (“In a distant vision a grace to behold, where the dark has shifted and the space seems so cold. / Mystical and phenomenal sights of blazing lights beckoning to me.”) while the trio keeps hammering their instruments nonstop; followed by Bane of Existence, starting in a melodic, somber manner before Tempore Anomalia begin extracting pure obscurity from his riffage while growling deeply at the same time, and all that heaviness and violence keeps growing in intensity in the name of classic Black Metal.

It’s then time for the phantasmagorical, spine-chilling interlude Lucid Nightmare, led by the unearthly keys by Tempore Anomalia, captivating our souls before we face the imposing Torn Fabric of Time, bringing forward total fuckin’ mayhem in the form of unrelenting Black Metal masterfully blasted by those Belgian demons. Moreover, Obitus is on absolute fire behind his drums making the earth tremble, while Tempore Anomalia declaims the song’s infernal words from the bottom of his blackened heart, not to mention how metallic and sulfurous the bass lines by Roach sound and feel. A gargantuan roar by Tempore Anomalia kick off the fulminating aria Disordered Phenomenon, where his own riffs add tons of malignancy to the overall result and also showcasing another brutal performance by Obitus on drums; whereas in Fractured Entity we have one last round of their wicked lyrics (“The saga continues endlessly. / Insanity drifting the emotionless sea. / Absorbed and hexed by apathy. / The cosmic curse of the entity!”), presenting elements from Doom Metal to enhance the song’s obscurity.

The gates of the underworld are wide open, and Provectus are there waiting for you to join them in the name of old school, visceral Black Metal to the sound of their amazing new album, which by the way is available for a full listen on Spotify. Also, don’t forget to follow the band on Facebook and on Instagram, to subscribe to their YouTube channel, and above all that, to purchase the caustic, devilish Postero Mundi from the band’s own BandCamp page, from the Necktwister’s webstore, or from Apple Music. Provectus are among us to spread sheer hatred and obscurity with their newborn beast, putting Belgium in the map of classic Black Metal and, therefore, giving us all a very good reason to darkly smile while listening to their evil creations on our path to the next world.

Best moments of the album: Postero Mundi, Torn Fabric of Time and Disordered Phenomenon.

Worst moments of the album: Fractured Entity.

Released in 2022 Necktwister

Track listing
1. Gloria Dolorem 1:40
2. Postero Mundi 7:16
3. Aetherflow Dimensions 7:49
4. Bane of Existence 6:53
5. Lucid Nightmare 2:28
6. Torn Fabric of Time 10:02
7. Disordered Phenomenon 4:01
8. Fractured Entity 7:05

Band members
Tempore Anomalia – vocals, guitars, synths, keys
Roach – bass
Obitus – drums

Album Review – Nervosa / Perpetual Chaos (2021)

What happens when you put together four metalheads hailing from Brazil, Italy, Spain and Greece? A deadly and thrashing lesson in perpetual chaos, of course.

Staying true to their roots while exploring new terrains with a revitalized international line-up now comprised of Brazilian founding guitarist Prika Amaral, Spanish growler Diva Satanica (of Bloodhunter), Italian bassist Mia Wallace (of bands such as Abbath, Triumph of Death and The True Endless) and Greek drummer Eleni Nota (of Lightfold and Mask of Prospero), the ruthless all-female Death and Thrash Metal powerhouse Nervosa is ready to attack with inexorable fury, pungently sharp riffs and aggressive vocals on the 13 massive tracks from their newborn spawn, entitled Perpetual Chaos, the follow-up to their critically acclaimed 2018 opus Downfall Of Mankind. Recorded at Artesonao Casa de Grabación Studio in Málaga, Spain, produced by Prika Amaral and Martin Furia at Studio Porino, and mastered by Yarne Heylen, Perpetual Chaos builds upon the turbulence, adding diverse musical elements to create an infallible new standout that will strike the listener in a way only Nervosa could, therefore placing the album as one of the best releases of 2021 hands down.

The unstoppable Prika ignites their thrashing machine with her flammable riffs in the brutal Venomous, sounding pulverizing from the very first second with Diva Satanica being a true she-demon on vocals while Eleni showcases all her skills and rage on drums, whereas in Guided by Evil the rumbling, obscure sounds blasted by Mia and Eleni are everything Diva Satanica needs to growl the song’s vile words (“Desire consumes you, blinds you, takes you off the line / But you go slowly cause all you do is lie / Every step taken, misfortune is your delight / Tormented by feelings, swallowed by quicksand”) in another ass-kicking fusion of Death, Thrash and Black Metal. Following such frantic start, People of the Abyss is perhaps one of the most infuriated and heaviest of all songs in the history of Nervosa where Prika will pierce your ears mercilessly with her classy riffs and solos accompanied by the devilish bass by Mia, therefore inflicting some serious pain in your neck due to the intense headbanging needed. And more of their demented and grim sounds is offered in the title-track Perpetual Chaos, with Eleni and Prika making a hellish duo and, consequently, providing Diva Satanica a solid base for her to haunt our souls with her otherworldly screeches and gnarls.

Featuring guest guitarist Guilherme Miranda (of Entombed A.D.), Until the Very End is a high-octane fusion of Death and Thrash Metal brought forth by those unrelenting women where Prika is once again phenomenal armed with her killer strings; and it’s time for Nervosa to smash our skulls mercilessly in Genocidal Command, with German thrash legend Schmier, from the one and only Destruction, making a demented vocal duo with Diva Satanica, always supported by the thunderous kitchen by Mia and Eleni. Slower but heavy-as-hell, Kings of Domination presents hints of Groove Metal added to the guitar lines by Prika and the bass jabs by Mia, resulting in the perfect sound for headbanging like there’s no tomorrow, while Time to Fight is another short and sweet display of their thrashing savagery, inviting us all to slam into the pit while Eleni pounds her drums in great fashion. If you think the girls from Nervosa are tired already of so much violence, you better get ready for more of their Stygian sounds in Godless Prisoner, showcasing a straightforward sonority led by Prika while Eleni dictates the pace with her solid beats, albeit not as powerful as the other songs from the album.

Blood Eagle gets back to a more ferocious and somber musicality, with Prika and Mia being in total sync with their stringed weapons while Diva Satanica adds her personal dosage of Death Metal to the band’s core Thrash Metal through her devilish gnarls; and Eric A.K. (of Flotsam and Jetsam) lends his trademark vocals to Rebel Soul, a Motörhead-inspired metal extravaganza that will invite you to raise your horns and bang your head like a beast, bringing forward Diva Satanica and Eric on absolute fire from start to finish. Never slowing down nor selling out, and always loyal to the foundations of Thrash Metal, the band offers us all Pursued by Judgement, with Mia hammering her evil bass accompanied by the crushing drums by Eleni, keeping the album at a high level of animosity before we’re treated to the closing tune Under Ruins, presenting disruptive words viciously barked by Diva Satanica (“I feel death coming / Getting lonelier everyday / In the cravings that consume me / Self destruction without limits”) while her bandmates make sure the electricity keeps flowing nonstop through their wicked instrumental.

To be fair, I was a little worried about the future of Nervosa after the departures of vocalist and bassist Fernanda Lira and drummer Luana Dametto last year, but the moment Prika announced Diva Satanica, Mia Wallace and Eleni Nota as the new members of her thrashing squad I was more than sure their new album would sound phenomenal to say the least based on their unique talent and background in heavy music. Well, let’s say those four metal ladies exceeded all expectations in Perpetual Chaos, delivering an album that’s at the same time brutal, melodic, thrilling and detailed. Hence, don’t forget to give the girls a shout on Facebook and on Instagram to let them know how much you enjoyed their newest creations, to subscribe to their YouTube channel for more of their distinguished music and videos, to stream all of their catalogue on Spotify, and above all that, to purchase Perpetual Chaos from their own BandCamp page or webstore (America or Europe), or simply click HERE for all locations where you can buy or stream what’s by far one of the most exciting metal albums of the year. And before I forget… VIVA PERPETUAL CHAOS!

Best moments of the album: People of the Abyss, Genocidal Command, Time to Fight and Rebel Soul.

Worst moments of the album: Godless Prisoner.

Released in 2021 Napalm Records

Track listing
1. Venomous 3:46
2. Guided by Evil 3:30
3. People of the Abyss 3:27
4. Perpetual Chaos 3:39
5. Until the Very End 3:18
6. Genocidal Command 2:56
7. Kings of Domination 3:41
8. Time to Fight 2:32
9. Godless Prisoner 3:19
10. Blood Eagle 3:41
11. Rebel Soul 3:17
12. Pursued by Judgement 3:27
13. Under Ruins 3:57

Band members
Diva Satanica – lead vocals
Prika Amaral – guitar, backing vocals
Mia Wallace – bass
Eleni Nota – drums

Guest musicians
Guilherme Miranda – additional guitars on “Until the Very End”
Schmier – additional vocals on “Genocidal Command”
Eric A.K. – additional vocals on “Rebel Soul”