Concert Review – Belphegor (Lee’s Palace, Toronto, ON, 02/22/2026)

Metalheads from all across Toronto gathered this Sunday night to praise the beast together with one of the most influential Blackened Death Metal bands of all time.

OPENING ACTS: Narcotic Wasteland, Hate and Incantation

In the middle of what’s perhaps the harshest winter in the past few decades in Toronto, NARCOTIC WASTELAND, HATE, INCANTATION and BELPHEGOR brought to Lee’s Palace some welcome heat this Sunday night with their infernal Praise the Beast North America Tour 2026, another massive event organized by the mighty Noel Peters of Inertia Entertainment. Keith Ibbitson of Metal Paparazzi and I were there to cover such a feast of heavy sounds. There were also two bands billed to play in “The Cave” (aka the room upstairs at Lee’s Palace), those being Nashville, Tennessee’s own Experimental Folk/Black Metal band Primeval Well, who released back in 2021 the excellent album Talkin’ in Tongues with Mountain Spirits (available on Spotify), and Hamilton, Ontario-based Progressive Death Metal act Cryophilic, who released in 2023 their sophomore opus Damned and Decayed (also available on Spotify). The only issue is that due to some delays they ended up playing pretty much at the same time as Incantation and Belphegor, so I have absolutely no idea if anyone was able to watch their performances.

The night started with the awesome performance by South Carolina-based Death Metal trio NARCOTIC WASTELAND, who kicked some ass onstage with their undisputed energy and heaviness. Mixing songs from their two albums with newer singles like the brutal Barbarian, all available on Spotify, the band formed of Dallas Toler-Wade, Kenji Tsunami (who’s not only a phenomenal bassist, like a Death Metal version of Dream Theater’s own John Myung, but his bass is also a thing of beauty) and Austin Vicars took no prisoners in their quest for pure Death Metal, and after they finished playing the closing song of their short but very sweet set, Introspective Nightmares, we were all left wondering when we’ll be able to see those guys live again, perhaps with a bigger set. You can get more details about such a fun extreme music act by clicking HERE, and if they ever take your city by storm, don’t miss the chance of seeing those excellent musicians live.

Setlist
Morality and the Wasp
Faces of Meth
Barbarian
Delirium Tremens
Keeping Up with the Jones
We Agnostics
Introspective Nightmares

Band members
Dallas Toler-Wade – vocals, guitars
Kenji Tsunami – bass, vocals
Austin Vicars – drums

Poland’s own Blackened Death Metal institution HATE also had a very short set, but that didn’t mean the concert by Adam “ATF Sinner” Buszko, Dominik “Domin” Prykiel, Tomasz “Tiermes” Sadlak, and the stone crusher Daniel “Nar-Sil” Rutkowski (who returned later that night drumming for the mighty Belphegor) was not heavy enough. Quite the contrary, they made sure they used their limited time to deliver a ruthless, no shenanigans performance for our total delight. Having released the excellent Bellum Regiis in 2025, available on both BandCamp and Spotify, the quartet proved once again why Polish extreme music is so marvelous, leaving us completely disoriented after all was said and done. The mosh pits were already getting out of control, the temperature inside the venue was getting scorching, and the horns were being raised high, all thanks to the fires of Black and Death Metal by one of the heaviest bands to ever arise from the stunning Poland. Toronto wants more Hate. We deserve more Hate. And hopefully they won’t take long to return to the city with another pulverizing concert.

Setlist
Intro
Sovereign Sanctity
Erebos
The Wolf Queen
Bellum Regiis
Iphigenia

Band members
Adam “ATF Sinner” Buszko – vocals, rhythm guitar
Dominik “Domin” Prykiel – lead guitar
Tomasz “Tiermes” Sadlak – bass
Daniel “Nar-Sil” Rutkowski – drums

There were a few delays during the entire night, not sure if due to sound issues or something else, which ended up extending the whole event a lot longer than previously planned. Good thing that there’s no curfew at Lee’s Palace, and even better that when the next attraction is Pennsylvania’s Death Metal masters  INCANTATION, it never feels too late to get caught in some of the wildest mosh pits of the entire fest. Their latest releases Unholy Deification, from 2023, and Onward to Golgotha Live, from 2025 (both available on BandCamp and on Spotify) are very good sources if you want to familiarize yourself with their setlist, with songs like Golgotha and Impending Diabolical Conquest sounding sensational live, and of course, it’s always a true pleasure witnessing the talent, passion and charisma of the one and only John McEntee onstage. He’s a true metal warrior, no doubt about it. Furthermore, one very interesting fact about the show in Toronto was the amount of girls doing crowd surfing and stage diving during their concert. I think it was easily over 10 different girls doing those during one of the songs, with one even showing her athleticism and flexibility by doing a few splits onstage, which was pretty badass. Let’s see when Incantation return to Toronto if those girls will have other nice tricks to prove once and for all who runs the world.

Setlist
Golgotha
Carrion Prophecy
Emaciated Holy Figure
Iconoclasm of Catholicism
Concordat (The Pact) I
Blissful Bloodshower
Profanation
Vanquish in Vengeance
The Ibex Moon
Impending Diabolical Conquest

Band members
John McEntee – vocals, guitars
Luke Shively – guitars
Chuck Sherwood – bass
Kyle Severn – drums

BELPHEGOR

Sunday is always a day for regular people to go to the church, but for us metalheads it’s the perfect day to do the exact opposite, and let’s say Austrian Blackened Death Metal beast BELPHEGOR more than helped us succeed in such a blasphemous activity with one of the darkest and heaviest concerts of the past few months in Toronto. Playing a mix of their entire discography with their latest album The Devils, from 2022, plus their two fantastic new singles Sanctus Diaboli Confidimus and Scarlet Beast-Leviathan (a beautifully haunting song, by the way), all available on BandCamp and on Spotify, such a malevolent horde led by the unrelenting Helmuth Lehner was breathing fire and sulfur during their entire show, and if you were on the left side of the stage you would also feel everything tremble to the demented drums by Daniel “Nar-Sil” Rutkowski. It was a really fun experience to be honest, despite the fact the trembling got way too heavy at times.

I wonder what some fervent Catholics would say about Belphegor’s music and live performances. Those guys almost cracked the earth in half with their music, allowing Satan himself to arise from the underworld. The mosh pit was like a cauldron of fire, their demonic vocals and reefs exhaled sulfur and blasphemy, and it was easy to see all faces in awe during their satanic and cathartic mass. After their black mass was over, I noticed one girl that’s in pretty much every extreme music show in Toronto with a busted lip and some blood down her chin, and based on her happy face she was more than fine with that. She’s a total badass, she doesn’t fear any mosh pit, and she’s the perfect depiction of the love of Toronto for Black and Death Metal. Belphegor more than deliver it in both genres, usually at the same time, and if they provde us with half of the darkness and electricity from this Sunday next time they visit Toronto, I bet we’ll see more happy faces and busted lips around the venue. Praise the beast, praise all ladies who make heavy music a much better place, and praise the almighty Belphegor.

Setlist
The Procession
Baphomet
The Devil’s Son
Sanctus Diaboli Confidimus
The Devils
Stigma Diabolicum
Pactum in Aeternum
Lucifer Incestus
Virtus Asinaria – Prayer
Scarlet Beast – Leviathan
Totentanz – Dance Macabre

Encore:
Belphegor – Hell’s Ambassador

Band members
Helmuth Lehner – vocals, guitars
Wolfgang Rothbauer – guitars
Chris Bonos – bass, backing vocals
Daniel “Nar-Sil” Rutkowski – drums

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Album Review – Khôra / Ananke (2025)

Behold this lecture in Atmospheric and Progressive Extreme Metal infused with grandiose orchestrations, endless darkness and energy, and beautiful musicianship.

What started in 2012 in Germany by multi-instrumentalist Ole (of bands like Autokrator, Lycanthropy and Deathstruck) as a one-man project has now turned into a force to be reckoned with in the extreme music scene worldwide. Currently located in Dublin, Ireland, Atmospheric and Progressive Black/Death Metal entity Khôra (in Plato’s account, Khôra is neither being nor nonbeing but an interval between in which the “forms” were originally held) has just unleashed their sophomore opus, entitled Ananke, a more-than-worthy follow-up to their 2020 debut Timaeus. Recorded at Studio Henosis (vocals), Perdition Studio (guitars), Stemcellar Studio (bass), Trackmix Studio (drums), and Steamsaw Studio (orchestrations), mixed and mastered by Frederic Gervais at Studio Henosis, and showcasing a darkly hypnotizing artwork by Simon Chognot of Cold Mind Art, the new album by Ole on the guitars and drums alongside Frédéric (Orakle) on vocals, Göran (Setherial, Svartghast) on bass, and Kjetil (Profane Burial, Haimad) on keyboards and orchestrations, plus an array of special guests including Rune ‘Blasphemer’ Eriksen (Mayhem), Kristian Niemann (Therion), Wolfgang Rothbauer (Thirdmoon), and André ‘Cosmocrator’ Søgnen (The Wretched End), among others, is a lecture in Extreme Metal infused with grandiose orchestrations, endless darkness and energy, and beautiful musicianship, or in other words, a must-listen for fans of the genre.

Featuring a guest guitar solo by Blasphemer (Aura Noir, Vltimas), atmospheric and captivating sounds permeate the air in Empyreal Spindle, exploding into a dark yet very technical feast of Progressive Black Metal led by Ole’s intricate beats and fills. Then we have Legion of the Moirai, with guest vocals by Arnhwald R. (Deathcode Society), sounding even more imposing and somber, with all background orchestrations blackening the skies while Frédéric roars and barks manically nonstop; followed by Wrestling with the Gods, featuring a guest guitar solo by Kristian Niemann (Sorcerer), another striking fusion of Progressive Black and Death Metal where the riffs and bass by Ole and Göran, respectively, exhale aggressiveness, melody and groove. And guest Bill Kranos (Arkhangelsk, Savaoth) delivers striking vocals and a wicked guitar solo in In the Throes of Ascension, a slab of sheer brutality and darkness with Ole stealing the spotlight with his inhumane drumming.

The band then fires a beyond cryptic and epic interlude titled Arcane Creation, setting the stage for the unrelenting On a Starpath, with the harsh vocals by guest Wolfgang Rothbauer (In Slumber, Thirdmoon) crushing your spinal cord mercilessly while the clean vocals by Frédéric and the keys by Kjetil are a lecture in Progressive Metal. It’s pedal to the metal in the infuriated The Sentinel, spearheaded by Ole’s demented vocals and infernal beats while Göran keeps hammering his bass in the name of heavy music; and their Black Metal vein pulses even harder in Supernal Light, with Kjetil  embellishing the airwaves with his keys and orchestrations. The last song of the album, entitled Crowned, offers more of the bands Stygian sounds infused with tons of progressiveness and heaviness, even presenting elements from Doom Metal, a stylish and embracing aria by Ole and his henchmen flowing into the cinematic outro Q.E.D, which puts a sinister, Mephistophelian ending to such a fantastic opus.

You can enjoy this precious gem of the underground metal scene in all of its glory on YouTube and on Spotify, and of course show your total support to Khôra by purchasing the album from the Les Acteurs de l’Ombre Productions’ BandCamp or webstore. The guys from Khôra, who are also waiting for you on Facebook with more nice-to-know information about the band, simply nailed it with Ananke, raising the bar high for their upcoming releases without a shadow of a doubt, and positioning their newborn spawn as one of the best and most diverse and dynamic albums of the year.

Best moments of the album: Legion of the Moirai, In the Throes of Ascension, The Sentinel and Crowned.

Worst moments of the album: None.

Released in 2025 Les Acteurs de l’Ombre Productions

Track listing
1. Empyreal Spindle 5:18
2. Legion of the Moirai 4:39
3. Wrestling with the Gods 3:57
4. In the Throes of Ascension 3:54
5. Arcane Creation 2:33
6. On a Starpath 4:08
7. The Sentinel 4:01
8. Supernal Light 4:33
9. Crowned 6:47
10. Q.E.D 1:19

Band members
Frédéric – vocals, additional effects
Ole – guitars, drums, vocals on “The Sentinel”
Göran – bass
Kjetil – keyboards, orchestrations, effects

Guest musicians
Blasphemer – guitar solo on “Empyreal Spindle”
Daniel Müller – bass on “Empyreal Spindle” and “Legion of the Moirai”
Cosmocrator – effects on “Empyreal Spindle” and “Q.E.D”
Arnhwald R. – vocals on “Legion of the Moirai”
PJ O’Connell – guitar solos on “Legion of the Moirai”, “On a Starpath” and “Supernal Light”
Kristian Niemann – guitar solo on “Wrestling with the Gods”
Bill Kranos – vocals on “In the Throes of Ascension”, effects on “Wrestling with the Gods”, guitar solos on “In the Throes of Ascension”, “The Sentinel” and “Crowned ”
Wolfgang Rothbauer – harsh vocals on “On a Starpath”