Album Review – Decipher / Arcane Paths To Resurrection (2023)

This infuriated Black and Death Metal horde from Greece will crush your mind with their debut effort, showcasing their steely vision and penchant for writing superbly structured songs that have an inherent catchiness to them.

Formed in October 2017 in the hypnotizing city of Athens, Greece, the unrelenting Black/Death Metal horde Decipher is ready to unleash upon humanity their first full-length opus, entitled Arcane Paths To Resurrection, the follow-up to their 2019 debut EP Of Fire and Brimstone. Displaying a stunning artwork by Artem Grigoryev, the album showcases the steely vision and penchant for writing superbly structured songs that have an inherent catchiness to them by vocalist M.L., guitarists K.G. and K.C., and drummer N.C., while also being gritty and dynamic, not giving you much time to dwell on things as it keeps throwing one deadly riff after the other at you as you’re forced to scramble in an attempt to fully comprehend them before life comes to an end.

The band’s Stygian guitars ignite their sulfurous attack in Chants of the Unholy, with the blast beast by N.C. bringing hell to their imposing musicality, and K.G. and K.C. continue to extract darkness and hatred from their guitars in Lost in Obscurity while M.L. vociferates rabidly in the name of evil in a great display of contemporary Black Metal. Then a beyond creepy, phantasmagorical interlude titled Arcane Paths will send shivers down your spine before the quartet comes crushing our putrid souls once again in Enslaved to Be, presenting their demonic riffs and growls supported by another bestial performance by N.C. on drums, also showcasing hints of Melodic Black Metal carefully inserted into their core sound.

Get ready for eight minutes of sulfur and obscurity entitled Altar of the Void, with the entire band being on absolute fire from start to finish, in special M.L. with his venomous gnarling while K.G. and K.C. once again hammer our skulls with their axes; whereas investing in a more somber sonority with elements from Doom Metal and Blackened Doom we have Penance, before exploding into their core insanity led by the infernal drums by N.C., sounding very detailed, demonic and thrilling, or in other words, a lecture in modern-day Black Metal. And lastly, closing the album the band offers us all one last onrush of malignant Black Metal titled Sanctum Regnum, with their piercing guitars and hellish roars elevating the song’s obscurity to a whole new level, therefore feeling very dense and grim until the very last second.

In a nutshell, Decipher are more than ready to kill armed with their sulfurous debut effort, and if I were you I would definitely give those Greek metallers a shout on Facebook and on Instagram, subscribe to their YouTube channel for more of their classy music, stream their sick creations on Spotify, and above all that, purchase a copy of Arcane Paths To Resurrection from their own BandCamp page or from the Transcending Obscurity Records’ webstore as a special digipak CD or as an ass-kicking shirt + CD combo (or click HERE for all things Decipher). The band is surely delivering a timeless piece of Black Metal that’s impactful and strongly evocative with Arcane Paths To Resurrection, keeping in mind this is just their first opus, which means Decipher will surely make a lot of noise in the coming years for the delight of al lovers of extreme music out there.

Best moments of the album: Chants of the Unholy, Altar of the Void and Penance.

Worst moments of the album: None.

Released in 2023 Transcending Obscurity Records

Track listing
1. Chants of the Unholy 4:11
2. Lost in Obscurity 5:40
3. Arcane Paths 1:48
4. Enslaved to Be 4:56
5. Altar of the Void 8:52
6. Penance 5:15
7. Sanctum Regnum 5:42

Band members
M.L. – vocals, chants
K.G. – lead and rhythm guitars, bass, vocals, chants
K.C. – guitars
N.C. – drums

Album Review – Imha Tarikat / Hearts Unchained – At War with a Passionless World (2022)

Vicious and vitriolic, full of raw anger and burning hatred, the new album by this German Black Metal entity will pulverize your senses mercilessly.

Vicious and vitriolic, full of raw anger and burning hatred, yet at the same time bursting with live and lingering on moments of astonishing beauty, Hearts Unchained – At War with a Passionless World, the third full-length opus by German Black Metal entity Imha Tarikat (Turkish for “extermination sect”), announces its inherent contradictions and struggles already in the title. Recorded and produced by the band’s mastermind Kerem Yilmaz (aka Ruhsuz Cellât), mixed by Michael Zech, mastered by Victor Santura (of Triptykon) at Woodshed Studio, and displaying a sinister cover and illustration by Artem Grigoryev (with sigil and additional illustration by Next Gate Art, and additional illustration by Raul CJ Peña), Hearts Unchained – At War with a Passionless World is essentially a Black Metal album in the crackling dry and humorless German style that renounces all bombast and often folk-ish undertones of its Nordic counterparts, with Kerem Yilmaz creating new layers and expanding the dimensions of his unique compositions, supported by session drummer Melvin Cieslar (of Hexer).

Absolutely atmospheric and sinister, Intro – Deeper Within will drag your soul to the Stygian lair of Imha Tarikat before all hell breaks loose in Radical Righteousness, a song that deals with the detachment from addiction to emotional suffering, with Kerem screaming in anger nonstop accompanied by his own scorching riffs and the demented but very intricate drumming by Melvin. Touch Of Mercy starts in a serene, melodic manner to the beautiful guitar lines by Kerem, blending elements from the most primeval form of Black Metal with Progressive and Experimental Metal, whereas Brute Majesty is another song that exhales chaos, insanity and fury, with Melvin sounding bestial on drums while Kerem’s vocals get more and more rabid as the music evolves. And Flood Of Love (The Beast Trigger) will grab you by your throat and choke the life out of your body, sounding massive, sharp and caustic from start to finish, with Kerem stealing the show with his wicked riffs and vile roars.

The phantasmagorical (and a bit lengthy) Interlude – Birth Of Grandeur breaks the album in two, setting the tone for the second half starting with Dominator Proselytism Tactics, offering our ears a very dynamic, straightforward Black Metal sonority led by Melvin’s wicked beats. Put differently, it’s a truly infernal creation by Imha Tarikat, which can also be said about Streams Of Power – Canavar, presenting an incendiary Punk Rock/Hardcore vibe the likes of Misfits. It’s the less Black Metal of all songs, yet still acid and thrilling, not to mention the rumbling bass by Kerem is a thing of beauty; while Stardust Wisdom (Manifest Of The Deity To The Unkeen) is another strident, heavy-as-hell tune where Kerem’s anguished vocals walk hand in hand with the pounding drums by Melvin. And last but not least, it’s time for another obscure extravaganza entitled Beast Of Sovereignty, showcasing Kerem’s trademark vocals and riffs always supported by Melvin and his demented drums.

Kerem Yilmaz and his alter-ego Imha Tarikat are waiting for you on Facebook and on Instagram for news, tour dates, plans for the future and so on, and if you want to show your full support to such talented musician from Germany you can purchase Hearts Unchained – At War with a Passionless by clicking HERE and by streaming the album in its entirety on YouTube and on Spotify. In summary, Hearts Unchained – At War with a Passionless World is not an album for anyone, while at the same time it is for everyone, showing how dynamic and multi-layered the music crafted by Imha Tarikat is, turning Kerem’s anger and hatred into amazing music that will keep the fires of Black Metal burning for centuries to come.

Best moments of the album: Flood Of Love (The Beast Trigger), Dominator Proselytism Tactics and Streams Of Power – Canavar.

Worst moments of the album: Interlude – Birth Of Grandeur.

Released in 2022 Lupus Lounge/Prophecy Productions

Track listing
1. Intro – Deeper Within 1:27
2. Radical Righteousness 5:57
3. Touch Of Mercy 5:04
4. Brute Majesty 5:19
5. Flood Of Love (The Beast Trigger) 5:32
6. Interlude – Birth Of Grandeur 2:31
7. Dominator Proselytism Tactics 5:51
8. Streams Of Power – Canavar 4:50
9. Stardust Wisdom (Manifest Of The Deity To The Unkeen) 6:44
10. Beast Of Sovereignty 5:48

Band members
Kerem Yilmaz – vocals, guitars, bass

Guest musician
Melvin Cieslar – drums (session)

Album Review – Barshasketh / Barshasketh (2019)

Dive deep into the pit of corruption crafted by an evil entity of pure, undiluted second-wave Black Metal to the sound of their highly anticipated fourth full-length opus.

Forged in the scorching fires of Wellington, New Zealand in 2007 as a solo project by KG (also known as Krigeist) with the intention of creating pure Black Metal, but currently located in Edinburgh, Scotland, the obscure and devilish entity known as Barshasketh is unleashing upon humanity their highly anticipated fourth album, simply self-titled Barshasketh, conceptually centered on Be’er Shachat, from which the band’s name derives. This term roughly translates as “pit of corruption”, a multifaceted esoteric idea concerning the self existing in a cyclical process that goes through phases of destruction, purification, and ultimate adversarial rebirth. Indeed, that conceptual arc poignantly and perfectly illustrates Barshasketh’s evolution over the years, and finds its apotheosis within the winding corridors of Barshasketh.

During its uniquely vast-yet-compact 54-minute run-time, the quartet comprised of KG on vocals, guitars and synths, GM on the guitars, BB on bass and MK on drums, vocals and synths is truly firing on all cylinders, exploring new territory with ambitious compositions and showcasing a certain percussive savagery previously unheard on previous recordings, all within the remit of pure, undiluted second-wave Black Metal. Featuring a menacing cover art and additional illustrations by Artem Grigoryev (Black Typography), Barshasketh’s brand new opus is the purest distillation of the band’s essence to date, pointing to a dark and vile future for mankind as a black sun rises at the dawn of 2019.

A somber and menacing atmosphere enfolds the band in the opening track Vacillation, a highly recommended song for admirers of the most obscure fusion of classic Black Metal with Atmospheric and Melodic Black Metal where KG gnarls demonically from the very first note while MK showcases all his skills as the excellent extreme drummer he is, followed by the also grim Resolve, continuing from where the previous tune ended (which obviously means an ode to darkness). Furthermore, KG and GM are in total sync with their scorching riffs, while BB and MK generate a dense background atmosphere with their devilish instruments. Then drinking from the fountain of old school Norwegian Black Metal we have Consciousness I, another visceral creation by the band spearheaded by MK and his unstoppable blast beats, with KG roaring and growling like a true creature form the netherworld, not to mention how the background keys also boost the song’s taste and impact considerably, whereas Consciousness II brings to our avid ears over eight minutes of damned sounds and tones, starting in a cryptic manner before exploding into classic Black Metal for our total delight. The stringed trio KG, GM and BB simply slash our senses with their axes, with the music also presenting some disturbing Blackened Doom-inspired passages.

Ruin I sounds and feels brutal and piercing form the very first second, a lecture in Black Metal not for the lighthearted with all band member extracting pure evil from their instruments, in special MK and his demolishing drums, while the second act entitled Ruin II sounds a lot more melodic and obscure, crushing our senses in over seven minutes of putrid Black Metal spearheaded by KG’s infernal growls and MK’s visceral beats, all enfolded by the hellish riffs by KG and GM and flowing majestically until its grand finale. The second to last blast of extreme music by Barshasketh, named Rebirth, is just as demonic as its predecessors, with all instruments exhaling demonic notes, especially KG and GM who penetrate deep inside our damned souls with their guitar lines, setting the tone for the closing song Recrudescense, a tribute to all things evil where the smell of death and despair reeks in the air for over nine minutes, with KG leading his horde of darkness with his visceral growls. Moreover, it’s truly impressive how the music gets more intense and vile as time goes by, with all violence and hatred giving place to a phantasmagorical ending that will haunt our souls forever and ever.

Actually, you don’t need all the detailed review and explanation above to purchase your copy of Barshasketh from the W.T.C.Productions BandCamp. All you need to know is that it’s vile, macabre and thunderous, just the way we all love in true Black Metal. Also, don’t forget to follow the band on Facebook, therefore showing your true support to underground extreme music, and finally succumb to the darkest side of Black Metal to the sound of their infernal but at the same time very melodic and dense new album, diving deep into their “pit of corruption”. However, I must warn you that once you join Barshasketh down there, there’s no turning back (as if you would want to return from such distinct place, I might say).

Best moments of the album: Vacillation, Consciousness I and Recrudescense.

Worst moments of the album: Rebirth.

Released in 2019 W.T.C.Productions

Track listing
1. Vacillation 5:29
2. Resolve 5:10
3. Consciousness I 6:24
4. Consciousness II 7:53
5. Ruin I 4:47
6. Ruin II 7:26
7. Rebirth 6:30
8. Recrudescense 9:31

Band members
KG – vocals, guitars, synths
GM – guitars
BB – bass
MK – drums, vocals, synths