Album Review – Vanhelgd / Relics Of Sulphur Salvation (2014)

Death Metal from Sweden has never been so amazingly tormenting.

Rating4

vanhelgd_relicsWhile some bands are on a mission to bring love and peace to our hearts, others were simply born to torment our souls with their dark and obscure music. That’s exactly the case with Swedish Death Metal band Vanhelgd, who have just released their third full-length album, the furious Relics Of Sulphur Salvation. And believe me, this Mjölby-based band reached such a bestial musicality in this album that they make all Melodic Death Metal bands from Sweden sound like Babymetal.

Recorded back in November 2013 at Studio Underjord and mastered in Necromorbus Studio, Relics Of Sulphur Salvation is a lesson in old school Swedish Death Metal. Let’s say there aren’t many music variations or creative breaks throughout the entire album, but the band’s powerful performance and the intensity found in each song will prevent the listener from getting tired after a while. Quite the opposite, it will be hard for you to not remain totally excited from start to finish.

To begin with, Vanhelgd couldn’t have chosen a better way to open the album: the strong and evil sonority found in Dödens Maskätna Anlete, with its devilish vocals, awesome riffs in the background and the addition of many Black Metal elements (moving its musicality closer to what’s known as Blackened Death Metal) is 100% effective in informing the listener this album is definitely not for the faint-hearted. Then we have the good The Salt in My Hands, which is even heavier due to its fast beats and a very raw instrumental; the extremely dark Where All Flesh is Soil, where it’s impossible not to love its obscure intro, Black Metal riffs and captivating rhythm; and Ett Liv I Träldom, another good song, albeit not as powerful as the previous ones, with a good chorus anyway.

vanhelgdThe sickness continues with another very traditional track “beautifully” named May the Worms Have Mercy on My Flesh, showcasing an excellent performance by drummer Björn Andersson and vocalist/guitarist Matttias Frisk, with highlights to the cool “slowdown” at the end of the song. And if you still think this album is not that heavy, simply listen to the title-track, Relics of Sulphur Salvation, the most demonic of all songs that will disturb the ears and minds of the less courageous for sure with its totally boisterous riffs, harsh vocals and thrilling chorus.

Lastly, Vanhelgd offer us another sonic massacre, Sirens of Lampedusa, one of the fastest songs of all with desperate vocals, drummer Björn Andersson truly on fire and a very melancholic ending. I’m pretty sure after 2 minutes or even less you’ll already feel tormented, in a good way of course, but in case you consider yourself a tough person you’ll have to face one last song, the fast and direct Cure Us from Life, full of Thrash Metal elements, which will surely leave you eager for more of Vanhelgd’s dark and evil music.

Even the album art, designed by Mattias Frisk himself, is very old school and represents what the band’s musicality is pretty well. In conclusion, if you’re a fan of that primeval Swedish Death Metal that conquered the world many years ago, Relics Of Sulphur Salvation (which is already available in different formats at Pulverised Records, 20 Buck Spin and Ljudkassett) is an awesome choice for you to go absolutely crazy and bang your head nonstop. As I mentioned before, their Death Metal was created to torment your life the best way you can imagine.

Best moments of the album: Where All Flesh is Soil,  Relics of Sulphur Salvation and Sirens of Lampedusa.

Worst moments of the album: Ett Liv I Träldom.

Released in 2014 Pulverised Records/20 Buck Spin

Track listing
1. Dödens Maskätna Anlete 5:43
2. The Salt in My Hands 4:25
3. Where All Flesh is Soil 4:22
4. Ett Liv I Träldom 6:07
5. May the Worms Have Mercy on My Flesh 5:24
6. Relics of Sulphur Salvation 5:23
7. Sirens of Lampedusa 6:21
8. Cure Us from Life 3:21

Band members
Mattias Frisk – vocals, guitar
Jimmy Johansson – guitar, vocals
Jonas Albrektsson – bass
Björn Andersson – drums

Album Review – Behemoth / The Satanist (2014)

Vile, obscure and impressive: these are just a few words that can be used to describe  the new album by Poland’s most influential Heavy Metal band of all time.

Rating3

Behemoth_TheSatanistIf anyone asked me “what’s the darkest and most obscure Heavy Metal band in activity today?”, I would probably point to the infamous Polish Blackened Death Metal band Behemoth. And with the release of their new album, The Satanist, they totally corroborate my opinion: from their Black Metal back in 1991 when they started in Gdańsk, Poland, until their current Blackened Death Metal, it’s easy to see their evolution to a more devilish music approach, which makes me think we should call it an “evil-lution”.

The Satanist is Behemoth’s tenth studio album, and the first after the band’s mastermind Adam “Nergal” Darski was diagnosed with leukemia in August 2010. It’s amazing to see how well he has been recovering from this fearful disease and how he was able to canalize all the pain and suffering into Behemoth’s music, proving to ignorant people he’s not being “punished by God” or any other stupidity like that just because he plays extreme music, but that he’s only a normal human being, a talented musician that had to fight for his life. Besides, if you were one of those people that got “happy” to see him being “punished” with leukemia just because of the type of art he creates, well, you’re A LOT worse than the creature you think Nergal is.

Anyway, let’s get back to the music, which is what really matters here. If you have a weak stomach or suffer from any heart disease, do not even begin listening to this album: The Satanist starts with the extremely heavy song Blow Your Trumpets Gabriel, with its brutal lyrics (“I saw the virgin’s cunt spawning forth the snake / I witnessed tribes ov Judah reduced to ruin / I watched disciples twelve dissolved by flame / Looked down on son ov god snuffed in vain”) and creepy pace. In case you love horror movies like I do, you must take a look at their music video for this song: it reminds me of some great movies such as The Omen, Hellraiser and especially The Ring. You can check the censored version at the end of this review, or the uncensored one HERE, but let me just inform you that the only difference I noticed between both are the girl’s blurred nipples in the censored version, nothing else.

behemothThe next track, Furor Divinus, is more Black Metal, especially the drums by Inferno, while Messe Noire gets back to their later Death Metal with some amazing guitar solos at the end. The second single extracted from the album, Ora Pro Nobis Lucifer, is another tenebrous fast track perfect for live performances, with great riffs and an excellent job done by Nergal on vocals. Amen is as heavy as hell, an evil sonic massacre that fans will love, while the title-track The Satanist doesn’t reach the same level as the previous tracks, despite having an interesting atmosphere.

The album continues with Ben Sahar, an average track with good drums and riffs, and In the Absence Ov Light, another heavy track where Inferno pounds his drums mercilessly. The last track of the album, O Father O Satan O Sun!, is the perfect soundtrack for a horror movie, with its strong lyrics, frightful atmosphere, and the “speech” in the final two minutes of this song are more than amazing.

I guess I don’t need to say anything about the controversial lyrics, or about the superb album art by Russian artist Denis Forkas Kostromitin. Those are “extras” to a great work done by Nergal and his band, which becomes even more impressive due to the thin line we all know that exists between being awesome or totally ridiculous in the world of Black Metal. Let’s hope Behemoth continues on the awesome side, and that their evil empire of music keeps blowing our minds for many years to come.

Best moments of the album: Blow Your Trumpets Gabriel, O Father O Satan O Sun!, Amen and Ora Pro Nobis Lucifer.

Worst moments of the album: The Satanist and Ben Sahar.

Released in 2014 Nuclear Blast Records

Track listing
1. Blow Your Trumpets Gabriel 4:25
2. Furor Divinus 3:06
3. Messe Noire 4:04
4. Ora Pro Nobis Lucifer 5:35
5. Amen 3:49
6. The Satanist 5:33
7. Ben Sahar 5:34
8. In the Absence Ov Light 4:58
9. O Father O Satan O Sun! 7:13

Australian/Japanese edition bonus tracks
10. Ludzie Wschodu (Siekiera cover) 4:11
11. Chant for Ezkaton 2000 E.V. (Japanese version only) 5:10
12. Qadosh (Japanese version only) 5:00

Band members
Adam “Nergal” Darski – lead vocals, guitars
Tomasz “Orion” Wróblewski – bass guitar
Zbigniew Robert “Inferno” Promiński – drums and percussion
Patryk Dominik “Seth” Sztyber – guitars

Additional musicians
Krzysztof “Siegmar” Oloś (Vesania) – samples
Michał Łapaj (Riverside) – Hammond organ