Concert Review – Arch Enemy & The Black Dahlia Murder (The Danforth Music Hall, Toronto, ON, 11/01/2026)

It was absolute wrath over Toronto on a stunning night of Melodic Death Metal magic, courtesy of five of the must-see names of the current scene worldwide.

OPENING ACTS: Thrown Into Exile, Crypta and Septicflesh

We definitely cannot complain about the stunning weather that’s been over Toronto for weeks already, with no rain nor any major cold events at all. Quite the contrary, we’ve been experiencing a lot of sunshine, warm temperatures sometimes above +20oC, and no strong winds. That perfect combo made this Sunday night even more enjoyable when THROWN INTO EXILE, CRYPTA, SEPTICFLESH, THE BLACK DAHLIA MURDER and ARCH ENEMY destroyed us all with their undisputed Wrath Across North America 2026 Tour at The Danforth Music Hall, another first-class event brought to the city by Noel Peters of Inertia Entertainment. My buddy Blair Burch and I once again had a lot of fun covering the entire night, and in my case it was even more memorable since I’m a huge fan of both Crypta and Arch Enemy (to be fair, I’m a fan of all bands from such an incredible lineup), with all bands kicking our asses mercilessly and putting a huge smile on the faces of everyone who could not only enjoy a night of killer heavy music, but also do that without having to carry their heavy fall or winter coats.

After doors opened at 5pm, everyone who was already at the venue had basically one hour to chat with their friends, have a few beers, and grab some merch (and all bands had some top-of-the-line items, by the way) before Los Angeles, California’s own Metalcore act THROWN INTO EXILE kicked off the night with another electrifying performance, coincidentally again opening for Arch Enemy. And just like Arch Enemy, the band has a new vocalist, Joshua Santos (as well as new drummer, Hank Lin), not to mention their bassist couldn’t join them on this tour and was replaced by two of the tech guys from the other bands if I’m not mistaken. The band has been releasing a few interesting single in the past year (all available on Spotify), and two of those are part of their setlist, Nihilist and Behind the Veil, both igniting some serious mosh pits in Toronto, and if that’s an indication of what to expect from their next album, it’s going to be a banger.

Setlist
Send Me Below
Nihilist
Behind The Veil
Remorse
You’ve Fallen so Far

Band members
Joshua Santos – vocals
Mario Rubio – guitars
Austin Monzon – guitars
Javier Quinto – bass
Hank Lin – drums

The next band to hit the stage at The Danforth Music Hall were the unrelenting girls from Brazilian Death Metal brigade CRYPTA, and as expected they simply dpulverized us all and melted our faces with another demonic (yet short) performance in Toronto. Fernanda Lira, Tainá Bergamaschi, Victoria Villarreal and Luana Dametto showed no mercy for our putrid souls with a lecture in Death Metal, playing songs from their two albums Echoes of the Soul and Shades of Sorrow, plus their insanely dark, Black Metal-infused single A Portrait of Decay, all available on BandCamp and on Spotify, leaving us all completely disoriented and eager for more of their music in a not-so-distant future. Fernanda’s vocals were beyond devilish from start to finish, proving why she’s one of the best growlers of the new generation, and the next time Crypta pay a visit to Toronto I’m sure it will be a sold out show. And of course, the mosh pits will be brutal.

Setlist
The Other Side of Anger
Lord of Ruins
The Outsider
A Portrait of Decay
From the Ashes

Band members
Fernanda Lira – vocals, bass
Tainá Bergamaschi – guitars
Victoria Villarreal – guitars
Luana Dametto – drums

The lineup for this Wrath Across North America 2026 Tour is so fantastic to the point one of the special guests is already a headliner. I’m talking about the mighty Greek Atmospheric/Symphonic Death Metal institution SEPTICFLESH, one of those bands that you must see live (and listen to their discography anywhere like Spotify) if you consider yourself a true metalhead. Songs like Martyr, Anubis and Dark Art are always a treat, played to perfection by Spiros Antoniou, Psychon and Kerim “Krimh” Lechner. As you might have noticed, I left Christos Antoniou out of the list because, as explained by Spiros, he injured his ribs a couple of days before the tour started, but the band decided to still do the tour as a trio. Their sound was still massive, bold and hypnotizing, and the fans inside the pit were having a great time enjoying the band’s crushing heavy music. We all wish a speedy recovery for Christos Antoniou, and of course, as soon as he’s ready to rock again, we demand another Septicflesh concert in Toronto.

Setlist
Communion
The Vampire From Nazareth
Martyr
Coming Storm
Anubis
Dark Art

Band members
Spiros Antoniou – harsh vocals, bass
Psychon – guitars
Kerim “Krimh” Lechner – drums

THE BLACK DAHLIA MURDER

It was around 8:20pm when the first co-headliner of the night, Detroit, Michigan’s own Melodic Death Metal beast THE BLACK DAHLIA MURDER, brought another round of absolute violence, groove and hatred to the city of Toronto. Their setlist was once again a well-balanced mix of old school songs with newer material from their 2024 album Servitude, all available on BandCamp and on Spotify, and Brian Eschbach, Ryan Knight, Wes Hauch, Max Lavelle and Alan Cassidy made sure the intensity and fury of each song was multiplied by a thousand live. Those guys were on fire from the very beginning, absolutely happy to see their Torontonian fans kicking ass inside the mosh pit the entire show, and that connection between band and crowd was one of those things I love to witness at metal shows.

Not only the mosh pits were wild, but there was endless crowd surfing happening too, and some of those crowd surfers were the Toronto banana guys, a staple in the local music scene. And do you know who loves bananas? The band’s own Statutory Ape, who got into the stage jumping like a maniac during such an incendiary song, and was so excited he even went down to the mosh pit and then back to the stage crowd surfing. It was excellent, and proof that only metal concerts can provide you with pure, organic and no shenanigans fun. If you don’t like The Black Dahlia Murder, I’m sorry, but you’re bananas. Pun intended. And before I forget, happy birthday to their bassist Max Lavelle! It must have been really cool celebrating his birthday on tour in a city like Toronto, who sang a nice and loud Happy Birthday to the guy, and I’m sure he’ll want to come back to the city with his band sooner than his next birthday for another demolishing concert.

Setlist
Necropolis
Contagion
Mammoth’s Hand
Moonlight Equilibrium
Panic Hysteric
Nightbringers
Everything Went Black
Cursed Creator
A Vulgar Picture
Miscarriage
Statutory Ape
Christ Deformed
Utopia Black
What a Horrible Night to Have a Curse

Band members
Brian Eschbach – vocals
Ryan Knight – guitars
Wes Hauch – guitars
Max Lavelle – bass
Alan Cassidy – drums

ARCH ENEMY

Finally, after waiting years and years to see American-born-but-raised-in-Australia vocalist Lauren Hart live (as I’m already a fan of her vocals since her work with Once Human), I had the pleasure of witnessing such a beautiful lady simply pulverizing our souls with a breathtaking performance as the new voice of Swedish Melodic Death Metal institution ARCH ENEMY. After Sunday night I must say Lauren is not just a good fit for the band after the departure of Alissa White-Gluz, but a more-than-perfect choice for the job, injecting a humongous amount of adrenaline to the band’s already venomous music. She was unstoppable onstage, always smiling, always headbanging, always raising her horns, and the crowd was simply loving all that energy and passion, with the intense circle pit and crowd surfing turning up the heat considerably inside the venue. It was one of the wildest Arch Enemy concerts of the past few years in the city hands down.

So far, there’s only one song recorded with Lauren on vocals, the excellent To the Last Breath (available on both Bandcamp and Spotify), but that doesn’t mean she didn’t nail it while singing all other songs form their setlist. Quite the contrary, her screams were insane, supported by the classy riffs and solos blasted by the iconic Michael Amott, as well as Joey Concepcion, Sharlee D’Angelo, and the beast Daniel Erlandsson. Also, although Lauren mentioned Ravenous was the song that inspired her to scream while introducing herself to Toronto, she was simply phenomenal in Taking Back My Soul, in Dead Bury Their Dead, and in special in Bury Me an Angel, where she did an almost perfect impersonation of Johan Liiva singing. Don’t get fooled, my friends. Lauren might be all smiles, but when she’s screaming she’s absolute evil (in the best way possible, of course). After the all-time classic Nemesis, followed by Fields of Desolation (and a bunch of black and red balloons), the band said their farewells to the crowd, and I bet we’ll see them back sooner than you can scream “ravenous.” Hopefully already with a new album with Lauren on vocals, because with her fronting the band now, Arch Enemy sound deadlier than ever.

Setlist
Ace of Spades (Motörhead song)
Khaos Overture
The World Is Yours
Ravenous
War Eternal
Blood Dynasty
My Apocalypse
To the Last Breath
Taking Back My Soul
The Eagle Flies Alone
Bury Me an Angel
Dead Bury Their Dead
No Gods, No Masters
Nemesis
Fields of Desolation (Outro)
Enter the Machine

Band members
Lauren Hart – vocals
Michael Amott – lead guitars, backing vocals
Joey Concepcion – lead guitars, backing vocals
Sharlee D’Angelo – bass
Daniel Erlandsson – drums

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Metal Chick of the Month – Lauren Hart

Scar weaver, sew the flesh on my fears…

It’s time to turn up the heat and beat the bitterly cold winds of winter in the Northern Hemisphere here at The Headbanging Moose with one of the most electrifying women from the current metal scene worldwide. Owner of a beyond powerful, dynamic and versatile voice, she will crush you like an insect not only with her deep roars and stunning clean vocals, but also with her high-octane onstage performance. I’m talking about the multi-talented Lauren Hart, the unstoppable frontwoman for Los Angeles, California-based Groove Metal powerhouse Once Human, setting fire to this month of March and keeping the flames of heavy music burning bright wherever she goes for the total delight of us metalheads.

Born on April 8, 1986 in Anaheim, California, but raised in Australia, Lauren self taught piano as a toddler and guitar by the age of 14, proving she was more than ready for stardom at a very early stage in her life. It was in 2014 when she was discovered by former Senior Vice President of A&R for Roadrunner Records and record producer Monte Conner, who put her in touch with Canadian-American record producer and guitarist Logan Mader for a production deal; after the two met, they decided to start a whole new band and started to work on Once Human. That being said, there’s no Lauren Hart without Once Human and vice-versa, which means we’ll focus on the history of the band for a while before talking about some other specific details about our metal diva.

As aforementioned, Once Human was formed in 2014 in Los Angeles, California by Lauren and Logan, with the band’s current lineup being comprised of guitarist Max Karon, bassist Damien Rainaud and drummer Dillon Trollope. In a few of her interviews, Logan explained how Once Human came together. “It all kind of started as soon as I met Logan. I was sent to him because of my video I made, a guitar playing video which was actually pretty shit. I don’t know how I ended up in the hands of these big people but I sat down in the studio with I think was my $99 guitar and my crappy amp and I just started playing these metal riffs and recorded it and put it up on Youtube and Facebook and next thing I know, I’m getting to go into Logan Mader’s studio because I guess Monty Connor (A&R) saw it and he said, ‘Why don’t you try and build something around this girl, let’s have her in and see what happens’. So I came in and straight away we really hit it off and started writing together and I guess he’s normally used to people coming in and wanting to do radio music and a lot more commercial things and I didn’t want any part of that. In fact I didn’t want to do any career singing, I just wanted to do the metal riffs that I love so much and so I think he was taken aback by that because he spent so much time doing the radio stuff and yet he comes from heavy metal, that’s his soul. So when he was able to write heavy metal again with me, I feel like something awoke in him and we just started writing and never stopped,” said Lauren, who also mentioned the original name for the band was going to be Once We Were Human just because of the way the world is going nowadays, because the fall of humanity and the uprising of social media.

Mixing aggression with vulnerability and downright gut-wrenching growls with ethereal clean vocals, Once Human have already released three studio albums, all of course with Lauren on vocals, those being their 2015 debut The Life I Remember (where she also played piano and additional guitars), their 2017 sophomore opus Evolution, and more recently Scar Weaver, not to mention their 2018 live album Stage of Evolution and their 2022 EP Erasure. Furthermore, Once Human also appeared in the compilations Maximum Metal Vol. 210 (released in 2015 by Metal Hammer) and Le Sampler RockHard 159 (released by RockHard in 2015), both with the song The Life I Remember, and in the compilation Le Sampler RockHard 172 (released by RockHard in 2017) with the song Gravity. If you want to have a very good taste of the power, groove and electricity flowing from the music by Once Human, as well as the mesmerizing visuals of their official videos, you can enjoy on YouTube the songs Eye Of Chaos, Erasure, Cold Arrival, Deadlock, Sledgehammer, Only In Death, Gravity, Dark Matter, a live version for Flock Of Flesh, and tons of non-official videos of their live performances all around the world, as well as stream all of their furious creations on Spotify. On a side note, there’s one song and video, for the title-track Scar Weaver, that means a lot to Lauren. “The Scar Weaver track is about dealing with my anxiety and catastrophic thoughts. I give a bad thought (which is ONLY in my head) a true reality by feeding it energy – thus, giving it life, to grow and completely engulf my mind. I sew the flesh on my fears,” she commented.

Apart from her career with Once Human, Lauren can also be seen doing additional vocals for American Progressive/Melodic Power Metal band Kamelot live since 2018, having also recorded additional vocals for the songs Phantom Divine (Shadow Empire), Mindfall Remedy and The Proud and the Broken, from their 2018 album The Shadow Theory, and participated in their 2020 live album I Am the Empire: Live from the 013 singing the song Phantom Divine (Shadow Empire) live with the band. Another band that had the pleasure of having Lauren doing some vocals together with them was International Blackened Death/Groove Metal act Sinsaenum, with whom she recorded the song Sacred Martyr, from their 2018 album Repulsion for Humanity.

Lauren also mentioned in some of her interviews how she ended up singing with Kamelot. “Well I was on tour with Kobra and the Lotus and Kobra Paige told me that Thomas Youngblood (Kamelot) had his eye on me for a while because, as you know he’s taken other girls on tour, like Alissa White-Gluz (Arch Enemy) and Elize Ryd (Amaranthe) as they always have a guest feature. He always has his eye out for someone he can take for the next record. Kobra came up to me after one show in somewhere like Arizona and says ‘Hey, do you want to go and play a show with Kamelot?, you’re going to be opening up for Iron Maiden and Ghost’… I was like ‘uhm yes’!” Moreover, the experience with Kamelot also had a huge impact on her singing style. “Well, in the very beginning of Once Human, I didn’t want to clean-sing. I was scared. I said, ‘Screaming only.’ And Logan made me sing – I guess he heard something in me and knew I could do it — but on the first two albums, you can hear me singing, but it’s quite reluctant. I think it sounds held back and unsure. But on this album, on Scar Weaver, it’s full force. And that is definitely 100% because of Kamelot. You gotta come out of your shell with that band. You’re filling some big shoes – you’re filling Alissa White-Gluz, you’re filling Elize Ryd, you’re filling the shoes of these big amazing singer. So I couldn’t be shy about my vocals anymore. So doing it every night onstage, singing songs like “Liar Liar’ and ‘Sacrimony,’ you will come out of your shell. You’re thrown in the deep end. I became really familiar with my clean-singing voice, and my own style.”

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Still regarding her vocal technique and style, Lauren said that apart from the growth from the years with Kamelot and her daily singing she tries to stay fit, to be really connected with her voice and to know her limits, learning how to breathe and speak to an audience without a microphone, and learning how to project in a healthy way and becoming aware of diaphragm support. In addition, she also mentioned her work with vocal coach Melissa Cross, and with laryngologist Dr. Michael Johns to make sure everything stays healthy. “The style that I do, false chord screaming, is a lot of air, all the time. You have to be in really good shape to pull it off. So for me, I feel like being really fit and staying in the gym and making sure your cardio is up to par – I think that helps me onstage. I also did a lot of voice work – not singing, but voice, which is like breathing work, in a theater school. That’s what I incorporate into my screaming and my singing, to not do any damage and keep my breath down in my diaphragm,” she said, also mentioning a not-so-fun experience she had in her teens. “So when I was a teenager listening to metal, I had an ex-boyfriend who was in a band and I would always go to his rehearsals and after they were done rehearsing, I would always come in and they’d free jam and I’d scream on the microphone and I remember always tasting blood in my throat afterwards. Back then there was no YouTube, no internet really to look up whether or not that was okay so I thought ‘I’m doing it right because I taste blood’! Obviously, though there was something very wrong there.”

Lauren has several idols in her career and in her personal life, of course, including huge names the likes of Angela Gossow (Arch Enemy), Mikael Åkerfeldt (Opeth), Joe Duplantier (Gojira) and Layne Staley (Alice In Chains), also mentioning Black Metal in general as one of her influences when writing and composing music. When asked about her favourite European bands, she said “well my favorite metal album when I was a kid was Dimmu Borgir’s Puritanical Euphoric Misanthropia. I learned to drive to that album and I don’t recommend learning to drive to that album because you’ll get a lot of speeding tickets! But them and Opeth and I love Strapping Young Lad, loved Devin Townsend and Meshuggah. My first ever album that got me into metal was Yngwie Malmsteen’s Trilogy and that was sort of the gateway as I wanted to be a guitar player and that was, ‘Wow listen to this guy!’ I listened to that record over and over again and quickly it went from that to Dimmu Borgir, I don’t know how it happened but that’s how it went.”

Having already toured with renowned acts such as Dragonforce, Cradle Of Filth, Kobra And The Lotus, and Fear Factory, our beloved vocalist said that she still dreams of touring with other bands, of course, including Devin Townsend, Opeth, Arch Enemy, Dimmu Borgir, and Meshuggah, and of playing in Wacken Open Air with her band Once Human, complementing by saying she really enjoys to be on the road and that she would love visiting South America. In one of her interviews, Lauren talked about the beauty of screaming in small venues, where she can make eye to eye contact with the crowd and closely feel the reaction from her fans. Also, when questioned if the female-fronted label in metal should continue or cease to exist, she said that “I can see how that separation can cause that, I see the conflict but I also see a lot of my fans, I’ve gotten to know a lot of my fans on Patreon – a lot of them are huge fans of female-fronted metal, they’ll go to every show, they’ll buy all the merch and it’s a genre they are just in love with, I don’t know, there are good points and bad,” mentioning she would love to work with other prominent women in metal such as Angela Gossow, Alissa White-Gluz, and Noora Louhimo of Battle Beast.

Lauren was also asked in an interview if she has ever considered returning to acting, but she said that because of the competitiveness of it she doesn’t believe it’s something that she would pursue in her career despite having studied method acting for a number of years. “But you know what, method acting is all about not acting at all, but being honest, 100% honest with yourself. So it is very therapeutic, and I do believe it;’s helped me with my stage presence. Being comfortable in my own skin, being honest. Because people can feel that – they can feel when someone’s being fake. The audience can connect when you’re being true. So it’s definitely helped me be okay with being myself.” And if you want to know more curious facts about Lauren, her career, how she manages to sing and scream with so much passion and energy, there are several interviews on YouTube that I’m sure you’ll enjoy such as one called Screaming when SICK?! What happens…, one interview where she talks about how she learned screaming, another one where she talks about how she found her voice and plays a game called ‘How Well Do You Know Your Bandmate’, and a very relaxed one where she reads mean and not-so-mean YouTube comments about herself and her band. As you can see, Lauren Hart is everywhere, and if you consider yourself a true metalhead it’s time to know more about one of the driving forces of the current metal scene in the United States and bang your head nonstop to her undisputed vocals.

Lauren Hart’s Official Facebook page
Lauren Hart’s Official Instagram
Once Human’s Official Facebook page
Once Human’s Official Instagram

“I force myself to go places that I don’t normally want to go. I force myself to look at things that I’d typically want to not see.” – Lauren Hart

Album Review – Once Human / Scar Weaver (2022)

One of the most distinctive and destructive metal bands of the modern era strikes again with a breathtaking new opus, showcasing their own mutation into an even more devastating beast.

Formed in 2014 in Los Angeles, California, in the United States by guitarist Logan Mader (Machine Head) and vocalist Lauren Hart, the ruthless Groove Metal act known as Once Human has steadily established themselves as one of the most distinctive and destructive metal bands of the modern era. Now in 2022, Logan and Lauren, together with guitarist Max Karon, bassist Damien Rainaud and drummer Dillon Trollope, are ready to kill once again with Scar Weaver, their third full-length album following up on the highly acclaimed releases The Life I Remember (2015) and Evolution (2017), showcasing the band’s own mutation into an even more devastating beast. “It was not an easy path to reach this point, I’ll tell you that,” says Logan Mader. “The original masterplan for the band was really passion-project driven. The first two albums, we were still finding our way. Where we’re at now is with a really strong posture and by far the best album we’ve done. Over the years we’ve done a lot of groundwork and some smaller tours, just grinding things out, sometimes even in a DIY fashion. But now we have legit team around us, the band is firing on all cylinders and everything seems to be lining up this time.”

Dillon begins smashing his drums mercilessly in Eidolon, with Logan and Max extracting sheer violence from their guitars, all of course spiced up by the venomous roars by our she-demon Lauren. Needless to say, it will be an awesome opener for their live concerts. Then we have the menacing Deadlock, featuring Robb Flynn of Machine Head, who makes a pulverizing duo with Lauren on vocals in a modern-day Melodic Death Metal feast with Metalcore nuances, or in other words, a true headbanger by Once Human; followed by the title-track Scar Weaver, which sounds more devilish and darker than its predecessors with Damien hammering his bass nonstop, adding endless groove to the band’s core sonority (not to mention how sharp the riffage by the band’s guitar duo feels). After that the band brings forward Bottom Feeder, sounding infernal and utterly heavy from the very first second while presenting another great job done by Logan and Max with their riffs and solos. Moreover, the metallic bass jabs by Damien will knock you out in the name of Groove Metal, and you better get ready to slam into the circle pit like a true metalmaniac in Where The Bones Lie, with Lauren stealing the show with her flammable growls and vociferations while Damien and Dillon make the earth tremble with their evil kitchen.

More introspective and somber than the rest of the album, Erasure showcases the band’s trademark sound with its first half feeling a little bland while the second half gets back to their usual sonic devastation. And the massive bass lines by Damien attack our senses once again in Deserted, accompanied by the sick, razor-edged riffs by Logan and Max. The high-octane We Ride is a brutal, hellish and absolutely aggressive display of Groove Metal by the band where Lauren is on fire from start to finish, supported by the demented drums by Dillon, whereas in Cold Arrival we’re treated to poetic lyrics growled by Lauren (“I ran so blind / Into the blades of your life / Gray and disguised / And peeled my eyes / As they unfurled”) amidst another thunderous display of Groove and Melodic Death Metal. Lastly, Lauren keeps vociferating wicked words (“No shoulder that won’t cut like a blade / When they’re cold / Turned their backs / I beg them to take your words / Off my chest, take them / Take your worth from my headache / In death”) in Only In Death, putting a beyond sinister ending to the album.

When Logan mentioned Scar Weaver is their strongest album to date he was not joking nor exaggerating at all. Scar Weaver is indeed a powerful and very detailed album of modernized metal music where all band members are in absolute sync until the very last second, providing us fans a very good reason to raise our fists and bang our heads in the name of Heavy Metal. Hence, don’t forget to give Once Human a shout on Facebook and on Instagram, to stream all of their awesome creations on Spotify, and to obviously purchase your copy of Scar Weaver by clicking HERE or HERE. Blessed (or perhaps cursed) with plenty of additional time during the last year’s lockdown situation, Once Human have been able to refine and redefine their sound in Scar Weaver, turning the band into one of the driving forces of modern-day heavy music and, consequently, inviting us all to rock like there’s no tomorrow with Logan, Lauren & Co. for many years to come.

Best moments of the album: Deadlock, Where The Bones Lie and We Ride.

Worst moments of the album: Erasure.

Released in 2022 earMUSIC

Track listing
1. Eidolon 4:06
2. Deadlock 3:39
3. Scar Weaver 4:36
4. Bottom Feeder 5:21
5. Where The Bones Lie 3:50
6. Erasure 5:01
7. Deserted 4:13
8. We Ride 2:50
9. Cold Arrival 4:20
10. Only In Death 5:14

Band members
Lauren Hart – vocals
Logan Mader – guitars
Max Karon – guitars
Damien Rainaud – bass
Dillon Trollope – drums

Guest musician
Robb Flynn – additional vocals on “Deadlock”