Album Review – Northborn / Northborn (2026)

Rooted in mythology, nature and epic storytelling, this Swedish horde attacks armed with their debut album, blending the aggression of modern metal with a deep Nordic folk spirit.

Uncompromising and frostbitten in spirit, and drawing strong inspiration from the Finnish scene of the early 2000’s, blending the aggression of modern metal with a deep Nordic folk spirit, Stockholm, Sweden-based Symphonic/Melodic Death Metal horde Northborn is unleashing upon humanity their self-titled debut offering, marking the beginning of a powerful new chapter for the band formed of Björn Larsson on vocals and keyboards, Ture Aspelin and Tobey Lagerqvist on the guitars, Andreas Lundgren on bass, and Felix Wahlund on drums, inviting listeners worldwide to step into their frozen realm while combining technical intensity with powerful melodic hooks and cinematic depth.

Get ready for an inspiring adventures through bitterly cold lands in Hymn of the North Star, with Felix already taking the lead with his fast-paced melodeath beats, offering Björn exactly what he needs to roar like a Viking. And Björn delivers a striking keyboard attack in Tale of Lies, supported by the Melodic Death Metal extravaganza blasted by Ture and Tobey on the guitars, followed by Fireborn, again presenting a fantasy and adventure vibe, with the rumbling bass by Andreas walking hand in hand with the galloping drums by Felix. The 80’s-inspired keyboards by Björn and the metallic bass by Andreas kick off the high-octane Children of the Frost, generating a hurricane of melodeath sounds perfect for admirers of the genre; whereas despite the epic intro in Helldamned, the music becomes way too generic after a while. Nothing to worry about in the end, though.

Then back to a much more ferocious mode we have The Wolf’s Curse, with their Symphonic and Melodic Death Metal sounds clashing in great fashion led by the always ruthless Felix on drums. The band invests in a Folk Metal sonority in Dreamhaunter, with the guitars by Ture and Tobey taking us back in time to the age of Vikings, whereas inspired by the massive sounds crafted by their countrymen Amon Amarth while also adding their own symphonic touch to the music we face the battle hymn The Fimbul Scourge, followed by the mysterious Yokai of the Lake, dedicated to the kappa, the aquatic, reptilian humanoids who inhabit the rivers and streams flowing over Japan, and you can feel that vibe from the East in their music. Lastly, closing the album they offer the melodic and epic A Warrior’s Fate, inviting us all to raise our fists in the air to the infernal growls by Björn, as well as the striking riffage by the band’s unstoppable guitar duo.

Rooted in mythology, nature and epic storytelling while channeling the legacy of bands like Children of Bodom, Norther and Ensiferum, Northborn craft songs that transport listeners into cold, majestic landscapes shaped by frost, battle and legend, and their debut is an amazing indication that their quest for heavy music has only just begun. You can join their army of ice giants by following the band on Facebook and on Instagram, by streaming their striking music on any platform such as Spotify, and of course, by purchasing their debut album from Art Gates Records. Bitterly cold, sharp and electrifying, it’s an album made for true Nordic warriors at heart, and I bet you’ll proudly raise your sword in the winds of the north while listening to such a precious gem of the current Swedish scene.

Best moments of the album: Hymn of the North Star, Children of the Frost and The Wolf’s Curse.

Worst moments of the album: Helldamned.

Released in 2026 Art Gates Records

Track listing
1. Hymn of the North Star 6:04
2. Tale of Lies 5:09
3. Fireborn 5:03
4. Children of the Frost 4:23
5. Helldamned 6:16
6. The Wolf’s Curse 4:04
7. Dreamhaunter 5:03
8. The Fimbul Scourge 5:32
9. Yokai of the Lake 5:31
10. A Warrior’s Fate 5:26

Band members
Björn Larsson – vocals, keyboards
Ture Aspelin – guitars
Tobey Lagerqvist – guitars
Andreas Lundgren – bass
Felix Wahlund – drums

Album Review – Riket / 2026 (2026)

Standing at the intersection of ferocity and history, this Swedish Death and Thrash Metal brigade is unleashing hell with their debut opus, with each song portraying small historic tales of catastrophe, blunder, and human downfall.

Standing at the intersection of ferocity and history, channeling the raw aggression of Death Metal while weaving in the relentless drive of Thrash Metal and the defiance of Punk Rock, Stockholm, Sweden-based brigade Riket is unleashing hell armed with their debut opus, simply titled 2026. Recorded and produced by Sverker Widgren at Wing Studios, and displaying a haunting artwork by Axel Torvenius, mirroring the album’s thematic depths, the debut offering by vocalist Johan “Flid” Fridell, guitarists Tobias Jakobsson and Jussi Niiranen, bassist Micke André, and drummer Felix Wahlund balances crushing heaviness with an eerie sense of narrative, with every song being performed in Swedish and rooted in the darker corners of a shared past, portraying small historic tales of catastrophe, blunder, and human downfall.

Tobias and Jussi take the lead from the very first second with their acid riffage in 1868: Sommar Vid Vinterviken (or “1868: Summer at Winter Bay” from Swedish), while Johan barks and roars in the best Swedish style. 1867: Storsvagaret (“1867: The Great Weakness”) is even more infuriated and groovy than the opening tune, presenting elements of Death and Thrash Metal spiced up by an overdose of brutality and sick guitar solos; and it’s time to head into the circle pit and keep moving relentlessly in 1965: Hoghus Och Kultur (“1965: The Court and Culture”), with Felix sounding like a machine gun on drums. Then leaning towards the Melodic Death Metal by their countrymen such as In Flames and Soilwork we have 1948: Att Doda Ett Barn (“1948: Killing a Child”),showcasing a truly edgy vibe; and what starts in a calm way in 1885: Dodsdansen (I Manskensnatten) (“1885: The Dance of Death (In the Night of Man)”) suddenly morphs into another bestial melodeath attack.

1897: Mot Polen (“1897: Towards Poland”) is absolutely heavy but not as dynamic nor as exciting as the rest of the album, albeit the Amon Amarth-like riffs by Tobias and Jussi are still a thing of beauty. Micke keeps hammering his bass in 1991: 2000 Ar (Saliga Aro De Talmodiga) (“1991: 2000 Years (Blessed Are the Wise Men)”), adding a groovier vibe to the song while Johan’s deep guttural bring endless fury to the overall result; whereas 1937: Lagor Vid Portarna (“1937: Laws at the Gates”) is more rhythmic and vibrant thanks to another ass-kicking performance by Felix on drums, while the trio formed of Tobias, Jussi and Micke delivers a first-class stringed onrush. Lastly, we’re treated to a cover version for Stefan Sundström’s 2009: Alla Ska I Jorden (“2009: All Shall Be in the World”) (and you can enjoy the original version HERE), an interesting rendition presenting a darker, more introspective approach compared to the original.

A vessel of memory, a grim messenger bridging today’s world with the chilling truths of yesteryears, 2026 does not simply revisit history. Riket force you to confront it, challenging their audience to face uncomfortable truths, both personal and societal. If you want to know more about Riket and their dark relationship with history, you can start following the band on Facebook and on Instagram, stream their wicked creations on Spotify, and purchase their excellent debut from BandCamp or from several online retailers such as Doomed Records and Record Store Day. 2026 is an album that lingers long after the final note fades, a stark, resonant journey through memory, identity and the lingering shadows of time, leaving us eager for more from those Swedish metallers as our society progresses to its inevitable doom.

Best moments of the album: 1867: Storsvagaret, 1965: Hoghus Och Kultur and 1937: Lagor Vid Portarna.

Worst moments of the album: 1897: Mot Polen.

Released in 2026 Black Lion Records

Track listing
1. 1868: Sommar Vid Vinterviken 4:27
2. 1867: Storsvagaret 3:04
3. 1965: Hoghus Och Kultur 5:15
4. 1948: Att Doda Ett Barn 3:42
5. 1885: Dodsdansen (I Manskensnatten) 4:48
6. 1897: Mot Polen 3:56
7. 1991: 2000 Ar (Saliga Aro De Talmodiga) 4:11
8. 1937: Lagor Vid Portarna 4:18
9. 2009: Alla Ska I Jorden (Stefan Sundström cover) 5:06

Band members
Johan “Flid” Fridell – vocals
Tobias Jakobsson – guitars
Jussi Niiranen – guitars
Micke André – bass, backing vocals
Felix Wahlund – drums