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Concert Review – Paganfest America Part V (The Opera House,Toronto, ON, 05/01/2014)

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An awesome multicultural festival in the world’s most multicultural city.

paganfest_2014Let me start by asking a very simple question before I actually talk about the amazing festival that happened last night: who the hell had the brilliant idea of scheduling a festival at SIX O’CLOCK ON A THURSDAY, a  day and time where pretty much EVERYONE is still at work and there’s also a lot of traffic? Because of that, I guess many people that attended PAGANFEST AMERICA PART V yesterday at The Opera House, in Toronto, missed at least the opening act, American Folk Metal band Winterhymn, and maybe even some of the other bands. Fortunately I was able to get there before 7:30pm and could watch half of the concert from the following band and the rest of the festival, which is where this review starts!

VARG

01paganfest toronto_vargPeople dressed up accordingly (which means Viking, warrior and/or pagan costumes), corpsepainting, lots of good and cold beer, friends hugging each other and dancing together, metalheads screaming with their fists and horns in the air, and German Melodic Death Metal band Varg kickin’ ass on stage! The first impression from the festival was very positive, and knowing the Pagan Metal community in Toronto is so big was great for me. Not only that, getting in contact with Varg for the first time was also amazing as their music has that kind of energy I love, and although I don’t know German (they sing only in their mother tongue) it was easy to follow their message in each song. Highlights to the excellent song Guten Tag and to the girls the band called on stage to headbang like crazy, and I promise I’ll go after more of their material in the future.

Band members
Freki – vocals, guitars
Managarm – bass, backing vocals, guitars, lead guitars
Hati – guitars
Fenrier – drums

CHTHONIC

02paganfest toronto_chthonicA few microphone issues, a relatively short setlist and the absence of keyboardist CJ Kao didn’t prevent Taiwanese Orient Metal warriors Chthonic from delivering an unforgettable performance at The Opera House. “WE ARE CHTHONIC FROM TAIWAN!”, screamed an all fired-up Freddy Lim to the fans, who promptly responded screaming and raising their fists in the air. The band looked pretty excited to be back in Toronto for the first time since their tour with Arch Enemy in 2011, and their music sounded even more powerful and cohesive this time.

After the beautiful intro Arising Armament, our beloved Taiwanese icons Freddy, Jesse, Dani and, of course, the stunning Doris Yeh, kicked off their concert with the superb song Supreme Pain for the Tyrant, from their 2013 album Bú-Tik, and it was impossible not to scream at full force with them “Let me stand up like a Taiwanese! Only justice will bring you peace!”, lyrics that make total sense even for non-Taiwanese fans like myself. We’re all together in this war, right? By the way, almost the whole setlist was based on the Bú-Tik album, with the exception of the classics Oceanquake and Takao, which closed the show. Highlights to the great songs Sail Into the Sunset’s Fire and Defenders of Bú-Tik Palace, which sounded even more amazing live.

Last but not least, all band members are not only exceptional musicians, but also really good people. It’s easy to be mesmerized by Doris’ performance on stage, or by the unique sound of the erhu beautifully played by Freddy, but things get even better when you have a chance to interact with them offstage. Freddy, Doris and Jesse were extremely relaxed, happy and very, very considerate of all their fans, taking pictures, answering any questions and having a beer with everybody. At least for me, that explains a lot why they are so successful and becoming so important in the world of heavy music. All I can say is THANKS, CHTHONIC! It will always be my pleasure to “stand up like a Taiwanese” with you guys!

Setlist
1. Arising Armament (intro)
2. Supreme Pain for the Tyrant
3. Oceanquake
4. Next Republic
5. Sail Into the Sunset’s Fire
6. Defenders of Bú-Tik Palace
7. Takao 

Band members
Freddy Lim – vocals, erhu
Doris Yeh – bass, backing vocals
Jesse Liu – guitars, backing vocals
Dani Wang – drums
CJ Kao – keyboards*

* Missed the concert in Toronto due to personal issues.

TURISAS

03paganfest toronto_turisasIn my opinion, the show by Finnish Symphonic Power Metal band Turisas was the most anticipated concert of the night, and also the one where you could see the highest amount of smiles on the faces of the crowd. I don’t remember seeing so many people dancing and prancing like yesterday, especially when they played their cover version for the discotheque classic Rasputin, by Boney M., but they kicked ass during the whole gig, of course.

There were very few moments where either the songs were too long or too slow, but the fans didn’t care too much about that and enjoyed every single second of that “Viking fest”. Besides the awesome craziness of Rasputin, the most memorable songs were Battle Metal, Stand Up and Fight and We Ride Together. Did you notice all their best songs are related to battle, courage and loyalty? That’s what has always made Heavy Metal so powerful in regards to inspiring people to face their fears and challenges in life, and I’m sure all fans that are studying, working or doing anything else today are a lot happier and feeling better than during the previous weeks or even months.

The whole band was on fire, especially frontman Mathias “Warlord” Nygård and violinist Olli Vänskä, who didn’t stop banging their heads for a single moment. Those guys love what they do, and will keep on rockin’ for the rest of their lives without a shadow of a doubt.

Band members
Mathias Nygård – vocals
Jussi Wickström – guitar, backing vocal
Jesper Anastasiadis – bass guitar
Jaakko Jakku – drums, percussion
Olli Vänskä – violin, backing vocal

KORPIKLAANI

04paganfest toronto_korpiklaaniAfter Turisas were done, many people had to leave as it was getting really late and they probably had to get ready for a full day at work the next day. Unfortunately those who left missed all the dancing in between concerts when the DJ played some excellent old traditional Finnish songs, but the fans that could stay to the end of the festival were able to enjoy that and, of course, another “dance party” with Finnish Folk Metal band Korpiklaani and their music tailored for drinking beer and dancing with your friends.

It was my first Korpiklaani concert and I was impressed by frontman Jonne Järvelä’s charisma and bassist Jarkko Aaltonen’s technique. Jarkko is a beast with his bass, which could be easily appreciated in fun songs such as Tuonelan Tuvilla, Vodka and Ievan Polkka. How come this awesome bass player has never been mentioned in any lists of “top bassists” that I’ve seen? Or maybe I’m checking the wrong lists? Anyway, it was another great heavy music concert, which made every cent spent with the event ticket even worthier than before.

Band members
Jonne Järvelä – vocals
Kalle “Cane” Savijärvi – guitars
Matti “Matson” Johansson – drums
Jarkko Aaltonen – bass
Tuomas Rounakari – violin
Sami Perttula – accordion

And that was the end of a truly multicultural festival with bands from the United States, Germany, Taiwan and Finland, with fans from several different backgrounds speaking different languages, in the most multicultural city in the world. Honestly, I have no idea how it can get any better than this. Maybe Paganfest VI next year can answer that question, right? Well, until then, I’ll proudly wear my Chthonic’s NEXT REPUBLIC T-shirt on the streets to show everyone that it doesn’t matter if you’re Canadian, Brazilian, Taiwanese, German, Finnish or anything else: if you’re a headbanger, you’re definitely part of the unbreakable and unique republic of HEAVY METAL.

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Metal Chick of the Month – Hella

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hella01

I am just a little doll… I live here in your yard!

I don’t know if our Heavy Metal babe this month should be called “Metal Chick of the Month” or “Metal Doll of the Month”, but either way she fuckin’ rocks behind her Korg keyboards. Also known as Plastic Chic, Scarbie, HellToy, Burned´n´burried, Forsaken Doll, Sindie, The Living Doll or Schizo Doll (so many beautiful nicknames, don’t you agree?), but better known as Hella, she’s the crazy keyboard player for Finnish Heavy Metal/Hard Rock monsters Lordi.

Hella was born (or should I say manufactured?) on January 2, 1985, and as you can see her character is a mix of human and doll. Her name is an old Finnish female name, which in her own words is “soft but somehow creepy at the same time”. She has created her character together with lead singer and founder Mr. Lordi, and according to her fictional biography, “Hella is one of the victims of the notorious madman just known as Ruiz, and is the twisted result of his insane experiments. Hella was captured and held in captivity for months by Ruiz, until eventually she was brutally cast in plastic and rubber. Ruiz´s sick compulsion was to try to build a real living life-size doll for his own amusement.”

Although our Scandinavian doll has a background with classical piano, she became famous in the world of heavy music by playing keyboards, which came to picture a couple of years ago when she met a Heavy Metal band that was looking for a keyboard player. Then in 2012 Hella finally joined Lordi, with whom she recorded the keyboards and backing vocals for the thrilling album To Beast or Not to Beast, in 2013. And I’m pretty sure I don’t need to say her favorite song from this album is Schizo Doll, right? Furthermore, she mentioned that Lordi, more specifically the amazing song Would You Love a Monsterman, was already in her playlist in 2002, 10 years before she joined the band, which just shows us how thin the line between coincidence and fate is.

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Besides her career with Lordi, she has recently written and sung in Finnish a vocal part for the song Miksi?, which is about the experience and pain of a person who was bullied as a child, with Finnish band Postikortteja Helvetistä (in English, Postcards from Hell). By the way, this project is part of a charity called Sovatek Säätiö, a specialized psychosocial rehabilitation organization, which focuses on substance abuse and mental harm prevention and treatment. Way to go, Hella!

The Schizo Doll is claimed to be a huge Heavy Metal fan, especially in terms of Melodic Heavy Metal, and her favorite bands include great names such as Amorphis, Katatonia, Porcupine Tree, Children of Bodom and Behemoth. Moreover, she also said it’s not difficult to find her listening to other music styles and artists, as for example Amy Winehouse, the Red Hot Chili Peppers or the Scandinavian Music Group. It all depends on how the heart of this gorgeous plastic babe is beating.

The last fact about Hella is something more than common for any regular person born in the land of ice and snow: her favorite drink is, or course, vodka. Well, I’m not sure how a doll drinks vodka, but it would definitely be a real pleasure for me and many other Lordi fans to have some (or many?) shots of Koskenkorva Vodka or Koskenorva Salmiakki with her while listening to some good old Heavy Metal. Kiippis!

Hella’s Official Facebook page
Hella’s Official Twitter

“My influences come mostly from metal music, melancholic and melodic. I also enjoy punk, hard rock, jazz, folk, love playing classical piano notes…so what can I say, I’m a goth-punk-hippie-rock’n’roll-girl.” – Hella (as stated in Lordi Army)

 

Album Review – Insomnium / Shadows Of The Dying Sun (2014)

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Insomnium provide us high quality Melodic Death Metal just the way we like it, directly from the land of ice and snow.

Rating4

insomnium_sotdsAfter the huge disappointments from Ahola and Sonata Arctica this year, we’re finally able to enjoy some decent Finnish Heavy Metal with the album Shadows Of The Dying Sun, from Melodic Death Metal band Insomnium. Although this is the sixth full-length album from this Joensuu-based dark and gothic band formed in 1997, it’s only the first with guitarist Markus Vanhala (Omnium Gatherum), and the final result is so professional and enjoyable that it might soon be considered by fans the best so far in the band’s career.

Their lyrical themes may not be the happiest in the world, as Insomnium usually sings about pain, loss, darkness, and especially how we cannot beat time, which in the end is the main connector of all those elements, but that doesn’t make their music less exciting. Quite the contrary, when a band is capable of awakening inside us a feeling that time is passing by and that we should do something about our lives, in other words, when a band makes us THINK about our lives, that’s when their music deserves to be listened, shared and truly appreciated.

One of the most interesting characteristics in Shadows Of The Dying Sun is that it’s not only Melodic Death Metal, but a substantial mix of other genres such as Doom, Black and even Folk Metal, which can be noticed since the very beginning of The Primeval Dark, with its enticing atmospheric instrumental, heavy riffs and deep vocals, working like an “intro” to one of the highlights of the album, the 6-minute melodic masterpiece While We Sleep, an awesome track with clean and guttural vocals blending really well, intense lyrics (“When all you ever wish for is to go back once more / When all you ever wish is to open that cage and long / When all you feel is remorse, pain and regret / When you brought on curse unable to move on?”) and a stunning riff in the background that gives the song an even more melodic sonority. Not only that, the smooth passage together with a nice guitar solo after 4 minutes until the end of the song is great, and don’t forget to check its superb official music video at the end of this review.

insomniumAnd that was only the beginning of the album, which goes on with Revelation, a song that constantly varies from raw to more melodic Death Metal and back again, with the instrumental always being very clean despite the heaviness of the music; and Black Heart Rebellion, a very melancholic and brutal track where drummer Markus Hirvonen abuses his double bass. The guitar duo and riffs are also amazing, and add to that some thoughtful lyrics and Niilo Sevänen’s above-the-average performance, and you have another memorable moment in the album.

Lose To Night is a more gothic song with some Paradise Lost-ish elements, moving it closer to Doom Metal rather than the band’s traditional Death Metal, while Collapsing Words brings the album back to a heavier sonority, again with awesome vocals by Niilo. These two songs are followed by The River, which has many elements from Black Metal (especially drums and riffs), with highlights to the semi-acoustic and very melodic ending; and the more commercial (but not less pleasant) single Ephemeral, with its amazing lyrics (“Darkness is ignorance / Knowledge is light / Fight only with yourself / Or the shadows of the night”) and a totally catchy chorus. Unless you have a very good reason for hating Insomnium, there’s no way you won’t get addicted to this song.

Finally, in order to end the album in a high note, the band offers us the beautiful ballad The Promethean Song, where the guitar riff works perfectly with the acoustic guitar, and Shadows Of The Dying Sun, with a dark bass tune to start it in an excellent way, a great chorus, and more powerful bass lines by Niilo along the whole song. Furthermore, if you’re a fan of the band, don’t miss the special limited digipak edition of Shadows Of The Dying Sun, which includes a bonus CD with four bonus tracks.

And was the album art inspired by Alfred Hitchcock’s classic The Birds, or by the zombie birds from Resident Evil? Anyway, although it can be relatively simple to our eyes, it’s darkly delightful and very effective in translating into images all the musicality in the album. In short, this is the high quality Heavy Metal we always expect from any band that comes from the cold and marvelous Finland, and as previously mentioned the intensity the band puts in their music and lyrics is commendable, elevating them to the status of one of the best active Finnish bands today.

Best moments of the album: While We Sleep, Black Heart Rebellion, Collapsing Words and Ephemeral.

Worst moments of the album: Revelation and The River.

Released in 2014 Century Media Records

Track listing
1. The Primeval Dark 3:16
2. While We Sleep 6:20
3. Revelation 5:15
4. Black Heart Rebellion 7:03
5. Lose To Night 4:56
6. Collapsing Words 4:38
7. The River 7:57
8. Ephemeral 4:01
9. The Promethean Song 6:41
10. Shadows Of The Dying Sun 6:32

Limited Digipak bonus tracks
11. Out to the Sea 5:17
12. The Emergence 1:46
13. The Swarm 2:54
14. The Descent 3:11

Band members
Niilo Sevänen − vocals, bass
Ville Friman − backing vocals, guitar
Markus Vanhala − guitar
Markus Hirvonen − drums

Album Review – Ahola / Tug Of War (2014)

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A new Teräsbetoni album would have been a lot better for all of us.

Rating6

coverIt looks like Finnish singer and songwriter J. Ahola is really determined to go on with his solo project, Heavy Metal/Hard Rock band Ahola, which means that unfortunately there’s no sign of a new Teräsbetoni album anytime soon. In fact, Ahola seems to be his main band now, not only a project, but I really wish it was the other way round, especially after listening to his new album Tug Of War.

Albeit Ahola’s new album is a million light-years away from being bad music, and the musicians involved are very competent, Tug Of War lacks all that originality and especially the punch from any of the Teräsbetoni albums. In other words, for a guy that has been in a band responsible for powerful classics such as “Taivas Lyö Tulta”, “Metallisydän” and “Missä Miehet Ratsastaa”, it’s hard to accept generic material with song titles like “I Need You” and “Dog”, and it’s even worse due to the bland way he’s using his voice.

The End of the Line opens the album and, despite its promising intro, lacks a lot of energy in its entirety, especially J. Ahola’s vocals which are not what we all wanted to hear. Road of Creation is a more Doom Metal track with his voice sounding a lot better, but again it’s not a great song; and the title-track Tug of War is stronger than the previous tracks but still lacks that “it” factor.

Tug Of War continues with the two best songs of all: On the Run, a nice Hard Rock track with an interesting chorus; and  Still Metal, a song that keeps us wondering how awesome the whole album would have been if it had the same Manowar-ish approach as here. Fortunately, Rock’n’Roll is another solid song (although too generic) that keeps the momentum, but on the other hand One Among the Crowd is a weak ballad and the worst track of all, and followed by the generic The Final Incantation drags the album back to just regular.

AholaThings do not get better with The Will You Always Had, a totally forgettable song, and I Need You, which sounds like a tired Teräsbetoni playing. And finally, we have Dog, an average Hard Rock track with a bad chorus (feel like a dog, really?); Age of Hubris, with some good riffs to elevate the album level a little; and Beerland 2, a total waste of time.

And I’m not even complaining about the fact he’s singing in English now, as I understand (although do not agree) that the Finnish language was kind of limiting his boundaries. The real problem here is that Ahola sound like a sell-off, like something made just for money. I know we cannot expect Ahola and Teräsbetoni to be the same, but it’s sad to see such a talented Power Metal musician, a guy that loves Manowar, Rainbow and Deep Purple, doing some generic material. May the power of the mighty Odin open his eyes and take him back to what he does best: awesome Power Metal.

Best moments of the album: On the Run and Still Metal.

Worst moments of the album: One Among the Crowd, The Final Incantation, The Will You Always Had and Beerland 2.

Released in 2014 Playground Music

Track listing
1. The End of the Line 4:30
2. Road of Creation 5:15
3. Tug of War 4:02
4. On the Run 3:17
5. Still Metal 4:03
6. Rock’n’Roll 3:48
7. One Among the Crowd 4:27
8. The Final Incantation 5:18
9. The Will You Always Had 3:16
10. I Need You 4:29
11. Dog 4:20
12. Age of Hubris 3:28
13. Beerland 2 2:24

Band members
J. Ahola – vocals, guitar
Jari Laitinen – bass
Antti Mäkelä – drums
Antti Karhumaa – lead guitar

Album Review – Sonata Arctica / Pariah’s Child (2014)

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What in the name of Ukko is this garbage?

Rating10

pariahs_childAccording to the Merrian-Webster Online Dictionary,  the definition of the word shame can be “a painful emotion caused by consciousness of guilt, shortcoming, or impropriety”, “a condition of humiliating disgrace or disrepute”, or “something that brings censure or reproach; something to be regretted”. However, there should be a new item added to this list: the new album from Finnish Power Metal band Sonata Arctica, the horrible Pariah’s Child.

Honestly, I don’t even know where to start, or even if I should start talking about what was supposed to be called “music” in Pariah’s Child. It’s not Heavy Metal, Power Metal, Hard Rock, or even basic Rock N’ Roll, it’s just pure garbage that will make your ears bleed of annoyance if you don’t stay away from what is a serious contender for “worst album of the year”. There’s some blah blah blah that Pariah’s Child marks the return of wolf-themed songs, that “wolf” is a metaphor for fear, that it’s “old” Sonata, but nothing really works in this shameful disgrace. Instead of keeping drinking some good old Koskenkorva Viina, it seems Tony Kakko had a really bad trip with counterfeit LSD.

You might be deceived by The Wolves Die Young, which not a terrible way to start (even with that irritating sound from the keyboards), and think I’m exaggerating when I say the whole album sucks, but after listening to the “happy garbage” Running Lights, the most generic thing you can find in the world of heavy music (especially the totally forgettable guitar solos), and the even worse Take One Breath, you’ll start asking yourself “what the fuck is this shit?”, or even screaming out loud “please, make them stop!”

Still not convinced? Well, even if you have ears of steel like the Superman, the “kryptonite” song Cloud Factory will take care of it and make them explode, so stupid and boring this thing (which some people dare to call a song) is. Or maybe after listening to the more than awful Blood you might considering burning all your Heavy Metal albums and become a monk in Tibet, where the only thing you’ll hear is beautiful SILENCE.

sonata_arcticaBut believe me, as incredible as it may sound, the last part of Pariah’s Child gets A LOT worse than that. What Did You Do in the War, Dad? with its cheesy lyrics is so bad, but so bad, that I have no words to describe it; Half a Marathon Man is a totally failed Hard Rock attempt (it’s NOT a beautiful day!); and X Marks the Spot is pure nonsense and, more important than that, a warning to stop listening to the album before things get even more nightmarish.

If you love Sonata Arctica more than your life and didn’t get the warning from the previous song, then it’s your fault you’ll have to listen to the mellow torture called Love. I think even Ukko, the High God of the sky, weather, harvest and thunder in Finnish mythology, would cut his wrists and blood would rain over Finland after listening to this trash! And finally comes Larger Than Life, a 10-minute torment that in the hands of a supreme tyrant like Kim Jong-un could be used as the most powerful torture device ever seen in the history of mankind.

Don’t get me wrong, I love Finnish Metal and was really expecting with an open heart another good album from this decent band from the land of ice and snow, but in this case it’s impossible not to hate every single minute of this shit. I’m just giving Pariah’s Child a 0.5 for some respect I have for Sonata Arctica’s old stuff and for the band members being nice guys, because it actually deserved a HUGE FUCKIN’ ZERO. Not even the well-done album art showing a lonely wolf (or a pariah) saves it. Unfortunately that’s the truth, the whole truth, and nothing but a very sad and shameful truth.

Best moments of the album: A few parts of The Wolves Die Young are somewhat acceptable.

Worst moments of the album: Everything else. Pariah’s Child is a total nightmare.

Released in 2014 Nuclear Blast

Track listing
1. The Wolves Die Young 4:13
2. Running Lights 4:26
3. Take One Breath 4:19
4. Cloud Factory 4:17
5. Blood 5:54
6. What Did You Do in the War, Dad? 5:13
7. Half a Marathon Man 5:43
8. X Marks the Spot 5:20
9. Love 3:50
10. Larger Than Life 9:57

Band members
Tony Kakko – vocals
Elias Viljanen – guitar
Pasi Kauppinen – bass guitar
Henrik Klingenberg – keyboards
Tommy Portimo – drums

Album Review – Teräsbetoni / Metallitotuus (2005)

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The best Manowar album of all time not recorded by Manowar. And what’s even better, it’s entirely sung in Finnish.

Rating2

metallitotuusAs any normal person in the world, I developed a passion for a country very different from my own many years ago: the Republic of Finland. The grass is always greener on the other side of the fence, right? And I had some very good reasons for that, because especially in terms of music and drinks, Finland is way better than Brazil. So I started studying Finnish and saving money for the “trip of my dreams”, which finally happened in the beginning of 2006. I was able to see the snow for the first time (which now that I live in Canada doesn’t seem to be that cool anymore); I tried lots of different types of beer, vodka and other typical Finnish drinks; I made some really good friends; I saw Stratovarius, Sonata Arctica and Lordi live, as well as a theatrical play with Tarja Turunen; and went to a heavy karaoke where I saw a guy singing an amazing song called Metallisydän. Wait, what the hell was that song? What band was that?

Then the next day or the other one (of course I don’t remember exactly when), I went to a nice pub called On the Rocks, and there was this cover band playing some classics from Queen, Rolling Stones etc., when they played another powerful heavy song in Finnish called Taivas Lyö Tulta from that same band, and that was more than enough to make me ask a guy at the pub the name of the band and run to a record store the next day to buy their album. This is the story of how I discovered the Power Metal band Teräsbetoni (“Reinforced Concrete” in English) and bought their debut album, the almost perfect Metallitotuus (“Metal Truth” in English), one of the best, if not THE best, Power Metal album of the past 10 years at least (and a million light-years better than anything Manowar has produced since Louder Than Hell).

terasbetoniThe album starts in the most powerful way possible with a track that has the same name as the band, Teräsbetoni (Reinforced Concrete), which could easily be used as the Finnish National Army’s anthem. It’s impossible not to compare each part of the song with some old Manowar classics, and I’m pretty sure that was the band’s original intention. The next track is one of my favorites: Älä Kerro Meille (Don’t Tell Us) has an amazing riff and the lyrics have that message about the fight for freedom and making your own decisions. Then comes my top Teräsbetoni track of all, not only of this album: Taivas Lyö Tulta (Sky Strikes Fire) is the perfect “battle track”, with a superb chorus that even if you don’t know a single word in Finnish you’ll start singing it as soon as you listen to it. This is a masterpiece that could have been a Manowar classic in a parallel world, if Manowar hasn’t become the most arrogant and laziest band in the world of Heavy Metal.

The following tracks might not be as good as the first three, but they’re very interesting in terms of riffs and rhythm: Vahva Kuin Metalli (Strong as Metal) and Silmä Silmästä (Eye for an Eye). Then comes another instant classic called Metallisydän (Metal Heart), a beautiful ballad I heard for the first time at that heavy karaoke I mentioned and that until today makes my “metal heart” beat stronger, and the funny Orjatar (Slavewoman), which in my opinion was some kind of tribute (or joke?) to Manowar’s Pleasure Slave. Anyway, it’s an awesome tune for all headbanging girls of the world.

The last part of the album keeps the energy level up with the fast and heavy Tuonelaan (To the Underworld); the title-track Metallitotuus (Metal Truth); another of my favorites Voittamaton (Invincible), which has the most Manowar-ish riff and drums of all (it sounds a lot like Fighting the World); and the interesting Teräksen Varjo (Shadow of Steel). The ONLY crappy song of all is the last one, Maljanne Nostakaa (Raise Your Cup), not due to its instrumental which is fairly good, but the singing done by Arto Järvinen makes you skip this track and go back to the beginning of the album. It’s simply mediocre.

digipak

Metallitotuus special digipak front cover

The front cover is a piece of junk (albeit not as bad as this one, and besides you can be lucky to find the special digipak version anyway), Jarkko Ahola oversings 99% of the time, and their Manowar-ish lyrics didn’t add much to my limited Finnish vocabulary, but I don’t really care about those minor details. Metallitotuus is pure Heavy Metal, and a very exciting album to listen to at any occasion.

Teräsbetoni, as well as many excellent European bands, are really underrated in North America.  Add to that the fact they do not sing in English and are in an indefinite career hiatus and it seems absolutely impossible to see them one day playing live here in Canada. Anyway, despite all that, it’s a band definitely worth listening to, which has recorded some very good albums with Metallitotuus being their biggest masterpiece. Let’s just hope they get back in action, and that for the power of Odin they somehow come to Toronto for at least one single concert.

Best moments of the album: Taivas Lyö Tulta, Älä Kerro Meille, Metallisydän and Voittamaton.

Worst moments of the album: Maljanne Nostakaa, mainly due to the horrible singing as I mentioned before.

Released in 2005 Warner Music Finland

Track listing
1. Teräsbetoni 5:54
2. Älä Kerro Meille 3:29
3. Taivas Lyö Tulta 3:21
4. Vahva Kuin Metalli 3:02
5. Silmä Silmästä 3:41
6. Metallisydän 5:27
7. Orjatar 3:11
8. Tuonelaan 3:33
9. Metallitotuus 4:30
10. Voittamaton 3:50
11. Teräksen Varjo 4:32
12. Maljanne Nostakaa 6:05

Band members
Jarkko Ahola – lead vocals, bass
Arto Järvinen – guitar, vocals
Viljo Rantanen – guitar
Jari Kuokkanen – drums