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Interview – Geir Arne Dale (Humbucker)

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Excellent drummer (and a great guy too!) Geir Arne “The Cannon” Dale talks to The Headbanging Moose about the history of his Hard Rock band Humbucker, their excellent new album King of the World, the music scene in Norway, his “dream tour”, his favorite Canadian bands, among some other cool stuff. And, of course, he answers the mysterious question “Who is Dirty Nelly?”

GA LIVE HAUGESUNDThe Headbanging Moose: Let’s start with some details about the history of Humbucker: although the band was created back in 1998, it was only in 2012 with your debut album R.O.C.K.S that Humbucker really became alive. In addition to that, your official website states that “In 2000 the band had five original songs and made a demo that did not do any good for the band. In 2002, due to difficulties combining their day jobs with the rocking, the band called it a day and took a “vacation” that lasted until 2010!” What exactly happened with you guys? And why was that 2000 demo so harmful for the band?

Geir Arne Dale: Well, the demo wasn’t directly harmful for the band, but it was what it was. We didn’t have a singer back then for starters. Three of us shared the vocal duties and let’s face it: We’re better musicians than singers so the demo was made more for ourselves than to make something happen for us. But you know, we believed even back then in our stuff so we shipped it around a bit. Most of the record companies didn’t even answer us. And the few that did were very short in their description of the project’s future: “No!” 🙂

Back then we were only in it for fun, and in 2002 we thought a vacation would do us good as some of us changed day jobs and all of a sudden had to leave for weeks at a time so it became difficult to get the rehearsal routines going as they should. We also was, let’s say, a bit tired of each other I think after heavy partying for four years. We didn’t take it too serious back then. The focus was all wrong. We were all like Ace Frehley and Peter Criss. Taking all the fun right there and then, not caring about the future, so a break was needed. After eight years, in 2010 we started again to see if it still worked. It certainly did and after getting new singer Jan Boen in, we decided in 2012 we had everything we needed to make a record. The before mentioned five songs from 2000 were re-recorded and ended up all on the first album R.O.C.K.S, so something good came out of the old days eventually! The response from that album was mind-blowing and that gave us a reason to do another one as we have just done. Who would have thought that back in ‘02! 🙂

LogoTHM: The beautiful country of Norway is renowned for its many Black Metal bands, such as Mayhem, Burzum, Gorgoroth, Emperor, Dimmu Borgir, Satyricon and many others that pretty much helped define that music genre. How was it to grow up as a Hard Rocker in an essentially Black Metal country, and how difficult it is for any Hard Rock band to succeed there?

GAD: WOW! You’ve done your homework Sir! You know the black metal guys did their music and we did ours. It wasn’t hard at all cause in the eighties the melodic hard rock scene was just as big in Norway, if not bigger, and the two genres didn’t do too much together. The black metal bands from Norway have really set their marks on the world. They’ve done a great job for themselves for sure. And all these bands have created more interest for Norwegian rock in general too, so it’s all a good thing and I think everyone that does any kind of Norwegian rock owe these guys a big thank you. They’ve been excellent promoters for all of us.

THM: As mentioned in our album review, King of the World is a truly kickass Hard Rock album. How was the whole creative process for the album? What worked well, and what ideas did you guys have to give up because you felt they were not good enough?

GAD: The writing process was very relaxed as we wrote the songs in between gigs during last part of 2012 and during 2013. We were finished with the last song just a few weeks before we went into studio to start the album. Like I said before, we thought we would only make one album so we didn’t rush anything. We wrote the new songs just as much to widen our live set. When it was clear that we wanted to do a second album, we were almost there with the songs. We recorded drums and bass in our nearest town called Notodden with acclaimed engineer Njal Frode Lie. Then we moved the operation to Trondheim. That’s why we did the drums and bass in Notodden so we didn’t have to drag the drums to Trondheim which is pretty far from where we live.  We met up with one of Norway’s most decorated producers, Mr. Hallgeir Rustan. From a small country like Norway, he has produced albums that have sold worldwide some 25 million copies all together and he’s also produced over 40 Top-10 hits in the UK so he knows what he’s doing. I went to school with him in 86/87 and we’ve kept in touch from time to time since then. We all had a great time in the studio except Lars Stian, the bass player, who did his part in Notodden and had to stay home to perform his day job during the time we were in Trondheim. The atmosphere was great with lots of jokes being thrown around. Hallgeir has an incredible know-how when it comes to arranging songs and he did an amazing job for us. He’s the one who founded Stargate you know so he’s a guy who knows his business. When his two partners decided to move to the USA, he stayed home and is doing his thing from there. We can’t thank him enough for the job he did for us and co-producing with him is one of the nicest experiences I’ve had in years! I really hope we get to do it again ‘cause I think we then would be able to develop our music and sound further.

We’ll see… no one knows what the future brings, but I don’t see us do another album without Hallgeir… With Hallgeir to produce and engineer, Beau Hill to mix and master, Mr. Cordelières on the artwork and Hugh Gilmour to design the package and put everything together, we really feel we have found ourselves a “Dream Team” here! I can’t remember a thing that really didn’t work well actually. We had a great time working with this album and it was all a joy.

THM: This question might sound silly, but one of the best songs of the album, Dirty Nelly, seems to be inspired by some special girl. Who’s she? What’s the story behind that song?

KING OF THE WORLD PIC - BAND stone3GAD: Hahaha! Well, it’s a cool question cause it could very well be for real but I’m very happy  to say it’s not!:-) I wrote that song so I can tell you it’s all pure fiction. I’ve never, thank GOD, experienced a girl like that. At least not that I can remember…and I think I would have! BUT: There’s probably thousands of “Dirty Nellys” out there and guys who wonder what their baby’s up when she comes home with the morning light with her boots in her hands so who knows…maybe someone will recognize the situation…:-) Thank you for liking the song.  I appreciate that. It’s one of my favorites on the album too!

THM: How about your tour plans to promote the new album? Are you playing only in Norway, or are there already any dates being scheduled for other European countries and even other parts of the world, like North America?

GAD: We are going to tour Norway as much as we can this year. You know, it’s easiest for us as we’re here. But in September we plan to embark on a month and a half tour in Europe. We would most certainly love to tour North America if we could! We have a lot of favorites from that part of the world: Coney Hatch, Triumph, Loverboy, Rush…you guys have produced some serious rock bands during the years so we’ll do it if we can. Only trouble is that it’s so damn expensive you know, so we will have to see how the new album does for a starter and take it from there. But who knows? We would love to shake hands with you at a show one day Sir!:-)

THM: What would be Humbucker’s “dream tour”, I mean, which bands would you just love to go on tour together, and why?

GAD: That’s a great question and a very tricky one to answer actually…there’s so many…but if I have to mention one band, I think maybe a tour with Whitesnake would be great for us. Mainly because of the audience. I think the audience would have picked up on us a bit too as both bands represents the same time period in music style. I think a lot of their fans would have like our stuff too, so some gigs with them would have done us real good…

THM: When Humbucker started in 1998, Hard Rock was still really big on the radio and TV, fans loved buying the albums of their favorite bands, and there were no such thing as illegal downloads, so it was basically a paradise for any new Hard Rock bands and an easier path to success. On the other hand, nowadays any new or independent band has to work their asses off to get some recognition, and even so no monetary return is guaranteed. How do you see this evolution of music and media, and how does it impact what Humbucker are doing or plan to do in the future?

Humbucker_KOTW

Album Review – Humbucker / King of the World (2014)

GAD: It’s really hard to say what will happen. All I know is that if people keep wanting music without paying for it, I think the music scene will be very boring in a few years. When all the old heroes and arena bands are gone, few can take over cause they will never get there ‘cause of devastating income. It costs a lot to keep a band alive and if you don’t get a radio hit or something on TV, it’s very hard to make it to arena-level just by touring. I think that if we want new arena bands to continue we just have to pay for their music, simple as that.

But the world moves on you know so we have to adapt in a way. I’m just not sure that we will ever have the time we had in the eighties and early nineties again. We probably never will, but one can only carry on as long as possible and hope something “happens”… My only advice to people would be: Buy the music! Everyone can afford it so why not? Music business today with all the piracy and streaming is like asking a carpenter to build you a new dog house for your Shetland Sheepdog…after putting a lot of work into it, after he’s made an awesome place for your dog, you don’t want to pay him for his work? I just don’t get that…..

Our mixer/masterer Beau Hill in the US said that if we had released this music in the eighties, we would have been instant worldwide dominators. Today that’s not possible. That says a lot…

THM: The album art from King of the World is awesome and couldn’t be more Hard Rock than that. Why and how did you choose Ludovic Cordelières of Rusalka Design for designing the front cover, and how much did the band influence on his process of generating it?

GAD: Thank you very much for those nice words! I appreciate you bringing that up because Mr. Cordelières most certainly deserves it! If you want to see how he made it, and other amazing artworks of his, please visit his website at www.rusalkadesign.com. For an album called “King Of The World”, I don’t think anyone could have made a better cover! It’s just the perfect thing…That “guy” on the cover IS the king of the world! 🙂

The cover was an already existing artwork of Cordelières called “Monarch”. I was searching the internet for pictures to use for the cover (The album was originally going to be called “One Size Fits All”) when his site turned up. I looked at this picture and as we also had a song called “King Of The World” on the album, I just thought that would be perfect and totally awesome for the title and we talked about it at rehearsal and decided to go for it. I then sent Ludovic a mail asking if he would let us use it. Luckily he answered back with a clear yes, and I then asked if we could add some stuff and suggested a couple of things added to make it more “Humbucker-ish” to put it that way and he didn’t mind at all. He’s a fantastic guy and I loved working with him. Everything came back with exactly the right addings and it turned out great. We added the “R.O.C.K.S.” cover under the left foot there and added some more instruments, had our “H” placed on the hat and “Priscilla” on the nametag on the honey box. “Priscilla” is a song title from our debut album, so people who have that album knows “who’s there”… That’s pretty much it. The rest is the original artwork. I asked Hugh Gilmour what he thought of it and he said: “It’s classic, a bit provocative and very rock and roll! I Love it!”  For us that means: Perfect! 🙂

KING OF THE WORLD BOOKLET center pic 2 copyTHM: How much do you know about Canadian Heavy Metal and Hard Rock? Are any Canadian bands part of your day-to-day playlist? If so, which are your favorite ones and why?

GAD: Personally, that’s a very easy question to answer. There’s a lot of great Canadian bands! Always was too! I have to say I’m a huge Coney Hatch fan! “This ain’t love” is one of my favourite songs to date! I love the drum sound on that record! I was stunned when I heard it and I still enjoy listen to them today. Triumph is another favorite. I think that the “All The King’s Horses/Carry On The Flame” track from their “Surveillance” album is one of the finest pieces of music ever made in the genre. The groove and tempo when “Carry On…” takes over is just awesome! And the vocal lines on that song are amazing with one of the coolest “bridges” out there. (As a matter of fact, I had to listen to it again as we speak!) I think Thom Trumbo did a phenomenal job producing that album at the time. Again with a great drum sound exactly as I like it! I had my youth time in the eighties you know so there you go… 🙂

THM: Thanks a lot for the interview. Do you have any final words to all Heavy Metal and Hard Rock fans worldwide, especially to the ones in Canada that have recently discovered the music from Humbucker?

GAD: Thank YOU Sir! You know, we need all the help we can get in this business and fine people like yourself who devote your time to pick up bands that you don’t see on the cover of Rolling Stones Magazine every day, is fantastic! It’s really really helpful and very appreciated indeed! To the fans in Canada who like our music: We are honored that you do! And if you like “King Of The World”, please check out our debut album ‘R.O.C.K.S’ too! Due to change of distribution partners in Norway, the new album is unfortunately delayed worldwide but will be available at Amazon and wherever you buy your fine music during first half of April. We don’t take anything for guaranteed and every new fan is a thrill! If you want to join our Facebook page we would surely appreciate it! Just follow the link here: https://www.facebook.com/pages/Humbucker/194616527226293.

Please also visit our website at www.humbucker-rocks.com for more news on the band.

Thank you very much again and cheers to everyone from Norway!! 🙂

Links
Humbucker Official Website | Facebook | YouTube

Album Review – Humbucker / King of the World (2014)

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As the great Mick Jagger would say, I know it’s only Rock N’ Roll but I like it.

Rating4

Humbucker_KOTWWhat once was a cover band to AC/DC, Motörhead and other classic bands back in 1998 can now be considered a reality in the world of heavy music: Norwegian Hard Rockers Humbucker are definitely here to stay. After a huge hiatus from 2002 to 2010, when they got back together to finally record their debut album R.O.C.K.S between 2011 and 2012, it’s time for one of “Norway’s coolest and most hard-working rock bands” (according to the band itself!) to release their second album, the pure Hard Rock party King of the World.

Actually, the Hard Rock in King of the World is far away from being pure: it’s just that when I say “pure” I mean “dirty”, got it? Because pure Hard Rock must have dirty lyrics, dirty riffs and dirty musicians. Of course a band can be very dirty but professional at the same time, without losing that delightful raw musicality perfect for enjoying a beer with friends and family, and that’s exactly what Humbucker do in this album. This can already be seen in the opening track, “beautifully” named Self-Made Son Of A Bitch, which after its short bass intro turns into a motherfuckin’-drunk-kick ass Hard Rock song with an excellent chorus and everything it needs to become a hit.

One Size Fits All keeps the party moving with its very traditional Rock N’ Roll approach, and I truly believe this song was made to be played exclusively at a Rock N’ Roll pub full of beautiful girls, close friends and awesome beer. The same can be said about the title-track, King Of The World, which sounds a lot like a Hard Rock version for the all-time The Rolling Stones’ classic “It’s only Rock N’ Roll (But I Like It)”, and Gone Fishing, with its funny lyrics, heavy  riffs and rhythmic drums. In my opinion, the beginning of the album couldn’t have been any dirtier and more traditional than this.

Then come one of the best songs of the album, Dirty Nelly, a superb tribute to the good old Rock N’ Roll from the 60’s with some extra “spice” from the 80’s, and Harder Being Me, a generic ballad a la Mr. Big’s “Wild World” that doesn’t have the same punch of all previous tracks, but that doesn’t compromise the overall quality of the album by any means.

The last part of the album has its highs and lows: while Lone Rider has a nice metallic riff and is a pretty good song to hit the road, Lord Have Mercy and its country elements are not enough to make this song a memorable one. Hey You! raises the bar just a little with its nice guitar solos and cheesy chorus, and the last track of the album, I Did It All (Thank You & Goodnight!), is a goddamn awesome tribute to the one and only Motörhead, one of the biggest influences in the band’s career as previously mentioned.

HumbuckerMoreover, if you still have any energy (or beer?) left for some more thrilling Hard Rock, you’re going to love the bonus tracks Strongman, an excellent fast tune previously released by the band only as a single available for digital download, and a very competent cover version for Whitesnake’s Wine, Women An’ Song.

A very interesting fact about Humbucker is that the band is even selling special signed CD copies of King of the World in jewel case in their website, showing how much they care about their “baby” and, of course, their fans. And finally, we all have to admit how cool the album art is and give lots of kudos to the awesome French Photoshop artist Ludovic Cordelières of Rusalkadesign.com. If you have some free time, I really suggest you go check out the “making of” video and other details about Pattern Platform I: Monarch, the “name” of the art that became King of the World’s front cover, it’s really interesting.

In summary, are Humbucker an excellent Hard Rock band with very talented musicians? Yes. Are they trying to reinvent the wheel with their music? Not even a little. And that’s probably why they nailed it with King of the World: we all know it’s only Rock N’ Roll, but we certainly like it. Yes, we do.

Best moments of the album: Self-Made Son Of A Bitch, One Size Fits All, Dirty Nelly and I Did It All (Thank You & Goodnight!).

Worst moments of the album: Harder Being Me and Lord Have Mercy.

Released in 2014 Abysmal Sounds

Track listing
1. Self-Made Son Of A Bitch 2:40
2. One Size Fits All 3:17
3. King Of The World 2:41
4. Gone Fishing 3:07
5. Dirty Nelly 2:48
6. Harder Being Me 4:11
7. Lone Rider 3:41
8. Lord Have Mercy 4:11
9. Hey You! 3:25
10. I Did It All (Thank You & Goodnight!) 2:21

Bonus tracks
11. Wine, Women An’ Song (Whitesnake cover) 3:44
12. Strongman 3:41

Band members
Jan Anders “Longbeard” Bøen – lead vocals
John Petter “No Thanks” Pershaug – guitars
Vidar “Maniac” Svanheld – guitars
Lars Stian “Too Late” Havraas – bass
Geir Arne “The Cannon” Dale – drums

Metal Chick of the Month – Dani Nolden

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dani01

You know what I am… An angel with horns!

Brazil has a lot more to offer than just samba, caipirinha and half-naked mulatas dancing during Carnival. Especially in regards to women there, that stereotype really makes me sick: I guess not even 1% of the Brazilian girls are like that, and a very good example is the stunning Daniela Nolden, or simply Dani Nolden, lead singer of Brazilian Heavy Metal band Shadowside.

Dani Nolden was born on December 26, 1982 in the coastal city of Santos, Brazil, located about 70 km from the city of São Paulo and 500 km from the city of Rio de Janeiro. She started her life in music at the age of 8, taking piano lessons, but after she was introduced to bands such as Guns N’ Roses, Judas Priest and Skid Row, she took a completely different path of what their parents were expecting from her. She then became a Metal/Rock singer and songwriter, being with many independent bands until founding Shadowside back in 2001. The band then reached some success and status in the world of heavy music in its first year of existence, being one of the opening bands for the South American/Brazilian tours of Nightwish and Primal Fear.

In the following years, Dani Nolden and her band Shadowside literally “went places”: in 2006, Shadowside supported German Heavy Metal icons Helloween during their tour in Brazil; in 2007, the band won the AirPlay Direct‘s  “All Things Digital Hard Rock/Heavy Metal” among over 1,000 bands worldwide; and due to that exposure they signed a major worldwide deal and began touring the United States, Europe and South America, performing with bands such as Iron Maiden, W.A.S.P., Kittie, Sepultura and Temple of Brutality (feat. David Ellefson of Megadeth). One of Dani’s career highlights happened during Shadowside’s first US tour in 2008, at the Flight of the Valkyries festival in St. Paul, Minnesota, when she shared the stage with American heavy metal band Benedictum for a few Dio cover songs as part of an exclusive performance.

To date, Dani has recorded one EP and three full-length albums with Shadowside, being responsible for the vocals and keyboards in all recordings: Shadowside – Demo EP (2001), Theatre of Shadows (2005), Dare to Dream (2009), and Inner Monster Out (2011). By the way, the album Theatre of Shadows brings an awesome cover version for Dio’s unique classic Rainbow in the Dark, where Dani beautifully shows all her vocal range and potency. Besides Shadowside, Dani has also played with the symphonic band Sphaera Rock Orchestra, a project created by musician Alexey Kurkdjian that mixes Classical and Rock music, and appeared as a guest vocalist with the Brazilian Power Metal band Soulspell during their 2011 tour. She also works as a music consultant for the company The Ultimate Music when she’s not recording or on tour with her band.

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Her biggest influences in music include Heavy Metal legends Iron Maiden, Helloween, Nightwish and Sepultura, Hard Rock giants W.A.S.P., Skid Row and Guns N’ Roses, and more modern or contemporary bands like Disturbed, Soilwork and Rammstein. Moreover, she mentioned in an interview that if she had to choose only one band or artist for the “tour of her dreams”, that band would certainly be Iron Maiden. Up the Irons, Dani!

Last but not least, when this gorgeous metalhead is not doing anything related to her career with Shadowside, she enjoys playing videogames, reading books, watching movies, surfing, and practicing Kung Fu. She also loves soccer, which might be her biggest Brazilian characteristic, even being a teenage soccer player before having to abandon that potential career due to her increasing amount of work and tours with Shadowside. I know the world of heavy music is a lot better with Dani Nolden as a Heavy Metal singer rather than as a soccer player, but I guess no one would mind watching a simply stunning epic duel between our “Metal Chick of the Month” for Brazil and Hope Solo for the United States, don’t you agree? At least visually speaking, that would be a lot more pleasant to watch than any of the matches between Messi and Cristiano Ronaldo.

Dani Nolden’s Official Facebook page
Dani Nolden’s Official Twitter

“Dare to dream, it just might come true!” – Dani Nolden

Album Review – Adrenaline Mob / Men of Honor (2014)

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How to waste time and talent from exceptional musicians in a supergroup.

Rating7

amob_men of honorThe world of the so-called supergroups is a mixed bag of awesome bands such as Velvet Revolver, Chickenfoot and Charred Walls of the Damned, but at the same time lots of terrible ideas like Zwan, Loaded and Symfonia, which makes many fans kind of skeptical when their biggest idols decide to join some other famous musicians in a new music journey. We can say that Adrenaline Mob, the supergroup formed by Russell Allen (Symphony X), Mike Orlando, John Moyer (Disturbed) and A.J. Pero (Twisted Sister), is part of the “bad ideas” group: it is just a regular Hard Rock project were all musicians seem to be underutilized. That generic musicality was the main issue with their debut album Omertà, and now the same happens with their second full-length album, Men of Honor.

After the departure of Mike Portnoy (ex-Dream Theater), fans and the media were asking what would be of the band and if they would create something really different and unique in their future releases. Although I’ve never been a fan of Portnoy (I truly prefer drummers with more feeling like Nicko McBrain, Clive Burr, Dave Lombardo and Jörg Michael), I must admit A. J. Pero didn’t make much of a difference in Adrenaline Mob’s music. The album starts in a promising way with Mob Is Back, a pure Hard Rock song with very interesting solos and rhythm, but then it gets too generic with Come on Get Up, which despite its heavy riff offers nothing new, and Dearly Departed, one of the worst of the whole album.

amobThings do not get better with Behind These Eyes, a very boring semi-acoustic ballad made for radio, nor with Let It Go, which bass lines remind me of some Disturbed songs. The next track, Feel the Adrenaline, is the heavier one of the album, and its nice bass lines and chorus make it the best song of the album by far. The title-track, Men of Honor, is another forgettable generic Hard Rock song, while the ballad Crystal Clear is so boring it seems the band really wanted to torture us with it. Fortunately, the band wakes up in House of Lies, but again nothing that would blow our minds creatively speaking.

The last two tracks of the album are Judgment Day, which has a cool intro, heavy riffs, and even sounds like some good tunes from Chrome Division, and Fallin’ to Pieces,  one more torturing ballad to complete our disappointment with the album. And that’s it, there’s not much else to say about Men of Honor, except that the album art looks exactly the same as their previous release and that the lyrics mean absolutely nothing.

In my opinion, Men of Honor is slightly better than its predecessor (maybe due to the departure of the overrated Portnoy?), but again it doesn’t offer anything new to the audience. It’s unfortunately a waste of talent of all musicians involved: it might not be bad music, but we know those guys can generate something a lot more complex and interesting than some generic Hard Rock any amateur band can do.

Best moments of the album: Mob Is Back and Feel the Adrenaline.

Worst moments of the album: Deadly Departed, Behind These Eyes and Crystal Clear.

Released in 2014 Century Media

Track listing
1. Mob Is Back 4:34
2. Come on Get Up 4:12
3. Dearly Departed 4:57
4. Behind These Eyes 5:35
5. Let It Go 3:54
6. Feel the Adrenaline 5:56
7. Men of Honor 4:26
8. Crystal Clear 5:03
9. House of Lies 3:56
10. Judgment Day 4:06
11. Fallin’ to Pieces 4:57

Bonus track
12. Crystal Clear (Acoustic Version) 5:03

Band members
Russell Allen – lead vocals
Mike Orlando – guitar
John Moyer – bass
A. J. Pero – drums

Album Review – Primal Fear / Delivering the Black (2014)

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Primal Fear once again deliver the awesome.

Rating2

Primalfeardeliveringtheblack2014I remember back in the 90’s when Ralf Scheepers left Gamma Ray to form Primal Fear together with bassist Mat Sinner and that some people started calling them a “Judas Priest tribute band”, especially after Ralf not being called to replace Halford in the Priest itself. Well, I’ve always disagreed with that theory due to the fact that you cannot judge a band just because of their music style or type of vocal. In my opinion, you have to see the big picture and analyze the overall contribution of the band to the world of heavy music. Otherwise, we can say every band is like a “Black Sabbath or The Beatles tribute band”, right? Anyway, this incredible German band has always provided us some high quality Heavy Metal, with amazing albums such as Jaws of Death, Seven Seals and 16.6 (Before the Devil Knows You’re Dead), and now the “metal eagle” has landed one more time with Delivering the Black, their tenth studio album and I dare to say their best since Seven Seals.

Why not starting the album with a ferocious kick right in the middle of your face? That’s exactly what the band does with the fantastic King For a Day, an epitome of pure Heavy Metal with its perfect riffs, fast drums, amazing solos, and a Ralf Scheepers singing better than ever. It seems he’s following the same path of some of the greatest vocalists of all time like Bruce, Halford and Dio: the older he gets, the better his voice is. Moreover, this track will be perfect as the opening song of their upcoming world tour, as it’s impossible not to bang your head from the very first second.

Primal FearWhy not continuing with the headbanging massacre? It looks like Ralf, Mat & Co. were tired of so much annoyance in the world of music and decided to counter-attack with the heavy and fast song Rebel Faction, where Canadian drummer Randy Black “kindly” reminds us that Canada is still a Heavy Metal nation, and not the pop garbage we see on TV. It’s indeed another track fans will love to see the band playing live. Then comes the first single of the album, When Death Comes Knocking,  which despite not being as incredible as the two initial tracks, is still very powerful and has some good lyrics to sing along with the band (“When death comes knocking / I stand my ground / And I won’t go down / My name stays immortal”), followed by another amazing track called Alive & On Fire, a very traditional Primal Fear track with a Hard Rock approach, perfect for Mat and his strong bass lines. And have I already mentioned that Ralf is on fire in this album?

Primal Fear keep on rockin’ with the title-track, Delivering the Black, another fast tune with great solos, riffs, drums, chorus, in other words, it has the full package! By the way, when you reach this song you’ll already be able to notice how direct their music is in the whole album, with no additional elements or any other bullshit: it’s pure Heavy Metal, just the way we love it. And this metal feast continues in Road to Asylum, with a beautiful combination of Ralf’s powerful voice and Randy’s rhythmic drums. The next track is the longest of all, One Night in December, which is a song with a somber intro, beautiful piano and excellent guitar lines, making it sound as if it had only 3 or 4 minutes, followed by Never Pray For Justice  with its “chainsaw” intro and 100% Heavy Metal sonority.

PRIMAL FEAR DTB deluxe edition

Delivering the Black deluxe edition

The last two tracks of this Heavy Metal avalanche are the lovely ballad Born With a Broken Heart, which gets even better in the Japanese edition of the album as it has the gorgeous Norwegian singer Liv Kristine (Theatre of Tragedy, Leaves’ Eyes) also on vocals, and the fierce Inseminoid teaching us what traditional heavy music must sound like. And if I were you I would purchase the deluxe edition of Delivering the Black, as it also contains a couple of interesting bonus tracks, as well as a DVD containing two music videos and the making of the album. The album art is as good as usual, with Primal Fear’s own mascot, the Metal Eagle, spreading its wings ready to soar, just like the band is ready to rock the world once again.

To sum up, the partnership between Ralf and Mat, which has always been amazing, is definitely getting better and better and Delivering the Black is the perfect representation of their total synergy together. Primal Fear is one of those bands that remind us why METAL IS FOREVER, and I can’t wait to see them live here in Toronto on May 3 “delivering the black”. By the way, I wouldn’t complain if they suddenly played the new album in its entirety, because it’s fuckin’ awesome. Long Live Primal Fear!

Best moments of the album: King For a Day, Rebel Faction, Alive & On Fire and Delivering the Black.

Worst moments of the album: Never Pray For Justice, but not because it’s a bad song. It’s just the less awesome of all.

Released in 2014 Frontier Records

Track listing
1. King For a Day 3:44
2. Rebel Faction 4:41
3. When Death Comes Knocking 6:58
4. Alive & On Fire 4:48
5. Delivering the Black 4:01
6. Road to Asylum 3:48
7. One Night in December 9:18
8. Never Pray For Justice 4:23
9. Born With a Broken Heart 4:36
10. Inseminoid 5:01

Deluxe edition bonus tracks
11. Innocent Man 4:12
12. Man Without Shadow 4:03
13. When Death Comes Knocking (single edit) 4:25

Japanese edition bonus track
14. Born With a Broken Heart (edit version) 4:13

Band members
Ralf Scheepers – vocals
Mat Sinner – bass, backing vocals
Magnus Karlsson – guitars, keyboards
Alex Beyrodt – guitars
Randy Black – drums

Guest musicians
Liv Kristine – vocals on “Born With A Broken Heart” (Japanese edition bonus track)

Album Review – Chrome Division / Infernal Rock Eternal (2014)

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Not a great disappointment, but not a great album either from a band that can deliver a lot more than this.

Rating6

CoverWhen the Norwegian band Chrome Division started as a side project from Shagrath, the leader of Dimmu Borgir, and Lex Icon, founder of The Kovenant, releasing the awesome album Doomsday Rock ‘N Roll in 2006, and Booze, Broads and Beelzebub after that in 2008,  the world of heavy music opened a big fuckin’ smile with their interesting mix of Heavy Metal, Hard Rock and pure Rock N’ Roll, or as the band itself likes to call it, “Dirty Doomsday Rock and Roll”. However, after vocalist Eddie Guz left the band in 2008, the quality of their compositions went down and it doesn’t look like they will recover from that fall in the short-term. Their following album, 3rd Round Knock Out, from 2011, wasn’t as good as its predecessors, and now with Infernal Rock Eternal once again they release an album way below their musical capacity.

Good Morning Riot is just an acoustic intro, similar to what Volbeat have been doing lately in their albums, that prepares the listener for what comes next: Endless Nights was the first single released by the band for this new album, including a very well-produced music video with a huge mistake: where are the famous half-naked sexy girls in the video? And what’s with all the Bon Jovi-ish wah-wah’s? Anyway, it’s a good and direct Rock N’ Roll song that will please even who’s not a fan of the band. The following track, (She’s) Hot Tonight, despite being good and with a hint of Motörhead in it sounds too commercial for what Chrome Division usually does, while on the other hand The Absinthe Voyage shows an excellent work with the guitars and a heavier approach similar to what they used to do in their previous albums.

BandHowever, after that the problems with the album get really serious: Lady Of Perpetual Sorrow has a pleasant acoustic intro, but lacks a lot more creativity and energy, getting too boring after a while; the same happens with the uninspired The Moonshine Years with its generic heavy riff. Fortunately the next song, No Bet For Free, is a lot more more Rock N’ Roll, full of interesting solos and a good performance by Shady Blue, but the quality goes down again with On The Run Again, which is just a regular song with a good rhythm. Then comes Mistress In Madness which has a very decent start, but then gets back to the same generic level until the end. Reaper On The Hunt has that dirty sound we learned to enjoy from the band’s old songs, and it suits Shady’s voice a lot better, while You’re Dead Now is another slow-paced generic song. The album ends with the awesome Ol, a very “Motörhead” track that is way better than most of the other songs, and if you get the digipak you can also enjoy the good bonus track called Dirty Dog, which is worth the investment in this special version of the album.

In summary, although Infernal Rock Eternal cannot be considered a bad album, it’s not even close to the awesomeness of Doomsday Rock ‘N Roll. Shady Blue is not a bad singer, not at all, but he lacks more punch and so far hasn’t been able to add the same value to the band as Eddie Guz used to. Honestly, I was expecting a lot more from a band that has already created such masterpieces like Serial Killer, Breathe Easy, The Angel Falls and Booze, Broads and Beelzebub, but it looks like Chrome Division cannot get to that same level of music again, or maybe they do not want to, as a more polished and commercial approach might mean more money in their pockets. I really hope that’s not the reason for what the band is doing nowadays, and that they can get back to that dirty old music we like so much soon.

Best moments of the album: The Absynthe Voyage, No Bet For Free and Ol.

Worst moments of the album: Lady Of Perpetual Sorrow, The Moonshine Years and You’re Dead Now.

Released in 2014 Nuclear Blast

Track listing
1. Good Morning Riot 1:28
2. Endless Nights 4:44
3. (She’s) Hot Tonight 3:46
4. The Absinthe Voyage 5:05
5. Lady Of Perpetual Sorrow 5:33
6. The Moonshine Years 5:59
7. No Bet For Free 4:37
8. On The Run Again 4:42
9. Mistress In Madness 5:07
10. Reaper On The Hunt 4:07
11. You’re Dead Now 5:17
12. Ol 3:24

Digipak edition bonus track
13. Dirty Dog (Bonus Track) 3:28

Band members
Shady Blue – vocals
Shagrath – guitar & backing vocals
Damage Karlsen – lead guitar & backing vocals
Ogee Ferrari – bass guitar & backing vocals
Tony White – drums

Album Review – Axel Rudi Pell / Into the Storm (2014)

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A fantastic “storm” of heavy riffs and solos by one of the best Hard Rock/Heavy Metal guitar players from Germany.

Rating3

CoverAs I mentioned here, 2014 is becoming an excellent year for Heavy Metal. The 53-year old German guitar player Axel Rudi Pell, who has been on the road since 1981, has just released his sixteenth studio album, Into the Storm, and the final result is so pleasant that it will be hard for any headbanger not to enjoy it.

The only change in the band from the previous albums, since 1998, is Bobby Rondinelli on drums replacing the beast Mike Terrana, but that didn’t affect the quality of the music negatively: Mr. Axel Rudi Pell is one of those guys that really masters the art of shredding and playing amazing solos without sounding stupid or arrogant, and that also uses his gift to leverage the whole band’s potential instead of only showing off himself, making the final result always above average.

After the nice intro The Inquisitorial Procedure, the band already provides us one of the top moments of the album with the song Tower of Lies, which sounds like a Heavy Metal tune from the 80’s with  excellent riffs and Johnny Gioeli doing a superb job on vocals, and of course a unique solo from Pell. The energy level remains high with Long Way To Go, a pure Hard Rock composition which reminds me of some old Axel Rudi Pell songs, and it’s also a highly recommended track for a road trip or for a sports TV commercial. Then comes Burning Chains, another one of my favorites with its awesome intro and constant duo between Mr. Pell on the guitar and Ferdy Doernberg on the keyboards. This song will become a fan favorite for sure, especially for the band’s live performances.

The amazing ballad When Truth Hurts has beautiful lyrics and shows another great performance by Johnny on vocals, and easily explains why Mr. Pell already has four ballad albums in his career. The guy is a “ballad genius”! Things speed up with Changing Times and its cool keyboards, dirty riffs and another classic solo, while Touching Heaven, despite being a good quality Hard Rock song, doesn’t add much to the album. The same happens with High Above: the rest of the album is so awesome that this song sounds weak compared to the others, although it’s pretty good too. The way, this song is probably what Bon Jovi could have been doing if he had a heavier approach or a guitar player like Mr. Pell by his side.

Axel Rudi Pell 2014Hey Hey My My is an outstanding version for one of Neil Young’s greatest hits, with Johnny doing a brilliant job one more time. That’s one of those songs that confirms why this excellent American singer has been with the band for such a long time, since the album Oceans Of Time. The last song of the album is the title-track, Into the Storm, an epic song with a great atmosphere in its more than 10 minutes of duration and another good example of how to compose long songs without sounding boring after a while. Furthermore, the digipak edition brings two very interesting bonus tracks: the instrumental White Cats (Opus #6 Scivolare), and a cover version for Ritchie Blackmore’s Way to Mandalay, most probably as a tribute to one of Mr. Pell’s biggest influences.

And last but not least, I was going to give Into the Storm a 3.5, but I couldn’t find a reason not to give it a 4.0 after listening to it for a couple of times. Besides, the album art is so marvelous that it helped raise the album’s rating a little. As previously mentioned, it’s hard to find an album in the career of this great German guitar player that doesn’t make you start playing air guitar, bang your head or simply sing along with his beautiful ballads. I don’t know if Into the Storm is going to be one of the best albums of 2014, but I know that it will be hard for most of the other bands to beat it in terms of quality, musicality and feeling.

Best moments of the album: Tower of Lies, Burning Chains, When Truth Hurts and Hey Hey My My.

Worst moments of the album: Touching Heaven and High Above.

Released in 2014 SPV/Steamhammer

Track listing
1. The Inquisitorial Procedure (intro) 1:48
2. Tower of Lies 4:26
3. Long Way To Go 5:32
4. Burning Chains 5:23
5. When Truth Hurts 6:46
6. Changing Times 6:05
7. Touching Heaven 7:02
8. High Above 4:49
9. Hey Hey My My (Neil young cover) 5:02
10. Into the Storm 10:35

Digipak edition bonus tracks
11. White Cats (Opus #6 Scivolare) 4:54
12. Way to Mandalay (Blackmore’s Night cover) 7:52

Band members
Axel Rudi Pell – guitar
Johnny Gioeli – vocals
Volker Krawczak – bass
Bobby Rondinelli – drums
Ferdy Doernberg – keyboards

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2013

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Christmas is just around the corner, and it’s that time of the year where our ears are tortured by those boring old songs (unless you listen to something like this, the best Christmas song ever!), but at least our stomachs are rewarded with some delicious food and drinks. It’s time to look back and see what went right in our lives, our mistakes, and make plans for the coming year. And why not listing the best Heavy Metal and Hard Rock albums of 2013, which pretty much constituted the soundtrack of both our good and bad moments this year? Here are my top 10 albums of 2013, excluding EP’s, best of and live albums. I hope you enjoy the list!

Helloween_Straight Out of Hell1. Helloween – Straight Out of Hell
The German Power Metal masters are back with their most awesome album since The Time of the Oath.
Best song of the album: Straight Out of Hell

Chthonic-Bu-Tik2. Chthonic – Bú-Tik (REVIEW)
The best Heavy Metal band of the East delivers another superb album full of strength and creativity.
Best song of the album: Defenders of Bú-Tik Palace

TriviumVengeance3. Trivium – Vengeance Falls (REVIEW)
A brilliant lesson in heavy and fast riffs from Matt Heafy and his crew, proving why they are a reference in the world of heavy music.
Best song of the album: Brave This Storm

Outlaw_Gentlemen_&_Shady_Ladies_Album_Cover4. Volbeat – Outlaw Gentlemen & Shady Ladies
This band from beautiful Denmark takes another huge step to conquer the world of music.
Best song of the album: Dead But Rising

Serpents_Unleashed5. Skeletonwitch – Serpents Unleashed (REVIEW)
A magnificent and gruesome Thrash/Death Metal album from one of the most prominent new bands in the U.S.
Best song of the album: I Am Of Death (Hell Has Arrived)

Motörhead_Aftershock6. Motörhead – Aftershock (REVIEW)
Do you enjoy some good old Rock N’ Roll? If so, you must listen to this album.
Best song of the album: Do You Believe

Nemesis_by_Stratovarius7. Stratovarius – Nemesis
Stratovarius delivers an amazing album, their best since Timo Tolkki left the band in 2009.
Best song of the album: Halcyon Days

Amon-Amarth-Deciever-of-the-Gods8. Amon Amarth – Deceiver of the Gods
Not as unique as Surtur Rising, but still a mighty and powerful album from this Swedish Melodic Death Metal band.
Best song of the album: Father of the Wolf

Black_Dog_Barking_(Album_Cover)9. Airbourne – Black Dog Barking
As long as our mates from Down Under are alive, Rock N’ Roll will never die. Get ready to rock!
Best song of the album: Live It Up

SuperCollider10. Megadeth – Super Collider
“MegaDave” and his band return with a very interesting mix of Heavy Metal, Hard Rock, Country and Folk music.
Best song of the album: Kingmaker

And here are the other albums that would make my top 20 list this year:

11. Black Sabbath – 13
12. Lordi – To Beast or Not to Beast
13. Carcass – Surgical Steel
14. Tarja – Colours in the Dark (REVIEW)
15. DevilDriver – Winter Kills (REVIEW)
16. Sepultura – The Mediator Between Head and Hands Must Be the Heart (REVIEW)
17. Children of Bodom – Halo of Blood
18. Six Feet Under – Unborn
19. Dream Theater – Dream Theater
20. Pink Cream 69 – Ceremonial

These are some of the new releases already announced for 2014 that deserve to be listened to, and that will most probably be reviewed on this blog:

Axel Rudi Pell – Into The Storm
Chrome Division – Infernal Rock Eternal
Iced Earth – Plagues Of Babylon
Primal Fear – Delivering The Black
Gamma Ray – Empire of the Undead
Within Temptation – Hydra
Steel Panther – All You Can Eat
Behemoth – The Satanist

And finally, maybe we’ll have brand new material from giants such as Iron Maiden, Slayer and Judas Priest, who knows? Or something new from great bands that have been “quiet” for a good period of time like Exodus, Arch Enemy, In Flames, Cannibal Corpse, Testament, The Agonist, among others. Let’s wait and see, or even better, let’s wait and LISTEN!

Metal Xmas and a Headbanging New Year! See you in 2014!

Metal Chick of the Month – Mia Coldheart

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Rock Me Like The Devil!

Despite the fact that Angela Gossow is German, she is the lead singer of a Swedish band, so let’s stay around that same country for the second edition of the Metal Chick of the Month. This time I’m going to talk about Mia Coldheart, the lead singer and guitar of the awesome all-female hard rock band Crucified Barbara. Actually, I could talk about all four girls from the band, but let’s focus on one at a time to avoid any heart attacks, right?

Of course her last name is not Coldheart, and I’m pretty sure she doesn’t have a cold heart at all. Her real name is Mia Karlsson and she was born on August 21, 1980 in the municipality of Tyresö, located in the Stockholm County in Sweden. And as you can see, she’s the only non-blonde in the band, which doesn’t mean she’s less beautiful than the others. Quite the contrary, her long dark hair makes her stand out among the other girls, and adding to that her powerful voice we have the perfect recipe for not only an amazing singer, but for a true hard rock frontwoman.

I believe Crucified Barbara would not be the same successful band without Mia’s voice. However, for those who don’t know it, the band started as a punk rock band back in 1998 and at that time she used to play the guitar only (unfortunately, I couldn’t finds any old material of the band to show how their music was). She became the lead singer of the band in 2003, just a couple of years before the band released their debut album, and in less than 10 years she has become a reference for many hard rock female singers all over the world.

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One thing that always comes to my mind while listening to Mia Coldeheart singing are the similarities between her voice and Lzzy Hale’s voice, from Halestorm. However, I prefer Mia’s voice a thousand times, and in my opinion the only reason for Crucified Barbara not being as famous as Halestorm is the fact that they’re not from North America, as I mentioned here. Pay attention to Mia’s voice in different songs and you’ll see how versatile her voice is, from a soft and smooth singing in the ballad Count Me In to a more hard rock approach in Rock Me Like The Devil, and a true heavy metal voice in the Motörhead-ish song The Crucifier. Lzzy is a great singer, but her voice sounds the same in every song, and besides, I’ve had the chance to check Mia and Lzzy singing live in some videos and Mia kicks fuckin’ ass. Besides, she plays the guitar all the time while singing, not only in some songs. If you don’t trust me, take a look at Crucified Barbara playing Bad Hangover live at Sweden Rock Festival (also check how cool the Swedish language is) and you’ll see what i’m talking about!

Talking about Mia’s biggest influences in music, I saw an interview where she said she started to play guitar because of Nirvana and the whole Grunge music scene, but then she started listening to bands like Dream Theater, Megadeth, and Helloween, and guys like Marty Friedman helped define her guitar style. Regarding her vocals, she said her biggest influence was Gigi Hangach, from the band Phantom Blue, who by the way was her motivation to actually start singing heavy music.

Mia’s entire career has been built with Crucified Barbara only, with which she has recorded three albums so far: In Distortion We Trust (2005), ‘Til Death Do Us Party (2009), and their most recent and my favorite one called The Midnight Chase (2012). Besides that, she has just recorded some additional vocals to some material from a Swedish progressive metal band called Mind’s Eye in two of their albums (Walking on H20, from 2006, and A Gentleman’s Hurricane, from 2007).

If you’re a fan of Halestorm, but would like to listen to something faster and heavier, you will love Crucified Barbara and especially Mia Coldheart’s voice. She will rock you like the devil, I’m pretty sure about that.

Equipment
Gibson Flying V (Gothic 2001)
Mesa Boogie Dual Rectifier amp
Mesa Boogie 4×12 Rectifier cabinet
Rotosound strings 10-52

Personal website/blog
www.coldheart.se

“Don’t wait to find the perfect band. You can’t sit home and dream about a band. You have to get out, meet people, play with a lot of different people.” – Mia Coldheart

App Review – Heavy Metal Encyclopedia

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Excellent app if you are searching for more information about a specific Heavy Metal band, album or genre, or even browsing for something completely new.

Rating3

unnamedAs I’ve already mentioned a couple of times here and many other times in real life, if you really love Heavy Metal you MUST ignore MTV, Much Music or any other music channel available in Canada or anywhere else. What we see on TV is not real music, and not even close to what Heavy Metal really is, despite one or another band that reaches stardom like Iron Maiden or Metallica. But then again, what they show on TV from those bands is usually their worst material.

When I was a kid/teenager, I used to “hunt” for some new bands and musicians at a special place in São Paulo (Brazil) called Galeria do Rock, where I discovered bands such as Grave Digger, Running Wild, Stratovarius, Cannibal Corpse, Children of Bodom, Axel Rudi Pell, among many others. However, nowadays that place seems a bit useless with all the apps and information we can get with our computers and smartphones. That’s why I want to focus today on a not-so-new free app created to increase your knowledge of heavy music, called Heavy Metal Encyclopedia or simply HME.

screen568x568The name says everything: it’s an online encyclopedia specifically designed for Heavy Metal and Hard Rock, which means you will not find any crap like Lady Gaga or Backstreet Boys there. There are several different types of search and filters you can apply when using the app, for instance you can filter by the year the albums were launched, or by music genre such as Viking Metal, Metalcore, Classical and Brutal Death Metal.  My favorite filter is by country, mainly because I believe this is the most fun when searching for something unique or completely out of the mainstream. Did you know Andorra has 3 Metal bands? What about Uruguay with 98 bands, South Korea with 175 or Oman with only one band called Arabia, which surprisingly plays Black Metal?

Or maybe you want to be a little bit more conservative and start with an already famous band. Let’s get for example our friends from the Big 4, Anthrax: with the HME app, you can read about their history, check all their discography including classic albums like Among the Living or their most recent release Worship Music, as well as check some info from many related bands like Exodus, Kreator, Sodom, Slayer, Nuclear Assault etc. And if you have the Spotify app installed in your smartphone or tablet, you can also listen to many Anthrax tunes or music from almost all of the other bands available.

screen568x568 (1)I’m not sure how often new information is added to this app, or if anything new is being added there anymore. For example, I couldn’t find some of the 2013 releases like Trivium’s Vengeance Falls or Helloween’s Straight Out of Hell. Maybe the app has been abandoned, who knows. One more thing, I just don’t understand why bands like Queen, AC/DC, Bon Jovi, Steel Panther and Aerosmith are not available in the app. One might say it’s due to their music style, but why then others such as Motley Crüe, Poison and Deep Purple are there?

Finally, it’s also possible to share the info you discovered/found through Facebook, Twitter, AirDrop, message or email, and you can even use it together with the other app I reviewed here, Songza, to expand your horizons in the world of Heavy Metal by browsing for unconventional bands on HME and then searching for that band’s material on Songza. The options are limitless, unless of course the app is no longer active/being updated, then we can limit everything until 2011/12.

Get the free HME app
App Store | Google Play