A celebration of Canadian Heavy and Speed Metal offered by three of the must-see names of the current scene, setting one of the most iconic venues in Toronto on fire for our total delight.
What a night at the Bovine Sex Club this Thursday with the bands THE SCEPTER, ÜLTRA RAPTÖR and AMMO, celebrating the strength, quality and energy of Canadian Heavy and Speed Metal before the Easter long weekend during their Supersonic Steel Tour 2024. As a matter of fact, if the Friday before Easter is called “Good Friday”, then the whole night at the Bovine could have been named “Awesome Thursday”, a night of classic heavy music debauchery and shred from across Ontario and Quebec. The main reason my buddy Keith Ibbitson of Metal Paparazzi and I were invited to cover such an amazing event was due to our coverage of AMMO when they opened for Gloryhammer two weeks before at The Phoenix Concert Theatre, and I’m extremely happy the guys from AMMO invited us for their show on Thursday as I had to miss them opening for Gloryhammer because of work and traffic that day.
Also, I honestly didn’t think that the venue was going to be so jampacked Thursday night, not because of the quality of the bands, but because it was the night before the Easter long weekend as already mentioned, when most people have travel plans to meet their families in other cities, provinces, or even countries. Well, let’s say everyone who attended the gig on Thursday IS family, the united and healthy metal family of Toronto, and when Quebec City, Quebec-based Heavy/Speed Metal outfit ÜLTRA RAPTÖR began their incendiary concert, blending songs from their 2018 self-titled EP and their 2021 album Tyrants the likes of Missile (Metal Warrior), Gale Runner and Cadillacs and Dinosaurs, plus a brand new song titled Fossilized, from their upcoming album (to be released later this year), it was total anarchy, chaos, and mosh pits, with all fans at the venue having an amazing time while the band delivered fire and electricity (and dinosaurs) on stage. You can check more of their music on BandCamp and on Spotify, and please go see them live whenever you have a chance because they’re simply awesome (for instance, their drummer also plays with the fantastic Métal Noir Québécois horde Délétère), and as a bonus they have some ass-kicking merch for a very, very reasonable price. Merci pour ce concert incroyable, Ültra Raptör!
Setlist
Missile (Metal Warrior)
Highways of Ice
Under the Claw
Nightslasher
Gale Runner
Fossilized
The Quest for Relics
Cadillacs and Dinosaurs
Caustic Shower
Band members Phil T. Lung – vocals
Criss Raptör – guitars
Zoltan Saurus – guitars
Dick Van Heuß – bass
Tony Bronco – drums
Then after a beer, bathroom and chat break (and by the way, the house DJ did a superb job playing what was probably his own 90’s mixtape, blowing the house speakers with classics from Sepultura, Slayer, Anthrax, White Zombie and several other metal giants), it was time for Ottawa, Ontario’s own Heavy/Speed Metal act THE SCEPTER to deliver another breathtaking show for the total delight of everyone at the venue. The ONLY issue with their performance was that I couldn’t get the name of any of the songs played*, except for the amazing Shadows in the Tower, available on BandCamp and on Spotify. There was another song about drinking, but I have no idea how it is actually called (maybe just “Drink”, but I’m not sure). Apart form that, it was another incendiary feast of heavy music, with frontman Jesse Harvey having a stellar performance as well as guitarists Josh and Morgan, again igniting some fun circle pits and inspiring everyone to raise their horns and headbang together with the band. Hopefully they’ll get back to Toronto in the near future for another blast of Heavy and Speed Metal, and next time I promise I’ll get their setlist.
*Update: Thanks to Keith, we now have their setlist! Hell yeah!
Setlist Riding Out
Road to Mayhem
Where Art Thou?
Dunes
Taarakian Blood
Drink On
Protector of the Skies
Shadows in the Tower
Band members
Jesse Harvey – vocals
Josh – guitars
Morgan – guitars
Stew – bass
John – drums
No one at the Bovine seemed to care about the late start to the shows, as the main attraction of the night, Toronto, Ontario’s unstoppable Heavy Metal warriors AMMO kicked off their shredding feast when it was already close to midnight. Spearheaded by frontman Alex Zdarvkovic, and showcasing the flammable guitar duo formed of Brett Hexx and Matt Lewis, AMMO put on another fantastic show as the icing on the cake for the night, with songs like Street Metal Werewolves and Taking the Throne sounding amazing live. I don’t remember exactly when, but Toronto’s own super fan William Yum threw a pack of cheese curds on stage, and the band not only laughed about it, but they actually ate the cheese. Anyway, back to the music, which is what really matters, the last two songs of their setlist were simply flawless, starting with the metallic hymn Too Metal for Metal, which chorus was sung I full force by almost everyone at the venue, followed by their rendition of Manowar’s classic Hail and Kill, and apart of course from the cover song you can enjoy all of their awesome creations on BandCamp and on Spotify. As I mentioned before, I’m extremely happy I was able to see AMMO live after missing them opening for Gloryhammer, and I believe everyone who attended the show is eager for another killer show by those amazing musicians sooner than you can say “too metal for metal”.
Setlist Into Death
Street Metal Werewolves
Doomsayer
Taking the Throne
Empire
Too Metal for Metal
Hail and Kill (Manowar cover)
Band members
Alex Zdarvkovic – vocals
Brett Hexx – guitars, backing vocals
Matt Lewis – guitars
Necro Hippie – bass
Struan Robertson – drums
Heavy metal is our way! Loud and fast is what we want!
Happy 2023, my dear metalheads! Are you ready for another year of underground awesomeness here at The Heabanging Moose? I’m sure you are, and in order to properly kick off such promising year for heavy music let’s continue our tradition of honoring a badass bass player as our metal lady of the month of January, just like what we did in all previous years, sounds good? And you better get ready as our ruthless bassist will crush your skull with her rumbling bass and rebellious attitude, helping to put her homeland Switzerland in the map of Heavy and Power Metal together with her also extremely talented bandmates. I’m talking about Jeanine Grob, the red-haired bassist for Switzerland-based all-female Heavy/Power Metal coven Burning Witches. Having said that, it’s time to bang our heads and raise our horns to the sound of the thunderous bass by Jeanine Grob, and let the witches burn in the name of heavy music.
Born on June 4, 1990 in Brugg, a Swiss municipality and a town in the canton of Aargau, the talented Jeanine, or simply Jay as her friends like to call her, considers herself some sort of “novice” in music, as she explained that after meeting Romana Kalkuhl (rhythm guitarist with Atlas & Axis who had been looking for a cast for an all-female metal band for a long time) at a party she actually went to her music school for guitar lessons just for fun, but after a while Romana asked if she could handle the bass guitar. Needless to say, she fell in love with that instrument, and of course Romana asked her if she wanted to be part of her all-female band, leading to the creation of Burning Witches. “Romana is something of the fun factor. She didn’t start the band to be famous or anything like that. She just wants to have fun and see how an all-female band works. For me that was great. I could stand on stage with my best friend and bang my head. Never thought it would develop this far with the band,” commented Jeanine in one of her interviews.
It was during the spring of 2015 when Swiss Heavy/Power Metal act Burning Witches was officially formed by Romana, with Jeanine becoming the band’s first official member, later being joined by vocalist Seraina Telli, drummer Lala Frischknecht and guitarist Alea Wyss. Although there have been a few changes to the band’s lineup since their inception, Romana, Jeanine and Lala have remained as its core, with vocalist Laura Guldemond and guitarist Larissa Ernst being the other two current members of the band. As you all know, Laura is from the Netherlands, which means her mother tongue is Dutch and not German like the rest of the band, but that’s not an issue at all for the band according to Jeanine. “Our band language is now English. Of course, situations can arise from time to time in which you have to ask exactly what that was meant to prevent misunderstandings. But before we quarrel about it, let’s talk about it. But it’s definitely not a problem – and then there’s Google.”
When asked about how the band managed the transition from Seraina to Laura on vocals, and if there was a lot of pressure to find the right replacement for a much-vaunted frontwoman like Seraina as quickly as possible, Jeanine said that because Romana writes the music to sound like Burning Witches no matter what, there were no issues nor pressure during that period of change, complementing by saying she thinks Laura sounds even more metal than Seraina (although she considers both great vocalists). “And what makes us very happy, of course, is that Laura is very well received by the fans, and that is ultimately what counts. In terms of character, Laura fits perfectly into the band, she’s just as crazy as we are,” said Jeanine, who doesn’t know exactly where the band could go, while also saying the band would never change their style just to be more successful, and that it was never their declared goal to become such popular metal band. “Hey, we were allowed to perform in Wacken – the dream of every musician who is at home in the metal scene. But we kept our feet on the ground and didn’t take off. And I’m not planning where I want to be in five years, for example to tour with Iron Maiden. We take it as it comes and enjoy every single step!”
This slideshow requires JavaScript.
In terms of her idols and influences, Jeanine and the rest of the band are of course inspired by bands the likes of Iron Maiden, Judas Priest, Manowar, Amon Amarth, and Switzerland’s biggest metal band of all time, Celtic Frost, always listening to a variety of music ranging from Jazz to Extreme Metal. Our dauntless bassist is also a huge fan of Exodus, but of course she said the biggest dream tour for her would be with Iron Maiden or Judas Priest, saying she would probably faint if she could go on tour with Iron Maiden. Furthermore, as their musical roots are definitely in the 80’s, Jeanine said there are many parents who attend their concerts and take their kids with them, which certainly has a positive impact on the future of heavy music. Speaking about touring and the life on the road, Jeanine mentioned that playing at Bang Your Head, one of the biggest festivals in Germany, was a fantastic experience to the band and a moment that will be remembered by them. And when asked about the band’s cover version for Manowar’s classic Battle Hymn, Jeanine said that “we’re all Manowar fans and Romana had the brilliant idea of asking Ross The Boss to play on our cover version. And to our delight, he absolutely loved the idea. His bassist Michael Lepond (Symphony X) also found the suggestion exciting, and that’s how the whole thing got rolling.”
Jeanine also has an interesting view on the use of Spotify, YouTube and other streaming services today, and how they impact her music. “Everything is more fast-moving today, especially with all the media platforms that are now available. But I think the real fans who are interested in our music will listen to everything online as well. What was certainly better for us musicians in the past, when everything was still released on disk or CD, is that there were no platforms from which you could simply download music for free. A lot of people are not even aware that we musicians are not doing us any favors because we don’t get anything for our work. On the other hand, these new technologies also offer completely new possibilities. Nowadays it’s much easier to reach people and make them aware of us and our music. If you used to walk into a record store and see a CD from a band you’ve never heard of in your life, you probably hesitated rather than grabbing it spontaneously. Today you’re online, just listen to one or the other song, and if you like it, then you buy it. Everything has its pros and cons.”
In one of her interviews, Jeanine said she likes the fact that the Burning Witches are known as an all-girls group, complementing by pointing out to the importance of having more women in a male-dominated scene. “As a woman, it takes a lot of courage to stand up and fight to be taken seriously. When it all started for us back then, we had to fight against the prejudice that we didn’t set it all up ourselves. It was rumored that we first got a record deal and only then gave concerts, which of course is nonsense. And you really have to want success, because the music business isn’t always a bed of roses. What I can also imagine is that female bands quickly get in each other’s hair and then the whole thing falls apart quite quickly. Luckily, that’s not a risk for us, because we’re all very direct and open when dealing with each other and discuss differences of opinion straight away,” also saying that being called “witches” makes total sense for them, as in metal music no woman wants to be a “princess”. By the way, although Jeanine said the band doesn’t have any male groupies, there’s a fun video on YouTube from when the band played in St. Louis, a major city in Missouri along the Mississippi River in the United States, where one of the guys told Jeanine he loves her, and of course the band played along to make the experience even more fun.
As it happens to many, many bands and musicians out there, the girls from the Burning Witches have what can be called regular jobs, including of course Jeanine, but she said that luckily they all have great bosses who support them, saying that if they’re absent for several weeks then they take unpaid leave. “I work in sales, where it wasn’t always easy for the last three years – a lot was promised, but when it came down to it, they suddenly said I was here to work and you couldn’t make money with music anyway. But I was lucky enough to find a new job where I am now really supported. The whole thing is always based on reciprocity. I’m willing to give a lot, but I expect something in return. But this flexibility is not a matter of course, especially in sales, so I was really lucky.” Moreover, on the music side of business, Jeanine is very happy with all the support the band gets behind the scenes from VO Pulver (Poltergeist, Gurd), Marcel “Schmier” Schirmer (Destruction) and Damir Eskic (Destruction). “It’s definitely not the case that Schmier dictates anything to us, like getting involved in the songwriting or something like that, we really enjoy total freedom there. But of course we are also extremely happy about his input, after all he has been in the scene for over 30 years and brings a lot of experience with him. In the end we design the songs the way we want them to, but we also have an open ear for tips and ideas.”
The witches are back to mesmerize us all and put us to dance with them forever and ever to the sound of their incendiary Heavy Metal.
Swiss Heavy/Power Metal outfit Burning Witches is by far one of the hottest exports from the Alpine Republic since the release of their self-titled debut album in 2017, receiving a very positive feedback from fans and critics from all over the world. Formed in 2015 in Brugg, a Swiss municipality and a town in the canton of Aargau, the band currently comprised of Dutch newcomer Laura Guldemond on vocals (replacing the band’s original singer Seraina Telli in 2019), Romana Kalkuhl and Sonia Nusselder on the guitars, Jeanine Grob on bass and Lala Frischknecht on drums is ready to show the world everything they got once again with their third full-length installment Dance with the Devil, the follow-up to their highly acclaimed sophomore album Hexenhammer, released in 2018, and a lesson in Heavy Metal by five talented ladies who have always loved and breathed heavy music that will certainly inspire you to raise your horns and bang your head like there’s no tomorrow.
An eerie, mesmerizing intro titled The Incantation captivates our senses for the infernal Lucid Nightmare, with Romana and Sonia blasting sheer adrenaline through their sick riffage. Put differently, it’s classic Heavy Metal from the 80’s with Laura kicking some serious ass with her witch-like, soaring vocals, setting the bar really high for the rest of the album. Then it’s time to dance with our beloved Swiss witches in the title-track Dance with the Devil, a Hard Rock extravaganza led by Lala’s spot-on beats and Laura’s stunning vocals while the band’s stringed trio fills every single space in the air with adrenaline and electricity; followed by Wings of Steel, originally released in their 2019 EP Wings of Steel, a pure Heavy Metal tune showcasing the band’s dexterity and passion for what they do, all spiced up by Romana’s and Sonia’s classy guitar solos.
And Laura keeps blasting her high-pitched, piercing vocal lines in Six Feet Underground, another solid tune where Jeanine and Lala make the earth tremble with their low-tuned, metallic weapons, whereas in Black Magic we’re treated to an introspective, melancholic intro where Laura beautifully declaims the song’s words, evolving into a stunning ballad presenting passionate guitar solos and an ethereal atmosphere, showing a more delicate side of the band. Less visceral than the previous songs but still heavy-as-hell, Sea of Lies is a good composition bringing to our ears a great performance by Lala on drums, providing her bandmates a solid base for them to effectively slash their strings, while a Judas Priest-inspired riff kick off the metallic anthem The Sisters of Fate, perfect for banging your head nonstop with the girls or for hitting the road with your loved ones. This is the epitome of the band’s killer Heavy Metal with a Rock N’ Roll twist, with their guitar riffs and solos penetrating deep inside our minds.
Necronomicon is one of the darkest and most devilish of all songs, with Laura impersonating a true witch with her raspy, demonic vocals while Jeanine doesn’t stop hammering her bass strings, also presenting more of the band’s razor-edged riffs and solos, and bringing forward Helloween-inspired riffs blended with the classic Hard Rock by bands like Europe and Survivor we have The Final Fight, another lesson in charisma and vocal potency by Laura, therefore highly recommended for singing along with the band. Then taking their heaviness to a new level the quintet blasts the battle anthem Threefold Return, presenting an old school shredding infused with rumbling bass punches and rhythmic drums which will please all fans of classic Heavy and Power Metal without a shadow of a doubt, and lastly we have their cover version for Manowar’s classic Battle Hymn, featuring guest guitarist Ross the Boss (Manowar, Ross the Boss) and guest bassist Mike LePond (Symphony X, Ross the Boss). This is a sensational rendition by the witches with a welcome feminine touch, and still as strong and insurgent as the original version (which you can take a listen at HERE).
If you consider yourself a true metalhead and you think you have what it takes to face the stunning metal witches from Switzerland, go check what they’re up to on Facebook and on Instagram, and of course go grab your copy of the breathtaking Dance with the Devil (also available for a full listen on Spotify) from the Nuclear Blast webstore in different formats by clicking HERE or HERE. Hence, after putting your hands on such entertaining album of heavy music, you’ll quickly realize the unrelenting Burning Witches have taken over your mind for good, inspiring you to dance with them forever and ever to the sound of their undisputed Heavy Metal.
Best moments of the album: Lucid Nightmare, Dance with the Devil, The Sisters of Fate and The Final Fight.
Worst moments of the album:Sea of Lies.
Released in 2020 Nuclear Blast
Track listing
1. The Incantation 0:57
2. Lucid Nightmare 4:50
3. Dance with the Devil 4:26
4. Wings of Steel 4:29
5. Six Feet Underground 4:31
6. Black Magic 5:06
7. Sea of Lies 4:56
8. The Sisters of Fate 3:31
9. Necronomicon 4:12
10. The Final Fight 4:35
11. Threefold Return 3:56
12. Battle Hymn (Manowar cover) 6:55
Band members
Laura Guldemond – vocals
Romana Kalkuhl – guitars
Sonia Nusselder – guitars
Jeanine Grob – bass
Lala Frischknecht – drums
Guest musicians Ross the Boss – guitars on “Battle Hymn”
Mike LePond – bass on “Battle Hymn”
Do you think contemporary Symphonic Power Metal is outdated? Just listen to the excellent new album by this Italian squad and you’ll see how biased you are.
Rhapsody Of Fire, Stratovarius, Symphony X and Angra are just a few of many excellent Symphonic Power Metal bands from different parts of the world, and among them there’s another name that also deserves to be recognized as one of the biggest contemporary exponents of this genre of heavy music due to the quality of their work. I’m talking about Italian Symphonic Power Metal band Derdian and their brand new album Human Reset, a highly recommended option for anyone that loves seeing the words “symphonic” and “metal” together.
Born in 1998 in Milan, Italy, Derdian have always offered us lots of heavy and fast riffs from traditional Power Metal and beautiful symphonic orchestrations, without sounding repetitive as even some well-established bands sound nowadays. They somehow managed to keep their sound unique, and add to that the fact that their lyric themes moved from only fantasy, a constant in their “New Era” albums, to more direct (not to mention more important) issues our society has always faced. I’m not saying fantasy is boring, it’s just that being able to write and sing about a wider variety of topics helps any type of band in their creative process, which in the case of Derdian worked really well.
Right after the video game-ish symphonic intro Eclipse, the energetic and vibrant title-track Human Reset makes us think we’re listening to an “Italian Angra” from the Angels Cry-era, with its very traditional drums and keyboards perfect for fans of fast-tempo songs blended with symphonic elements. The symphonic extravaganza goes on with the awesome In Everything, with highlights to its guitar solos, fast drumming and a chorus that should put a smile on the faces of the fans while they sing it together with the band. Moreover, it’s easy to notice all the melody present in most European bands, and the part of the lyrics sung in Italian complements the song in a very pleasant way.
The following track, Mafia, has a totally different approach with a more modern sonority and truly melodic and enjoyable vocals, and its music variations kind of interestingly “break” the traditional metal from previous tracks; while These Rails Will Bleed, the shortest song of the album, has that “Symphonic Power Metal” formula with nothing really new to offer, albeit it’s far from being boring. In Absolute Power, the band focus on stronger Power Metal riffs similar to what Manowar used to do in the past (maybe due to the name of the song), and the band’s talented musicians were able to add some hints of progressive music to it to make the song even better. This is the type of song you’ll start headbanging and beating your feet nonstop without even noticing.
Human Reset continues with a song that is mandatory in your playlist if you’re hitting the road soon: Write Your Epitaph is an outstanding symphony full of awesome Hard Rock riffs and another thrilling vocal performance by Ivan Giannini, turning it into the best song of the whole album without a shadow of a doubt. Then we have the good Music is Life (I couldn’t agree more with the name of this song), with its intro that seems to be inspired by Helloween’s all-time classic “Future World” and all its beautiful Power Metal moments, especially the keyboards and piano passages by Marco Garau; Gods Don’t Give A Damn, where the bass guitar, guitars, drums and everything else sound somewhat like Dream Theater, keeping the energy level really high and the song truly interesting; and After The Storm, a symphonic and emotive ballad that is excellent for the listener to breathe for a while after so many powerful tracks.
Finally, it’s time to speed things up again with the powerful Alone, with great synergy among all instruments, the quick and fun instrumental track Delirium, which sounds a lot like many songs by Stratovarius, and My Life Back, a song that starts as a semi-acoustic piano ballad that turns into another very symphonic tune to close the album as traditionally as possible. In addition, the less fanciful and more distressful album art for Human Reset, which in my opinion is by far the most beautiful in their career, also supports this more serious path Derdian decided to take and perfectly summarizes what to expect from the album and, of course, from the band.
And last but not least, remember to support Derdian by purchasing their music at their official website or in other places such as iTunes or Amazon, because this band is here to prove us all once again our good old Symphonic Power Metal is not obsolete at all and can be as exciting as any new genre of heavy music.
Best moments of the album:In Everything, Mafia and Write Your Epitaph.
Worst moments of the album:These Rails Will Bleed and My Life Back.
Released in 2014 Independent
Track listing 1. Eclipse 1:14
2. Human Reset 5:53
3. In Everything 6:16
4. Mafia 6:41
5. These Rails Will Bleed 2:49
6. Absolute Power 5:26
7. Write Your Epitaph 4:08
8. Music is Life 6:25
9. Gods Don’t Give A Damn 5:44
10. After The Storm 4:58
11. Alone 7:24
12. Delirium 1:15
13. My Life Back 6:34
Band members Ivan Giannini – vocals
Enrico Pistolese – guitars
Dario Radaelli – guitars
Marco Banfi – bass
Marco Garau – keyboards Salvatore Giordano – drums
The best Manowar album of all time not recorded by Manowar. And what’s even better, it’s entirely sung in Finnish.
As any normal person in the world, I developed a passion for a country very different from my own many years ago: the Republic of Finland. The grass is always greener on the other side of the fence, right? And I had some very good reasons for that, because especially in terms of music and drinks, Finland is way better than Brazil. So I started studying Finnish and saving money for the “trip of my dreams”, which finally happened in the beginning of 2006. I was able to see the snow for the first time (which now that I live in Canada doesn’t seem to be that cool anymore); I tried lots of different types of beer, vodka and other typical Finnish drinks; I made some really good friends; I saw Stratovarius, Sonata Arctica and Lordi live, as well as a theatrical play with Tarja Turunen; and went to a heavy karaoke where I saw a guy singing an amazing song called Metallisydän. Wait, what the hell was that song? What band was that?
Then the next day or the other one (of course I don’t remember exactly when), I went to a nice pub called On the Rocks, and there was this cover band playing some classics from Queen, Rolling Stones etc., when they played another powerful heavy song in Finnish called Taivas Lyö Tulta from that same band, and that was more than enough to make me ask a guy at the pub the name of the band and run to a record store the next day to buy their album. This is the story of how I discovered the Power Metal band Teräsbetoni (“Reinforced Concrete” in English) and bought their debut album, the almost perfect Metallitotuus (“Metal Truth” in English), one of the best, if not THE best, Power Metal album of the past 10 years at least (and a million light-years better than anything Manowar has produced since Louder Than Hell).
The album starts in the most powerful way possible with a track that has the same name as the band, Teräsbetoni (Reinforced Concrete), which could easily be used as the Finnish National Army’s anthem. It’s impossible not to compare each part of the song with some old Manowar classics, and I’m pretty sure that was the band’s original intention. The next track is one of my favorites: Älä Kerro Meille (Don’t Tell Us) has an amazing riff and the lyrics have that message about the fight for freedom and making your own decisions. Then comes my top Teräsbetoni track of all, not only of this album: Taivas Lyö Tulta (Sky Strikes Fire) is the perfect “battle track”, with a superb chorus that even if you don’t know a single word in Finnish you’ll start singing it as soon as you listen to it. This is a masterpiece that could have been a Manowar classic in a parallel world, if Manowar hasn’t become the most arrogant and laziest band in the world of Heavy Metal.
The following tracks might not be as good as the first three, but they’re very interesting in terms of riffs and rhythm: Vahva Kuin Metalli (Strong as Metal) and Silmä Silmästä (Eye for an Eye). Then comes another instant classic called Metallisydän (Metal Heart), a beautiful ballad I heard for the first time at that heavy karaoke I mentioned and that until today makes my “metal heart” beat stronger, and the funny Orjatar (Slavewoman), which in my opinion was some kind of tribute (or joke?) to Manowar’s Pleasure Slave. Anyway, it’s an awesome tune for all headbanging girls of the world.
The last part of the album keeps the energy level up with the fast and heavy Tuonelaan (To the Underworld); the title-track Metallitotuus (Metal Truth); another of my favorites Voittamaton (Invincible), which has the most Manowar-ish riff and drums of all (it sounds a lot like Fighting the World); and the interesting Teräksen Varjo (Shadow of Steel). The ONLY crappy song of all is the last one, Maljanne Nostakaa (Raise Your Cup), not due to its instrumental which is fairly good, but the singing done by Arto Järvinen makes you skip this track and go back to the beginning of the album. It’s simply mediocre.
Metallitotuus special digipak front cover
The front cover is a piece of junk (albeit not as bad as this one, and besides you can be lucky to find the special digipak version anyway), Jarkko Ahola oversings 99% of the time, and their Manowar-ish lyrics didn’t add much to my limited Finnish vocabulary, but I don’t really care about those minor details. Metallitotuus is pure Heavy Metal, and a very exciting album to listen to at any occasion.
Teräsbetoni, as well as many excellent European bands, are really underrated in North America. Add to that the fact they do not sing in English and are in an indefinite career hiatus and it seems absolutely impossible to see them one day playing live here in Canada. Anyway, despite all that, it’s a band definitely worth listening to, which has recorded some very good albums with Metallitotuus being their biggest masterpiece. Let’s just hope they get back in action, and that for the power of Odin they somehow come to Toronto for at least one single concert.
Best moments of the album:Taivas Lyö Tulta, Älä Kerro Meille, Metallisydän and Voittamaton.
Worst moments of the album:Maljanne Nostakaa, mainly due to the horrible singing as I mentioned before.