Album Review – Reternity / A Test Of Shadows (2020)

Just one year after the release of their debut album, this German Melodic Heavy Metal outfit returns in full force with a worthy and stronger successor in every way.

Just one year after the release of Facing the Demon and after several successful club shows and festivals, the creative duo consisting of frontman Stefan Zörner and guitarist Carsten Sauter, together with guitarist Oskar Schmidt, bassist Didi Schenk and drummer Suat Gören, collectively known as Heilbronn, Germany-based Melodic Heavy Metal outfit Reternity, are back in full force with their sophomore album entitled A Test of Shadows, a worthy and stronger successor in every way. Produced in cooperation with Jonas Kümmerle at Analog Mixing Studio, A Test Of Shadows brings forward compact songs without unnecessary lengths, always spiced up by the melodic and expressive vocals of Stefan as well as the powerful and original riffs of Carsten, with a musical spectrum ranging from homages to the Speed and Thrash Metal scene of the blissful 80’s to heavy and danceable mid-tempo hymns and neck-breakers, resulting in a sound that should quickly grow on the heart of every friend of melodic, varied metal.

A creepy version to an excerpt from Ludwig van Beethoven’s Symphony NO. 9 in D Minor, OP. 125: IV. Finale: Presto – Allegro Assai – Rezitativo – Allegro Assai sets the stage for Sniper’s Death, where Suat begins crushing his drums in great fashion, offering Stefan all he needs to shine on vocals in a thrilling and heavy-as-hell Melodic Heavy Metal feast, also showcasing Thrash Metal-infused guitars. There’s more of their groovy and smashing riffs in This Is the End, courtesy of the band’s infernal guitar duo Carsten and Oskar supported by Didi’s rumbling bass, keeping the album at a high level of adrenaline and exhaling pure metal, and it’s interesting to see how the band has invested a lot more on the thrill and heaviness of classic Heavy Metal this time rather than the melody of their previous release as in My Crush, with Stefan doing a great job declaiming the song’s passionate lyrics. In the title-track A Test of Shadows, a very progressive and dark creation by Reternity, Carsten’s and Oskar’s riffage sounds as razor-edged as possible, with Suat dictating the pace with his intricate beats and fills. Needless to say, this should sound amazing when played live; and  starting with elements from Groove Metal and from the heavier-than-usual rock blasted by Volbeat and Godsmack they offer us all A Grave Called Home, alternating between more introspective, serene moments and obscure, pounding guitars and drums.

Time to put the pedal to the metal once again in (We Were) the Gods, with Stefan’s precise vocal lines being amazingly supported by his bandmates’ backing vocals in a hybrid of classic Heavy Metal with contemporary Melodic Metal, not to mention Suat’s old school beats, and they keep hammering our heads with their fusion of harmony and aggressiveness in Falling Shadows, where Didi once again blasts metallic sounds form his bass while the band’s guitar duo offers our ears Iron Maiden-inspired riffs. In You’ll See the Sun they tried to sound a little bit more stoner or alternative than usual; however, it didn’t work as well as expected, with even Stefan’s vocals sounding uninspired and bland, feeling disconnected from the rest of such amazing album. Fortunately, in No Deeper Hole the boys get back to a more frantic and berserk mode thanks to the smashing drums by Suat and the always incendiary riffs and solos by Carsten and Oskar, and the sheer electricity flowing from all instruments will surely generate some nice circle pits during their live concerts. Lastly, obscure piano notes kick off the somber and melancholic Stranded, created in collaboration with Jazz musician Aljoscha Crema, by far the most personal of all songs where Stefan has another superb performance on vocals, putting a gentle and introspective ending to A Test Of Shadows.

In summary, if you consider yourself a diehard fan of melodic and classic Heavy Metal, I highly recommend you take a shot at A Test Of Shadows, first by streaming the album in full on YouTube and on Spotify, and then, even more important than that, by purchasing the album from your favorite retailer, including the MDD shop, Nuclear Blast, Apple Music and Amazon. Also, don’t forget to follow Reternity on Facebook for news, tour dates and other nice-to-know details about Stefan, Carsten & Co., as I’m more than sure those German metallers will keep embellishing the airwaves with their refined and extremely pleasant creations for many years to come, just like what they have to offer us in A Test Of Shadows, an album that explains why not only the big German bands like Scorpions and Helloween have conquered the world of heavy music, but also why the underground scene in Germany is by far one of the best in the entire world.

Best moments of the album: (We Were) the Gods, Falling Shadows and No Deeper Hole.

Worst moments of the album: You’ll See the Sun.

Released in 2020 Black Sunset

Track listing
1. Symphony NO. 9 in D Minor, OP. 125: IV. Finale: Presto – Allegro Assai – Rezitativo – Allegro Assai (Intro) 0:19
2. Sniper’s Death 4:08
3. This Is the End 3:21
4. My Crush 4:12
5. A Test of Shadows 4:29
6. A Grave Called Home 5:07
7. (We Were) the Gods 4:11
8. Falling Shadows 4:06
9. You’ll See the Sun 4:29
10. No Deeper Hole 2:47
11. Stranded 5:18

Band members
Stefan Zörner – vocals
Carsten Sauter – guitars
Oskar Schmidt – guitars
Didi Schenk – bass
Suat Gören – drums

Guest musician
Aljoscha Crema – piano on “Stranded”

Album Review – Reternity / Facing the Demon (2019)

An exciting display of Melodic Heavy Metal by four experienced musicians from the German scene, dealing with the struggles we all have with our inner demons and temptations.

Founded in the summer of 2018 in Heilbronn, a city in northern Baden-Württemberg, Germany, by Stefan Zörner (SpiteFuel, Lanfear, Strangelet) on vocals, Carsten Sauter (Mighty D., Pyroclasm) on guitars and bass, Semen Brik (Echo.Mensch) also on the guitar, and Sascha Beul (Remember Twilight, Darkness Ablaze) on drums, four experienced and skillful musicians from the German Heavy Metal and Hard Rock scene, Melodic Heavy Metal outfit Reternity has just released their debut full-length album, entitled Facing the Demon, following up the successful release of their 2018 two-track demo, which received an amazing feedback from both fans and critics. Dealing with the struggles we all have with our inner demons and temptations, something that’s beautifully depicted in the album artwork, Facing the Demon was carefully produced by Jonas Kümmerle at Analog Mixing Studio, taking the album’s overall sound quality to a whole new level and, therefore, allowing those Swabian metallers to shine throughout 40 minutes of heavy music, ranging from classic Hard Rock to more berserk styles such as our good old Thrash Metal.

The acoustic guitars by Carsten and Semen kick off the intro Strings of Sor 1: Sunset, working as the calm before the storm for Last Days of War, a frantic and very melodic Heavy Metal tune with thrashing elements, as if Anthrax decided to play a faster version of Hard Rock. Moreover, Stefan leads his metal brigade with his ass-kicking, angry vocals, keeping the energy level really high until the next song, titled Tomorrow’s History, comes crushing our minds with another incendiary performance by the band’s guitar duo while Carsten keeps rumbling the foundations of the earth with his bass lines, also bringing some soulful guitar solos just the way we like it in Power Metal. Then the spoken words by Stefan in the melodic bridge Reternity II set the tone for the amazing Hard Rock power ballad I Love the Night, highly inspired by 80’s Glam Metal but with the band’s own modern twist. As the sound of guitars and bass fills every empty space in the air, get ready to sing the song’s awesome chorus alongside those German metallers in great fashion.

In Down. Not. Broken, one of the songs from their 2018 demo and another potent tune infused with Thrash Metal nuances, it’s time for Sascha to pound his drums mercilessly, therefore adding tons of electricity and stamina to the musicality, with Carsten and Semen once again kicking us in the face with their riffs and solos. The title-track Facing the Demon is a lesson in Symphonic Power Metal, with Stefan and guest vocalist Michaela “Ela” Eichhorn (frontwoman for German Melodic Heavy Metal band E:L:A) being on fire and utterly flawless on vocals, while the guitars and bass sound absolutely metallic from start to finish for our total delight; whereas in Singularity all instruments, in special the bass lines, present a lot of Progressive Metal nuances, sounding more modernized than the rest of the album, albeit not as vibrant. Furthermore, Stefan does a great job on vocals as usual, with the song’s acoustic ending also being a nice addition to the overall result.

The second song from their 2018 demo, Suicide Butterflies, is a very rhythmic and solid creation by Reternity, showcasing an electrified Sascha on drums while Carsten brings considerable amounts of progressiveness and groove with his riffs and bass punches; followed by Stone to Mouth, featuring German singer Chantal Freier doing a gorgeous introduction to the song in her mother tongue. Overall, it sounds like a fusion of the music by Skid Row, Gojira and Anthrax with alternative music from the 90’s, with all the shredding plus the German words being welcome extra touches to such vibrant composition. And last but not least, Carsten and Semen fire acoustic guitar lines one last time in the outro Strings of Sor 2: Sundown, closing the album on a serene note; however, keep listening to it for the hidden track All Grey, a fun and frantic Heavy Metal and Rock N’ Roll party with highlights to Stefan’s vocal performance boosted by the song’s effective backing vocals.

You can show your support to those skillful and unrelenting Teutonic metallers by following them on Facebook, and of course by purchasing your copy of Facing the Demon (also available for a full listen on Spotify) from the MDD Records webstore, from iTunes or from Amazon. Because, you know, if you’ve decided you’re finally going to face your inner demons from now on, keeping your head high and without any fear of failure, the best way to do that is accompanied by our good old Heavy Metal, no doubt about that.

Best moments of the album: Last Days of War, I Love the Night and Facing the Demon.

Worst moments of the album: Singularity.

Released in 2019 MDD Records

Track listing
1. Strings of Sor 1: Sunset (Intro) 1:05
2. Last Days of War 4:22
3. Tomorrow’s History 3:50
4. Reternity II 0:54
5. I Love the Night 2:55
6. Down. Not. Broken 3:32
7. Facing the Demon (feat. Michaela “Ela” Eichhorn) 4:31
8. Singularity 5:34
9. Suicide Butterflies 4:18
10. Stone to Mouth (feat. Chantal Freier) 4:47
11. Strings of Sor 2: Sundown (Outro) 1:12
12. All Grey (Hidden track) 2:39

Band members
Stefan Zörner – vocals
Carsten Sauter – guitars, bass
Semen Brik – guitars
Sascha Beul – drums

Guest musicians
Chantal Freier – female vocals (intro) on “Stone to Mouth”
Michaela “Ela” Eichhorn – female vocals on “Facing the Demon”

Album Review – SpiteFuel / Second To None (2017)

Like a phoenix rising from the ashes, a new flammable entity hailing from Germany is born, bringing you a broad spectrum of Heavy Metal, Hard Rock and Rock N’ Roll always true to their motto “we don’t care, we just rock!”

There are countless instances in the world of heavy music when a fresh new start is necessary to fix some issues and flaws a band might have in order to move forward with their career, and in the case of German metallers SpiteFuel those changes couldn’t have been done at a better time, culminating with the release of their gripping new album titled Second To None. After the split-up of the also German group Strangelet in the beginning of 2016, three of the former members of the band, lead singer Stefan Zörner, guitarist Tobias Eurich and bassist Finn Janetzky joined forces with ex-Devil’s Darling members Timo Pflüger (guitar) and Björn-Philipp Hessenmüller (drums) to form SpiteFuel, aiming at blasting their traditional Heavy Metal and Hard Rock the likes of Judas Priest, Accept, Guns N’ Roses and Queensrÿche throughout the entire world, always remaining true to their motto “we don’t care, we just rock!”

Hailing form Heilbronn, a city in northern Baden-Württemberg, Germany, SpiteFuel offer the listener during Second To None’s over 45 minutes of music a broad spectrum of Heavy Rock, from hard neck-breakers and heavy mid-tempo pounders to fragile ballads full of emotion, all in the name of Rock N’ Roll. The cover artwork, made by renowned American artist Travis Smith (Seempieces), who has already worked with several iconic bands such as Nevermore, Iced Earth and Death, among others, completes a coherent overall picture of the music found in Second To None. Furthermore, despite being a newly reformed group, SpiteFuel still keeps the initial fire that gave birth to Strangelet burning inside them, proving their excitement and passion for heavy music will never cease no matter what.

The tribal and enthralling On Burning Wings introduces us to a Hard Rock extravaganza named Purified, where its blazing guitars and nonstop action fill every single space in the music. Moreover, Tobias and Timo blend the fury of German Power Metal and the fun of American Hard Rock in their riffs and solos, also presenting hints of the sonority crafted by Iron Maiden and Judas Priest. Then we have a good dosage of headbanging riffs and crushing beats in a badass feast named By My Hand, an excellent choice for a rock n’ roll radio playlist where Stefan effectively plays the role of the band’s frontman like Vince Neil, Brett Michaels and so many other Hard Rock idols; followed by the even better Whorehouse Symphony, venturing through heavier fields with hints of Metallica and Avenged Sevenfold added to its already solid musicality. That fusion of metal styles ends up working extremely well, turning it into the best and most unique song of the album in my opinion, with highlights to the great performance by Stefan with his more aggressive vocals and to Finn with his rumbling bass lines.

In Regrets, what starts in a melancholic way quickly morphs into a pleasant power ballad, showcasing a passionate performance by Stefan on vocals while the rest of the band maintains a dark but smooth vibe flowing, including a soulful guitar solo to spice things up a bit; whereas in the first single of the album, Sleeping With Wolves, a howling wolf warns the listener a heavy music party is about to begin. It’s another song with pounding drums and heavier-than-usual riffs à la Avenged Sevenfold, without losing the harmony of Hard Rock and with highlights to the gripping performances by Stefan on vocals and the skillful Björn on drums. And the rising instrumental bridge Adamah’s Tribes works as a mysterious intro to Triad Of Faith, where the old school Heavy Metal riffs and solos by Tobias and Timo, together with the always thunderous bass guitar by Finn, give the Hard Rock played by SpiteFuel a more serious and epic taste.

Fly, a serene ballad by these talented German rockers, is a moment of peace amidst all the heaviness blasted throughout the rest of the album, with an absolute focus on the gentle vocals by Stefan, but all that tranquility doesn’t last for too long as the band gets back to their flammable rockin’ sounding in Devil’s Darling, named in allusion to one of the bands that originated SpiteFuel. Once again presenting sharp riffs and bass lines, it’s a good Hard Rock composition, albeit not as exciting as the rest of the album (it should sound a lot better if played live, though). And lastly, despite its melancholic start, It Remains Empty Forever quickly becomes an electrified Rock N’ Roll chant with modern Hard Rock and Heavy Metal elements, also displaying hints of progressiveness thanks to the drumming by Björn.

As mentioned in the beginning of this review, a new entity known as SpiteFuel was born from the ashes of Strangelet, and based on the high-quality of the music found in Second To None these German rockers seem to have finally found their desired shape and sound, which will certainly propel them to new heights in the rock and metal universe. You can get in touch with the guys through their official Facebook page, listen to their music through their BandCamp page, and buy your copy of Second To None at the MDD Records webstore, at the Nuclear Blast webstore, at the EMP webstore, on Amazon and at several other retailers such as Saturn and Media Markt. SpiteFuel don’t care, they just rock, and after taking a good listen at Second To None you’ll realize that’s exactly what they want us all to do together with them. Well, we can’t say no to some good old Rock N’ Roll, right?

Best moments of the album: Purified, Whorehouse Symphony and Sleeping With Wolves.

Worst moments of the album: Devil’s Darling.

Released in 2017 MDD Records

Track listing
1. On Burning Wings 1:14
2. Purified 3:49
3. By My Hand 4:21
4. Whorehouse Symphony 5:20
5. Regrets 6:17
6. Sleeping With Wolves 6:14
7. Adamah’s Tribes 0:40
8. Triad Of Faith 4:19
9. Fly 4:19
10. Devil’s Darling 4:10
11. It Remains Empty Forever 4:45

Band members
Stefan Zörner – vocals
Tobias Eurich – guitar
Timo Pflüger – guitar
Finn Janetzky – bass
Björn-Philipp Hessenmüller – drums