Album Review – Trivium / In the Court of the Dragon (2021)

It’s time to join Trivium in the court of the dragon to the sound of their magnificent new opus.

“In the court of the dragon
Death of gods and world
In the court of the dragon
You will know your worth”

After getting back on track with their two previous albums, those being the excellent The Sin and the Sentence, released in 2017, and What The Dead Men Say, released in the beginning of 2020, Orlando, Florida-based Heavy Metal unity Trivium continues to deliver their trademark fusion of violence, speed and intricacy with their newborn spawn, beautifully titled In the Court of the Dragon, the tenth studio album in their beyond solid career. Produced by Josh Wilbur and mastered by Ted Jensen at Sterling Sound, In the Court of the Dragon sounds and feels even better than its predecessors, proving the isolation during the pandemic was extremely productive for vocalist and guitarist Matt Heafy, guitarist Corey Beaulieu, bassist Paolo Gregoletto, and drummer Alex Bent, who as I always like to say elevated Trivium’s sound to a whole new level after joining the band in 2017, and in their new album he sounds even more awesome than usual.

Composed and arranged by Emperor’s own Ihsahn, X is an epic, dark and cinematic intro that warms up our senses for the fulminating In the Court of the Dragon, where Matt begins screaming the song’s powerful lyrics (“In the court of the dragon / Death of gods and world / In the court of the dragon / You will know your worth”) accompanied by the headbanging riffs and beats by Corey and Alex, whereas an imposing start morphs into sheer adrenaline in Like a Sword Over Damocles, with Matt and Corey kicking ass on the guitars while Paolo makes the earth tremble with his bass jabs. Needless to say, Alex adds tons of intricacy and feeling to this already fantastic composition, turning it into my favorite of the entire album. Then we have Feast of Fire, the second single of the album and a solid, traditional Trivium song, albeit not as powerful as the rest of the album. Then it’s time for another frantic, high-octane creation by the quartet named A Crisis of Revelation, providing an excellent balance between their heaviest side and their more melodious, clean sounds, and if played live it will surely ignite some fun mosh pits during their live concerts.

In The Shadow of the Abattoir we’re treated to a gentle beginning to the deep, clean vocals by Matt, evolving into another complex Melodic Death and Heavy Metal feast spearheaded by Alex and his unstoppable drums and spiced up by their sick guitar solos; and more of their groovy sounds are offered to us all in the neck-breaking No Way Back Just Through, with Matt once again thriving with both his clean singing and enraged roars. A massive wall of sounds will hammer your head mercilessly in Fall Into Your Hands, even heavier and more detailed than its predecessors, where Matt screams nonstop from the bottom of his heart while his bandmates add elements from Progressive, Death and even Symphonic Metal to their core sonority. It looks like the guys form Trivium wanted to offer endless heaviness in their new album, and they more than succeeded in that as From Dawn to Decadence is another bestial Metalcore tune where Matt, Corey and Paolo are in absolute sync from start to finish with their infernal riffage and bass. Lastly, closing the album we face one final round of their trademark wicked lyrics in The Phalanx (“Within the thrill, amidst the kill / One against all, soon blood will spill / We cannot wait to make your pain / We are the burn inside your brain”) amidst a hurricane of heavy sounds that lasts for stunning seven minutes.

Trivium are a band that at the same respects their past while always looking towards the future, and In the Court of the Dragon (available for a full listen on YouTube and on Spotify) is the perfect depiction of that, pointing to an even brighter future ahead of those four talented metallers who are becoming one of the most important bands of the current scene worldwide. Hence, don’t forget to follow them on Facebook, on Instagram and on YouTube for news, tour dates, and more of their sick music and videos, and if you want to add the majestic In the Court of the Dragon to your personal collection, you can purchase it from their official webstore, or click HERE for several other places where you can buy the physical or digital copy of the album. As the lyrics to the title-track say, “in the court of the dragon you will know your worth”, and if you’re there to the sound of Trivium’s new album, you can rest assured the “dragon” will provide you with exactly what you deserve.

Best moments of the album: In the Court of the Dragon, Like a Sword Over Damocles, A Crisis of Revelation and Fall Into Your Hands.

Worst moments of the album: Feast of Fire.

Released in 2021 Roadrunner Records

Track listing
1. X 1:26
2. In the Court of the Dragon 5:09
3. Like a Sword Over Damocles 5:30
4. Feast of Fire 4:18
5. A Crisis of Revelation 5:35
6. The Shadow of the Abattoir 7:11
7. No Way Back Just Through 3:53
8. Fall Into Your Hands 7:45
9. From Dawn to Decadence 4:08
10. The Phalanx 7:15

Band members
Matt Heafy – lead vocals, guitar
Corey Beaulieu – guitar, backing vocals
Paolo Gregoletto – bass guitar, backing vocals
Alex Bent – drums, percussion

Guest musician
Ihsahn – orchestration and synths on “X”

Album Review – Reternity / A Test Of Shadows (2020)

Just one year after the release of their debut album, this German Melodic Heavy Metal outfit returns in full force with a worthy and stronger successor in every way.

Just one year after the release of Facing the Demon and after several successful club shows and festivals, the creative duo consisting of frontman Stefan Zörner and guitarist Carsten Sauter, together with guitarist Oskar Schmidt, bassist Didi Schenk and drummer Suat Gören, collectively known as Heilbronn, Germany-based Melodic Heavy Metal outfit Reternity, are back in full force with their sophomore album entitled A Test of Shadows, a worthy and stronger successor in every way. Produced in cooperation with Jonas Kümmerle at Analog Mixing Studio, A Test Of Shadows brings forward compact songs without unnecessary lengths, always spiced up by the melodic and expressive vocals of Stefan as well as the powerful and original riffs of Carsten, with a musical spectrum ranging from homages to the Speed and Thrash Metal scene of the blissful 80’s to heavy and danceable mid-tempo hymns and neck-breakers, resulting in a sound that should quickly grow on the heart of every friend of melodic, varied metal.

A creepy version to an excerpt from Ludwig van Beethoven’s Symphony NO. 9 in D Minor, OP. 125: IV. Finale: Presto – Allegro Assai – Rezitativo – Allegro Assai sets the stage for Sniper’s Death, where Suat begins crushing his drums in great fashion, offering Stefan all he needs to shine on vocals in a thrilling and heavy-as-hell Melodic Heavy Metal feast, also showcasing Thrash Metal-infused guitars. There’s more of their groovy and smashing riffs in This Is the End, courtesy of the band’s infernal guitar duo Carsten and Oskar supported by Didi’s rumbling bass, keeping the album at a high level of adrenaline and exhaling pure metal, and it’s interesting to see how the band has invested a lot more on the thrill and heaviness of classic Heavy Metal this time rather than the melody of their previous release as in My Crush, with Stefan doing a great job declaiming the song’s passionate lyrics. In the title-track A Test of Shadows, a very progressive and dark creation by Reternity, Carsten’s and Oskar’s riffage sounds as razor-edged as possible, with Suat dictating the pace with his intricate beats and fills. Needless to say, this should sound amazing when played live; and  starting with elements from Groove Metal and from the heavier-than-usual rock blasted by Volbeat and Godsmack they offer us all A Grave Called Home, alternating between more introspective, serene moments and obscure, pounding guitars and drums.

Time to put the pedal to the metal once again in (We Were) the Gods, with Stefan’s precise vocal lines being amazingly supported by his bandmates’ backing vocals in a hybrid of classic Heavy Metal with contemporary Melodic Metal, not to mention Suat’s old school beats, and they keep hammering our heads with their fusion of harmony and aggressiveness in Falling Shadows, where Didi once again blasts metallic sounds form his bass while the band’s guitar duo offers our ears Iron Maiden-inspired riffs. In You’ll See the Sun they tried to sound a little bit more stoner or alternative than usual; however, it didn’t work as well as expected, with even Stefan’s vocals sounding uninspired and bland, feeling disconnected from the rest of such amazing album. Fortunately, in No Deeper Hole the boys get back to a more frantic and berserk mode thanks to the smashing drums by Suat and the always incendiary riffs and solos by Carsten and Oskar, and the sheer electricity flowing from all instruments will surely generate some nice circle pits during their live concerts. Lastly, obscure piano notes kick off the somber and melancholic Stranded, created in collaboration with Jazz musician Aljoscha Crema, by far the most personal of all songs where Stefan has another superb performance on vocals, putting a gentle and introspective ending to A Test Of Shadows.

In summary, if you consider yourself a diehard fan of melodic and classic Heavy Metal, I highly recommend you take a shot at A Test Of Shadows, first by streaming the album in full on YouTube and on Spotify, and then, even more important than that, by purchasing the album from your favorite retailer, including the MDD shop, Nuclear Blast, Apple Music and Amazon. Also, don’t forget to follow Reternity on Facebook for news, tour dates and other nice-to-know details about Stefan, Carsten & Co., as I’m more than sure those German metallers will keep embellishing the airwaves with their refined and extremely pleasant creations for many years to come, just like what they have to offer us in A Test Of Shadows, an album that explains why not only the big German bands like Scorpions and Helloween have conquered the world of heavy music, but also why the underground scene in Germany is by far one of the best in the entire world.

Best moments of the album: (We Were) the Gods, Falling Shadows and No Deeper Hole.

Worst moments of the album: You’ll See the Sun.

Released in 2020 Black Sunset

Track listing
1. Symphony NO. 9 in D Minor, OP. 125: IV. Finale: Presto – Allegro Assai – Rezitativo – Allegro Assai (Intro) 0:19
2. Sniper’s Death 4:08
3. This Is the End 3:21
4. My Crush 4:12
5. A Test of Shadows 4:29
6. A Grave Called Home 5:07
7. (We Were) the Gods 4:11
8. Falling Shadows 4:06
9. You’ll See the Sun 4:29
10. No Deeper Hole 2:47
11. Stranded 5:18

Band members
Stefan Zörner – vocals
Carsten Sauter – guitars
Oskar Schmidt – guitars
Didi Schenk – bass
Suat Gören – drums

Guest musician
Aljoscha Crema – piano on “Stranded”

Metal Chick of the Month – Seraina Telli

Don’t leave me out in the cold…

She’s by far one of the best rock and metal singers of the current scene hands down. Owner of a beautiful, stunning and extremely potent voice, she’s also a songwriter, pianist, guitarist, vocal coach and designer, known for her awesome contributions to bands such as Dead Venus, Burning Witches and Surrilium, among other very interesting bands and projects, always ready to rock our hearts with her mesmerizing vocal lines. Ladies and gentlemen, please welcome our metal chick of the month of August, the ravishing Seraina Telli, the unstoppable musician from Aargau, one of the more northerly cantons of Switzerland, who can flawlessly translate all her passion for music and art into emotional and inspiring compositions that will certainly captivate your hearts from the very first second. Having said that, are you ready to rock together with Seraina here on The Headbanging Moose?

A self-employed musician and vocal coach, Seraina has always wanted to make music and sing, and although she’s a team player who loves to play in bands she sees independent people as their role models, saying that she didn’t want to be a singer who just needs a band to play with her, but that she wanted to learn what it’s like to make music herself, playing different instruments and therefore being independent. Her looks and attire are also an important part of her musical persona, with all of her piercings, tattoos and her dyed hair providing a unique look that more than fits in the world of rock and metal music, but you’re wrong if you think Seraina is only a beautiful woman, as she has years of formal and professional study that provided her an invaluable background, allowing her to become the exceptional performer she is. Just to give you an idea of her undeniable talent,  she took classical singing lessons between 2007 and 2008, studied at the Jazz & Rock School in Freiburg, Germany from 2010 to 2011, achieved a Bachelor of Arts at hKDM and International Music College also in Freiburg, with focus on Jazz, Rock and Pop, between 2012 and 2013, and attended the Musik- Akademie Basel in 2015.

In regards to her career with Swiss Heavy/Power Metal band Burning Witches, Seraina was the band’s frontwoman between 2015 and 2019, having recorded with the band their debut self-titled album in 2017 and their sophomore effort Hexenhammer in 2018, as well as a four-track live album released in 2018 titled Burning Alive, recorded on September 30, 2017 at the Z7 Club in Pratteln, Switzerland. There are a few official videos on YouTube from when Seraina was the band’s vocalist, such as Hexenhammer, Black Widow and Executed, and also some unofficial live footage including a concert in Mannheim, Germany in 2018, and a pocket show at Salzhaus Brugg in 2018. I’m not going to extend this tribute to Seraina with the origins of the Burning Witches, but as already mentioned when their guitarist and founding member Romana Kalkuhl was our metal chick of the month in July 2019, during a party at a festival she met Seraina, starting a very healthy and productive partnership between them, with Seraina’s ideas and experience from her studies at the Music Academy and her bands being exactly what Romana wanted for Burning Witches. Furthermore, although Seraina always mention Heavy Metal as one of her passions, at the moment she is determined to go full throttle with her own band Dead Venus, saying Progressive Rock has always been her thing; however, we can expect to see Seraina venturing through heavier and faster lands in a not-so-distant future without a shadow of a doubt.

As we already started talking about Seraina’s brainchild, female-fronted Progressive Rock unity Dead Venus, where she’s not only the band’s vocalist but she also plays acoustic guitars, keyboards and piano, let’s discuss a little about the origins of the band, their goals and what their music represents to Seraina. Formed in early 2015 by Seraina herself around a year after being singing for a German Neo-Progressive Rock band named Surrilium, Dead Venus is a triumvirate currently comprised of Seraina on vocals, obviously, together with bassist André Gärtner and drummer Mike Malloth, delivering music that’s at the same time charming, passionate and incendiary, applying her multidimensional vocals to bring the desired message with each and every song, that being through her piercing vocals or just by whispering the lyrics. As a matter of fact, Seraina mentioned that it’s difficult to tell when Dead Venus actually started, as she began writing songs at some point and then began studying music and developed it further with music theory, learning the instruments and techniques better, which helped in the development of the songs, before she started looking for people to play them with. Seraina placed an advertisement recruiting musicians for Dead Venus, getting a reply from Mike, who also referred André for the band, whom by the way she already knew through her father (who had always spoken very well of him).

Apart from a couple of singles, the trio recently released at the end of 2019 their debut album, a 12-track Progressive Rock extravaganza titled Bird of Paradise (available for a full listen on Spotify), pointing to a bright future for Seraina and her bandmates. In addition, Seraina said that their goals with Dead Venus do not include appealing to a broader or more demanding audience, saying their music already has enough pop character in it despite not being disco dance music, of course. She complemented by saying that what Dead Venus and any other band needs is an audience that listens and that feels inspired by the music being played, as long as the music is authentic like what she does with Dead Venus, putting no boundaries to what the trio can do. You can listen to their music and purchase their debut album by visiting the MUSIC page on their official website, or by subscribing to their YouTube channel, where you’ll find some amazing compositions (and videos) for the songs The Sirens Call, Bird of Paradise and Redemptionless in both regular and acoustic versions.

You can also enjoy Seraina’s unique voice in other interesting bands and projects, showcasing all her versatility and skills it doesn’t matter if it’s a rock band playing covers or a full-bodied progressive and symphonic act. For instance, she did female vocals for Swiss Melodic Heavy/Power Metal band Rizon from 2010 until 2014, having recorded with them the album Masquerade in 2012, which you can listen in its entirety HERE; and she’s been the vocalist for German Progressive Rock/Metal band Surrilium since 2011, having recorded with them the album Sir William in 2015. Seraina is also the vocalist for a distinct cover bands called Hit Grinder, taking hits that everyone knows and performing them in a unique way with heavy guitars, rocking drums and hard driving bass, giving those songs a more aggressive edge. The band is formed by Seraina on vocals, Stefan Schroff on the guitars, and a rotation between Yannick Schmidt and Emmi Lichtenhahn on bass and Franceso Gasparini and Alain Ackermann on drums, and you can get in touch with them and listen to more of their music on Facebook, on Instagram and on YouTube, with their renditions of Sia’s Chandelier and Michael Jackson’s Bad showing you all of the band’s awesomeness.

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Perhaps one of the most delicious works by Seraina is her personal YouTube channel, where she puts her heart and soul into delivering beautiful versions of several rock, pop and metal classics, usually only accompanied by her own piano. Simply visit her YouTube channel and you’ll be able to enjoy our talented singer kicking ass with her versions for Red hot Chilli Pepper’s classic Under the Bridge as a studio project band from the hKDM Music High School in Freiburg, Edgar Alan Poe’s The Haunted Palace, Rush’s masterpiece Closer to the Heart together with a children’s choir, Nancy Wilson’s The Nearness of You, The Misfits’ Dig Up Her Bones live at a pub in Zurich, Jason Mraz’s I Won’t Give Up, Sting’s The Hounds of Winter, Lady Gaga’s Million Reasons, John Lennon’s Imagine, and a very special version for Christina Aguilera’s Keep on Singin’ My Song, as according to Seraina herself Christina Aguilera was one of her teenage heroes and one of the reasons she started singing when she was around 13 years old. And let’s keep talking about her idols and influences, with bands like Opeth, Pain of Salvation and the almighty Judas Priest being among her favorite bands of all time. Seraina even mentioned in one of her interviews that playing with one of those three bands would be a dream come true for her, complementing by saying it would be beyond fantastic to be able to talk, interact and especially sing with the one and only Metal God Rob Halford.

When questioned about the fact she was in an all-girls band during her time with Burning Witches, our striking banshee said in the beginning the idea of only playing with other women in a band was quite funny for all of them, and that they never expected it to be such a big topic, having to face sexist comments and other situations related to the male/female gender differences. Needless to say, that didn’t have any impact on the way Seraina performs on stage, saying the most difficult part is actually dealing with her own emotions and feelings to make sure her voice perfectly sends the desired message. In addition, she said she usually has it under control, using the appropriate techniques to have the best results while playing live. Seraina is also responsible for designing her own outfits, saying it’s actually more like a hobby for her despite the fact she wanted to become a fashion designer before singing, mainly because it’s very time consuming. And regarding metal festivals, she said during her time with Burning Witches they always wanted to play something big such as Wacken Open Air, Sweden Rock Festival and Hellfest, but we must all agree that now with Dead Venus her focus is a lot more on smaller, more intimate venues and crowds.

When asked about her singing style, her limits as a vocalist and her writing and composing process, Seraina said she always puts her heart and soul into singing, it doesn’t matter if it’s a heavy-as-hell metal song or a serene rock ballad, complementing by saying that it’s all a matter of practice to know and understand your limits and what’s causing that barrier, such as breathing techniques and discipline. For example, she said she doesn’t do much Opera singing as she’s not professionally trained in it, but maybe with some time and by applying the right techniques she can reach a good performance singing it. Her process for writing and composing her songs is also very detailed and honest, with Seraina usually writing something on the piano and then complementing it with the guitar, not working with sequences and, therefore, sounding a lot more organic. She also said the order in which she writes the lyrics and the music is never the same, always depending on the song being composed and the situation she’s in, with most of the ideas for the music by Dead Venus coming from her past experiences, especially due to her anger, energy and creativity as a teenager, saying it wasn’t easy in the beginning for her as she doesn’t come from a family of musicians like several other artists.

If you also enjoy watching Seraina perform and not only listen to her powerful voice, you’ll notice she always carries a special chain or necklace, a symbol of luck that’s linked to her family. She said she had a very strong bond with her sister when they were kids, which by the way lasts until today, with the necklace being a gift she got for her 12th birthday from her stepfather that symbolizes two parts that are connected together and forever. As a matter of fact, the Dead Venus logo is a variation of that symbol, a Celtic cross knot with an “S” at the end. Talking about stunning looks in rock and metal, Seraina was asked what she would say if one day a band like Arch Enemy invited her to sing for them, and albeit she said she simply loves the charisma, the voice and the looks by the she-wolf Alissia White-Gluz, she said she couldn’t see herself fronting such distinct band.

Lastly, as an artist that has been making  music for a long time despite her young age, Seraina said she will always pursue a career in music no matter what, saying she got to know a lot of good people with both Dead Venus and Burning Witches that provide her all the support she needs to keep moving forward. She sees a lot of potential with Dead Venus, the type of music she has always wanted to do, but you can also hire her to feature on your next album doing backing vocals or singing one or more songs, for example, as she has already done a few studio and advertising jobs in her career. She can even sing in German (or Swiss German) if you prefer, and you can actually check Seraina speaking (not singing, though) in her mother tongue in a short interview where she talks about what it means for her to be from Aargau, how much she loves her hometown, and her life in the city. I guess after knowing about her personal life, her career and her passion for heavy music, there’s nothing better than banging our heads to Seraina’s piercing vocals or simply sitting down, relaxing and enjoying her more delicate creations, resting assured we’ll hear a lot more from such talented artist in the coming years.

Seraina Telli’s Official Facebook page
Seraina Telli’s Official Instagram
Seraina Telli’s Official YouTube channel
Dead Venus’ Official Facebook page
Dead Venus’ Official Instagram
Dead Venus’ Official YouTube channel

Album Review – Crimson Sun / Fates (2020)

Known for their gripping live performances, catchy sounds and melodies, this Finnish Melodic Heavy Metal institution is ready to take the world of heavy music by storm with their sophomore album.

Known for their gripping live performances, catchy sounds and melodies, Finnish Melodic Heavy Metal institution Crimson Sun is ready to take the world of heavy music by storm with their sophomore album Fates, the follow-up to their debut full-length installment Towards the Light, released in 2015, and the EP The Spirit of Unchainable, from 2017. Formed under an unknown name in 2001 in the city of Hamina, Finland, and evolving into their current moniker in 2005, Crimson Sun have been making a name for themselves since their inception, quickly finding their way into the hearts of metalheads from all around the world and, as a consequence, leading the band currently formed by frontwoman Sini Seppälä, guitarist Joni Junnila, bassist Jukka Jauhiainen, keyboardist Miikka Hujanen and drummer Antti Rantavuo  to perform in some of the biggest metal festivals in Finland and to tour around Europe.

Thematically centered around different fates of people, and loosely referring to the band’s own experiences as well, Fates is an amalgamation of classic and contemporary rock and metal styles centered on the band’s Melodic, Symphonic and Alternative Metal core essence, offering their fans the perfect soundtrack to face our daily struggles and obstacles. “The album took its time as we all went through some major changes in our personal lives – some of us started families, some lost relationships or loved ones, built houses, gained new jobs… Life happened! ‘Fates’ proves however, that despite things changing we can get past all difficulties and challenges and move on – and make the kind of music we want to hear”, explained guitarist Joni Junnila about the band’s newborn spawn, complementing by saying that the album “represents continuity in our musical career. Some of the reviews of the first album suggested that we might just be a one-album-wonder. ‘Fates’ hopefully proves to everyone that this is not the case! We continue to grow and evolve – and we won’t even be just a ‘two-album-wonder’.”

Antti sets fire to the album with his frantic beats in the opening track The Beast Within, presenting elements from Symphonic and Alternative Metal as if Nightwish and Lacuna Coil had a child together, all boosted by Miikka’s futuristic keys and Sini’s crisp, high-pitched vocals. Then continuing to venture through the realms of modern Alternative Metal the band offers us all Virtual Reality, with Joni and Jukka extracting sheer adrenaline from their stringed weapons while Miikka and his whimsical keys bring a touch of lunacy to the musicality; followed by We Are One, where the quintet adds a considerable dosage of passion, melancholy and hope to their core sound, with Antti dictating the rhythm while Sini continues to shine on vocals, not to mention the dense and smooth bass lines by Jukka.

The Prison is one of the most symphonic of all songs, but of course still showcasing the band’s trademark electricity, being highly recommended for fans of bands like Epica and Lacuna Coil, with Sini and Miikka being on absolute fire while supported by Jukka and Antti’s thunderous kitchen. And it’s time to slow things down and enjoy Sini’s passionate performance in Overcome while her bandmates generate a delicate and ethereal ambience, resulting in a beautiful break from the faster pace of the rest of the album, flowing into Fate of Nora, which starts in an introspective way before exploding into modern-day Symphonic Metal led by Miikka and his sharp keys. Moreover, Jukka brings thunder to the music with his potent bass jabs, keeping the album as vibrant as it can be, setting the tone for the excellent Trailblazer, the perfect depiction of how powerful the music by Crimson Sun truly is, blasting tons of electricity to the masses while Sini is effectively supported by all her bandmates, in special by Antti’s fierce beats and fills and Joni’s slashing riffs.

Slightly more futuristic than its predecessors, Distant Stars flirts at times with electronic music and Industrial Rock and Metal, and albeit being a good composition it’s a bit generic if compared to all other songs (but still presenting a great job done by Miikka on keyboards, though), whereas Essence of Creation, an upbeat tune blending modern metal music with several electronic nuances, brings forward a shot of stamina into our avid ears while Sini declaims the song’s poetic lyrics in great fashion (“Respect the unscripted rule / The lifeline of all things / From life to life the cosmic ways go / They outline every shape we know / The meaning of life can’t be held / Nor contained in the world we live / Not even identified in a way we are used to”). And their last blast of high-end metal music made in Finland comes in the form of Last Day on Earth, the boldest of all songs overflowing passion and epicness thanks to Sini’s stunning vocal performance and Miikka’s classy keys, while Joni continues to shred his strings until the song’s climatic conclusion.

You can listen to Fates in its entirety on YouTube and on Spotify, but if I were you I would show my utmost support to such talented Finnish band by purchasing the album from their official webstore, as well as from Record Shop X, from Apple Music or from Amazon. Also, don’t forget to follow Crimson Sun on Facebook and on Instagram, and to subscribe to their YouTube channel for more of their flammable music. Finland has always been considered a reference in Melodic and Symphonic Metal with bands like Nightwish and Stratovarius spearheading the local movement, and now with the rise of Crimson Sun we can all rest assured the land of ice and snow will also continue to be called the land of metal music for many years to come.

Best moments of the album: The Beast Within, The Prison, Trailblazer and Essence of Creation.

Worst moments of the album: Distant Stars.

Released in 2020 Independent

Track listing
1. The Beast Within 3:32
2. Virtual Reality 3:06
3. We Are One 4:04
4. The Prison 4:57
5. Overcome 3:12
6. Fate of Nora 4:14
7. Trailblazer 3:18
8. Distant Stars 4:22
9. Essence of Creation 3:40
10. Last Day on Earth 5:33

Band members
Sini Seppälä – vocals
Joni Junnila – guitar
Jukka Jauhiainen – bass
Miikka Hujanen – keyboards
Antti Rantavuo – drums

Album Review – Lutharö / Wings of Agony EP (2020)

Bringing a fresh take on Heavy Metal to listeners around the world, this up-and-coming Canadian band returns with a darker yet still very melodic sound in their brand new (and excellent) EP.

Founded in 2014 under the name Incarnadine in Hamilton, a Canadian port city on the western tip of Lake Ontario, the Melodic Heavy/Death Metal powerhouse now known as Lutharö aims at bringing a fresh take on Heavy Metal to listeners around the world with their unique and diverse sound loaded with catchy riffs, blazing solos and vocals ranging from vicious growls to clean passages that will send a chill down your spine, being therefore highly recommended for fans of the music by iconic bands like Arch Enemy, Unleash the Archers, Amon Amarth and Behemoth. Over the years, Lutharö have grown into their distinctive sound, emerging with a heavy and dark formula that gets fans moving, culminating in 2018 with the release of their debut EP Unleash The Beast and now in 2020 with the release of their sophomore opus Wings of Agony.

Stepping out of their comfort zone for their new album, the Canadian quintet comprised of Krista Shipperbottom on vocals, Victor Bucur and John Raposo on the guitars, Chris Pacey on bass and Duval Gabraiel on drums (although the drums in the EP were recorded by session musician Cale Costello) promises to be more innovative and imaginative than in Unleash The Beast, being the perfect introduction to the new era of Lutharö that, albeit darker than before, still sounds and feels very melodic and embodies the same amount of energy their fans have learned to enjoy. Featuring a stylish cover art designed by Romanian artist Costin Chioreanu (twilight13media.com), Wings of Agony will bring to your metallic ears 25 minutes of classic yet at the same time modern metal music, positioning Krista and the boys as one of the most promising and interesting names of the current Canadian underground scene.

Ominous, ethereal sounds kick off the opening track Barren, before the band’s guitar duo Victor and John start slashing their strings beautifully and Krista begins blasting her high-pitched, enraged screams, bringing forward elements from a myriad of styles such as Thrash, Death and even Black Metal. Needless to say, the EP couldn’t have started in a better way, and things get even better in Diamond Back, leaning towards the Melodic Death Metal played by some of their biggest influences such as Arch Enemy and The Agonist. The intricate and flammable beats by Cale are effectively complemented by the crisp riffs fired by both guitars, all embraced by another brutal performance by Krista with both her strident clean vocals and she-wolf roars. And a touch of epicness spices up the intro to the also high-octane Blood Lightning, where the quintet puts the pedal to the metal in a hybrid between classic Thrash Metal and modern-day Melodic Heavy Metal, also featuring awesome guitar solos delivered by Victor as the icing on the cake.

Will to Survive is a brilliant headbanging tune by Lutharö where the guitars sound furious just the way we like it in extreme music, while Chris’ rumbling bass and Cale’s frantic beats keep the atmosphere dense and thunderous from start to finish. In addition, Krista is once again superb on vocals, and in my humble opinion this is a beautiful and exciting path I would love to see Lutharö follow in their future releases. Last but not least, closing the EP we have the title-track Wings of Agony, more melodic and modernized than its predecessors, offering the listener another feast of razor-edged riffs, blast beats and menacing bass punches, not to mention the song’s catchy chorus powerfully declaimed by Krista (“Go on and wake from this sleep / Let distant light unbind your wings / Go on and soar / Forever more / Into a journey of pain”), with the music flowing into a dark and serene ending.

When I saw Lutharö live for the very first (and so far the only) time in 2018 opening for the almighty Canadian metal heroes Striker and Unleash The Archers here in Toronto, I instantly knew I was witnessing the rise of a future beast of Canadian metal, with Wings of Agony, which is available from the band’s own BandCamp page (and soon from other locations and platforms), cementing their name in the local scene. Hence, if you want to know more about Lutharö and listen to more of their music, simply follow them on Facebook and on Instagram, subscribe to their YouTube channel, and stream their previous and new releases on Spotify  as much as you want. Krista and her henchmen are undeniably talented, crazy for metal music and extremely focused on what they do, spreading their wings all over Canada and soon the world with their breathtaking music for our total delight.

Best moments of the album: Diamond Back and Will to Survive.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. Barren 5:21
2. Diamond Back 4:31
3. Blood Lightning 4:41
4. Will to Survive 5:09
5. Wings of Agony 6:02

Band members
Krista Shipperbottom – vocals
Victor Bucur – guitars, backing vocals
John Raposo – guitars
Chris Pacey – bass
Duval Gabraiel – drums*

Guest musician
Cale Costello – drums (session)

*Drums recorded by Cale Costello.

Metal Chick of the Month – Ela

ELA ROCKS!

Hailing from the charming Stuttgart, capital of southwest Germany’s Baden-Württemberg state and known for the Mercedes-Benz and Porsche headquarters and museums, our metal chick of the month of August is ready to set fire to The Headbanging Moose with her powerful vocals, stunning looks and deep passion for Hard Rock, Rock N’ Roll, and Heavy and Power Metal. Furthermore, you’ll certainly find her evolution in music quite interesting, from her mellower, radio-friendly Pop Rock early days to her current ferocious beast mode, blasting first-class Heavy Metal for our absolute delectation, always ready to rock like there’s no tomorrow. Ladies and gentlemen, please welcome the raven-haired vocalist Michaela “Ela” Eichhorn, or if you prefer you can simply call her Ela, frontwoman for German Melodic Heavy Metal band ELA and a woman that beautifully represents the power and importance of women in contemporary metal music.

You won’t find a lot of personal details about our dauntless Ela on the internet, but that doesn’t mean there isn’t a lot to read, learn and enjoy about her. Let’s say that if you want to know more about Ela, all you have to do is search for her own band ELA, as in the end the two can be considered the same entity. In other words, there’s no Michaela Eichhorn without ELA and vice-versa, which means we’ll be focusing on Ela’s career with her band on this humble tribute to this talented German singer, starting with the band’s inception over ten years ago, in the year of 2006. As a matter of fact, we can go a bit further than that, to the year of 2004, when Ela was part of a Karlsruh, Baden-Württemberg-based band named Com’n Rail, with whom she released the full-length album Out of My Universe that same year (and you can still buy the album from Amazon or from Discogs).

After several concerts all over Germany to promote Out of My Universe in the following years, Com’n Rail split up in 2006, with Ela finally founding what’s known today as ELA. However, as already mentioned, the band’s first releases, those being the EP’s Out of Time and Little Lies, both released in 2008, and the full-length albums Passion, from that same year, and Make My Day, from 2009, showed a much smoother side of Ela, offering her fans a fusion of classic Hard Rock with pop and alternative music. Ela’s debut EP Out of Time featured German musician J.R. Blackmore (the son of Ritchie Blackmore and his former German wife Margit, and known from bands like EBC Roxx and Over the Rainbow) on the guitar, with the invitation originating from Ela herself after listening to one of his instrumental pieces during a radio interview in Hamburg and falling in love with his refined technique. Upon returning home that night, she sent an email to Mr. Blackmore inviting him to participate in her album, he obviously accepted the invitation, and two weeks later the single Out Of Time was recorded (check out the official video shot at the legendary rock club Headbangers Ballroom in Hamburg HERE), with the full EP featuring the aforementioned single, a couple of original songs  by Ela and instrumental pieces by Mr. Blackmore, and a cover version for UFO’s Queen of the Deep. As a consequence of the very positive feedback received from fans and the specialized media, the duo went on a fairly extensive European tour after the release of the EP, not to mention the official video was played on many German music channels such as iMusic1 TV, Hit24, Deluxe TV and Streetclip.Tv.

The year of 2008 also witnessed the release of her first full-length album Passion, which you can listen in full on YouTube, again drawing excellent feedback and very positive reviews from the media. This was Ela’s first cooperation with Martin Engler of Mono Inc., which also happened in her next album. Songs like After the Rain and Out of Time achieved great success among fans of her music, the first single Little Lies made it onto several radio playlists for several weeks, her cover versions for Credence Clearwater Revival’s Who’ll Stop the Rain and Cheap Trick’s I Want You To Want Me were simply amazing, and Bleed got its own official video, shot at a castle for Ela’s own delight. “I’m a huge fan of castles, and it was my utmost wish to film on the historic grounds of a fortress. Just the masonry is ever so fascinating, and for a song like ‘Bleed’ I couldn’t have imagined any other location”, said our talented frontwoman.

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In 2009 Ela was back in action with a more rockin’ sonority with the album Make My Day, featuring re-recorded songs form her previous releases, and new songs like Here to Stay, Who (Won’t You Tell Me) and Right for the Devil, and once again featuring Martin Engler on drums, percussion, keyboards, programming and other arrangements. Ela had a few nice words to say about this heavier and harder version of her music. “The atmosphere in a studio is different to the one on stage, where you’re being swept away by the energy of your fans. Before you pick a song for an album, you work for weeks on that tune until it is to your perfect liking. However, and I think I speak for many of my musician colleagues here, after a while you may dislike this song and/or you suddenly get new ideas for it. Music has a lot to do with emotions, so I think that your own feelings play a major role here. When you know that you’re due to play live shows, it gets you in a different mood, you feel changed. I can only speak for myself, but I felt an overpowering urge to bring these songs across way harder – well, I guess, I simply wanted to ROCK more,” she commented, already pointing to a heavier future for her band.

Although Ela might not have released any new material under her own band until 2015, in 2010 she founded together with J.R. Blackmore and keyboardist Tony Carey (Rainbow) the project EBC Roxx,  having released the album Winners Vol.1 that same year,  with the song Silver Arrows being the anthem to accompany the first race of Mercedes Formula 1 pilots Michael Schumacher and Nico Rosberg that season. Then after a short hiatus Ela returned in 2015 with her band ELA showcasing a more visceral and metallic sound in Nervous Breakdown, featuring among several hard and heavy songs a medley of two of Slade’s biggest classics, Cum On Feel the Noize and Gudbuy T’Jane. Produced by Jörg Uken (Soundlodge Tonstudio) and mixed by Sascha Paeth (Avantasia, Beyond the Black, Edguy), Nervous Breakdown led Ela and her bandmates to promote the album on a tour with the iconic band Bonfire, proving once again she was on the right path in heavy music.

In 2016 Ela and her henchmen got even more metal with the release of the EP Out Of This World, presenting a much harder sonority closer to the Symphonic Metal played by bands such as Nightwish and Lacuna Coil, as you can see in this live version of the song This Kaleidoscope from 2017. Then in 2017 ELA finally achieved its most metallic form with the release of the full-length opus Second Reality, featuring powerful songs like Deadly Sins, therefore explaining why the album stayed in the Top 20 of the German Rock and Metal Charts for weeks. Ela’s metal side received so much praise from fans, critics and media from all over the world her band even toured around Germany as a supporting act for the one and only Grave Digger, not to mention Ela’s guest vocals in 2019 in the title-track Facing the Demon, from the album Facing the Demon, by German Melodic Heavy Metal act Reternity. Having said all that, you might be asking yourself what’s next for Ela, right? Well, no one knows exactly what our dark-haired singer will bring to our avid ears in the future, but we can rest assured it’s definitely going to rock our world.

ELA’s Official Facebook page
ELA’s Official Instagram
ELA’s Official YouTube channel

Album Review – Reternity / Facing the Demon (2019)

An exciting display of Melodic Heavy Metal by four experienced musicians from the German scene, dealing with the struggles we all have with our inner demons and temptations.

Founded in the summer of 2018 in Heilbronn, a city in northern Baden-Württemberg, Germany, by Stefan Zörner (SpiteFuel, Lanfear, Strangelet) on vocals, Carsten Sauter (Mighty D., Pyroclasm) on guitars and bass, Semen Brik (Echo.Mensch) also on the guitar, and Sascha Beul (Remember Twilight, Darkness Ablaze) on drums, four experienced and skillful musicians from the German Heavy Metal and Hard Rock scene, Melodic Heavy Metal outfit Reternity has just released their debut full-length album, entitled Facing the Demon, following up the successful release of their 2018 two-track demo, which received an amazing feedback from both fans and critics. Dealing with the struggles we all have with our inner demons and temptations, something that’s beautifully depicted in the album artwork, Facing the Demon was carefully produced by Jonas Kümmerle at Analog Mixing Studio, taking the album’s overall sound quality to a whole new level and, therefore, allowing those Swabian metallers to shine throughout 40 minutes of heavy music, ranging from classic Hard Rock to more berserk styles such as our good old Thrash Metal.

The acoustic guitars by Carsten and Semen kick off the intro Strings of Sor 1: Sunset, working as the calm before the storm for Last Days of War, a frantic and very melodic Heavy Metal tune with thrashing elements, as if Anthrax decided to play a faster version of Hard Rock. Moreover, Stefan leads his metal brigade with his ass-kicking, angry vocals, keeping the energy level really high until the next song, titled Tomorrow’s History, comes crushing our minds with another incendiary performance by the band’s guitar duo while Carsten keeps rumbling the foundations of the earth with his bass lines, also bringing some soulful guitar solos just the way we like it in Power Metal. Then the spoken words by Stefan in the melodic bridge Reternity II set the tone for the amazing Hard Rock power ballad I Love the Night, highly inspired by 80’s Glam Metal but with the band’s own modern twist. As the sound of guitars and bass fills every empty space in the air, get ready to sing the song’s awesome chorus alongside those German metallers in great fashion.

In Down. Not. Broken, one of the songs from their 2018 demo and another potent tune infused with Thrash Metal nuances, it’s time for Sascha to pound his drums mercilessly, therefore adding tons of electricity and stamina to the musicality, with Carsten and Semen once again kicking us in the face with their riffs and solos. The title-track Facing the Demon is a lesson in Symphonic Power Metal, with Stefan and guest vocalist Michaela “Ela” Eichhorn (frontwoman for German Melodic Heavy Metal band E:L:A) being on fire and utterly flawless on vocals, while the guitars and bass sound absolutely metallic from start to finish for our total delight; whereas in Singularity all instruments, in special the bass lines, present a lot of Progressive Metal nuances, sounding more modernized than the rest of the album, albeit not as vibrant. Furthermore, Stefan does a great job on vocals as usual, with the song’s acoustic ending also being a nice addition to the overall result.

The second song from their 2018 demo, Suicide Butterflies, is a very rhythmic and solid creation by Reternity, showcasing an electrified Sascha on drums while Carsten brings considerable amounts of progressiveness and groove with his riffs and bass punches; followed by Stone to Mouth, featuring German singer Chantal Freier doing a gorgeous introduction to the song in her mother tongue. Overall, it sounds like a fusion of the music by Skid Row, Gojira and Anthrax with alternative music from the 90’s, with all the shredding plus the German words being welcome extra touches to such vibrant composition. And last but not least, Carsten and Semen fire acoustic guitar lines one last time in the outro Strings of Sor 2: Sundown, closing the album on a serene note; however, keep listening to it for the hidden track All Grey, a fun and frantic Heavy Metal and Rock N’ Roll party with highlights to Stefan’s vocal performance boosted by the song’s effective backing vocals.

You can show your support to those skillful and unrelenting Teutonic metallers by following them on Facebook, and of course by purchasing your copy of Facing the Demon (also available for a full listen on Spotify) from the MDD Records webstore, from iTunes or from Amazon. Because, you know, if you’ve decided you’re finally going to face your inner demons from now on, keeping your head high and without any fear of failure, the best way to do that is accompanied by our good old Heavy Metal, no doubt about that.

Best moments of the album: Last Days of War, I Love the Night and Facing the Demon.

Worst moments of the album: Singularity.

Released in 2019 MDD Records

Track listing
1. Strings of Sor 1: Sunset (Intro) 1:05
2. Last Days of War 4:22
3. Tomorrow’s History 3:50
4. Reternity II 0:54
5. I Love the Night 2:55
6. Down. Not. Broken 3:32
7. Facing the Demon (feat. Michaela “Ela” Eichhorn) 4:31
8. Singularity 5:34
9. Suicide Butterflies 4:18
10. Stone to Mouth (feat. Chantal Freier) 4:47
11. Strings of Sor 2: Sundown (Outro) 1:12
12. All Grey (Hidden track) 2:39

Band members
Stefan Zörner – vocals
Carsten Sauter – guitars, bass
Semen Brik – guitars
Sascha Beul – drums

Guest musicians
Chantal Freier – female vocals (intro) on “Stone to Mouth”
Michaela “Ela” Eichhorn – female vocals on “Facing the Demon”

Interview – Alcides Burn (Burn Artworks)

Let us all burn together with the talented Brazilian artist Alcides Burn, from Burn Artworks, in this exclusive interview where he talks about his work, his passion for drawing and heavy music, and more.

Alcides Burn (Burn Artworks)

The Headbanging Moose: Could you please start by telling our readers who Alcides Burn is? When and why did you decide to become a graphic designer, and when exactly did your passion for heavy music start impacting your work as a designer?

Alcides Burn (Burn Artworks): Hi, at first I would like to thank The Headbanging Moose for the opportunity to present my work.

Well, I’m Brazilian, from Belém-PA, but I’ve lived in Recife for many years, I always liked to draw and I’ve always been a fan of horror movies, giant monsters, and stuff like that. In the 1990s it was when I started listening to metal, I remember the first time I saw an Iron Maiden album cover, I was impressed with it and from that time on I decided to create arts.

I started drawing art for bands of friends until I’ve got a computer from an uncle and went digital.

THM:  Did you have any idea of what you were doing in your early days as a graphic designer for metal bands? How did things work in the beginning for you? What were your biggest challenges as a rookie in such competitive market?

AB: In the beginning there weren’t as many artists as nowadays, and I really wouldn’t have imagined that I’d become a well known artist as now. As I said, I was lucky to have a very good computer at a time that it was very expensive and difficult to get one, and I always studied a lot, I used to burn the midnight oil learning and studying hard, then I made an album cover for Queiron, a band from São Paulo. That opened doors, that was when I actually started this work, after that other bands came up.

THM: You were also (and still are) a vocalist for a few Brazilian Death Metal bands like Inner Demons Rise, Next Pain and Subinfected. How did you manage your duties as a musician and a designer at the same time with your previous bands, and what lessons did you learn that you can apply to your active band Inner Demons Rise nowadays?

QUEIRON (Brazil) CD Cover

AB: The bands were not my top priority, I’m also an advertising professional and a concert producer, so these projects came up during my spare time and they were getting harder to manage in my busy schedule. Due to that reason I’m not in a band anymore. I’ve spent 10 years in the band Inner Demons Rise, I had a lot of fun, I learned a lot, a lot of the production experience I’ve learned I used to apply to the band, but unfortunately my work as a designer started to grow and I had to leave the band, but I still talk every day to my bandmates that are also my personal friends.

THM: While checking some works you’ve done for several bands from different parts of the world, I noticed most of the time there’s a lot of chaos, fire, death, demons, darkness and other obscure or evil elements in your art. What attracts you in those elements, and do you think that can limit your reach, I mean, what if a Symphonic Metal band or a Hard Rock band approach you to hire your services?

AB: Well, my mind has always been a little devilish (LOL), I’m a Death Metal fan, mainly from the 1990s, and album covers like Monstrosity (Imperial Doom) and Dismember (Like an Ever Flowing Stream) have always impressed me, creatures, the scenarios, and like I said, horror movies, monsters, I think I couldn’t follow a different path. However I’ve already designed for Melodic Heavy Metal bands, like “The Black Knight” from the band Wizards here from Brazil among other artists, sometimes I feel even lacking in creating such works.

THM: What are your favorite bands, as well as favorite artists and designers? How much have they influenced your work since the beginning? And can you list your favorite album artworks of all time, telling why you like them so much?

AB: That’s a trick question, but let’s go:

Some of my favorite bands are: Paradise Lost, Moonspell, Monstrosity, Deicide, Gorefest, A-HA, Dream Theater, Angra, I think these are the ones I listen to most.

Favorite artists: Seth Siro Anton, Wes Benscoter, Dave Mckean, Travis Smith and Braisl I enjoy many works by several artists, Marcelo Vasco, Gustavo Sazes, Rafael Tavares, Carlos Fides among others.

About favorite albums: Paradise Lost – Gothic, Moonspell – Wolfheart, Deicide – Legion, Gorefest – False, Monstrosity – Imperial Doom, Dream Theater – Image and Words, Angra – Fireworks. There are many (LOL)

THM:  Apart from heavy music, what else serves as an inspiration for you? Any movies, books or other things that are worth mentioning that had a significant impact in the way you draw or paint?

AB: Movies, lots of movies, I’m a movie buff, I watch at least 2 or 3 movies a week and everything around me, if I step on the street and see something that I know can turn some art, I quickly snap a picture.

THM: If I have a band and I’m searching for an artist to design the cover art for my new album, what should I do to contact you? And how does the entire process work, from the very first contact until the final version of the artwork is ready?

AB: Well, you can contact me through my email: alcidesburn@gmail.com or by my Facebook and Instagram: @alcidesburn.

The process is very simple, I usually create the art based on the album title or from a song lyric or an idea that the band has in mind. I have a conversation with the band to understand the idea and then just go for it, I present a draft of the idea to the band and as soon as they approve I finish the artwork.

THM: Your list of clients is quite extensive, including underground bands from distinct parts of the world such as Neuroticos (Japan), Zerozonic (Norway) and Iconoclasm (Belgium), renowned international acts like Keep of Kalessin (Norway), Obituary (USA) and Tim “Ripper” Owens (USA), countless underground Brazilian bands and even some big names in the Brazilian scene like Krisiun, Nervochaos and Torture Squad. From all those bands and artists, which ones do you think were able to extract the best of your art?

AB: I think the one that has had the most repercussions so far was the Keep of Kalessin, that one people still talk about, this art will be part of the second edition of the book Arte Arcana – Lucifero, where I will be among the great artists of the world.

The book can be purchased at this link: https://heavymusicartwork.com/arte-arcana-lucifero. There is an art that I made for Rebaelliun band shirt that I also like it a lot. I recently created another art for them and I liked the result. The ones I made for Krisiun, total respect to the band, I like it a lot and the guys are very good people and Nervochaos that despite being something simple it was a very cool experience.

I have a special affection for all of them, they are important bands that I like so much.

REBAELLIUN (Brazil) T-Shirt Design

THM: There was no social media and the access to the internet was extremely limited when you started around 20 years ago. What are the advantages and disadvantages for you of the advent and unstoppable growth of social media in recent years? How do you keep up to date with everything that’s going on, new techniques, new software or anything else that you can apply to your work?

AB: I usually say that the internet is a necessary evil, and you have to know how to use it in your favor, I try to use it to show my work to the world, I try to forget other subjects, I open my Facebook to advertise my arts and talk about movies.

Other than that the internet made it very easy for people who work with arts. Today you have a multitude of images, plugins, textures and software that helps a lot, but as I said: the real world is there, and if you have a good point of view you can bring a lot for your art.

THM: You were born in the city of Belém, in a region of Brazil not very famous for its metal music (in the state of Pará), and you currently reside in the Northeast of Brazil, where although there are several metal bands the scene remains completely underground. How does that impact your work? And what bands can you recommend form those regions, especially the ones you’ve already worked with?

AB: I left Belém at the age of 1 and I do not know the city until nowadays, but I hope to do it so soon.

The coolest thing is that I have several friends there, I’ve done arts for bands there like Disgrace and Terror, Anubis and Eternal Darkness, the latter two I’m creating for their new work at the moment.

The Northeast is strong, there are lots of bands that I have worked with and I like them a lot like Decomposed God, Pandemmy (both from Recife), Headhunter D.C., Malefactor (from Salvador), Sanctifier (from Natal), there are a lot of fucking good bands here.

I think it’s a little bit hard for me to live in Recife, an example if you live in São Paulo, you have a lot more contact with this world because it’s a metropolis, there are a lot more shows, more producers and more bands, you see. But I love the Northeast and Recife.

THM: What does the future hold for you as a graphic designer and also as a metal vocalist? Do you see yourself working with more and more international bands, or do you prefer becoming a reference in the Brazilian scene?

AB: As a vocalist I only intend to have some projects, I need them, but nothing too serious, just recording, maybe going on stage a few times nothing more than that, nothing that takes my time.

As for the graphic designer, absolutely. I want to show my work to the world, to have more international bands in my portfolio, that would be great!

THM: Thanks a lot for your time, Alcides. It’s an honor for us to interview a metal artist like you for the first time on our webzine. Feel free to send your final message to our readers, including the best ways for bands and musicians to contact you if they’re interested in having your art representing their music.

AB: I’d like to thank you so much for the opportunity to talk about my work. Spaces like these are of extreme importance for the Metal world. Every zine, blog, website is a source of information that never must die.

To contact me, in addition to the social networks I’ve mentioned, my site is: www.burnartworks.com. In it you’ll find my works. Thank you!

Links
Burn Artworks Official Website | Facebook | Instagram

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Metal Chick of the Month – Rie a.k.a. Suzaku

Shredding is her business… and business is good!

If you’re a fan of the enthralling art of shredding, I’m sure you’ll have an absolute blast with our metal chick of the month of July, because not only she kicks some serious ass with her unstoppable guitar, but her looks are also beyond eccentric, sexy and mesmerizing. Born on November 26, 1985 in Funabashi, a city located in Chiba, a prefecture of Japan located in the Kantō region and the Greater Tokyo Area, the stunning Rie a.k.a. Suzaku, whose real name is Rie Tomimatsu (or if you prefer, it’s 富松里恵 in Japanese), is among us to show how a guitar should be treated, always delivering beautiful and electrifying riffs and solos. Highly influenced by traditional Heavy Metal, Power Metal and Hard Rock, Rie doesn’t limit her musical range to only those classic styles, being extremely adaptable to all kinds of music and situations with her refined technique. Having said that, are you ready to explore top-notch, unique metal music from the Land of the Rising Sun with our unstoppable Japanese guitarist?

As already mentioned, our Asian solo Heavy Metal guitar player draws a lot of influence from old school heavy music, with some of her favorite bands being Children of Bodom, Dream Theater, Arch Enemy, Helloween, In This Moment, Labyrinth, In Flames, Killswitch Engage, Ozzy Osbourne, Sonata Arctica and Nevermore, among several others, as well as other artists like American rock guitarist Eric Johnson, Japanese composer, arranger and musician Yoko Kanno, and electronic/orchestral musical and performing group Juno Reactor. Although her style is sometimes compared to Australian vistuoso Orianthi, Rie stands out by herself, crafting her own sound and style in the world of heavy music. First and foremost, she doesn’t sing, and second of all, she is a billion times more metal than Orianthi, playing Melodic Metal similar to Japanese bands like Destrose, Mary’s Blood, Aldious and Cyntia.

Rie’s solo career might have started back in 2008, but it was only in 2010 that she released her debut album, an EP titled Messiah, where she was responsible not only for playing the guitars, but also keyboards, programming and bass (on the song “Suzaku”), not to mention all lyrics and songwriting. As Rie is not a singer, the vocal duties on the EP were shared by Japanese female musicians Ibuki, Kaoru, Dia and Sattin, with bassist Hiroyasu Watanabe and drummer Isamu Tamaru completing the lineup. On her second EP, titled Mother Earth, which was released in 2011, Rie is supported once again by Hiroyasu Watanabe and Isamu Tamaru on bass and drums, respectively, as well as the returning Dia on vocals and newcomer Shizuka. The year of 2012 saw the birth of another EP by Rie a.k.a. Suzaku, entitled Dreaming Eyes, with almost the same lineup, except for Shizuka on vocals, and with vocalists Ibuki and Akane sharing vocals with Dia. After three EP’s in a row it was time for Rie to release her frist full-length album in 2013, named Kingdom of the Sun, a full instrumental album where Rie’s incendiary guitar riffs and solos were accompanied by Taku Yabuki on the piano, Isamu Tamaru on drums, and an array of bassists (Yoshihiro Naruse, Kenji Jino Hino, Ikuo and Isamu Takita) playing each in a different set of songs.

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In 2015 Rie released her second full-length installment, titled Noah’s Ark, a very interesting blend of instrumental songs with tracks featuring a guest female vocalist named Aira, including some of her longest compositions to date, which together formed some sort of concept aria within the album totalizing over 20 minutes of music split into four tracks (those being Noah’s Ark Prologue, Genesis, Noah’s Ark, and Noah’s Ark Epilogue). And the year of 2016 saw her latest release as a solo artist, an instrumental EP titled Seven Seas, comprised of seven “ocean-summer-like-inspired” tracks, such as Dolphin Dance, Sunrise and Ocean Breeze. Apart from those EP’s and full-length albums, you can also find in her portfolio three live DVD’s, those being Legend of Messiah (released in 2011), Dreaming Eyes Tour 2012, and Kingdom of the Sun Live Tour 2013, and a four-track single released in 2014 named Sonic City. As you can see, Rie is an extremely active musician with tons of releases already in her up-and-coming career, and if you want to enjoy her mind-blowing music you can check her official videos on YouTube for the songs Dreaming Eyes, Southern Wind‪, Seven Seas, Kingdom of the Sun, Messiah, Across the Sky, and Cyber Moon, as well as several videos with her stunning live performances.

Apart from her solo career, Rie also played the guitar live for Japanese Melodic Heavy/Power Metal band Crying Machine in 2011, and in January 2017 she joined forces with Japanese musicians Nicky (vocals), Ami (bass) and ViVi (drums) to form what would become a brand new band named RiViNi, with its name, which is a wordplay with the names of three of the band members (as bassist Ami only joined the band later), being chosen by their fans. Blending several elements form the rock and pop universes, RiViNi released earlier this year their debut mini-album titled Resistance, containing six distinct and very interesting tracks (幻想プラトニック, Emerald, Eternal Truth, Resistance, Sunflower and I Wish), and if you want to have a taste of their music you can watch their official videos for 幻想プラトニック (which means something like “platonic illusion” in English) and the title-track Resistance.

Fan of common things that most people also enjoy such as chocolate, ramen and swimming, Rie is also involved in quite a few other distinct projects and initiatives, such as playing original instrumental songs on a DVD for Young Guitar Magazine, appearing in a program named Effector Love for Roland, and performing at a booth at the Tokyo Guitar Show in 2011. However, perhaps the most curious fact about Rie also involves her own sister, Emi Tomimatsu, who’s a professional mixed martial arts fighter. Emi is not only a daredevil in the ring, but she gets pumped up for doing that by using Rie’s songs as her entrance themes, as you can see for example in this video posted on Twitter. Well, we have to agree that when you have a sister like Rie, delivering top-notch, electrifying metal music through her incendiary guitar, that’s all you need to get more than ready to rumble inside the octagon.

Equipment
Jackson USA RR-1 Skulls
Jackson USACorey Beaulieu Signature USA KV 7
Jackson USA RR-1 Ferrari Red Black
MXR (ZW – 44) BOSS (DD – 6) ERNIE BALL (VPJR) Maxon (AD – 80) (effector)

Rie a.k.a. Suzaku’s Official Facebook page
Rie a.k.a. Suzaku’s Official Twitter
Rie a.k.a. Suzaku’s Official Instagram
Rie a.k.a. Suzaku’s Official YouTube channel

Album Review – NovaReign / Legends (2018)

A fast, melodic and intricate album that perfectly represents the new age of Progressive Power Metal, telling stories in musical literature and speaking to a generation influenced by epic fantasy tales, comic books and video games.

Influenced by bands like Iron Maiden and Dream Theater, to Dragonforce and Angra, American metallers  NovaReign represent the new age of Progressive Power Metal, telling stories in musical literature and speaking to a generation influenced by epic fantasy tales, comic books and video games. Formed in 2010 in the city of Los Angeles, California, in the United States, NovaReign are not only inspired by the aforementioned classic metal acts, but they also incorporate elements from a multitude of non-metal styles such as Jazz, Funk and EDM (Electronic Dance Music) to their high-octane music, adding a little extra flavor to their already exciting compositions.

The band has been steadily and surely building a buzz and reputation for themselves in recent years, becoming a fixture with energy-abounding live shows filled with nonstop shredding guitar interplay and powerful traditional metal vocals, altogether culminating in the release of their debut full-length album this year, the nonstop metal attack titled Legends, an hour-plus of shred-tastic, over-the-top, epic power and progressive metal music. Not only that, the album art also transpires epicness, as explained by guitarist Danny Nobel. “The art was based off an idea I had pitched to have giant statues of god-like figures in an astral plain,” explains Danny. “Our bassist, Moises, took the idea and created the drawings you’ve seen so far. The characters are all based on warriors and mythical beings, which represent themes of courage, heroism, strength and virtue. These are characteristics and themes of the overall album. That along with a cosmic decor.”

The opening tune, titled Call On The Storm, brings forward progressiveness flowing from the very first second from the melodic guitar lines by Danny and his bandmate Balmore Lemus, gradually becoming a Power Metal feast led by the high-pitched vocals by frontman David Marquez. And the action doesn’t stop at all, with gripping solos and faster-than-a-bullet beats keeping the electricity at a really high level. Then get ready for 10 minutes of pure Melodic Heavy Metal in Mace Of A Fist, where Danny and Balmore are on fire with their Dragonforce-inspired riffs and solos while drummer Paul Contreras keeps blasting furious and precise beats, not to mention the second half of the song which is that type of sonic “masturbation” fans of Melodic and Progressive Metal truly love. And let’s say their “metal masturbation” goes on in another classic Power Metal extravaganza titled Beyond The Cold, presenting a galloping rhythm crafted by bassist Moises Gavez together with Paul, perfect for David to blast sheer epicness through his vocals and to Danny and Balmore to deliver some insane guitar solos.

The following song in Legends, the excellent Heavy Heart, reminds me of the sound by some of the best metal bands from Japan such as Moi Dix Mois, Versailles, Anthem and especially Saber Tiger and Loudness, being fast, intricate, electrifying and an absolute orgasm for fans of the genre. And have I mentioned their guitar solos are simply fantastic? Anyway, moving on with their sonic onrush, Skyline feels a lot less intense than its predecessors, but still presenting the band’s characteristic sonority. All band members are precise with their instruments, providing David all he needs to powerfully declaim the song’s lyrics, with the only issue being that the song goes on for too long with its almost 9 minutes of music.

The sound of rain and an acoustic guitar set the tone in the bridge To Wander The Stars, before NovaRegin return with another metallic, melodic and inspiring tune entitled The Builder. Led by the rhythmic drums by Paul, the song presents the band’s guitar duo simply slashing their strings mercilessly, therefore generating a piercing but very enjoyable sound in the end. In Black As The Dead Of Night we’re treated to a 9-minute onslaught of Power Metal with Danny and Belmore being two shredding and soloing machines, with the work done by Paul on drums being outstanding. Moreover, despite being as long as “Skyline”, it has a lot more flavor and punch, maintaining the energy flowing until the end. And lastly, the title-track Legends brings tons of progressiveness through the band’s intricate riffs and beats, as well as the awesome bass punches by Moises. Put differently, it’s a heavier and more melodic version of Dream Theater with hints of Iron Maiden, which means that if you’re a musician and into Power Metal, this song has everything you crave in heavy music.

In case you think my words are not detailed enough to describe the music by NovaReign, you can enjoy the band doing a really nice track by track breakdown on YouTube, and after enjoying such interesting video you should definitely go check what NovaReign are up to on Facebook, and purchase Legends through their official BandCamp page, through the M-Theory Audio webshop, on iTunes, on Amazon, and in other retailers like Target, Adipocere Records and DeepDiscount. And there you have the perfect (and very intricate and melodic) soundtrack for your most epic adventures, how about that?

Best moments of the album: Call On The Storm, Beyond The Cold, Heavy Heart and Black As The Dead Of Night.

Worst moments of the album: Skyline.

Released in 2018 M-Theory Audio

Track listing
1. Call On The Storm 6:58
2. Mace Of A Fist 10:10
3. Beyond The Cold 5:58
4. Heavy Heart 5:09
5. Skyline 8:56
6. To Wander The Stars 2:24
7. The Builder 5:22
8. Black As The Dead Of Night 8:44
9. Legends 9:25

Band members
David Marquez – vocals
Danny Nobel – guitars
Balmore Lemus – guitars
Moises Gavez – bass
Paul Contreras – drums