Metal Chick of the Month – Veronica Bordacchini

Catching the light with every stroke… Bringing to life the soul trapped in stone… Carving your name into eternity!

After witnessing her latest breathtaking live performance in Toronto last month, let’s say that the our metal lady of this month of June on The Headbanging Moose climbed up to the top of the list in terms of priority. She was simply fantastic onstage together with her also amazing band, hypnotizing every single person at the venue with her undeniable talent, incredible voice, and stunning looks. A dramatic soprano better known as the Opera singer of Italian Symphonic Death Metal band Fleshgod Apocalypse, she can sing pretty much any type of music, from Opera to Heavy Metal, from modern rock music to pop, and so on, and whenever she has some free time from music she’s also a PC gamer geek. I’m talking about the beyond talented Veronica Bordacchini, and I’m sure after knowing more about her life and career you’ll definitely get addicted to her beautiful vocals and music.

Born on July 9, 1988 in Todi, a town and “comune” (or municipality) of the province of Perugia, in the region of Umbria in central Italy, Veronica was a fan of games like hide-and-seek and playing cards during her childhood. “I was lucky enough to have been born in a country area, just a few kilometres from the historic centre of my little town, Todi, in the province of Perugia. I grew up in this building with five families. All five families had at least one child my age, so we went to kindergarten, elementary, and middle school together. From the first to the last day of summer vacation always under the house playing hide-and-seek and then cards because I’m old at heart. I was already playing cards when I was 12 years old, it’s wonderful. I still enjoy it. So ‘briscola’ (a typical Italian game cards) with friends of the same age was another game,” she mentioned in one of her interviews.

Speaking about her career with Italian cult metallers Fleshgod Apocalypse, the band had already been active for a few years before she joined them first as a guest musician, and then as a permanent member of the band. Fleshgod Apocalypse were formed back in April 2007 by Francesco Paoli, formerly frontman of the band Hour of Penance, releasing their debut opus Oracles in 2008, and a few years later, more specifically in 2011, it was when Veronica started singing with the band both in the studio as a guest vocalist in a few songs per album, as well as a touring musician, always as a soprano. Her first songs with the band were Temptation and The Egoism, both from their 2011 album Agony, followed by Kingborn, Towards the Sun, Warpledge and Epilogue, from their 2013 album Labyrinth; Cold as Perfection, Paramour (Die Leidenschaft bringt Leiden) and Syphilis, from their 2016 album King; and finally doing all soprano vocals in their 2019 album Veleno, still as a guest musician, like in the songs Sugar and Carnivorous Lamb.

It was back in 2020 when Veronica became a permanent member of the band, doing both soprano and clean vocals in a few singles, those being The Day We’ll Be Gone, No, Blue (Turns To Red), and Pendulum, before recording with them in 2024 the superb full-length opus Opera, definitely marking another step forward for the band, incorporating new suggestions into that unique blend they’re renowned for, such as sheer violence, majestic orchestrations, and soaring melodies. Not only that, the cover art portrays Veronica as Music, a superior entity that defeats the social and artistic decay of modern age, and the music found in the album is simply stunning as you can enjoy in songs like Morphine WaltzI Can Never Die, and Bloodclock. All of their creations with (and without) Veronica are available on Spotify, as well as all of their official videos can be found on YouTube. Currently formed of Francesco Paoli on lead vocals, rhythm guitar and bass, Francesco Ferrini on the piano, string arrangements and orchestral effects, our diva Veronica Bordacchini on operatic and clean vocals, Fabio Bartoletti on lead and rhythm guitars, and Eugene Ryabchenko on drums, Fleshgod Apocalypse are reaching new heights with Opera, and I can’t wait to see what’s next for the band in the world of music.

Veronica is (or was) also the vocalist for a Perugia, Italy-based Symphonic/Gothic Metal band named In Tenebra, which doesn’t have anything released after their 2009 demo Introspection, a 2012 two-song promo, and a 2014 five-song promo including the two tracks from their 2012 promo, one from their debut demo, and two new songs. The songs from Introspection are available on YouTube, which means you can enjoy some pre-Fleshgod Apocalype Veronica in the songs Against Myself, The Promise, and My Perfect Evil, but that’s it. She was also part of a Gothic/Industrial Metal duo named Wisteria over ten years ago under the moniker ValchiReA, alongside multi-instrumentalist Stefano Urbani (aka AtoragoN), not only recording the vocals for their 2010 demo Mechanical Phoenix and their 2014 album Under an 8-Bit Moon, but also taking care of the layout for the 2014 release. You can enjoy some of the coolest songs of their 2014 album on Youtube, those being R’Lyeh (The Call of the Cthulhu), Cenobite (Hellraiser), and their cover version for Eleanor Rigby, by The Beatles.

She can also be found as a guest vocalist in a variety of songs and albums from bands from different styles, those being the song What She Creates, She Will Destroy, from the 2021 EP The Holocene Termination, by Indian Death/Black/Thrash Metal machine Demonstealer; all female vocals in the 2022 album Decade of Silence, by Finnish Symphonic Death/Doom Metal band Depressed Mode; the song The Great Tribulation, from the 2022 EP The Alchemy Project, by Dutch Symphonic Metal masters Epica; the song Tartarus Rising, from the 2025 album Tomb of the Tormentor, by International Symphonic Deathcore act Hate Within; and the song Holographic Webs We Weave, from the 2019 album Lamentations: Of Deceit & Redemption, by Australian Technical Black/Death Metal band In the Burial. Let’s say it was more than obvious that we would see Veronica contributing to countless bands, because you know, her vocals are simply perfect for any type of music.

This slideshow requires JavaScript.

In some of her interviews, Veronica discussed her life on the road, not only talking about how demanding touring can be, but also about some of her favorite places to play, as well as the weirdest ones. When asked about the weirdest venue she’s ever played at, her answer was a boat named Petit Bain in Paris. “Because it’s a very small boat, even though it’s a full-fledged venue inside. But when the audience does the wall of death, circle pit, or moshpit, the boat moves, and you’re there saying, ‘Oh my God.’ But on the other side, the 70,000 Tons of Metal was twice the best experience of my life, just because of the concept,” commented Veronica, who also prefer long tours with 30 or more shows in a row than smaller ones. “You come back home after three days, then you have to leave for other 3 days, then again you go home, then you leave again and so on. Usually you feel good when you have to face really long tours, even with a hostile weather, even if I have to say that the first week is always a bit tougher, then you go with the flow and you get used to it.”

She also mentioned that although it might be a bit harder for women to be part of a metal band, once you’re in you end up getting all the necessary support from the rest of the band, as well as from fans and even other musicians. “I consider myself lucky because those guys with whom I share so much of my life are brothers,” she said, mentioning all the support she’s been receiving from Francesco from day one. In addition, she also commented about the confidence she now has thanks to the one and only George “Corpsegrinder” Fisher of Cannibal Corpse, who went to see Fleshgod Apocalypse once in Berlin. He hugged her after the show and said “this is the coolest thing I’ve ever seen,” and Veronica replied “I have like all your records, I’ve been a fan of yours since I was a little girl,” because she said she grew up listening to Grindcore and Deathcore. Then she told him she was afraid of his judgment, to which he replied “are you kidding? I mean, it’s well done, it’s beautiful. You’re beautiful and good.”

Veronica also loves to play in the United States and Canada, saying the band has even gotten bigger in those countries than in her homeland Italy, because in her opinion the North American fans are always willing to drive longer distances to see concerts, and buy a lot more merchandise during those concerts. “I still remember when I was the merch chick for Fleshgod Apocalypse. I remember a guy who came to get a copy of the album and he told me that he already had a copy at home, he had also t-shirts and he told me that he wanted to buy even more because he wanted to give us his complete support.” The band has already headlined a few tours across the United States and Canada, all very successful with lots of sold out concerts, which proves Veronica is not wrong at all when she praises her North American fans.

As a very active person in different social media platforms, Veronica believes the internet has done more good than bad to most bands and music in general. She said in one of her interviews that the internet allowed people from the most remote corners of the earth to get to know bands from all across the globe, as well as several kids started playing instruments because of online tutorials and lessons, also mentioning that, on the other hand, the human contact between teacher and student might have been lost a little bit. The internet also played a nice part in the life of Veronica back in January 2023, as she was taken by surprise when her partner asked her to marry him onstage during one of their shows in Madrid, Spain. Her then boyfriend, Alessandro Salari, came out from behind the stage holding the ring box behind his back, approached her, showed her the box and knelt down, and of course she nodded “yes,” and the couple hugged as the crowd cheered wildly. The internet played a huge part in it as she was able to share such a special moment in her life with the entire world via her official Instagram account. “I know this might sound cheesy, but words can’t describe my feelings at all right now. The sacrifices this guy made just to get to Madrid and propose in front of the whole venue are remarkable. I can’t be happier to share my everything with the best person I’ve ever met in my whole life. I know you’ll make me the happiest wife ever and I promise I’ll try to do the same for you. I love you.” Not sure if it was the adrenaline and happiness that took her entire body and soul at that moment, but after that her vocals got even more powerful, touching and emotional both in the studio and on stage. Is it the power of love, of the power of metal? I would say both, and may she continue her incredible path in heavy music for many decades to come, always hypnotizing us all with her undeniable talent and charisma.

Veronica Bordacchini’s Official Facebook page
Veronica Bordacchini’s Official Instagram
Fleshgod Apocalypse’s Official YouTube channel
Fleshgod Apocalypse’s Official Facebook page
Fleshgod Apocalypse’s Official Instagram
Fleshgod Apocalypse’s Official YouTube channel

Metal Chick of the Month – Morgan Lacroix

morgan01

In your nightmares you will find me… In this twilight you will taste my embrace…

Whenever a female performer is selected to be the Metal Chick of the Month here at The Headbanging Moose, she’s not chosen only because of her skills as a musician, but mainly due to her significant contribution to the development of women in the world of heavy music. Having said that, it couldn’t be different this month with our metallic diva, the darkling Italian succubus Morgan Lacroix (or MorgaN LacroiX), the sexy frontwoman, lyricist, composer, producer and (why not?) lady vampire of Italian Gothic/Dark/Industrial Metal band Mandragora Scream (also spelled MandragorA ScreaM). Are you ready for a journey through the dark realms of vampirism with our enigmatic modern-day medusa?

It was more than obvious that I wouldn’t be able to find anything about Morgan’s age, place of birth or music background. We’re talking about a vampire, creatures that, above all things, must remain in the shadows and keep their lives as secret as possible. Well, as Mandragora Scream is a band from the comune of Lucca, located on the Serchio river in Italy’s Tuscany region and famous for its intact Renaissance-era city walls, let’s assume she was also born in that same city. Whatever she did between being born and founding Mandragora Scream is something yet to be revealed by Morgan Lacroix herself, which means the focus will be solely on her career with the band.

Although Mandragora Scream were formed back in 1997 by Morgan, it was only in 1999 that the band released its debut self-titled demo containing four songs. Then in 2000 Morgan was introduced to Italian singer, guitarist and composer Terry Horn, and that artistic union resulted in their first full-length album, entitled Fairy Tales from Hell’s Caves, released in the year of 2001. According to the band, “Fairy Tales is definitely a concept album: a trip throughout the Dantean Hell, tormented by passion, anguish and insanity, where the character of Virgil is surprisingly replaced by an unusual bewitching vampire fairy.”

After that amazing debut, the band released the albums A Whisper of Dew (2003), Madhouse (2006), Volturna (2009) and Luciferland (2012), as well as the singles Jeanne d’Arc (2007) and From the Heart (2010), and a DVD named Dragonfly (2008), always providing us the lustful voice of our diva of darkness and also her own devilish touch to all lyrics, cover artwork, mixing, mastering, production and booklets. In addition, from those releases, A Whisper of Dew is also a concept album, centered on a vampire story purposely written for the band by Julio Angel Olivares Merino, horror-gothic literature writer and teacher of English Philosophy at the Spanish University of Jaén. Drawing inspiration from this tale, Lacroix composed the entire album lyrics. Also, in regards to their latest album Luciferland, there’s an interesting and extensive three-part interview on YouTube where both Morgan and Terry discuss about the album with Metal Hammer, which can be seen HERE, HERE and HERE.

Mandragora Scream are also featured on the international compilations Beauty in the Darkness Vol. 5 (2001), Mystic Art (2001), Nuclear Blast Vol. 6 (2001), Off Road Tracks Vol. 45 (2003) and Beautiful Voices (2005), toured with renowned dark bands Christian Death and The 69 Eyes in 2010 and with British Extreme Metal masters Cradle of Filth in 2011, and were the special guests in the 2010 edition of the Fantasy Horror Award. There are numerous videos on YouTube (and other platforms) where you can relish Morgan’s alluring vocals, sensuous moves and bewitching performance, as for instance in the songs A Vision They Shared, Blight Thrills, Medusa, Blindness, Breaking Dawn, Silent Lullabies, Bloody Ballade, the whimsical The Chant of Furies, and her awesome cover version for Cher’s Bang Bang, among others. Besides her work with Mandragora Scream, you can find Madame Lacroix lending her voice to the bonus song Watch Me Crawl Behind, from the 2012 album Happy Deathday by Greek Gothic Metal band SadDolls, and to the song The Promise, from the 2004 album Follow Me by Italian Power Metal band Wonderland.

This slideshow requires JavaScript.

When asked in 2001 to provide more details about the history of Mandragora Scream, her explanation was beyond eccentric. In her own words, “The history of the name Mandragora Scream goes back to the medieval period. At that time witches used a root to make love and death potions called ‘Mandragora’.This root with man-shape was generated by the ejaculations of a hanged man and it needed to be pulled out from the earth with particular magic rites during full moon nights. When extracting the root from earth, witches had to be very careful not to break the arms or legs of the root, otherwise it would have screamed so loud to bring witches to death.” Interesting, isn’t it?

In regards to her unique style, our vampire queen mentioned her lyrics and the atmosphere found in her music reflect her soul, her life and her personality, preserving that way her own musical identity. Furthermore, Morgan grew up with fairy tales, in which she truly believes, feeling and living her own life like a fairy tale. In one of her old interviews, Morgan mentioned she wrote a book (probably in 2000) that is a fairy tale for her angels in the form of decadent poetry called “The Ballad Of The Angels”, but yet again I couldn’t find anything online about that book. It should be a very interesting and unusual reading, if that has ever been published, of course.

Another remarkable fact about her personal life is that she doesn’t actually feel Italian as her ancient blood is Transylvanian, and because of that she is fascinated with Dante’s La Divina Comedia (The Divine Comedy), considering it a masterpiece (who doesn’t?) as it deals with the dead and eternal pain.  And to make things even more complex, Morgan also loves the Scandinavian culture and is attracted to Vikings. Add to that her lovely obsession for fairy tales, and there you have one of the most distinctive and diverse fusion of topics you can think of.

Her favorite albums of all time are a classy mix of progressiveness, passion and liveliness, and do not expect to find anything too Gothic, modern or ghoulish on her list, as it includes Blackmore’s Night’s best album to date Shadow of the Moon, Dream Theater’s classic album Metropolis, Pink Floyd’s masterpiece The Dark Side of the Moon, King Crimson’s In the Wake of Poseidon, Yes’ Close to the Edge and Genesis’ Nursery Crime. In addition to that, she’s also a huge admirer of Queensrÿche and obviously of the vocals by Geoff Tate, especially the song Someone Else?, which she used to listen to when she started singing.

At long last, are you curious to know what the meaning of life and death is to our goddess of Dark Metal? Morgan firmly believes in reincarnation, which means life for her is a long path we are following and while we walk along this path we have to learn lessons, sometimes highly spiritual lessons. She completes her train of thought by saying that we always have to give our souls a chance to fly a little higher, closer to the divine, and that we could probably say that death is a little like “changing skin”. In my opinion, this is a stunning concept by an even more stunning diva of heavy music.

Morgan Lacroix’s Official Facebook page
Morgan Lacroix’s Official Twitter
Mandragora Scream’s Official Facebook page
Mandragora Scream’s Official Twitter

“Try and wake up the valiant warrior sleeping within you, he may have fallen asleep in one of your previous lives. And, first and foremost, don’t let your flesh be just food for worms.  Let there be someone with your blood after you, in this way you’ll be able to prove you did not live in vain and your image will be reflected by your heirs as if in a mirror.” – Morgan Lacroix

https://youtu.be/smgrM6e6WII