Metal Chick of the Month – Sandie Gjørtz

The resurrection of the Lilith!

As the summer solstice is gone, the days are getting shorter and the nights are getting longer, and here at The Headbanging Moose it’s time to darken the skies even more with our metal lady of the month of August, the stunning, enigmatic and evil Sandie Gjørtz, also known as Sandie “The Lilith” Gjørtz, Sandie The Lilith, or simply Lilith, the unrelenting frontwoman for Danish Melodic Death Metal outfit Defacing God. Her devilish roars will haunt your damned soul for all eternity, and I’m sure you’ll thank us at The Headbanging Moose for introducing you to such talented woman of the current metal scene. Be careful, though, as Lilith is the primordial she-demon as you might know, and succumbing to her enchantment means you might never see the light of day again in your life.

Growing up with Rock N’ Roll and Heavy Metal as both her parents are metalheads, Sandie mentioned heavy music has always been a natural part of her life. “I’ve been told that even before I could walk, I often crawled in front of the TV when my parents played a VHS live video with Ozzy Osbourne and I managed to stand up in front of the TV and shake my diaper-ass to ‘Bark at the Moon’ for example. So yeah, it is simply in my veins”, commented our mesmerizing vocalist in one of her interviews, also saying she started out “softly” with Judas Priest, Black Sabbath and King Diamond before getting to know Pantera and, with the discovery of YouTube when she was around 11 years old, being introduced to harder and heavier bands the likes of Sepultura, a band her father loves by the way. When she told her father about that, he got so excited he showed her his copy of Slayer’s ultimate classic album Reign In Blood, and once again she felt that indescribable rush flowing through her veins.

“I am eternally grateful for these influences on music in my youth. It has always been following me and helped me through dark times, many times! And since that time, I just knew that I wanted to be or do something in this kind of music. It’s a deep, burning passion that is extremely hard to even describe as said. If you know and get it, you get it. If not… You never will,” complemented Sandie, who also said that although she knew nothing about growling or extreme vocal techniques when she was young, she has always been busy with music, singing and acting in drama classes during her school years, as well as choir singing at the church, which was curiously one of her hobbies before turning into Lilith. She knew she wanted to become a vocalist, but as mentioned she didn’t know at that age that women could also do extreme singing, while at the same time she realized choir singing and clean vocals weren’t enough for her.

Having a raging fire burning inside her and dealing with anger issues, things she wanted to express somehow as she considered herself an intense and emotional girl during her youth, Sandie finally discovered bands the likes of Holy Moses and Arch Enemy when she was around 15 years old, being blown away by those women who could manage to do extreme singing just like some of her idols such as Cannibal Corpse and Morbid Angel. “First, it seemed a little bit extreme for me because I never saw anything like that before and for me, it was not a ‘natural’ thing for a woman to scream and sing that deep. Back then, I also don’t think that women who did growls, screams and extreme vocals, in general, was such a common or known phenomenon like it is nowadays. Not that I know at least. I just know that I adored it and decided that if they could do it, I sure as hell could do it too!”

Since then, our unstoppable growler has been investing all her talent, energy and passion into making extreme music, learning extreme techniques on her own, always trusting her feelings and saying metal music works as pure therapy for her, that it is really what she lives for. After so many years practicing and developing her vocal skills, Sandie knew it was time for her to have her own Extreme Metal band, leading to the creation of Defacing God in 2015. “I always wanted to play in a band, but only did something about it in 2015 when our drummer (Michael Olsson) and I decided to start a project together. After the decision was made, we began to search for musicians with the same intentions and passion as ourselves, and it ended up with the constellation we have today.” From that day on, Lilith was born.

Currently comprised of Sandie “The Lilith” Gjørtz on vocals (who’s also responsible for all visuals and lyrics), Signar Petersen and Christian Nielsen on the guitars, Rasmus “Kalke” Nielsen on bass, and Michael Olsson on drums, Defacing God were formed in 2015 in Aalborg, a city in the Jutland region of Denmark, but only going public in 2018. Sandie mentioned she hadn’t worked in any other projects before founding Defacing God, only focusing on her singing as well as on some other instruments like the guitar, keyboards, piano and cello, which means we can all consider Defacing God her beloved (and evil) first baby. “Since most of us in the band are experienced musicians by now, we chose to keep our project close to our bodies until we thought everything was completely clear. We didn’t think it made sense to make ourselves visible before, and none of us wanted to stand on stage and deliver something half-finished. Therefore, we have worked at high pressure to be coordinated and create something that we ourselves are proud to show off. I myself really appreciate bands that have a complete theme, stage expression, etc.,” commented our Lilith, also saying that “in addition to the above, we have had some legal construction problems with our rehearsal rooms, and we were therefore forced to take a break for a few months and have our rooms rebuilt and ready. Furthermore, we have had a change in the lineup and our band members. Everything takes time – especially when it comes to music. We have had so much in the making, so many ideas, and it is only now that I feel that we have found our right track and expression. I just think that’s how it is with art in general. It’s one big bubble of ideas, thoughts and expressions, and it can take a long time before the result of all this turns out to be something that makes sense.”

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Inspired by opulent Scandinavian metal traditions, Defacing God base their conceptual themes on the seeping darkness that moves in us all, rooted in occultism and witchcraft, but primarily the mythologically mysterious female demon Lilith and her tales of fervent defiance and perseverance. Through their storytelling, music and aesthetic, the band pulls their listeners into a dark universe of obscure myths, folklore and ancient stories, all the while weaving in often subtle lyrical inspirations from modern societal oppressions and personal demons while musically speaking they echo the styles of artists such as Cradle of Filth, Carach Angren and Dimmu Borgir, blending it with a conventional dose of Black Metal and merging these auras with infernal Death Metal. Hence, as Defacing God are gearing up for the release this September of their debut opus The Resurrection of Lilith, the band has already unleashed upon us a few songs that will feature in the album just to give us a taste of how devilish and heavy it will be, and you can already succumb to the dark world ruled by Defacing God by listening to the songs Succumb the Euphoria, Monolith Of Apocalypse Arise, The Marked Ones, and Rise Of The Trinity, all available on Spotify by the way, also showcasing stunning, hypnotizing visuals thanks to the wicked mind of Lilith. Celebrating feminist power and sisterhood throughout Defacing God’s entire upcoming album, Sandie mentioned that the trinity formed of Abyzou, Jezebel and Lilith is the kind of catalysator who speaks for all cremated witches who never got a voice through times and history, strong and wise women have been slaughtered, molested, executed and abused, just because the herd were scared of their wisdom and free spirit.

As already mentioned, Sandie is highly inspired by Scandinavian metal as well as witchcraft and occultism, also nurturing a personal love for Black Metal, all expressed through the band’s upcoming stage performances and in many of her texts, representing her view of the world and her own experiences. “In the era of witch hunting (between the 15th and 18th centuries) it was only women who stood out from the crowd or perhaps knew something. They were not considered part of normality, and so they were burned – basically because the ‘masses’ did not understand them and were afraid of them. Today it is more acceptable to fall outside the norm. Actually, I think that it has become modern to be alternative – but no matter what, there will always be those who cannot or will not understand you, and you cannot and must not please everyone. That is really what is the message in the theme and what many of the texts can be analyzed down to. Therefore, we have decided that it must be a consistent theme throughout our expression,” commented Sandie in one of her interviews. Furthermore, among her favorite artist and bands, you’ll find some renowned acts the likes of Marduk, Lord Belial, Rotting Christ, Nile, Morbid Angel, Septicflesh, Dimmu Borgir, Cradle of Filth and Belzebubs, also being inspired by movies, books, games, ancient history and “dark places” that she has visited through time.

A proud Aalborg citizen, Sandie said that the metal community in her hometown and in the entire Denmark is quite strong, also saying that it houses a lot of talented solo musicians and great bands compared to other bigger countries. “The community is strong here in Aalborg, too, where I live. We, for example, have a big international festival, Aalborg Metal Festival, scheduled in November every year which is a great festival with lots of passionate, hard-working people behind. Through blood, sweat and tears they make this huge festival work each fucking year without complaints,” also mentioning concerts and festivals arranged by AR&M (Aalborg Rock & Metal) several times a year, where a bunch of hard-working volunteers line up for making the whole thing work as well. One interesting fact about Sandie and her Defacing God is the fact that in 2019 the band was booked for Viborg Metal Festival having only released one song at that time, which according to Sandie herself happened because some people behind the festival already knew her bandmates from other bands and trusted them to put on a great show regardless.

Although she hasn’t been involved with other bands prior to Defacing God, Sandie was a guest musician in the album To Live To Kill To Live, by Danish Heavy/Power Metal act Manticora, saying she loved the experience of collaborating with the band in their latest album. “This part I sang was supposed to be an evil Chinese aunt who killed her whole family due to jealousy. The more brutal, the better!” However, if you think her life is just surrounded by brutality, you might be really impressed by the quality work she used to do before focusing on her career as a musician. “After I finished high school, I took some exams related to business and straight after that I followed my vision (besides of the music) to become a social worker, specialized in young people with mental health diagnoses and social problems. I started to study my bachelor’s in social education and on the side I worked as a teacher,” she said in one of her interviews, also mentioning her passion for the beauty industry. She simply loves everything that has to do with makeup, skincare routines and the ways we can express ourselves in a visual and creative way, taking some exams in the beauty industry and having actually made a living off her own beauty firm, Gorgeous By Gjoertz, while at the same time taking a degree in service, hospitality and tourism management at University College in Aalborg. Not only that, she was also a self-employed insurance agent at one of Scandinavia’s biggest insurance companies, proving how unrelenting and full of energy she is. So, after all is said and done, what are you waiting for to renounce to your weak gods and succumb to the dark powers of a true goddess like Lilith?

Sandie Gjørtz’s Official Instagram
Defacing God’s Official Facebook page
Defacing God’s Official Instagram

“In the name of art there should no boundaries and everyone should have the freedom to be their own independent self, to explore and to express as they desire without being judged or oppressed.” – Sandie Gjørtz

Metal Chick of the Month – Morgan Lacroix

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In your nightmares you will find me… In this twilight you will taste my embrace…

Whenever a female performer is selected to be the Metal Chick of the Month here at The Headbanging Moose, she’s not chosen only because of her skills as a musician, but mainly due to her significant contribution to the development of women in the world of heavy music. Having said that, it couldn’t be different this month with our metallic diva, the darkling Italian succubus Morgan Lacroix (or MorgaN LacroiX), the sexy frontwoman, lyricist, composer, producer and (why not?) lady vampire of Italian Gothic/Dark/Industrial Metal band Mandragora Scream (also spelled MandragorA ScreaM). Are you ready for a journey through the dark realms of vampirism with our enigmatic modern-day medusa?

It was more than obvious that I wouldn’t be able to find anything about Morgan’s age, place of birth or music background. We’re talking about a vampire, creatures that, above all things, must remain in the shadows and keep their lives as secret as possible. Well, as Mandragora Scream is a band from the comune of Lucca, located on the Serchio river in Italy’s Tuscany region and famous for its intact Renaissance-era city walls, let’s assume she was also born in that same city. Whatever she did between being born and founding Mandragora Scream is something yet to be revealed by Morgan Lacroix herself, which means the focus will be solely on her career with the band.

Although Mandragora Scream were formed back in 1997 by Morgan, it was only in 1999 that the band released its debut self-titled demo containing four songs. Then in 2000 Morgan was introduced to Italian singer, guitarist and composer Terry Horn, and that artistic union resulted in their first full-length album, entitled Fairy Tales from Hell’s Caves, released in the year of 2001. According to the band, “Fairy Tales is definitely a concept album: a trip throughout the Dantean Hell, tormented by passion, anguish and insanity, where the character of Virgil is surprisingly replaced by an unusual bewitching vampire fairy.”

After that amazing debut, the band released the albums A Whisper of Dew (2003), Madhouse (2006), Volturna (2009) and Luciferland (2012), as well as the singles Jeanne d’Arc (2007) and From the Heart (2010), and a DVD named Dragonfly (2008), always providing us the lustful voice of our diva of darkness and also her own devilish touch to all lyrics, cover artwork, mixing, mastering, production and booklets. In addition, from those releases, A Whisper of Dew is also a concept album, centered on a vampire story purposely written for the band by Julio Angel Olivares Merino, horror-gothic literature writer and teacher of English Philosophy at the Spanish University of Jaén. Drawing inspiration from this tale, Lacroix composed the entire album lyrics. Also, in regards to their latest album Luciferland, there’s an interesting and extensive three-part interview on YouTube where both Morgan and Terry discuss about the album with Metal Hammer, which can be seen HERE, HERE and HERE.

Mandragora Scream are also featured on the international compilations Beauty in the Darkness Vol. 5 (2001), Mystic Art (2001), Nuclear Blast Vol. 6 (2001), Off Road Tracks Vol. 45 (2003) and Beautiful Voices (2005), toured with renowned dark bands Christian Death and The 69 Eyes in 2010 and with British Extreme Metal masters Cradle of Filth in 2011, and were the special guests in the 2010 edition of the Fantasy Horror Award. There are numerous videos on YouTube (and other platforms) where you can relish Morgan’s alluring vocals, sensuous moves and bewitching performance, as for instance in the songs A Vision They Shared, Blight Thrills, Medusa, Blindness, Breaking Dawn, Silent Lullabies, Bloody Ballade, the whimsical The Chant of Furies, and her awesome cover version for Cher’s Bang Bang, among others. Besides her work with Mandragora Scream, you can find Madame Lacroix lending her voice to the bonus song Watch Me Crawl Behind, from the 2012 album Happy Deathday by Greek Gothic Metal band SadDolls, and to the song The Promise, from the 2004 album Follow Me by Italian Power Metal band Wonderland.

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When asked in 2001 to provide more details about the history of Mandragora Scream, her explanation was beyond eccentric. In her own words, “The history of the name Mandragora Scream goes back to the medieval period. At that time witches used a root to make love and death potions called ‘Mandragora’.This root with man-shape was generated by the ejaculations of a hanged man and it needed to be pulled out from the earth with particular magic rites during full moon nights. When extracting the root from earth, witches had to be very careful not to break the arms or legs of the root, otherwise it would have screamed so loud to bring witches to death.” Interesting, isn’t it?

In regards to her unique style, our vampire queen mentioned her lyrics and the atmosphere found in her music reflect her soul, her life and her personality, preserving that way her own musical identity. Furthermore, Morgan grew up with fairy tales, in which she truly believes, feeling and living her own life like a fairy tale. In one of her old interviews, Morgan mentioned she wrote a book (probably in 2000) that is a fairy tale for her angels in the form of decadent poetry called “The Ballad Of The Angels”, but yet again I couldn’t find anything online about that book. It should be a very interesting and unusual reading, if that has ever been published, of course.

Another remarkable fact about her personal life is that she doesn’t actually feel Italian as her ancient blood is Transylvanian, and because of that she is fascinated with Dante’s La Divina Comedia (The Divine Comedy), considering it a masterpiece (who doesn’t?) as it deals with the dead and eternal pain.  And to make things even more complex, Morgan also loves the Scandinavian culture and is attracted to Vikings. Add to that her lovely obsession for fairy tales, and there you have one of the most distinctive and diverse fusion of topics you can think of.

Her favorite albums of all time are a classy mix of progressiveness, passion and liveliness, and do not expect to find anything too Gothic, modern or ghoulish on her list, as it includes Blackmore’s Night’s best album to date Shadow of the Moon, Dream Theater’s classic album Metropolis, Pink Floyd’s masterpiece The Dark Side of the Moon, King Crimson’s In the Wake of Poseidon, Yes’ Close to the Edge and Genesis’ Nursery Crime. In addition to that, she’s also a huge admirer of Queensrÿche and obviously of the vocals by Geoff Tate, especially the song Someone Else?, which she used to listen to when she started singing.

At long last, are you curious to know what the meaning of life and death is to our goddess of Dark Metal? Morgan firmly believes in reincarnation, which means life for her is a long path we are following and while we walk along this path we have to learn lessons, sometimes highly spiritual lessons. She completes her train of thought by saying that we always have to give our souls a chance to fly a little higher, closer to the divine, and that we could probably say that death is a little like “changing skin”. In my opinion, this is a stunning concept by an even more stunning diva of heavy music.

Morgan Lacroix’s Official Facebook page
Morgan Lacroix’s Official Twitter
Mandragora Scream’s Official Facebook page
Mandragora Scream’s Official Twitter

“Try and wake up the valiant warrior sleeping within you, he may have fallen asleep in one of your previous lives. And, first and foremost, don’t let your flesh be just food for worms.  Let there be someone with your blood after you, in this way you’ll be able to prove you did not live in vain and your image will be reflected by your heirs as if in a mirror.” – Morgan Lacroix

Album Review – Rifftera / Pitch Black (2015)

Don’t be afraid of the dark and let this high-end futuristic Melodic Death Metal album satisfy your metallic desires.

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rifftera-coverAfter releasing a couple of demos in the past few years, it’s time for Finnish Melodic Death Metal band Rifftera to strike the world of heavy music with their debut studio album Pitch Black, a slashing feast of metallic and melodic tunes tailored for fans of Soilwork, In Flames, Arch Enemy, Megadeth, Trivium, among many other amazing heavy bands. In other words, if you’re one of those people who believe harmony and violence should always walk hand in hand to generate good music, Pitch Black will satisfy you in every sense, keeping you entertained from start to finish.

In my humble opinion, what really makes this promising band formed in 2010 in Vaasa, Finland stand out from other similar bands is the harmonious complexity of their compositions, which ends up helping the band tell the different stories within each song of the album, their evolution and consequences. For instance, although Pitch Black has only eight songs it goes on for over 54 minutes, an average of almost seven minutes per song. Not only that, I believe they wouldn’t have been able to produce an album so unique and complete without the futuristic sounding of the synths by keyboardist Antti Pöntinen, who is capable of leading the musicality even with all the heaviness of guitars, drums and harsh screams surrounding him.

And it’s those electronic effects generated by Antti that start the party in Back To Life, a violent Melodic Death Metal song that blends the Gothenburg sound with a more modern Finnish touch. In addition, singer/guitarist Janne Hietala does an awesome job delivering sheer rage through his vocal lines, enhanced by the song’s strong riffs and catchy chorus. Then we have One Step Closer,  where its synths remind me of some sounds from the classic album Turbo by Judas Priest, adding a lot of energy to the savagery brought forth by the other members of the band. However, in the faster and more brutal tune Lightbringer, synths remain in the background while the songs vicious riffs by Janne and Mikko and the nonstop drums by session drummer Thomas Tunkkari take the spotlight. It seems they love the “harsh screams during most parts of the song/clean vocals on chorus” formula, and they prove they have a very good reason for that, as this song is a pure delight for fans of Melodic Death Metal from Scandinavia.

Rifftera-PromoAshes Fall is another track full of melody and anger where a solid instrumental perfect for headbanging takes over the ambience, with its second half being truly melancholic, in special its guitar riffs and solos. The only negative comment in this song is that this time the chorus is not so powerful, harming the final result a bit. On the other hand, their Thrash Metal vein arises in the superb Rotten To The Core, featuring Swedish singer Björn “Speed” Strid from Soilwork, a flawless exhibit of melodic riffs, solos and drumming with spot-on lyrics about how all politicians are always deceiving us with their greedy lies and false promises (“How would this time be any different? / Haven’t we learned before? / How would this one make any difference? / You know one / You know ’em all”). It’s impossible not to love this whirlwind of ruthless Melodic Death Metal, one of the best contemporary compositions you can find anywhere, and I believe this is the path Rifftera should take in their future releases. Fans will surely have a good time inside the circle pits when this song is played, with kudos to Janne for sounding as choleric on vocals as the musicality demands.

They keep their music at a high level in Open Wounds, with Thomas contributing to its progressiveness and rage behind his drums, and pay attention to how the keyboards remain sharp and enhance the eerie atmosphere amidst the nonstop metal sounding. In the also wonderful The Ruins Of The Empire, the initial riff is so thrilling it’s hard not to play some air guitar and bang your head to it, with the sick growls by Janne during the chorus taking it to a deeper level of fury. Furthermore, there’s even time for a keyboard solo in this excellent tune, and it’s also remarkable how the professionalism and quality of the sound elevate the final result considerably. And finally, it looks like the last part of the album is dedicated to the heavier and darker side of Rifftera, which is confirmed in the title-track Pitch Black.  Its acoustic intro sets the tone for their most epic creation, flirting with Symphonic Black Metal so obscure and heavy it gets, with some moments reminding me a little of the guitar duos from the epic songs by Iron Maiden. It’s a sonic exhibit of wickedness and despair, almost a metal opera with imposing synths and orchestrations leading the music to a climatic ending.

In summary, if Melodic Death Metal is what you love the most in life, don’t be afraid of the dark and go check Rifftera’s Facebook page and YouTube channel, and buy your copy of Pitch Black at Record Shop X or Inverse Store, you won’t regret that at all. These talented Finnish metallers put their hearts and souls into the making of this high-end futuristic album, something you can feel in each and every song, turning it into a must-have item in your collection of melodic and angry tunes.

Best moments of the album: Lightbringer, Rotten To The Core and The Ruins Of The Empire.

Worst moments of the album: Ashes Fall.

Released in 2015 Inverse Records

Track listing
1. Back To Life 5:22
2. One Step Closer 5:53
3. Lightbringer 5:27
4. Ashes Fall 7:03
5. Rotten To The Core (feat. Björn “Speed” Strid) 6:20
6. Open Wounds 5:24
7. The Ruins Of The Empire 6:40
8. Pitch Black 11:48

Band members
Janne Hietala – guitar, harsh vocals
Mikko Kuoppamaa – guitar, clean vocals
Antti Pöntinen – keyboards
Jupe Karhu – bass

Guest musicians
Björn “Speed” Strid – additional vocals on “Rotten To The Core”
Thomas Tunkkari – session drummer

Accessories Review – Iron Maiden 2014 Calendar

Don’t remember what day is today? Iron Maiden can help you.

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Iron Maiden calendar 2014_frontNext year will be my third consecutive year  using the Iron Maiden official calendar. I know that new technologies are pretty cool and that we don’t need almost all types of paper stuff anymore, especially with all the apps we have in our smartphones, but nothing beats an awesome calendar like this one from Iron Maiden. Moreover, as I had two previous versions of it, I guess I have enough “expertise” to review the 2014 one.

First of all, the 2012 calendar was terrific and by far my favorite one, mainly because it was all designed based on the event T-shirts from The Final Frontier World Tour. Each month represented a different country, region or event, providing us some kind of “journey around the world in 12 months”, making the final result really above and beyond. Then came the 2013 calendar (which I’m still using, of course), but this time it was not that good, albeit containing some nice images from event T-shirts mixed with pictures of the band playing live during the Maiden England North American Tour 2012.

Now with the 2014 calendar Iron Maiden go back to almost the same concept as for 2012, with each month representing an event T-shirt from their Maiden England Tour 2013, except for the month of May which is dedicated to their Trooper Beer. I enjoyed a lot the new calendar focusing again on Eddie, especially the months of February (Scandinavia), July (USA) and December (Brazil), and the fact that they left the live pictures as a secondary part of the whole product.

Published by Danilo Promotions Limited, the quality of the material used in the calendar is extremely good and resistant to falls (mine fell off the wall a couple of times and they’re all good) and even to water. Regarding the size, it’s about the same as any regular calendar (42.4 x 29.8 x 1 cm), and its weight is only 299 g.

You can find the 2014 calendar at the Iron Maiden official webshop, at Amazon.ca or at any regular store in your city for about 15 Canadian dollars. I bought mine at one of the Calendar Club stores at the Toronto Eaton Centre, and the cost was about two dollars more expensive than online. However, remember there’s still the shipping to be added to the final price if you decide to buy it online on Iron Maiden’s US Official Merchandise or on their UK Official Shop.

Anyway, the calendar is worth every penny, and it’s a very nice way to remember all those important international dates, all UK, US and Canada holidays, as well as the birthday of each band member. In my opinion, it’s an excellent Christmas gift for that Maidenmaniac friend you have at school or work, and even for your brother if he behaves himself and promises not to touch your Heavy Metal LP or CD collection again without your permission.

Not only that, you can use your calendar for one of those famous “calendar countdowns” we see in so many movies and TV series for a very special day in your life. How about using it for a countdown to that Maiden England Tour 2014 concert in Europe you’re attending during your summer vacation, for Wacken Open Air, Bloodstock Open Air, Summer Breeze, Tuska Open Air, Heavy MTL or any other crazy Heavy Metal festivals all over the world?

Oh yeah, you can use it as a reminder for your spouse or partner’s birthday too. Just please be careful not to “hurt” Eddie’s feelings by adding “things” like flowers and glitter to your calendar.

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