Metal Chick of the Month – S Caedes

Black Metal is the air that she breathes!

If you agree with the statement that humanity is a mistake, you’ll have an absolute blast with our metal lady of this month of April here on The Headbanging Moose, setting fire to our rotten and decaying world with her inhumane gnarls, unique looks and devilish attitude. Known in the underworld of extreme music as the ruthless frontwoman for bands the likes of Lebenssucht, Humanitas Error Est and I Am All Wounds, she’s the perfect depiction of the importance of women in the current Black Metal scene worldwide, inviting us all to her Stygian lair to the sound of her sulfurous and harsh yet mesmerizing music. Her name is Anett Hauzu or Anett Gebauer, but you might know her for her demonic monicker S Caedes, a German Black Metal she-wolf that will crush your damned soul with her undeniable talent and passion for the darkest side of music and arts in general.

Born and raised in Leipzig, the most populous city in the German state of Saxony, S Caedes, which by the way is the combination of “sadist” (S) and “carnage” (Caedes, in Latin), with both words standing for her character, is much more than “just” a Black Metal vocalist, being also a skillful and innovative photographer and model, and according to S Caedes herself, she’s also a “blood fetishista” and a “fucked up mind”. Married to Australian vocalist and multi-instrumentalist Chris Gebauer, of bands such as Deadspace, Humanitas Error Est and I Am All Wounds (and as you might have notice, those two are definitely “partners in crime” in most of their music projects), S Caedes mentioned in one of her interviews that she was discovering different styles of metal music when she was around 12 or 13 years old, getting to know Black Metal and falling in love with it at the age of 14, saying Black Metal was then able to provide her with a special feeling that no other type of music could. “It’s just the feeling of knowing exactly where you stand with yourself. I’m strictly anti-religious and disgusted by humanity. It’s not an empty phrase for me, it’s just… me. Black Metal stands for the hate and aggression I always had and still have inside. I can’t put it better in words. When you’re really into Black Metal, you’ll know what I mean. Either you feel it or not,” commented S Caedes, who also said that after discovering Black Metal she always wanted to be on stage and scream the hell out of her throat, but she didn’t do anything to create a band then.

It was close to the end of 2012 when S Caedes together with drummer Ahephaïm started searching for musicians to finally form a Black Metal band, which was the initial spark for what would become Leipzig, Germany-based Brutal Black Metal entity Humanitas Error Est. One year later, S Caedes and Ahephaïm finally had a complete band lineup and started creating songs for their first album as Humanitas Error Est, resulting in their 2016 eleven-track beast Human Pathomorphism. A project with negative thoughts against any religions and pure misanthropy, Humanitas Erorr Est “is about confronting the world with its own brutality, its own sadism, its own hypocritical statement of liberty. It’s about unleashing indomitability, stir up hatred. It’s a scornful critical examination at mankind itself,” as stated by the band itself, with their name being the idea of Ahephaïm, a very unique, not cliché-ridden name that represents exactly what they stand for, meaning as already mentioned “humanity is a mistake” or “humanity is an error” in Latin.

After the tough decision of disbanding in 2019, S Caedes and Ahephaïm spent the better half of 2019 and early 2020 searching for the right musicians to propel them forward, with their new lineup being comprised of our metal lady and the band’s drummer, of course, together with Basmu (aka Chris Gebauer) on vocals, Arboria and Mictician on the guitars, and Fenrir on bass, turning the band into a multinational horde with members from Germany, Belgium, France and Australia. After the band being reborn like a phoenix, a new song was released back in 2020 entitled An Inexcusable Existence, available for purchase directly from their BandCamp page, following the same misanthropic and anti-human tropes expressed in their earlier work, and you can compare their new sound with their older songs the likes of Raping Religions and Pain Feeder to see their inner fire is still intact. Moreover, the band is currently working on a new album, which I’m sure will be amazingly brutal.

Her other major band, the venomous Depressive Suicidal Black Metal outfit Lebenssucht, is also a multi-national group with most members being the same as from Humanitas Error Est, those being S Caedes on vocals,  Ahephaïm on drums, Arboria on the guitars, Basmu on bass, and the non-Humanitas Error Est member Irleskan, from Austria, on lead guitars. One interesting fact about Lebenssucht is that the band was originally formed by S Caedes and Ahephaïm together with a third member, renowned vocalist and multi-instrumentalist Déhà (from bands like Acathexis, Déhà and Yhdarl, among several others, and who also mastered the debut album by Humanitas Error Est), who left the band in 2019. Despite not being a member of Lebenssucht anymore, Déhà is seen like a brother by S Caedes, showing all respect and admiration they have for each other. Lebenssucht, which means “lust for life” or “life addiction”, don’t have any limits as per S Caedes herself, and although the style played by the band is labeled as Depressive Suicidal Black Metal, the project is not about bringing hatred to the world. “It’s about enjoying your life, no matter what price you have to pay for. It’s about turning negativity into strength. Life is our drug,” commented S Caedes. If you want to properly experience the music by Lebenssucht, you can find their 2016 debut EP Fucking My Knife and their 2020 full-length opus -273​,​15°C (which represents absolute zero, the lowest possible temperature where heat energy is absent in a substance) on Spotify and on BandCamp, and enjoy the officials videos for A Hole in My Heart, Mirrors and Beloved Depression on YouTube, and stay tuned as their next album is going to sound even harsher, according to S Caedes herself.

Apart from her work with Humanitas Error Est and Lebenssucht, the unstoppable S Caedes is also one half of the stunning Black Metal duo  I Am All Wounds, together with her life partner Chris Gebauer, describing their music as “two souls colliding in a frenzied internal storm”, or “a sonic illustration of two beings woven together in fervent longing, an unyielding force,” having recorded the EP Keep Me Breathing in 2020, available on their BandCamp page and which contains the beautiful song You’re The Air That I Breathe. Not only that, she has also participated in a live improvisation recording named XXVI – IX – MMXV together with Ahephaïm and Déhà, recorded on September 26, 2015 (but released only in 2020) at Gate 32 Studios in Sofia, Bulgaria.

If you think all of those bands are projects are enough for S Caedes, you’re absolutely wrong, as our diva of darkness can also be found as a guest vocalist in the song Libido Dominandi, from the 2019 EP of the same name released by Australian Depressive Black/Gothic Metal act Deadspace; and also doing vocals on the songs The Unfair Betrayal, Insomnia and Morbus, from the 2019 album Morbus, and additional vocals on the 2019 live album Live at Brutal Assault 2017, both by Déhà’s Drone/Doom/Black Metal project Yhdarl; plus a couple of other guest appearances with the Black Metal bands Withering Night and Absolutus. Do you want more? What if I told you S Caedes was also the artwork model and was responsible for the editing in Deadspace’s 2019 EP Libido Dominandi; took care of the logo and layout for the 2020 EP Nuclear Sundown, by German Black/Doom Metal one-man project Exitium Sui; did the photography for the 2016 demo Century of the Goat, by German Black/Thrash Metal band Goatfuck; and also took care of the layout for the 2020 EP Keep Me Breathing, by her own project I Am All Wounds?

Not only that, S Caedes also did lots of videos for different bands (either her own or other unrelated bands), including the videos for the songs Moksha, by Deadspace; Serpent on a Cross, by Spectral Damnation; A Hole In My Heart, by Lebenssucht; An Inexcusable Existence, by Humanitas Error Est; teasers and trailers for Deadspace and Lebenssucht; and just finished the music video for Demenzia Mortis, which is yet to be released. When asked how she’s capable of maintaining a healthy balance between so many bands and projects with diverse sounds, she said that as each band carries a special part of her character and her view of life she needs them all to express herself with all emotions, always remaining true to herself and her principles, and saving enough physical and mental energy for each one of them.

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As expected, S Caedes is obviously highly influenced by countless Black Metal bands, but that doesn’t mean that she doesn’t enjoy other styles such as Dark Ambient, Doom Metal, Martial Industrial, Death Metal and so on, and that she doesn’t own records from completely different artists such as Shakin’ Stevens and Rosenstolz. Among her favorite bands you’ll find great names the likes of Darvaza, Ritual Death, Merrimack, Vortex Of End, Aversio Humanitati, Regarde Les Hommes Tomber, Arkhon Infaustus, Benighted, Ondskapt,  just to name a few; on the Dark Ambient side she likes listening to Slaughter Natives, Gnaw Their Tongues, Triarii and Puissance, among others; and on the Martial Industrial side S Caedes likes groups such as Ordo Rosarius Equilibrio, in special their song The Love & Defiance of Being Alive. “People who know me well often call me complicated concerning my taste of music. I don’t agree with that, I just don’t listen to every shit, that’s the point. Music needs to be able to crawl in my head and stay there, squeeze out my inner self, fuck my brain an give me goosebumps or the will to mosh like a psycho,” commented S Caedes about her unique taste in music, always focusing on the importance of Black Metal in her life and career. “Black Metal is my life, as ridiculous as it maybe sounds to some readers, it’s like that. It’s my personal freedom, I can lay down and just be who I really am.”

Regarding her vocal style and technique, S Caedes said in one of her interviews that in the beginning she just tried out what she could do with her voice, with her training songs being Sluts of Hell from Nattefrost and Bleached Bones from Marduk, and her throat was always scratching like hell after. She then started searching online for instructions on how to use her voice properly and found a very helpful video named The Zen Of Screaming, by renowned vocal coach Melissa Cross, also asking other vocalists for their advice. “It’s really great to discover your voice, trying out what is possible,” commented S Caedes, who also said that it’s important to reach a good balance to be able to sing extreme music. Moreover, when asked about her view of touring with a band and playing live, she mentioned that her bands’ audiences should always be ready to engage with them, as the bands always deliver a very emotional and honest performance. “The advantage of being on stage is that you can let out all your emotions in such extreme way, which is simply not possible when you’re at home. On stage I’m completely in rage, it’s like a shot in my head, letting the audience suck what comes out. Blood always brings me to this special state of mind. I’m a heavy blood fetishist (real blood, no fake shit!), it’s a big passion of mine and I just love being covered in it. When the music begins, I’m not thinking anymore, I’m just 100% in the songs and always give my everything. Off stage… well, I fought several years against all of these rule-based behaviors and finally succeed to be able to do in life what satisfies myself. Family and friends call me a bulldozer. Typical Aries. I agree with that. I’m a sadist. I like to torture slaves. I’m not beating around the bush with that. In addition, I’m also working as photographer and model. So, yeah I have quite a lot to do, but it’s exactly what makes me happy. I don’t care about being evil (whatever that means). I only care about my very needs.” She also said that she really doesn’t care if she plays in front of 50 or 5000 people, mentioning their performances at Underground Remains Open Air, Night Of Blasphemy and Boarstream Open Air as really mind-blowing moments.

When asked about the current Black Metal scene worldwide and in her homeland Germany, S Caedes said she sees it as a big family, finding like-minded people who are able to understand her point of view as opposed to the stress and hypocrisy that comes from living in a regular society. “Most people have their daily routine with all these stupid rules (e.g. dress code at work). Black Metal helps (helped me) to break through (social) conventions, finding myself and staying true to myself. Black Metal can help to relieve everyday’s negativity,” said our Black Metal she-demon, who also believes the Black Metal scene in Germany is a bit more elitist than in other countries as the scene is very developed with lots of festivals, labels and bands. “The fact is that I don’t care from which country a band is. It’s all about the music. Nothing more, nothing less.”

S Caedes is also an accomplished photographer and fetish model, usually under the name Anett Gebauer,  having her own website named Anett Gebauer Photo & Film dedicated to that form of art, and stating that her intent is to express various moods and emotions that are sometimes hidden from the naked eye. “Through the visual arts, I work to uncover underlying voices in order to portray alternative perceptions of life without limits. My work is about exposing the beauty of raging desires, unleashing your inner self, and for those who like it the morbid and obscure way, also daring to drown in deep dark waters. I invite you to take a deeper look under the surface. Through my images, I study the unconscious creatures of the collective human existence – pulsating, seductive and also shocking.” She also offers band shootings, CD artwork, music video creation and retouchings, is bookable for events and live photography, and does self-photography and work as a model. “I am a lover of dark arts, spanning from visual arts, film, music and literature. I create art that is rooted in life, with either positive or negative influences. All my work is inspired by bare emotions and the depths of human existence. I am forever excessive, perfervid, dirty-minded and stay always hungry for more.” Furthermore, she has already been part of several exhibitions, including Heart Of Darkness, in 2018 in the United States; Radiant Art Festival, in 2016 in Belgium; Session Noire, in 2011 in Germany and Belgium; and Art-P, in 2009 and 2010 also in Germany, among others.

Last but not least, S Caedes has a peculiar view on different topics, sometimes controversial, sometimes fairly straightforward. For instance, she said that one of the things she wishes the most is that the endless suffering of animals would finally end and that they would be accepted and respected as sentient beings; and also that her mom is her real life childhood hero, as she’s still grateful to her for a lot of things. “Honestly, I didn’t want me as a daughter,” commented S Caedes, who also said that as a wrestling fanatic her biggest heroes in the sport are Triple H and Sabu. “There was just so much blood in their matches, an intoxicating and formatively awesome sight for me.” As you can see, S Caedes is not just an amazing musician and artist, but also a great human being with a lot to offer to the metal community, always carrying the flag of Black Metal, the flag of freedom of expression and the flag of arts in general proudly high, and we’ll always be grateful to her for being so awesome and for creating such inspiring music and imagery.

S Caedes’ Official Facebook page
S Caedes’ Official Instagram
Anett Gebauer Photo & Film’s Official Facebook page
Anett Gebauer Photo & Film’s Official Instagram
Humanitas Error Est’s Official Facebook page
Humanitas Error Est’s Official Instagram
Humanitas Error Est’s Official YouTube channel
Lebenssucht’s Official Facebook page
Lebenssucht’s Official Instagram
Lebenssucht’s Official YouTube channel

“I don’t care about underground or popularity. I want to reach people who understand our music, who are able to feel our music.” – S Caedes

Metal Chick of the Month – Mary Zimmer

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It’s my time to soar… I am here to stay!

Born and raised in Madison, the capital city of Wisconsin, but currently residing in “Sin City” Las Vegas, Nevada, the multi-talented Mary Zimmer, our metal chick of the month of April, is ready to set the world of heavy music on fire with her unique vocal range, stunning looks and ass-kicking onstage performance, proving why she was chosen in 2019 to become the frontwoman for Sacramento, California-based Power Metal unity Helion Prime. Not only an accomplished vocalist who can do both clean vocals and harsh screams, known for her work with bands the likes of Luna Mortis and White Empress (not to mention her years as a touring member of Helion Prime from 2018 to 2019), Mary has also been a vocal coach and instructor for more than a decade, a session musician for some amazing underground bands, and a YouTuber who discusses about singing, screaming and music theory, as well as reviews and reaction videos. Put differently, Mary Zimmer is just awesome, and I bet you’ll have a very good time knowing a little more about such skillful musician here on The Headbanging Moose.

A classically trained singer who has a Bachelor of Music from the University of Wisconsin-Whitewater, Mary has also studied additional techniques to shout and sing with The Zen of Screaming creator, Melissa Cross, allowing her to showcase all her vocal skills in bands from different styles as aforementioned, as well as her studies in audio engineering. “I got my degree in classical music fairly young at the age of 22. Even after my music degree, I did an absolute ton of research on the anatomy of the voice and tried to absorb all of the information that’s available out there,” commented Mary on her passion for technical singing. Long before joining Helion Prime, Mary was the vocalist for a band named A Touch of Evil between 2001 and 2002; for an American Folk/Gothic Metal/Ambient group named Earthen; for American Progressive Metal act Luna Mortis (and its previous incarnation The Ottoman Empire); for a band called Santa Marta from 2016 to 2019; and for American Extreme Symphonic Metal outfit White Empress from 2013 until 2016.

Perhaps the two most interesting projects she was involved in her pre-Helion Prime days are Luna Mortis and White Empress, with whom she recorded some excellent material and official videos. Let’s begin talking about Luna Mortis, formed in 2002 in her hometown under the name The Ottoman Empire, and as the vocalist for The Ottoman Empire she recorded the album Way of the Blade, in 2006, and the EP The Answer: Does Not Exist, in 2008. Then after the change in the band’s name to Luna Mortis still in 2008, Mary recorded with the band the 2009 album The Absence, presenting a much stronger sound and polished production compared to the band’s two previous releases. You can enjoy online the official videos for the songs Forevermore and Anemic World, and if you think Luna Mortis will be back in action one day, well, after their reunion back in 2013, which was not as great as the band itself expected as they had several internal issues (shortening the reunion considerably), and as mentioned by Mary herself, it was a failed experiment and she can pretty much guarantee they won’t try to reunite again. After Luna Mortis, Mary said she’s a completely different person on many levels, having changed mentally, emotionally, physically, visually and vocally, as you’ll be able to notice in White Empress.

It was in 2013 under the moniker “White Empress” (and later as Mary Z) that our unstoppable diva helped to found the Minneapolis, Minnesota-based Extreme Symphonic Metal unity White Empress, having recorded a self-titled EP in 2014 and the full-length opus Rise of the Empress that same year (containing the four songs from the EP plus other original tracks). When asked about the concept of White Empress, Mary said that the band was band based around the character of the White Empress herself, an empowering and a feminine power in her own right, representing the individual inner strength and power we all have within, with the original concept being created by the band’s founder Paul Allender (better known for his superb work with Cradle of Filth for over two decades). If you want to have a quick and incendiary taste of their music, you can enjoy the official video for the awesome song Darkness Encroaching.

Mary can also be seen lending her powerful voice to different bands and projects as a guest vocalist, on top of her years as a live member of Helion Prime as mentioned before. For instance, she recorded the harsh vocals for the song Goodbye to Farewells, from the 2021 album Psychosomatic by Austin, Texas-based Progressive/Power Metal band Immortal Guardian; and vocals as “President Fox” on the 2019 self-titled album by Brooklyn, New York-based Symphonic/Progressive Metal project Valcata. Not only that, Mary was also involved in the recordings of the 2018 eight-track demo The Remains of Judgment, by Madison, Wisconsin-based Death Metal act Burial of an Era, showing another side of our multi-talented musician (and we’ll talk more about her technical skills shortly). When asked about how she became a session musician, Mary said that the fact she already had the skills necessary to record her own vocals, plus her business professionalism, made it easier for people to trust and hire her, complementing by saying that it’s important to choose if you want to be an in-person guest musician or if you want to learn how to record yourself at home and work worldwide, which of course demands some investments that can be a bit expensive for beginners.

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Regarding her career with Helion Prime, after joining the band as their full-time frontwoman Mary recorded the album Question Everything in 2020 with the band, currently comprised of our electrifying diva on vocals together with guitarists Jason Ashcraft and Chad Anderson, bassist Jeremy Steinhouse and drummer Alex Bosson. When asked what attracted her to Helion Prime in first place, she said she learned to love the guys from the band during her two years as their touring singer, enjoying singing their material, and finally deciding to join forces with them after it became logistically difficult for their previous singer Sozos Michael to be involved as needed. As Question Everything contains several songs that work as tributes to influential names in the history of science, Mary was asked which one of those people was her favorite one to sing about. “I think my favorite is Katherine Johnson. She’s the subject of the song Madame Mercury. Her story really speaks to the successes people can have against daunting odds, and she’s certainly an inspiration to folks all over the world,” said Mary, providing some inspirational words to us fans.

As already mentioned, Mary is a famous YouTuber who runs her own channel called VoiceHacks, providing singing and screaming tutorials for beginner to advanced vocalists, teaching private lessons, and training people in a variety of techniques. “I kind of became a YouTuber by accident. I’m a vocal coach and vocalist first and foremost who kind of ‘fell’ into YouTube as a result of using it as a hosting place for my tutorials and other resources for the people I teach,” commented Mary in one of her interviews, also saying that “I’ve been doing all lessons online since 2013 because physical in-person lessons are out of date and relatively impractical. Most people prefer not having to leave home for their lessons.” If you explore her YouTube channel, you’ll find several videos with important tips on how to preserve your voice while doing harsh vocals, how to reach the right key, how to fix “easy-to-correct” mistakes a lot of singers and producers make in the studio, and so on. For example, did you know that getting vocalists to aim upwards into the microphone while recording is not a good idea? “It’s way easier for a singer to sing a high note while looking DOWN! This being the case, I want all engineers to stop putting the microphone above the singer, and instead to place it straight in-front, or slightly below their mouth at a 45-degree angle,” said our talented vocal coach.

As usual, such important woman to the world of heavy music was asked several times about her view of women in metal, and her answer to that question focuses on the respect she gets as a musician instead of hearing things like “you’re a chick in a band, you’re a novelty”, also saying you don’t have to be a super model to be a great vocalist, although she truly enjoys all types of singers in the end. “I think there are a lot of particularly glamorous metal singers, I think… Simone Simons (Epica), Tarja Turunen (ex-Nightwish), there is a lot of glamorous metal singers but then you also have your ones that just came in their t-shirt and jeans like Anneke (van Giersbergen) from The Gathering you know?” She also mentioned in one of her interviews when asked about the fact the recording industry is a heavily male-dominated business that it still astonishes her that all these years later she’s still one of the only women who knows anything about recording, albeit she doesn’t see it as a masculine or physically challenging task.

There were also three other interesting topics where Mary was asked to provide her insights on, those being the evolution in the music industry, what a manager can offer a band that’s proactive aside from contacts, and all environmental issues the world is facing. Mary said that what has changed most is the evolution from physical product to monetized music listening streaming and that has been a very positive change for all musicians everywhere, and she personally vastly prefers living in the digital era of music now. “It’s an utterly fantastic time to be a musician. There are so many resources at our fingertips. The only limit is our attitude, willingness to educate ourselves about the new music industry landscape and tools, and writing good music. That hasn’t changed, even with all the abundant opportunities for musicians, the songs still have to be good.” Regarding the need for a band manager or not, Mary said that there are good managers out there that have a good business sense, that are rooted in the genre that the band is playing and they have contacts and connections they can work on the band’s behalf to deal with publicists, tour planners, other things and just sort of be the mouth for the musician, and of course, that can be the a neutral face when dealing with people, avoiding exposing the band to negative feedback and opinions (in a good way, of course). And lastly, in regards to the way mankind is treating the environment, she said that she has three degrees in varying areas of Renewable Energy and from that education she has learned that sustainability is necessary for human survival. “The earth is a finite sphere with a finite amount of resources – a finite amount of matter and energy.  If we seek to live on a habitable planet, we must find totally 100% sustainable ways to live.  Unsustainable practices shouldn’t even exist.  I am a huge renewable energy advocate, as it is the most logical, safe, sustainable, abundant means of powering humanity,” suggesting we all watch the video or read the book Cradle to Cradle and learn about sustainability and how it changes the world and the environment.

If you want to have fun together with Mary, you can find several excellent interviews online with her as for example this one for Musican’s HQ podcast, episode 23; the one she did together with Helion Prime’s own guitarist Jason Ashcraft for Rustyn Rose from Metalnation where they discussed their new album Question Everything, Ronnie James Dio, special guests and the impact of Covid-19 on the music industry, among other topics; and this one for Audible.com where she discusses about her YouTube channel VoiceHacks. Having said all that, what are you waiting for to let Mary Zimmer and her powerful voice penetrate deep inside your soul in the name of Heavy Metal? I’m sure Mary will love to hear from you and to get your feedback on her undisputed work as the great vocalist she is.

Mary Zimmer’s Official Facebook page
Mary Zimmer’s Official Instagram
Mary Zimmer’s Official YouTube channel
Mary Zimmer’s Official Twitter
Mary Zimmer’s LinkTree
Helion Prime’s Official Facebook page
Helion Prime’s Official Instagram
Helion Prime’s Official YouTube channel

“I don’t think that metal is an intentionally sexist genre, I think metalheads are pretty broad thinking people and I think that most of them will give you a shot. If you can play you can play if you can sing you can sing. And it doesn’t really matter to a lot of them if you’re a woman or a man.” – Mary Zimmer