Category Archives: Concert Reviews

Concert Review – Lord of the Lost (Beanfield Theatre, Montreal, QC, 09/17/2024)

Posted on by
1

When the curtain fell in Montreal, no one was left alone by Lord of the Lost in one of the most memorable concerts in their entire career this Tuesday night.

OPENING ACT: Julien-K

As Billy Idol would say, It was a night, Montreal, burning bright, oh what a night at Théâtre Beanfield (or Beanfield Theatre) when German Dark Rock/Heavy Metal band LORD OF THE LOST, supported by JULIEN-K, played for the first time ever in Canadian lands this Tuesday night as part of their US + Canada 2024 tour, and based on the reaction of the crowd during their entire show I’m sure it wasn’t the last time we saw those guys in the Great White North. I must say the venue was also amazing. It was my first time there and I can’t wait to travel all the way to Montreal to see more of my favorite bands playing there. Not only that, the weather in Montreal was also beyond perfect, around +25oC and sunny, turning the whole day into a memorable experience for both the fans and the band.

I’ll be honest and say I didn’t see much of the concert by Los Angeles, California-based Electronic Rock act JULIEN-K (due to other commitments prior to the show), which began as a side project for electronic music created by Amir Derakh and Ryan Shuck from Orgy, alongside Anthony ‘Fu’ Valcic, and that sounds a lot like a fusion of Depeche Mode, Nine Inch Nails, New Order, Ministry and Marilyn Manson, but I guess everyone at the venue enjoyed a lot their performance. They recently released the albums Harmonic Disruptor, in 2020, and Unauthorized Live In Europe, in 2021, and if you’re curious to know more about them you can find their music on BandCamp and on Spotify. I personally believe they were a great choice to open for Lord of the Lost, properly warming up all fans at the venue for the main attraction of the night, and even if electronic music is not my cup of tea I need to say they’re really good in what they do.

Setlist
Futura
Deep Beat Overground
Fractured
All That Glitters
Your Tears Mean Nothing
The Hydra
Undo Everything
Stronger Without You
Blue Monday (New Order cover)

Band members
Ryan Shuck – lead vocals, rhythm guitar, keyboards
Amir Derakh – lead guitar, samples, keyboards, synthesizers, bass
Galen Waling – drums

LORD OF THE LOST

It might have taken years for LORD OF THE LOST to finally pay a visit to Canada, but the wait was absolutely worth it as Chris Harms and his henchmen simply destroyed the Beanfield Theatre with a flawless performance overflowing electricity, heaviness and passion, putting every single person at the venue to jump up and down, dance, raise their horns and fists and scream out loud together with the band. Their setlist was amazing, showcasing a great balance between all of their old material with their latest released Blood & Glitter (2022) and Weapons of Mass Seduction (2023). The first few songs, including The Curtain Falls, Dry the Rain and Loreley, already gave us a very good taste of how awesome the whole night was going to be, and the louder the reaction of the fans was, the better the band was on stage and vice-versa.

A few songs sounded utterly powerful in Montreal, like Six Feet Underground, Die Tomorrow, Drag Me to Hell, and Blood for Blood, where by the way Chris invited everyone at the venue to do the “one-person mosh pit” (which is basically jumping and spinning around alone), and let me tell you that all fans loved that moment, with huge smiles on everyone’s faces. Pi Stoffers and Niklas Kahl were ruthless armed with their respective guitars and drums, adding a humongous dosage of heaviness to the band’s music, therefore sounding even heavier than in the studio, (something I personally loved as a fan of extreme music), and that translated into a lot of headbanging, dancing and clapping from the audience for the total delectation of the band. To be fair, the whole band was spot-on, precise and on fire, playing all songs to perfection, with the ending of the show including their cover versions for Sia’s Unstoppable and Billy Idol’s Shock to the System (the biggest surprise of the night for me), plus of course their classics Blood & Glitter and One Last Song, being the icing on the cake to their breathtaking show.

All band members were visibly very emotional during and after the show, with Chris repeating several times it was a dream come true for them to be in Canada, and that they didn’t expect such a big turnout on a Tuesday night in a country they had never played before. He also said Canada is the 40th country they’ve ever played at now, and that they will surely return in a not-so-distant future. I’m sure all fans who attended their concert can’t wait for another round of LOTL madness in the city, and I’ll make sure I find some time in my busy agenda to see them again in Montreal because that show was definitely mind blowing. There was “round 2” in Toronto the next day after a six-hour drive back home, but that will be covered in a separate review. For now, all I can say is that LOTL are Montreal, and Montreal is LOTL.

Setlist
The Curtain Falls
The Future of a Past Life
Dry the Rain
Loreley
Destruction Manual
For They Know Not What They Do
Raining Stars
Sex on Legs
Six Feet Underground
Born With a Broken Heart
Die Tomorrow
Black Halo
Forevermore
Drag Me to Hell
Blood for Blood
Unstoppable (Sia cover)
Shock to the System (Billy Idol cover)
Blood & Glitter
One Last Song

Band members
Chris “The Lord” Harms – lead vocals, guitars, cello
Pi “π” Stoffers – guitars, backing vocals
Benjamin “Benji” Mundigler – guitars, keyboards, backing vocals
Klaas “Class Grenayde” Helmecke – bass, backing vocals
Gerrit “Gared Dirge” Heinemann – piano, keyboards, percussion, guitars, theremin
Niklas Kahl – drums

This slideshow requires JavaScript.

Concert Review – Goatwhore (Lee’s Palace, Toronto, ON, 09/17/2024)

Posted on by
Reply

***Review and photos by Keith Ibbitson of Metal Paparazzi***

OPENING ACTS: Thantifaxath, Necrofier and Vitriol

Another humid night in the city of Toronto. September has not let go of the great summer weather just yet, on a nice Tuesday evening some of the best southern bands to emerge in the death metal scene set its eyes on our city. Lee’s Palace was the mark of the beast for the night, and fans flocked from all over the city to come see them. I’m talking about Goatwhore and Necrofier with Vitriol and Thantifaxath. Metalheads from all over Ontario headed into Lee’s Palace, a medium sized venue that can hold 600 people or so, and the first band to hit the stage and get the fire started is Toronto’s own Black metal cult Thantifaxath (that’s a mouthful to say). The name comes from the kabbalistic tree of life (meaning “Great Ghoul”), and the band consisting of 3 unnamed souls played some great black metal riffs and got this eager crowd in the mood for what they had coming next.

Second band of the night from out of the lone star state of Houston, Texas was Necrofier, and you’d think a band from Texas must be country or rock like ZZ Top, but no way, Texas has some of the heaviest bands to date like Pantera, Frozen Soul, Kubli Khan, to name a few. Man, this band did not waste time right from the first strum of the downtuned guitar they hit us with some real heavy riffs. Necrofier has been together since 2018 and continues to get better and better, and like with any band they grow and get to be a tight band. All I can say is these guys kick some serious ass on stage and I definitely like to see them headline a show in the near future. Third band of the night from the great state of Oregon, Portland, was Vitriol, an extreme death metal band was a three piece band not long ago, when Adam Roethlisberger quit the tour at the start for reasons unknown to us all, but that did not stop the winds from the west as they came and kicked some ass and left just like a tornado. The two members of Vitriol did what they came to do and kick our asses, with super fast and heavy riffs, some really nice blast beats and shredding mind blowing guitar riffs.

GOATWHORE

Now for the headliners, the band everyone was there to see the most, from New Orleans, Lousiana, here comes Goatwhore. Do I need to explain who they are? Probably not, but I’m going to. Simply put, this band is one of the heaviest metal bands on this planet and in this universe. The pulverizing drums from Zack Simmons, the beyond heavy drop C guitar riffs from Sammy Duet, bone shaking bass from Robert Coleman, and the best frontman ever to grace the stage, Louis Benjamin Falgoust II. These four guys kick ass, the energy from Goatwhore lasts a few days after they kicked your ass, I mean in all fun that is. Whenever they hit our city I always come out to see them. For me, I first saw this band in Toronto back in 2017 at The Garrison. My brother Kevin and I were there to see another band play and said let’s see who they are, and man, from that moment they got on stage and started playing I was a huge fan. Ben Falgoust playing the air guitar and head banging, and Sammy shredding just blew me away. I have met them outside the venues a few time just saying hello but this year I got my photos with them. This is why I love the Toronto metal scene and venues, if they play a small venue you get a more personal concert versus a big stage where they stay backstage. Every band on this bill will be walking around the venue sitting merch, shaking hands and sharing stories with fans. I’ll always support our metal scene and our fans that are friends and some family.

This slideshow requires JavaScript.

Concert Review – Judas Priest (Fallsview Casino, Niagara Falls, ON, 09/14/2024)

Posted on by
3

The Metal Gods proudly raised the Invincible Shield in Niagara Falls on Saturday night in a celebration of the beauty and glory of our beloved Heavy Metal.

OPENING ACT: Sabaton

If you’ve never seen a concert at the OLG Stage at Fallsview Casino in Niagara Falls, Ontario, Canada, go check their calendar and don’t miss the chance of visiting one of the best venues of the current Canadian landscape. It’s a beyond phenomenal venue with a great seating chart and excellent view from wherever you end up seating (or standing, if the concert you attend saves some space upfront for a small pit), therefore the perfect choice for the one and only Metal Gods JUDAS PRIEST, plus their more-than-special guests SABATON, to kick some serious ass during the second show of the new leg of the Invincible Shield Tour North America 2024. My friend Keith Ibbitson of Metal Paparazzi (who by the way had his photos shared by the Metal Gods themselves on their official Instagram) were obviously there to worship the Metal Gods in another night of the purest form of heavy music you can think of, and let me tell you that the show was beyond memorable, simply mind blowing from start to finish.

Once again, Swedish Power Metal brigade SABATON was the chosen band to warm up the avid Priest fans at a sold out OLG Stage, showing how strong the partnership seems to be between the two bands. Not only that, Sabaton are also becoming a fan-favorite worldwide, attracting countless fans to the show at the Falls this Saturday, and once they started playing it became crystal clear why they’ve already gathered such an immense fanbase. The band spearheaded by the charismatic Joakim Brodén was on fire during their entire show, delivering a solid hybrid of Heavy and Power Metal infused with warlike themes. Songs like Ghost Division, Stormtroopers, and in special the last three songs, Primo Victoria, Soldier of Heaven and To Hell and Back, inspired all fans at the venue to jump up and down nonstop, to raise their fists and horns, and to singalong all songs with Joakim and his henchmen, all of course boosted by a stage that transpired wars and battles. If you’re seeing any concerts of this tour, make sure you arrive in time for Sabaton even if you know nothing about them, because their live performances are as explosive as a hand grenade.

Setlist
The March to War
Ghost Division
The Last Stand
Swedish Pagans
The Red Baron
Bismarck
Stormtroopers
Carolus Rex
Resist and Bite
The Attack of the Dead Men
Primo Victoria
Soldier of Heaven
To Hell and Back

Band members
Joakim Brodén – lead vocals, keyboards
Thobbe Englund – guitars, backing vocals
Chris Rörland – guitars, backing vocals
Pär Sundström – bass, backing vocals
Hannes Van Dahl – drums, backing vocals 

JUDAS PRIEST

After a quick break, it was time for the Metal Gods JUDAS PRIEST to raise the Invincible Shield for the second time on this leg of the tour, one day after their also ass-kicking concert in Montreal, and let me tell you that what I had the pleasure of witnessing in Niagara Falls this Saturday was one of their best performances ever. After the flag dropped during the intro to Panic Attack, it was a wild and frantic feast of undisputed Heavy Metal by Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis, leaving every single person at the OLG Stage absolutely disoriented after all was said and done. As a result, the fans at the pit went completely mental from the very first second of the show, igniting some sick mosh pits until the very end, something not so common for a band like Judas Priest. Well, when you start the show with some fast-paced masterpieces like Panic Attack, You’ve Got Another Thing Comin’, Rapid Fire, Breaking the Law and Riding on the Wind, I think it’s fair to expect some action in the pit. To be fair, the pit during Rapid Fire was so intense it looked like a Death Metal pit, just to give you an idea of how rowdy the crowd was.

I believe there are three reasons for the band to be so tight, so heavy and so precise at this point of their 50-year career. First and foremost, Mr. Rob Halford, the one and only Metal God, the heart of the band, is delivering stellar vocal performances night after night at the age of 73, something so unbelievable it makes me wonder if he’s an actual god. I mean, guys like Rob Halford and Bruce Dickinson are definitely role models for anyone who wants to enjoy a healthy and fun life after you turn 60 or 70. In other words, if I get to Halford’s age with one fifth of his energy, I’ll be a very happy man. Second, Richie Faulkner is now the soul of Judas Priest, blasting our ears with his electrifying riffs and solos nonstop, which I’m sure makes Glenn Tipton very, very proud of how he’s helping carry the band’s legacy forward. And third, Scott Travis continues to hammer his drums majestically, becoming the band’s engine, and all that power and speed always translates into more action on and off stage.

Even the slower songs like Love Bites and Crown of Horns brought a lot of energy to the show, plus of course some heavy classics like Sinner and Turbo Lover; however, as expected, it was during the most hard hitting songs of the night, their new anthem Invincible Shield and the most metal song of all time, the unparalleled Painkiller, that the crowd had the biggest reactions of the entire show, with the pit during Painkiller going out of control to the point there were almost a few fights inside of it. It was a beautiful, memorable moment by a band that is not only celebrating 50 years of Heavy Metal, but that is the ultimate depiction of Heavy Metal. For instance, when a renowned guitarist like Rob Barrett of Cannibal Corpse is in attendance of the show as a fan, you can have a good idea of the importance of Judas Priest to the world of music. The encore with the timeless classics The Hellion/Electric Eye, Hell Bent for Leather and Living After Midnight simply proved that, and it didn’t matter if it was a 60, 70 or 80-year old veteran or a three-year old kid (who not only got the sunglasses of the vocalist for Sabaton, but also a pick, a setlist, and a special post on Instagram by Judas Priest), everyone at the OLG Casino was mesmerized by the Metal Gods in another celebration of the beauty and glory of Heavy Metal.

Setlist
War Pigs (Black Sabbath song)
Invincible Shield Tour Anthem
Panic Attack
You’ve Got Another Thing Comin’
Rapid Fire
Breaking the Law
Riding on the Wind
Love Bites
Devil’s Child
Saints in Hell
Crown of Horns
Sinner
Turbo Lover
Invincible Shield
Victim of Changes
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

This slideshow requires JavaScript.

Concert Review – Iron Maiden (Qudos Bank Arena, Sydney, NSW, Australia, 09/12/2024)

Posted on by
Reply

How about another excellent show by the boys Down Under before heading back to Canada?

INTRO: IMFC Meetup

After skipping the concert in Brisbane to have more time to enjoy both Melbourne and Sydney, it was time for another explosion of heavy music by KILLSWITCH ENGAGE and IRON MAIDEN during the Australia & New Zealand leg of The Future Past Tour 2024, this time at Qudos Bank Arena in Sydney. By the way, I only did night one in Sydney, returning to Canada on Friday September 13 so I could make it in time to worship the Metal Gods (which will be published here in another concert review). However, due to the Iron Maiden Fan Club meetup at The Squires Landing on the night of September 11, it actually felt like more than just one show. It was fantastic seeing some old friends and putting faces to new ones while enjoying a few pints, and not even the British Lion concert happening at the same time stopped over 40 IMFC members to celebrate life and music together at the pub. I love those meetups, and I can’t wait for the Toronto one next month.

OPENING ACT: Killswitch Engage

I can say that I finished my Australian adventure with absolutely zero sight of KILLSWITCH ENGAGE. It was impossible to arrive early at the venue having so many attractions to see in the city like the Bondi to Coogee Walk, Manly Beach, the Sydney Opera House, the Royal Botanic Gardens Sydney, as well as some further sites like the Blue Mountains. I’m sorry if you’re a fan of the band, but with so much to do I didn’t even care about getting to the venue in time to see them at least once. Everyone I asked later how their concert was said “it was OK” without a lot of enthusiasm, so I guess I made the right decision to ignore the band and enjoy some time by the sea seeing some whales and dolphins in their natural habitat, right? By the way, everyone I spoke to that did the FTTB experience in any of the Australian dates said they were tired of Killswitch Engage, most probably because after a long wait outside the venue, when you finally get in you simply want to see Iron Maiden and nothing else, and that’s even worse when the opening band plays something most fans don’t listen to on a regular basis.

Setlist
My Curse
This Fire
Strength of the Mind
The Arms of Sorrow
A Bid Farewell
In Due Time
The Signal Fire
Unleashed
Hate by Design
Rose of Sharyn
This Is Absolution
The End of Heartache
My Last Serenade
Holy Diver

Band members
Jesse Leach – lead vocals
Adam Dutkiewicz – lead guitars, backing vocals
Joel Stroetzel – rhythm guitars, backing vocals
Mike D’Antonio – bass
Justin Foley – drums

IRON MAIDEN

Once again, there I was ready for a blast of The Future Past Tour 2024 in Australia by IRON MAIDEN, again blending the best of the albums Somewhere In Time and Senjutsu, as a “farewell” to my trip Down Under. As mentioned, I didn’t stay for night two in Sydney because the Metal Gods were calling me back to Canada, but according to my friends I got the best of the two shows in Sydney as both the band and the crowd were more electric and in sync on the first night. There isn’t a lot I can say about the show that hasn’t been said before, except for the fact that Bruce was absolutely out of tempo during the first part of Caught Somewhere in Time, and it was funny watching the rest of the band trying to “fix” the error. The same songs that were the top moments of the shows in Melbourne were also the best ones in Sydney, in special Hell on Earth with all of its pyro (the only real pyro of their entire setlist, by the way), and of course Wasted Years, the perfect closure for my vacation in the land of kangaroos, koalas and quokkas.

Let’s say that the pre and post show activities were just as fun as the show itself, with a quick trip to the Trooper Dive Bar & Fan Meet at The Locker Room, located only five minutes walking from the venue (as pretty much anything else inside the beautiful Sydney Olympic Park), chatting with a few people that were about to see Iron Maiden live for the first time ever, and obviously meeting with my friends from the IMFC one last time before heading back to Canada. I like to say that although the shows are usually the same, with the exact same setlist played night after night, there’s always something unique or different to enjoy, and even after seeing the boys three times Down Under I can’t wait to see them again in Toronto and Montreal next month, and meet again several familiar faces that love to follow the band all over the world, especially when the place is as stunning and fun as Australia.

Setlist
Doctor Doctor (UFO song)
Blade Runner (End Titles) (Vangelis song)
Caught Somewhere in Time
Stranger in a Strange Land
The Writing on the Wall
Days of Future Past
The Time Machine
The Prisoner
Death of the Celts
Can I Play With Madness
Heaven Can Wait
Alexander the Great
Fear of the Dark
Iron Maiden

Encore:
Hell on Earth
The Trooper
Wasted Years
Always Look on the Bright Side of Life (Monty Python song)

Band members
Bruce Dickinson – lead vocals
Steve Harris – bass
Dave Murray – guitar
Adrian Smith – guitar
Janick Gers – guitar
Nicko McBrain – drums

This slideshow requires JavaScript.

Concert Review – KK’s Priest & Accept (Queen Elizabeth Theatre, Toronto, ON, 09/10/2024)

Posted on by
Reply

Two of the most important bands of the current scene delivered powerhouse performances to their fans in Toronto, maintaining the spirit of classic metal alive.

***Review by Elizabeth “Liz Bathory” Anderson, with photos by Keith Ibbitson of Metal Paparazzi***

The Queen Elizabeth Theatre in Toronto hosted an unforgettable night of classic heavy metal music on September 10th, 2024. With doors opening at 6:45 PM, eager metalheads had to wait until about 8 PM for the first band to hit the stage. Despite the wait, the anticipation was palpable, and the venue offered 750 ml of beer for $20, which wasn’t bad considering the cost at most venues.

The crowd was mostly veteraned metalheads with a few younger fans who appreciate the classic sound of old-school heavy metal. Interestingly, the venue was entirely seated, which is a rarity for metal concerts, but that didn’t stop the audience from rockin’ out once the music started.

ACCEPT

Setlist
The Reckoning
Humanoid
Restless and Wild
Straight Up Jack
London Leather Boys
Midnight Mover
Demon’s Night
Princess of the Dawn
Metal Heart
Teutonic Terror
Fast as a Shark
Pandemic
Balls to the Wall

The band ACCEPT kicked off their set with their opening song, “The Reckoning,” and as the first note was played, the crowd immediately stood up from their seats. Although long-time bassist Peter Baltes was no longer in the band, Martin Motnik, who has been playing with them since 2019, showed off his versatility on stage. The band’s stage presence and energy was as electrifying as ever. Following up with “Humanoid,” they delivered raw, raspy vocals and a classic metal sound complete with a blistering guitar solo. It was incredible to hear and see, filled with electric musical energy.

As they tore through “London Leather Boys,” the audience was fully immersed, with even an elderly man using an accessibility walker headbanging by his seat. The enthusiasm was contagious, and the fans moved to the venue’s aisles and sides to get closer to the action. One of their hit songs, “Princess of the Dawn,” turned into a bellowing crowd-wide chant, showcasing the timeless bond between the band and their followers.

The set culminated in a powerful rendition of “Balls to the Wall,” leaving the crowd awash in nostalgia. From the buzzsaw riffs in “Fast as a Shark” to the anthemic “Teutonic Terror,” Accept proved they still command the stage with authority and ferocity, bringing satisfaction to the ticket holders.

KK’S PRIEST

Setlist
Hellfire Thunderbolt
Strike of the Viper
One More Shot at Glory
The Ripper
Reap the Whirlwind
Sermons of the Sinner
Burn in Hell
Diamonds and Rust
Hell Patrol
The Green Manalish
Before the Dawn
Breaking the Law
Sinner
Raise Your Fists (encore)

When it was KK’S PRIEST‘s turn to perform, the majority of the audience had abandoned their seats and crowded the stage area, preparing for what could possibly be an epic show. They opened with “Hellfire Thunderbolt.” The song was captivating and also captured the audience’s attention with an accompanying visually stunning display. The band utilized custom visuals on large screens to complement each song, making the experience akin to a metal-infused action movie. For instance, “One More Shot at Glory” featured lighting effects that mimicked sharp bullets, while “Reap the Whirlwind” brought the storm to life with thunder on their back screen, lightning effects from their laser stage lighting, and smoke from smoke machines at both sides of the stage. It was quite a mesmerizing experience, and I felt that people got more than just music for what they paid but also a light and art show.

The vocalist’s ability to hit and hold high notes effortlessly was jaw-dropping, showcasing a vocal range that would make even the most experienced singers envious. K.K. Downing, the legendary guitarist and founder of the band, performed his riffs with ease, his casual demeanor belied the complexity of the music. He showed immense talent, which was clearly on display.

When they played “Diamonds and Rust,” the crowd clapped along to the intro, and during the Judas Priest cover “Hell Patrol,” the audience was singing in unison, with robot army visuals enhancing the performance. “Before the Dawn” offered a brief respite with a space-themed visual, slowing things down before launching back into high-octane metal with “Breaking the Law,” complete with a British flag backdrop. Downing’s speed picking and shredding during “Sinner” were nothing short of spectacular, with some insane whammy bar effects thrown in for good measure.

As they finished their set, the audience demanded an encore, and the band obliged with “Raise Your Fists,” ending the night on a high note and creating a lasting memory for those in attendance.

Final Thoughts

Both Accept and KK’s Priest delivered powerhouse performances, maintaining the spirit of classic metal. The seated venue didn’t stop the crowd from rocking out, proving that the music and the energy of metal know no bounds and that people will always find a way to rock out to the music. From start to finish, it was a night of incredible musicianship, theatrical visuals, and a shared love for the genre that transcended generations. For those in attendance, it was most definitely a night to remember, and I’m sure the fans will return whenever they decide to come back.

This slideshow requires JavaScript.

Concert Review – Iron Maiden (Rod Laver Arena, Melbourne, VIC, Australia, 09/06/2024 & 09/07/2024)

Posted on by
Reply

How about a trip Down Under for two nights of undisputed Heavy Metal with the world famous dental floss salesmen from Montana?

INTRO: Trooper Dive Bar & Fan Meet

What a wild and ultra busy trip Down Under to see the boys in action, my dear metalheads! I’m sorry for not posting this review of the KILLSWITCH ENGAGE and IRON MAIDEN shows at Rod Laver Arena during The Future Past Tour 2024 before,  but it was absolutely impossible to spend any time in front of my laptop writing the review as there was so much to do in Melbourne, a very beautiful city (but with a shitty weather). And I was lucky enough to be “cured” from any type of jet lag after having spent five days in New Zealand doing lots of tourist stuff (including a visit to Hobbiton) before heading to Melbourne for the shows. Well, here it is, finally, with the date being retroactive to the day after both shows in the city. I didn’t attend the first two shows of the Australia & New Zealand tour in Perth and Adelaide, but I guess Melbourne was by far the biggest event after Sydney, obviously, with both days being sold out. However, before talking about the shows, let me talk a little about the experience of meeting Maidenmaniacs from all over the world outside of the actual venue.

Although there wasn’t an official IMFC meetup in Melbourne, countless fans enjoyed a very decent amount of Trooper beer, early access to merch, and some quality time with friends and family at the famous local pub Young & Jackson, which was transformed into the Trooper Dive Bar & Fan Meet during the two days of show in the city. If you don’t know what the Trooper Dive Bar & Fan Meet is, just search for it on Google and you’ll see how awesome the initiative was Down Under. Hopefully they’ll bring that same experience to Canada and the United States in October, because it was indeed fantastic to spend a few hours prior to the shows with lots of old and new friends! Also, there were some guys distributing what was called a “fan card” with a QR code that once scanned could provide you with some amazing memorabilia including a signed copy of the tour’s setlist. Of course I didn’t win anything, but just having one of those fan cards as a souvenir of such an unforgettable trip Down Under was already good enough for me.

OPENING ACT: Killswitch Engage

This will be the quickest and fastest review of a band ever, as I have absolutely no idea of how KILLSWITCH ENGAGE performed in Australia. I mean, I didn’t apply for First To The Barrier (the famous FTTB) in Australian lands, which means I didn’t have to be at the venue before 4 or 5pm like in previous FTTB experiences, spending my time visiting different sites and beaches almost until it was time for Iron Maiden to hit the stage both on September 6 and 7, getting inside the venue only when it was already close to 8:30pm. To be fair, I don’t think Killswitch Engage were the best option to open for Iron Maiden in Australia and New Zealand despite having a few good songs in their discography, and I guess the vast majority of fans had the same opinion as most people waited until the last minute to enter the Rod Laver Arena on both days. At least in North America we’re getting The HU, a much more interesting and unique band, so it will be worth it arriving at the show ahead of time.

Setlist
My Curse
This Fire
Strength of the Mind
The Signal Fire
Unleashed
Hate by Design
Rose of Sharyn
In Due Time
This Is Absolution
The End of Heartache
My Last Serenade
Holy Diver

Band members
Jesse Leach – lead vocals
Adam Dutkiewicz – lead guitars, backing vocals
Joel Stroetzel – rhythm guitars, backing vocals
Mike D’Antonio – bass
Justin Foley – drums

IRON MAIDEN

If you follow IRON MAIDEN regularly, you probably know they almost never make any changes to their setlist during a tour, and of course it couldn’t have been any different during the Australia & New Zealand leg of The Future Past Tour. In all cities they visited this time, including of course Melbourne, the setlist was the exact same played in Europe in 2022 and in Canada in 2023 (and it will also be the same in the US and Canada dates this October), blending classics from their 1986 cult album Somewhere In Time with their most recent installment Senjutsu, and obviously a few other hits. Songs like Caught Somewhere in Time, The Writing on the Wall, The Prisoner, Alexander the Great, Hell on Earth and Wasted Years were the highlights of both nights in Melbourne, showing a tight band that refuses to slow down due to their age, in special Mr. Adrian Smith. This is his tour, and he’s on fire in all shows. Simply brilliant.

Another thing that was exactly the same both nights (actually, in all of their concerts Down Under) were the jokes told by Bruce, with a few minor adjustments, including of course his already famous “can I play with Agnes?”, plus his obsession with quokkas. And in terms of the audience, let’s say that the crowd seemed very quiet or tired on night one, maybe because they attended the concert right after a full week of work, but everything changed on night two with a much more active and electrified crowd. If anyone asks me why I went to Australia to see the same show multiple times, my answer is quite simple. The band won’t be around for much longer, and even if they do it won’t be the same thing; Nicko is clearly slower than ever due to his recent health issues (but he still got it, and I don’t know how he manages to perform almost every night at his age), which makes me think that he might not be with the boys if they ever visit Australia again. Anyway, after two amazing concerts in the cold city of Melbourne, it was time for some sunshine and stunning beaches in Sydney, plus obviously another superb sonic blast from the dental floss salesmen from Montana the following week!

Setlist
Doctor Doctor (UFO song)
Blade Runner (End Titles) (Vangelis song)
Caught Somewhere in Time
Stranger in a Strange Land
The Writing on the Wall
Days of Future Past
The Time Machine
The Prisoner
Death of the Celts
Can I Play With Madness
Heaven Can Wait
Alexander the Great
Fear of the Dark
Iron Maiden

Encore:
Hell on Earth
The Trooper
Wasted Years
Always Look on the Bright Side of Life (Monty Python song)

Band members
Bruce Dickinson – lead vocals
Steve Harris – bass
Dave Murray – guitar
Adrian Smith – guitar
Janick Gers – guitar
Nicko McBrain – drums

This slideshow requires JavaScript.

Concert Review – Signs of the Swarm (Lee’s Palace, Toronto, ON, 09/01/2024)

Posted on by
Reply

Simply relax and enjoy an evening out in the greatest city in Ontario with five amazing bands in a frenzy of circle pits and moshing.

***Review and photos by Keith Ibbitson of Metal Paparazzi***

OPENING ACTS: A Wake In Providence, 156/Silence, Ov Sulfur and Cane Hill

An evening out in the greatest city in Ontario with even better weather than the last few concerts we have been to. Fall weather is much cooler and makes for a great comfortable concert without the hot humid stench of sweat . The smell of crisp air filled with pumpkin spice from every store along Bloor Street in Toronto is great and with that the venues are cooler in terms of air quality inside, making it a perfect time to take some awesome death and metalcore bands.

Lee’s Palace is the venue tonight where five amazing bands have come together to whip us up in a frenzy of circle pits and moshing. First band of the night is  A WAKE IN PROVIDENCE, aka AWIP, who has recently release the album I Write To You, My Darling Decay. Hailing from NYC this band is spearheaded by vocalist Adam Mercer, guitarist Dandre Tyre, bassist Anthony Adipietro, and drummer Jesse Mcenneny. I am not familiar with this band as its my first time hearing them and let me be honest I was not a fan of early deathcore but this band has got me listening to them. Awesome performance great music and a ton of groovy bass and drumming.

Our first short intermission while they switch up bands gives us time to check out the merch tables and gets some drinks from the bar, or just simply go outside and enjoy a smoke or the now legal weed. Next up is 156/SILENCE. Hailing from The Steel City of Pittsburgh, in the state of Pennsylvania, United States, this metalcore band consists of vocalist and bassist Mike Ernst, guitarist Jimmy Howell, drummer Zac Dranka and vocalist Aleks Pihl. They have a great sound and are tight, great stage presence and can get the crowd hyped up.

Another line change is happening and outside I go to chat with friends and other photographers, plus chatting to the promoter Noel Peters of Inertia Entertainment. I always enjoy chatting to Noel about his business and bringing the best bands to our city. The third band of the night was OV SULFUR. Hailing from my favorite place in the world, Sin City Las Vegas, Nevada, This band has been to Toronto this year three times and I’ve captured them every time  The first time I saw them was at the Phoenix Concert Theatre when they opened for some huge bands and they had me hooked. The band consists of vocalist Ricky Hoover, guitarist Chase Wilson, bassist Ding and drummer Leviathan. This deathcore band has a ton of energy and powerful delivery of sound, they will knock you into another dimension if not careful in the circle pits. If you have never seen this band I don’t know what you’re waiting for, get to a venue and see for yourself.

Another short break and CANE HILL was up; this band hailing from New Orleans, Louisiana, in the United States. This metalcore institution consists of Elijah Witt on vocals, James Barnett on the guitar, Ryan Henriques on bass and Devin Clark on drums. This quartet is also new in my listening experience and they are awesome to see live. Elijah is a great frontman delivering guttural and soft vocals while getting the crowd all horny, and by that I mean he was asking the crowd if they were horny or alive. I think the crowd spent a lot of energy on the first three bands and when he said that the crowd came alive again with circle pits and crowd surfers.

SIGNS OF THE SWARM

The last break of the night was much needed as the venue was getting hot from the near sold out venue. It was time for the headliner, another band from The Steel City area of Pittsburgh, Pennsylvania, SIGNS OF THE SWARM. This deathcore band is made up of vocalist David Simonich, drummer Bobby Crow, bassist Michael Cassese and guitarist Carl Schulz. They have five studio albums with the release of their fifth album Amongst the Low & Empty. This band gets better and better every time I have seen them and it’s been two times this year. Their performance on and off the stage is top notch, friendly people with great showmanship, and if you ever get a chance to see them live do it. Also, if you see them hanging out during their tour, strike up a conversation.

This slideshow requires JavaScript.

Concert review – SmugglerRok 2024 (Laurin Kenttä, Lieto, Finland, 08/02/2024 & 08/03/2024)

Posted on by
Reply

Great names of the Finnish music scene were the guests of honor in the party that celebrated the 10th edition of SmugglerRok in Lieto, Finland.

SmugglerRok 2024 in Lieto, Finland, was a true celebration of Finnish music and culture, marking a milestone with its 10th edition. Held over two days on August 2nd and 3rd, the festival brought together some of Finland’s most beloved artists and bands, offering an eclectic mix of genres from blues and rock to heavy metal. The event highlighted the rich musical heritage of the country and created an unforgettable experience for fans, with performances that ranged from intimate and soulful to electrifying and high-energy.

DAY 1: August 2nd, Friday

ARTTU WISKARI
Arttu Wiskari opened the festival with his signature blend of blues, pop, and rock, showcasing his nearly 20-year career in the Finnish music scene. One of the mentors on The Voice of Finland, Arttu brought his experience and charisma to the stage, surprising the crowd with a special guest appearance by Anssi Kela during the final song, creating a memorable moment for all in attendance.

ANSSI KELA
Anssi is a celebrated figure in Finnish rock and folkrock and continued the afternoon with a setlist that spanned his long career, including his solo albums. His performance of songs from the iconic Nummela album, one of Finland’s best-selling records, resonated deeply with the crowd. Kela‘s soulful guitar work and emotive vocals were a highlight of the festival.

JUHA TAPIO
Juha Tapio brought a jazzy twist to the festival, supported by a brass section that added depth to his pop-rock set. Juha’s engaging performance reached a peak when he ventured into the crowd, connecting with fans in a heartfelt way. His interaction with Brazilian fans, even greeting them in Portuguese, was a delightful surprise, adding a personal touch to his show.

MAIJA VILKKUMAA
Maija Vilkkumaa, often hailed as the Queen of Finnish Rock, delivered a high-energy performance packed with her greatest hits. With a career spanning nearly 35 years, Maija’s stage presence was undeniable, and the audience’s enthusiasm reflected their appreciation for her timeless rock anthems. Her band was tight, enhancing the powerful vibe of her set.

KOTITEOLLISUUS
The first day of Smugglerrok ended with a heavy dose of hard rock from Kotiteollisuus. The band, hailing from Lappeenranta and known for their intense sound, delivered a robust performance. Frontman Jouni Hynynen led the charge with powerful vocals and guitar riffs, leaving the crowd exhilarated.

DAY 2: August 3rd, Saturday

UNIKLUBI
The second day of SmugglerRok kicked off with Uniklubi, who brought their alternative rock sound to the festival. This year is also a special one to the band as they are celebrating 20 years since the release of the album “Rakkautta ja piikkilankaa”. The set was nostalgic and powerful, with “Huomenna” standing out as an emotional high point that united the crowd in a collective moment of reflection and connection.

ERJA LYYTINEN
Erja Lyytinen, the reigning Queen of Finnish Blues, dazzled with her exceptional guitar skills and commanding stage presence. Known internationally and acclaimed as “The Best Guitarist of the Year” by the European Blues Awards in 2017, Lyytinen delivered a masterclass in blues, seamlessly blending technical prowess with soulful performances, leaving the audience in awe.

MICHAEL MONROE
The legendary frontman of Hanoi Rocks brought some great energy to the festival! At 62, Monroe’s boundless energy was infectious, as he performed both classics and tracks from his solo career, including his latest album “I Live Too Fast to Die Young”. His dynamic performance included climbing the stage structure and mingling with fans, proving his status as a rock icon. Kudos to his roadie who didn’t have a moment of rest – in a blink of an eye, Michael can be anywhere on stage or in the middle of the crowd!

JARKKO AHOLA
Jarkko Ahola offered a diverse set, blending covers of classic hits with his own material. Known for his powerful vocals, Ahola revisited his metal roots with two of Teräsbetoni favorites, “Orjatar” and “Taivas Lyö Tulta”, and performed some undeniable rock classics songs from Queen, Scorpions, Whitesnake and Pet Shop Boys, and more, showcasing his versatility and range.

BATTLE BEAST
Closing the festival was Battle Beast, one of Finland’s leading contemporary metal bands. They delivered a powerhouse performance that had the audience chanting along to hits like “Circus of Doom” and “King for a Day”. Their set was the perfect ending to a festival that celebrated Finnish music in all its glory, leaving fans energized and asking for more metal.

WHOLE LOTTA 70’S & ULLANLINNAN ELVIS
In addition to the main stage performances, the secondary stage at Smugglerrok Festival also buzzed with excitement thanks to the local bands Whole Lotta 70’s and Ullanlinnan Elvis. These bands kept the energy high during breaks from the main stage, entertaining the crowd with timeless rock classics from around the world and Finland. Their sets were a perfect complement to the festival’s atmosphere, ensuring there was never a dull moment between the acts.

The 10th edition of SmugglerRok was nothing short of legendary. Once again the festival brought life, rhythms, lights and smiles to the little city of Lieto. The blend of legendary artists, rising stars, and local talents created an atmosphere of unity and celebration. As the final notes faded and the crowd dispersed, there was a shared feeling of fulfillment and anticipation for what next year’s festival might bring.

This slideshow requires JavaScript.

Concert Review – Blaze Bayley (On the Rocks, Helsinki, Finland, 07/12/2024)

Posted on by
1

Blaze Bayley returned to Helsinki, Finland to celebrate his Iron Maiden’s 30th anniversary, and of course we joined the party!

***Review and photos by Giovanna Marques***

Once again, I had the chance to be at our beloved bar and concert venue, On the Rocks Helsinki, this time to see Blaze Bayley present his 30th Anniversary Iron Maiden tour.

The concert was sold out and the crowd was ready to rock even before the show began, waving Iron Maiden flags and wearing band shirts.

As a “thank you for the support” gift to the fans in Finland, Blaze held a free meet-and-greet for all the fans who bought tickets to the show. This was a very special experience for me since Blaze was one of the first concerts I ever saw in my life when I was 12 years old and I carry great memories from that day. During the meet-and-greet, he thanked everyone for their presence, signed merchandise, and posed for selfies. This is the third time I’ve had the chance to see him live and every time he has been very kind, patient, and grateful to the fans.

OPENING ACT: ABSOLVA
Absolva is a heavy metal band from Manchester, UK and consists of Martin McNee on drums, Chris Appleton on lead guitar and vocals, Karl Schramm on bass, Martin McNee on drums and Luke Appleton (ex-Iced Earth) on guitar and backing vocals. They released their first album in 2012 and play high-quality heavy metal, clearly influenced by the NWOBHM (New Wave of British Heavy Metal) with catchy choruses, melodic riffs, and speedy solos, making it easy to headbang to every song.

Since 2014, Absolva has been the support band for Blaze Bayley on both tours and recorded albums. It’s great to see such fine musicians as part of Blaze’s history after so many years of temporary and rotating touring musicians.

Absolva’s concert was technically impressive, melodious, and definitely energized the crowd. The band played songs that had fans singing from beginning to end, including tracks from their latest album, Fire in the Sky, released in 2022. It’s totally worth checking out!

BLAZE BAYLEY
After a very short break for Absolva’s musicians to reorganize the stage, Blaze Bayley was welcomed by a standing ovation as he entered.

The crowd, already pumped from Absolva’s performance, couldn’t wait to hear his Iron Maiden songs. The gig started with “Lord of the Flies,” which gave the audience goosebumps as Blaze sang the first words.

The joy and excitement of seeing Blaze back on stage after his quadruple bypass surgery following a heart attack in 2023 are beyond words. I was emotional and thrilled to see the vocalist, who has overcome so many personal setbacks, return to deliver such a stunning performance.

The next song was “Sign of the Cross,” and the songs kept coming one after another! In total, Blaze played sixteen songs, with only four from his solo era: “Rage” and “Circle of Stone” from his latest album of the same name, as well as “Warrior” and “Pull Yourself Up” from his 2021 album War Within Me.

As a Blaze fan, I confess I was hoping to hear some songs from “Silicon Messiah”, an absolutely legendary album. However, the excitement of hearing so many great songs played live overshadowed any disappointment.

The concert was enriched by moments where Blaze shared stories behind each song, such as when he was in Argentina and learned that one of his schoolmates had gone to fight as a marine in the Falklands War (Guerra de Malvinas) and died there. The memories of those times, mixed with the sadness of a war fought by ordinary people, like you and me, inspired Blaze to start writing a poem that eventually became the lyrics to “Como Estais Amigos.”

I haven’t seen On the Rocks as crowded as it was that day and Blaze delivered what the fans were expecting and more.

For those who continue to pity Blaze as a guy living off his “Iron Maiden golden years,” I challenge you to buy a ticket and see him live. As he has mentioned in interviews, this “30th Iron Maiden Anniversary tour” is a celebration of all the good that has stayed with him and his music, not just a nostalgic memory of what has passed. Blaze’s music is alive and doing very well!

Setlist
Lord of the Flies
Sign of the Cross
Judgement of Heaven
Fortunes of War
Virus
Circle of Stone
Rage
When Two Worlds Collide
Lightning Strikes Twice
The Clansman
Warrior
Pull Yourself Up
Como estais amigos
Man on the Edge
Futureal
The Angel and the Gambler

Band members
Blaze Bayley– vocals
Chris Appleton – lead and rhythm guitar, backing vocals
Luke Appleton – rhythm and lead guitar, backing vocals
Karl Schramm – bass, backing vocals

This slideshow requires JavaScript.