The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2021

“I wanted to play drums because I fell in love with the glitter and the lights, but it wasn’t about adulation. It was being up there playing.” – Charlie Watts

And there goes another year without a single metal concert in Canada. Another year full of uncertainties, fears, polarization, restrictions, and everything else we “love” so much. I honestly don’t know what to say about 2021 apart form the fact it was undoubtedly much better than 2020, but that means nothing considering the total nightmare that 2020 was. We lost a lot of huge names in the rock and metal scene such as Joey Jordison, Dusty Hill, Mike Howe, Johnny Solinger, Marsha Zazula, Alexi Laiho, John Hinch, John Lawton, Charlie Watts and Hank Von Hell, among many others. Tons of festivals including Download, Wacken Open Air, Hellfest, Bloodstock Open Air, Sweden Rock Festival and Dynamo MetalFest were scheduled to return this year after the 2020 editions of those festivals were cancelled due to the COVID-19 pandemic, but unfortunately Sweden Rock, Hellfest, Download and Wacken Open Air were once again cancelled. With that said, why do we metalheads still believe in a better future? Is it because, despite all adversities, our favorite bands released some of their best albums from the past few years?

Hence, as new lockdowns are being imposed upon us in a never-ending pandemic loop, there’s not much we can do but enjoy The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2021, excluding EP’s, best of’s and live albums, keeping us sane until this madness is finally over. Or maybe I should say if it will be over one day, of course. There’s a bit of everything for all types of fans, from classic Heavy Metal to the brutality of Death Metal, from the modern nuances of Melodic Death Metal to old school Thrash Metal, and so on, and in my humble opinions one of the most interesting facts about several albums launched in 2021 is their duration, with many of those surpassing the one hour barrier such as Senjutsu, Helloween, Persona Non Grata, Existence Is Futile and Blood on Blood, not to mention the over four hours of music from the Lordiversity boxset, which for me proves how much the bands responsible for those albums love their fans by offering them a lot of new music to enjoy during such difficult times. I would say that even if there are ZERO metal albums launched in 2022, we’ll still have a lot of great music to enjoy throughout the year thanks to all the amazing records released in 2021, don’t you agree?

1. Iron Maiden – Senjutsu (REVIEW)
Behold another masterpiece by the one and only Iron Maiden with its 82 minutes of tactics, strategy, war, resilience and determination.
Best song of the album: Hell on Earth

2. Helloween – Helloween (REVIEW)
A dream come true for all generations of “Happy, Happy Helloween” fans from all over the world.
Best song of the album: Skyfall

3. Trivium – In the Court of the Dragon (REVIEW)
It’s time to join Trivium in the court of the dragon to the sound of their magnificent new opus.
Best song of the album: Like a Sword Over Damocles

4. Exodus – Persona Non Grata (REVIEW)
Don’t be a “persona non grata” in the world of heavy music and get into the circle pit to the sound of this newborn thrashing beast.
Best song of the album: Lunatic-Liar-Lord

5. Cannibal Corpse – Violence Unimagined (REVIEW)
State of the art Death Metal played with passion and breathless precision by the most violent and unrelenting band of all time.
Best song of the album: Surround, Kill, Devour

6. 1914 – Where Fear and Weapons Meet (REVIEW)
Ukraine’s own doom infantry is back into the battlefield with another masterpiece, telling the gruesome tales of World War I.
Best song of the album: Pillars of Fire (The Battle of Messines)

7. Motorjesus – Hellbreaker (REVIEW)
Let’s drive through the fires of hell together with one of the best bands from the German rock and metal scene.
Best song of the album: Hellbreaker

8. Nervosa – Perpetual Chaos (REVIEW)
A deadly and thrashing lesson in perpetual chaos by four metalheads hailing from Brazil, Italy, Spain and Greece
Best song of the album: Time to Fight

9. Gojira – Fortitude (REVIEW)
Let’s all face up the world to the sound of the new masterpiece by one of the most dynamic bands of the current metal scene.
Best song of the album: Amazonia

10. Blaze Bayley – War Within Me (REVIEW)
The man who will live for a thousand years is back, inspiring us all to fight the war within us and to take our future in our own hands.
Best song of the album: Pull Yourself Up

And here we have the runner-ups, completing the top 20 for the year:

11. Running Wild – Blood on Blood (REVIEW)
12. Lordi – Lordiversity (REVIEW)
13. Cradle of Filth – Existence Is Futile (REVIEW)
14. Diabolizer – Khalkedonian Death (REVIEW)
15. Angelus Apatrida – Angelus Apatrida (REVIEW)
16. Moonspell – Hermitage (REVIEW)
17. Lutharo – Hiraeth (REVIEW)
18. Unflesh – Inhumation (REVIEW)
19. Scarlet Aura – Genesis of Time (REVIEW)
20. Coiled Around Thy Spine – From The Ashes (REVIEW)

In addition to all that, let’s bang our heads with our Top 10 EP’s of 2021 to prove once and for all that not all great albums of the year have to be so long. The EP’s from this list are simply awesome, showcasing the band’s talent and their ability to sound epic even if the music lasts for only a few minutes.

1. Eonian – The Nomad (REVIEW)
2. Lady Beast – Omens (REVIEW)
3. The Agonist – Days Before the World Wept (REVIEW)
4. Tantivy – Eyes in the Night (REVIEW)
5. Grale – AGITACIÓN (REVIEW)
6. Bouquet of Dead Crows – Hemispheres Part 2: Cerebral (REVIEW)
7. Kadavereich – Radiance Of Doom (REVIEW)
8. Wolvencrown – A Shadow Of What Once Was (REVIEW)
9. Juliet Ruin – Dark Water (REVIEW)
10. Black Hole Deity – Lair Of Xenolich (REVIEW)

Do you agree with our list? What are your top 10 albums of 2021? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show! And if you lost some or most of our special editions of The Headbanging Moose Show, including our Top 20 Underground Albums of 2021 – Parts I and II, go to our Mixcloud page and there you have hours and hours of the best of the independent scene, sounds good?

Metal Xmas and a Headbanging New Year! See you in 2022!

And before I go, I’ll leave you with some touching words by Mr. Lordi and his crew of monsters…

Something something blah blah to you
All the sincere wishes come true
I put vengeance on my wish list
And that’s what Santa brought
So have a merry something and a happy blah blah blah

Album Review – Nervosa / Perpetual Chaos (2021)

What happens when you put together four metalheads hailing from Brazil, Italy, Spain and Greece? A deadly and thrashing lesson in perpetual chaos, of course.

Staying true to their roots while exploring new terrains with a revitalized international line-up now comprised of Brazilian founding guitarist Prika Amaral, Spanish growler Diva Satanica (of Bloodhunter), Italian bassist Mia Wallace (of bands such as Abbath, Triumph of Death and The True Endless) and Greek drummer Eleni Nota (of Lightfold and Mask of Prospero), the ruthless all-female Death and Thrash Metal powerhouse Nervosa is ready to attack with inexorable fury, pungently sharp riffs and aggressive vocals on the 13 massive tracks from their newborn spawn, entitled Perpetual Chaos, the follow-up to their critically acclaimed 2018 opus Downfall Of Mankind. Recorded at Artesonao Casa de Grabación Studio in Málaga, Spain, produced by Prika Amaral and Martin Furia at Studio Porino, and mastered by Yarne Heylen, Perpetual Chaos builds upon the turbulence, adding diverse musical elements to create an infallible new standout that will strike the listener in a way only Nervosa could, therefore placing the album as one of the best releases of 2021 hands down.

The unstoppable Prika ignites their thrashing machine with her flammable riffs in the brutal Venomous, sounding pulverizing from the very first second with Diva Satanica being a true she-demon on vocals while Eleni showcases all her skills and rage on drums, whereas in Guided by Evil the rumbling, obscure sounds blasted by Mia and Eleni are everything Diva Satanica needs to growl the song’s vile words (“Desire consumes you, blinds you, takes you off the line / But you go slowly cause all you do is lie / Every step taken, misfortune is your delight / Tormented by feelings, swallowed by quicksand”) in another ass-kicking fusion of Death, Thrash and Black Metal. Following such frantic start, People of the Abyss is perhaps one of the most infuriated and heaviest of all songs in the history of Nervosa where Prika will pierce your ears mercilessly with her classy riffs and solos accompanied by the devilish bass by Mia, therefore inflicting some serious pain in your neck due to the intense headbanging needed. And more of their demented and grim sounds is offered in the title-track Perpetual Chaos, with Eleni and Prika making a hellish duo and, consequently, providing Diva Satanica a solid base for her to haunt our souls with her otherworldly screeches and gnarls.

Featuring guest guitarist Guilherme Miranda (of Entombed A.D.), Until the Very End is a high-octane fusion of Death and Thrash Metal brought forth by those unrelenting women where Prika is once again phenomenal armed with her killer strings; and it’s time for Nervosa to smash our skulls mercilessly in Genocidal Command, with German thrash legend Schmier, from the one and only Destruction, making a demented vocal duo with Diva Satanica, always supported by the thunderous kitchen by Mia and Eleni. Slower but heavy-as-hell, Kings of Domination presents hints of Groove Metal added to the guitar lines by Prika and the bass jabs by Mia, resulting in the perfect sound for headbanging like there’s no tomorrow, while Time to Fight is another short and sweet display of their thrashing savagery, inviting us all to slam into the pit while Eleni pounds her drums in great fashion. If you think the girls from Nervosa are tired already of so much violence, you better get ready for more of their Stygian sounds in Godless Prisoner, showcasing a straightforward sonority led by Prika while Eleni dictates the pace with her solid beats, albeit not as powerful as the other songs from the album.

Blood Eagle gets back to a more ferocious and somber musicality, with Prika and Mia being in total sync with their stringed weapons while Diva Satanica adds her personal dosage of Death Metal to the band’s core Thrash Metal through her devilish gnarls; and Eric A.K. (of Flotsam and Jetsam) lends his trademark vocals to Rebel Soul, a Motörhead-inspired metal extravaganza that will invite you to raise your horns and bang your head like a beast, bringing forward Diva Satanica and Eric on absolute fire from start to finish. Never slowing down nor selling out, and always loyal to the foundations of Thrash Metal, the band offers us all Pursued by Judgement, with Mia hammering her evil bass accompanied by the crushing drums by Eleni, keeping the album at a high level of animosity before we’re treated to the closing tune Under Ruins, presenting disruptive words viciously barked by Diva Satanica (“I feel death coming / Getting lonelier everyday / In the cravings that consume me / Self destruction without limits”) while her bandmates make sure the electricity keeps flowing nonstop through their wicked instrumental.

To be fair, I was a little worried about the future of Nervosa after the departures of vocalist and bassist Fernanda Lira and drummer Luana Dametto last year, but the moment Prika announced Diva Satanica, Mia Wallace and Eleni Nota as the new members of her thrashing squad I was more than sure their new album would sound phenomenal to say the least based on their unique talent and background in heavy music. Well, let’s say those four metal ladies exceeded all expectations in Perpetual Chaos, delivering an album that’s at the same time brutal, melodic, thrilling and detailed. Hence, don’t forget to give the girls a shout on Facebook and on Instagram to let them know how much you enjoyed their newest creations, to subscribe to their YouTube channel for more of their distinguished music and videos, to stream all of their catalogue on Spotify, and above all that, to purchase Perpetual Chaos from their own BandCamp page or webstore (America or Europe), or simply click HERE for all locations where you can buy or stream what’s by far one of the most exciting metal albums of the year. And before I forget… VIVA PERPETUAL CHAOS!

Best moments of the album: People of the Abyss, Genocidal Command, Time to Fight and Rebel Soul.

Worst moments of the album: Godless Prisoner.

Released in 2021 Napalm Records

Track listing
1. Venomous 3:46
2. Guided by Evil 3:30
3. People of the Abyss 3:27
4. Perpetual Chaos 3:39
5. Until the Very End 3:18
6. Genocidal Command 2:56
7. Kings of Domination 3:41
8. Time to Fight 2:32
9. Godless Prisoner 3:19
10. Blood Eagle 3:41
11. Rebel Soul 3:17
12. Pursued by Judgement 3:27
13. Under Ruins 3:57

Band members
Diva Satanica – lead vocals
Prika Amaral – guitar, backing vocals
Mia Wallace – bass
Eleni Nota – drums

Guest musicians
Guilherme Miranda – additional guitars on “Until the Very End”
Schmier – additional vocals on “Genocidal Command”
Eric A.K. – additional vocals on “Rebel Soul”

Metal Chick of the Month – Diva Satanica

Kill’em all, Diva Satanica!

My dear metalheads, how about we celebrate SEVEN FUCKIN’ YEARS of The Headbanging Moose in great fashion with one of the most charismatic, hardworking and talented growlers of the current metal scene? Not only she will haunt your soul with her wicked screams and roars, but she’s also a stunning alternative model and a collaborator of one of the best metal magazines in her home country. I’m talking about the venomous she-wolf Rocío Vázquez, better known by her incendiary moniker Diva Satanica, the frontwoman for Spanish Melodic Death Metal band Bloodhunter and more recently for the international all-female Thrash Metal horde Nervosa, kicking some serious ass with her onstage performance and her beyond potent vocals wherever she goes. Are you ready to have Diva Satanica screaming like a beast right in your face on our humble tribute to such amazing exponent of the Spanish Extreme Metal scene?

Born on June 25, 1988 in La Coruña, Galícia, in the North-West of Spain, known as “the land of witches”, but currently residing in Madrid, the capital city of Spain, Diva Satanica is a lover of all kinds of music, but of course she nurtures a special, deep passion for Rock N’ Roll and almost all subgenres of Heavy Metal, especially the ones that suit her needs of talking about feelings. As mentioned by our unstoppable diva in one of her interviews, no one in her family enjoys metal music and in the beginning it was really hard for her to find friends with the same taste in music, but she managed to find her place in society as we can all witness now. In addition, although she said she was terrified the first time she listened to a Death Metal band, due to the fact she didn’t feel comfortable with melodic singing she decided to give growling a try, and well, we must all agree it was the best decision in her life, offering us all fans of heavy music the furious and thrilling creations brought forth by our diva together with her henchmen from Bloodhunter.

In regards to Bloodhunter, the band started about a year before Diva Satanica joined them, more specifically in 2008 in La Coruña (but also currently based in Madrid), by the hands of sole founding member, guitarist and main songwriter Dani Arcos, also known as Fenris, to develop some demos that didn’t fit at his other bands at that time, even with a melodic singer in the beginning. It was after several changes in their lineup and concept when Diva Satanica finally joined the band, currently comprised of our metal lady and Fenris, of course, together with guitarist G. Starless, bassist Daniel Luces and drummer Marcelo Aires. However, she only started singing (and growling) for the band in 2012, after writing the lyrics for a few of their songs and joining their rehearsals, and according to Diva Satanica her bandmates had to be very patient with her in the beginning as she used to sing looking to the wall instead of looking to the band, but from that moment on things started to happen for them, culminating with the release of their debut demo The First Insurrection, in 2013.

It was just a matter of time until the release of their debut full-length opus, self-titled Bloodhunter, which came to light in 2014 and quickly made a huge impact on the local Spanish scene, gathering the attention of fans and critics not only in Spain but anywhere else in the world where high-quality Melodic Death Metal is appreciated. A couple of years later, in 2017, the band released their sophomore effort, titled The End of Faith, showcasing a huge evolution in terms of sound quality, creativity, violence and, above all, in Diva Satanica’s guttural vocals, presenting a much more demonic, piercing and thrilling side of our devilish banshee. Apart from their two studio albums, Bloodhunter also released a couple of singles through the years, those being Ages of Darkness, in 2014, which was featured on a compilation called Oráculo Magazine: From the Shadows Vol.I, and a very entertaining cover version for Helloween’s all-time classic I Want Out, in 2018, where Diva Satanica shares the vocal duties with Spanish vocalist and guitarist Leo Jiménez, known for his solo band and other projects such as Stravaganzza and Saratoga. In addition to that, Bloodhunter also offered us fans a few more amazing cover songs, with their version for Arch Enemy’s hit Bury Me an Angel, featured on a compilation called Hardcore Hits Cancer Vol. III in 2018, Death’s Crystal Mountain, and more recently their rendition for Cradle of Filth’s demolishing tune Gilded Cunt, showing all of our diva’s versatility and range as the fantastic Extreme Metal singer she is.

Apart from those albums, singles and cover songs, you can also have a blast with Diva Satanica and the boys in their excellent 2020 live album Live in Madrid, containing six amazing live versions recorded on March 19, 2019 at the now (unfortunately) defunct We Rock in Madrid, including Dying Sun, All These Souls Shall Serve… Forever!, and Bring me Horror. Furthermore, you can find other non-official live footage from Bloodhunter on YouTube, such as for example Ancestors Ov All Gods also live at We Rock, but in 2015, The Bloody Throne live at Mangualde Hard Metal Fest 2017, and Eyes Wide Open live at Le Club in La Coruña in 2018, among many, many others. However, if you prefer watching official videos with all the usual production, special effects and other shenanigans, you can bang your head to the songs All These Souls Shall Serve… Forever!, Dying Sun, Embrace the Dark Light and Let the Storm Come.

As we don’t have anything official yet with Diva Satanica fronting the thrashing girls from Nervosa except for a live chat done in June 2020 with the “four horsewomen”, Brazilian guitarist and founder Prika Amaral, Italian bassist Mia Wallace (The true Endless, Triumph of Death, Niryth, Abbath), Greek drummer Eleni Nota (Lightfold, Mask of Prospero, Simplefast) and of course our beloved Diva Satanica, let’s talk a little about her previous bands, projects and special appearances in an array of bands from the most diverse styles, starting with a band she fronted from 2015 until 2019, Spanish Progressive/Melodic Death Metal/Metalcore band Outreach. Despite her short stint with Outreach, she recorded with the band the full-length Ephemeral Existence and the single Insane Mind, both in 2019, showcasing all her range and potency throughout the entire album (which I highly recommended you take a listen at).

You’ll also be able to enjoy her she-wolf roars in the songs Nothing to Believe, from the 2018 album Misanthropy, by El Salvadorian Thrash/Death Metal band Apes of God; Mutiladora Genital, from Spanish Death Metal masters Aposento’s 2014 self-titled album; Darkness Within, from the 2018 album Purgatory, by Spanish Melodic Death Metal band Suru; doing additional vocals in the entire album Mesías, released in 2019 by Spanish Heavy Metal band Leo Jiménez; impersonating the one and only Baphomet in the 2019 album El Secreto de los Templarios, by Spanish Heavy Metal/Hard Rock band Legado de una Tragedia, together with soprano Nancy Catalina and Sara Grün from Hiranya (and you can enjoy this nice making of with an explanation as to why those three vocalists were chosen for the part); and last but not least, doing additional and choir vocals in the songs La Cantiga de las Brujas (check also this amazing live version of the same song) and El Séptimo Sello, from the 2019 album Ira Dei, by Spanish Celtic/Folk Metal institution Mägo de Oz.

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Such multi-talented metal diva would obviously have tons of distinguished influences in her style and career, and despite the fact that her moniker was clearly inspired by one of the best Arch Enemy songs of all time, Diva Satanica, and that most fans tried to label them as the Spanish version of Arch Enemy in the beginning, the members of Bloodhunter have many different influences in their musical careers, from Judas Priest to Behemoth and Death. When asked about her own personal favorites, Diva Satanica mentioned bands and artists the likes of Astarte, Eths, In This Moment, Skullfist, Behemoth, Axewound, Rotting Christ, Nightrage, Firewind and Lana del Rey, showing she enjoys any type of music, not only rock and metal, but also saying that it’s in Extreme Metal where she found her identity when singing. If you know Spanish and want to spend some time with Diva Satanica and her collection of metal and non-metal albums, you should definitely watch this video on YouTube, where she presents some of her favorite albums from bands and artists like Jimi Hendrix, Ramones, Bon Jovi, Guns N’ Roses, Skid Row, Alice In Chains, Firewind, Rotting Chirst, The Agonist and Eths. Regarding French metalcore band Eths, she mentioned in one of her interviews that the amazing Candice Clot, former frontwoman for what’s in my opinion one of the most underrated metal bands of all time, was essential in her decision to become an extreme music vocalist. In addition, you can enjoy Diva Satanica paying her own personal tribute to some of her biggest idols on her own YouTube channel, including her vocal performances of Septicflesh’s Prototype, Holy Moses’ Triggered, Behemoth’s Ov Fire And The Void, and a very unique version for Slayer’s darkest hit Raining Blood together with Spanish rock and metal cover band Femme Fractal.

As we’re talking about women in rock and metal, Diva Satanica complemented her thoughts by saying that apart from Candice Clot (and Diva Satanica even said that when Candice left Eths she was offered to audition, but she had to refuse it as she was barely 20 years old and had no means to travel nor the equipment to record with), she also loves the music by In This Moment, Jinjer and a Spanish underground band named Bones of Minerva, which I highly recommend you go check their music on their BandCamp page. In addition, she mentioned in one of her interviews that the song The Queen Beast is dedicated to Maria “Tristessa” Kolokouri from Greek Black Metal horde Astarte, one of her main influences and a good friend that sadly passed away in 2014 due to complications from leukemia, saying she was the first woman to create the first Black Metal band formed only by women, and we can easily see that beautiful tribute Diva Satanica paid to Tristessa in the song’s amazing lyrics (“Feel her wrath / She’s watching from the stars / Abstraction of life / The air, the nature, the skies are now her reign / The shades in darkened silverlights / The black flame burns! / The highest priestess arise”).

If you think it was easy for Diva Satanica to reach her current vocal style and growth as an Extreme Metal vocalist, she said her path so far has demanded (and will always demand) from her a lot of hard work, discipline and trial and error, acknowledging that she couldn’t sing properly on the band’s first album as she didn’t know exactly what she was doing nor she could sustain her vocals for long periods of time. It was only after watching several tutorials on YouTube , after consulting with different extreme music singers and after studying in detail the performances of all vocalists of the concerts she attended that she properly began shaping her voice, spending about two years improving her technique, even taking melodic singing classes at a given point in her life, and applying necessary warmup and diaphragm strengthening exercises to improve her performance. Then she said that because she started her “Extreme Vocal Lessons” to help other growlers to improve their vocals in the early stages of their careers, she ended up discovering different vocal types and ranges that she considered great choices to incorporate to her own style. If you want to take a peak at some of her videos where she gives important tips for growlers like her, you can watch this tutorial (also in Spanish) where she teaches how to do guttural and screaming vocals, and also this short lesson where she explains the difference between growls and screams versus grunts, pig squeals, shrieks and other vocalizations. One thing that is quite annoying to Diva Satanica is when people use gender to justify why women can’t growl, with her solution to that simply being inviting those people to watch Bloodhunter live, which in my opinion is indeed an amazing experience for the non-believers who will undoubtedly be stunned by her vicious roars.

When asked about the current metal scene in Galicia, where she comes from, and if her music and Death Metal are well-received by the people from that region in Northwest Spain, she said that although they’re a small community there are different styles that people tend to listen to the most from time to time. Around a decade ago, the Gothic scene was the most prevalent, switching to Alternative Metal and Metalcore in recent years. She also mentioned the importance of their own summer festival, Resurrection Fest, which started years ago as a small act but that it’s now one of the most important festival in Europe, proving the scene in Galicia is in excellent shape. As you might have noticed already, Diva Satanica loves performing on stage, and among her favorite songs to play live she mentioned some of her band’s most violent creations such as Let the Storm Come, Possessed by Myself and of course The Queen Beast, as already mentioned, as this song has a strong meaning for her and helps her add an extra amount of emotional feeling to her singing.

Not only an accomplished vocalist, Diva Satanica has also done some modeling in the past and contributed as a writer and journalist to a couple of magazines, including La Heavy, one of the biggest rock and metal publication in Spain, managed by the website Mariskal Rock. She said she started her modeling career a few years ago, but as she discovered a lot of people are interested in many different things other than art, she gave up and decided to focus on the metal scene, starting with a Greek webzine named Subexistance Music Production and then moving on to La Heavy. Apart from that, she’s also working towards a Degree as a Doctor in Nursery, and was a participant in the Spanish TV program La Voz (the Spanish version of The Voice) in 2017, surprising the coaches by screaming and growling instead of only doing clean vocals, being the first contestant to perform this type of singing. The international artist Juanes chose her to be part of his team, where she performed songs like Eurythmics’ Sweet Dreams, Survivor’s Eye of the Tiger and Lady Gaga’s Bad Romance. There’s even an interview she gave to a guy named Juan Destroyer on Mariskal Rock TV where she talks about her participation on the show, and how she inspired Juanes to get back on doing a heavier kind of rock. Moreover, she always mentions that being on La Voz was one of the best experiences of her life without any doubt, saying that as she was the first even participant to do guttural, she got a lot of recognition from fans and bands from all over the world, with icons such as  Michael Amott of Arch Enemy or Christos Antoniou of Septicflesh congratulating her for her amazing performance on the show.

Our dauntless diva also mentioned that there’s still a long road ahead of all musicians that dedicate their careers to more extreme styles of rock and metal, as there’s still a lot of prejudice everywhere (saying that even today in Madrid she has to cover her tattoos depending on the situation), but that it’s up to the musicians themselves to make their style more accepted by society, and that the more musicians bring their experience to light and defend their identity, the more the road will open up. As you can see, Diva Satanica is not only extremely talented and focused on her career, but she also has a strong opinion about the current state of the metal scene and about what any person needs to do to thrive in the music industry. Hence, you can check some extra interviews with this amazing Spanish she-wolf on YouTube, such as this one where she shares the latest update on both Bloodhunter and Nervosa, the current coronavirus pandemic situation and more, or this one to a show called “That Metal Interview with James”, recorded in June 2020, where she speaks of how she met Prika Amaral of Nervosa and how she was approached to join the Brazilian death metallers, about her experience being on the TV show La Voz, and about the future plans of both Bloodhunter and Nervosa regarding their musical direction for their next records. You’ll notice from all those interviews and from her music that Rocío Vázquez is more than just another vocalist; she’s a very humble and gentle human being, a hardworking musician, and a fulminating growler. Having said that, all that’s left to say is… ALL HAIL THE ONE AND ONLY DIVA SATANICA!

Diva Satanica’s Official Facebook page
Diva Satanica’s Official Instagram
Diva Satanica’s Official Twitter
Diva Satanica’s Official YouTube channel
Bloodhunter’s Official Facebook page
Bloodhunter’s Official Instagram
Bloodhunter’s Official Twitter
Bloodhunter’s Official YouTube channel
Bloodhunter’s Official BandCamp
Nervosa’s Official Facebook page
Nervosa’s Official Instagram
Nervosa’s Official Twitter
Nervosa’s Official YouTube channel

“Sometimes it’s not easy, sometimes you feel scared and things don’t go as you planned before, but you must keep on fighting to discover what you want in your life and who you are.” – Diva Satanica

Metal Chick of the Month – Mia Wallace

Hecate awaits where crossroads split…

If there’s a woman that loves heavy music from the bottom of her (darkened) heart, more specifically our always controversial and blasphemous Black Metal, as well as music in general, that lady has to be the unrelenting Italian-born bassist Mia Wallace, who you’ll also find in several bands and projects under the names Michelle Mia Wallace, Mia W. Wallace, White Wallace or even Winter Wallace. As a matter of fact, either being a coincidence or not, the name Mia Wallace was given to the fictional character portrayed by the stunning Uma Thurman in the 1994 Quentin Tarantino cult movie Pulp Fiction, just to give you an idea of how mysterious, sexy and provocative our metal chick of the month of May can be, exactly how we expect from any true Black Metal musician. Known for her work in distinguished metal projects such as The True Endless (under the controversial moniker Soulfucker), Abbath, Triumph of Death and Niryth, among several others, Mia will undoubtedly hypnotize you with her obscure looks and smash your senses with her thunderous bass, proving once and for all Black Metal is and will always be home for some of the most talented women in the history of music.

Born somewhere, sometime in the always gorgeous Italy, Mia Wallace started playing bass in the now distant year of 1994. She said in one of her interviews that her boyfriend at the time, Italian multi-instrumentalist Marco De Rosa (R.I.P.), also known as simply M., who would become her bandmate in distinct bands and projects and best friend for over 25 years, encouraged her to try his white Fender Squier Vintage bass. She mentioned it was extremely heavy, but she immediately became passionate about that amazing instrument. Her first bass was then a four-string Hoyer SG-type from 1970, helping Mia become most probably the first female bass player in the entire Italy to wear corpsepaint, to play Black Metal on stage, and to perform fire-breathing during her live concerts. Among her gear, you’ll find some amazing stuff such as the Epiphone Nikki Sixx Blackbird, the BC Rich Beast and the Clover BassTard bass guitars; the Boss ODB-3, Boss DD-3 and Marshall Reflector RF-1 effects; and the Warwick Profet 5.2 amps.

There are several bands and projects where you can enjoy Mia kicking some serious ass with her rumbling bass, and in order to tell you a little about each one of those let’s start with the most recent or active ones and then move on to her previous bands which have either disbanded or have been put on an indefinite hiatus. Right now, we can say Mia is involved in two main projects, those being an Italian Electronic/Industrial/Alien/Darkwave Pop/Rock project entitled Kirlian Camera, where not only she plays bass but also keyboards (also doing backing vocals), and a mysterious Swiss project that goes by the name of Niryth, where she’s a co-founder, songwriter and lead bassist. There might be a third project which could be called her solo band Mia Wallace, but as there’s nothing online anywhere about it let’s just say there’s no reason for extending the topic on it.

Anyway, her role with Kirlian Camera (which name was taken from what’s known as Kirlian photography, a collection of photographic techniques used to capture the phenomenon of electrical coronal discharges) obviously goes beyond her usual bass playing duties, providing a unique support to the band’s mastermind Angelo Bergamini and frontwoman Elena Alice Fossi during their live performances. The band was founded in the distant year of in 1979 in the city of Parma by Angelo Bergamini and was a pioneering act of the Italian synthpop scene, featuring musicians from four distinct locations (Piombino, Marciana, Parma and Novara, all in Italy), and after a few ups and downs the duo now shares the stage with obviously Mia and other renowned musicians form the Italian scene such as Alessandro Comerio, Davide Mazza and Falk Pitschk. Having released a good amount of albums since their inception, starting with their 1983 debut effort It Doesn’t Matter Now until their most recent installment Hellfire, released in 2019, the project has always pushed the boundaries of experimental and electronic music, winning several awards through the years, with Mia bringing her share of heaviness and creativity to the band on stage. You won’t be able to listen to Mia in any of their studio albums, of course, but you can certainly enjoy some awesome live footage on YouTube such as this soundcheck in 2018 at a festival in Switzerland, this live version of the song V2K in Leipzig, Germany in 2020, or this 30-minute footage of the band live in Torino, Italy in 2018 playing some of their songs such as Holograms, Black August and News.

Her other project is considerably unique and I can’t even say if it’s still going on or if it has been archived by its band members. I’m talking about Nyrith, a distinguished metal project founded by Mia together with the one and only Tom. G Warrior (Hellhammer, Celtic Fost, Trypticon) with tastes of heavy and obscure doom, blending different styles from the music by Sisters of Mercy to Pink Floyd, all performed by not only one, not two, but three bass players. In one of her interviews Mia mentioned that Nyrith were ready to release their debut album depicting their visions of life and death, their struggles and pains, but so far nothing has been made official yet. She also said the idea of Nyrith came from Tom after Mia was left without a band a few years ago (and we’ll talk more about that later), including the idea of having three bass players on the same band, as at that time nobody was comfortable giving a woman the control of a new or existing band. In this project, Mia mentioned she was working on all the music which was refused by her previous band, a very restricted and traditional Black Metal act by the way, with all of her ideas being pretty much outside the Black Metal world. As aforementioned, there’s nothing officially released up to now, but we should all keep an eye on Nyrith as this is a very promising metal project (if it truly happens one day, of course). In addition, as an accomplished bass player, Mia has been asked several times about her technique, about how she enjoys playing bass and other nice-to-know details. For instance, when questioned about the fact she would play a five-string bass with Nyrith, she said that “I’ve been playing four-string basses for 20 years, but with Niryth, it is absolutely essential to play five-string bass, as the music requires far more versatility. I always felt good vibes with BC Rich basses. Among my favorite basses is a BC Rich Beast, in fact.”

Now it’s time to talk about all of her previous bands, starting with the one that’s in my opinion her most interesting and powerful project to date, Italian Black Metal horde The True Endless, founded in 1997 by M. and Mia (under the moniker Pollon, and later under her most controversial moniker Soulfucker) with the main goal of crafting violent and trendkiller music. After a couple of rehearsal tapes and some shows, The True Endless recorded their first studio work in 1999 called The Trendkiller EP, followed by an array of EP’s, splits, compilations, livr albums and obviously some very interesting and heavy-as-hell full-length albums, those being Wings of Wrath (2003), A Climb to Eternity (2005), Buried by Time and Dust (2006), 1888 from Hell (2008), An Year in Black (2009), Legacy of Hate (2013), and last but not least, Blacklight Inferno (2017), all with Mia kicking ass on bass and even working in the mastering of their 2008 album 1888 from Hell. Featuring lyrics in English, Italian and Novaras, a dialect of the Piedmontese language (Piemontèis) that was used to give their sound a more ancestral feeling, the scorching Black Metal played by The True Endless led the band to share the stage with some of the most important names of the extreme music scene such as Marduk, Deicide, Vader, Helheim, Darkened Nocturn Slaughtercult, Besatt, Morrigan, Vesna, Mortuary Drape, Opera IX and many more, playing through countless countries across Europe. You’ll “only” be able to find their latest released Blacklight Inferno on their official BandCamp page, but you can enjoy several of their songs and live footage by visiting their official YouTube channel (as well as other channels), as for example their cover version for Hellhammer’s classic Massacra, the songs Pale Waves, Under The Horned Waning Moon, Black Swamp, I Drink The Devil’s Blood and Nightfall, and this live version of Freezing Moon in the Czech Republic in 2011.

Unfortunately, after months fighting against a deadly cancer, the multi-talented M. sadly passed away on November 16, 2017 at the age of 43, and due to such tragic loss Mia and the band’s drummer Algol decided to end the project after 20 years of intense activity. However, as Mia herself always says, “the flame will burn forever.” And the skillful M. was also the founder of many other amazing projects such as Darkness, Huggin, Skoll and Teuta, most of them featuring our dauntless Mia on bass and/or on keyboards, and usually under the moniker Pollon. For instance, she played bass on the 2013 album Anti Human Life, by Italian Black/Thrash Metal band Darkness, on the 1998 demo Tales (from the Ancient Times), by Italian Black Metal horde Huginn, and played keyboards on the 1999 album Through the Mist We Come Back and on the 2000 split Keep Alive Your Heathenfolk/La oss slakte Guds lam, both by Italian Pagan Black/Viking Metal band Skoll. After listening to such amazing bands, we must all agree with Mia that the flame of M. will always burn bright through his classy and dark music across the centuries, no doubt about that.

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Another memorable moment in Mia’s undisputed career happened between 2019 and 2020 when she joined the iconic Norwegian Black Metal act Abbath, spearheaded by one of the co-founders of Immortal, one of the trailblazers of the infamous Norwegian Black Metal scene. When asked about how the invitation to join Abbath in 2019 happened, Mia said that she always been part of the Bergen family, and as Abbath needed a strong figure to replace his previous bassist he noticed her as an experienced musician who would fit perfectly into his lineup. Mia was the bass player in Abbath’s latest opus, his 2019 album Outstrider, and you can enjoy her thunderous and menacing bass lines in songs like Harvest Pyre and Calm in Ire of Hurricane. Mia mentioned Outstrider was pretty much written when she joined the band, with Abbath asking her to write the bass lines and then they decided together about some adjustments on them, also saying that she didn’t feel any real pressure as the replacement of one of the most recognizable bassist in Black Metal, the iconic King ov Hell (God Seed, Gorgoroth), as they’re two musicians with different skills that were not actually competing nor anything like that. However, on January 28, 2020, Mia revealed that she was no longer part of the band, being informed over the phone by the Abbath’s manager shortly before the beginning of the Outstrider 2020 European tour. No formal announcement was made by the band, but she was replaced on bass by touring member, Rusty Cornell. As you can check HERE, Mia was not happy about the way things happened. “I am disappointed that none of my former colleagues have contacted me in this process except for the five minute phone call from Abbath’s manager in which I was told I would no longer be needed. I was told not to contact anyone in the band. The explanation for this had no substance and just made more questions and confusion for me. Up until then I had been preparing for the European tour as I had been told to do. I had to cancel other plans, and get time off work for the tour which I spent much time preparing for,” said Mia, also citing her comments to the media after the disastrous Abbath two-song concert in Argentina in 2019 as one of the probable reasons for being fired from the band.

Another amazing project where we were all able to enjoy Mia’s crushing bass lines between 2018 and 2019 was Tom G. Warrior’s Triumph Of Death, a tribute to his former group Hellhammer, consisting of playing the legendary music by Hellhammer from their  three demos (Death Fiend, Triumph of Death and Satanic Rites) and the EP Apocalyptic Raids onstage after 37 years, starting in the summer of 2019. According to Tom and Mia, Triumph of Death is a Zurich, Switzerland-based open-ended project playing only select concerts and festivals, basically choosing the songs from the band’s small but rich catalog depending on how they felt at that moment, always open to change from time to time. When asked about how she felt playing those songs together with Tom and therefore continuing the legacy of one of the pioneers of Black Metal, she said it was a true honor for her as she’s been highly influenced by Hellhammer throughout her entire career, and you can see how happy Mia truly was by watching her interviews together with Tom in 2019 at some of the best metal festivals in the world such as Hellfest, Wacken Open Air and Brutal Assault, always talking about how it feels to play with Triumph of Death, the legacy of Hellhammer and why the name Hellhammer wasn’t used, as well as performing at the same time with Tom and Abbath. In addition, if you want to experience the music by Triumph of Death live, you can check some awesome live footage on YouTube such as the song Vision of Mortality at Kilkim Žaibu (the biggest ancient traditions and Extreme Metal festival in the Baltic States), Blood Insanity at Hellfest, Triumph of Death in Essen, Germany, or this full concert at Psycho Fest in Las Vegas, Nevada, in the United States.

Lastly, there’s one more metal project that’s worth mentioning, which is Swiss Goregrind/Death Metal band Embalming Theatre, where Mia didn’t play bass or keyboards, but instead she was the one responsible for crafting the intros and outros to pretty much all of their releases from 2000 until 2006, such as the intro, intermezzo and outro to the 2003 album Sweet Chainsaw Melodies, and the intro to the 2004 split Death Metal Karaoke/My Flesh Creeps at Insects. One curious thing is that if you go to the band’s official BandCamp page you’ll notice most of the albums there do not contain the intros and outros by Mia, and I have absolutely no idea why those pieces are missing. Anyway, Embalming Theatre are a very entertaining Goregrind act, with all of their albums being worth a shot with or without Mia’s insane collaboration.

Regarding her main influences and idols in music and in life in general, as mentioned a couple of times already she sees the iconic Tom G. Warrior as her master and mentor, even saying that “he is the one who unleashed the dormant beast inside me.” Without him, Mia said she would not have been able to effectively express her music and her creativity, complementing by saying her writing and composing process is very similar to his due to the huge influence his music has always had on her since her childhood, even before knowing him in person.  According to our badass bassist, there would be no Black Metal without Tom, with his classic bands Hellhammer and Celtic Frost being obviously among her favorite metal acts of all time. Mia also mentioned in some of her interviews the huge influence she also had from Abbath himself, whose real name is Olve Eikemo, always acknowledging the humongous importance his former band Immortal has always had on the birth and evolution of our beloved Norwegian Black Metal. I guess even after being fired from Abbath’s solo band the way it happened, Mia still sees him as a legend and as a true inspiration, and I’m sure she’ll always keep those moments onstage with him among her best memories in her musical career. Furthermore, in regards to bass players, Mia always mentions the enigmatic and multi-talented Peter Steele (R.I.P.), the lead singer, bassist and composer for Gothic Metal band Type O Negative, as her personal bass hero, but she also said she has always been fascinated by the onstage charisma of Martin Eric Ain (R.I.P.), the former bassist for Extreme Metal titans Celtic Frost, proving Mia definitely knows how to choose her music idols.

Finally, as much as we all see Mia as the talented and indestructible Black Metal bass player that she is, needless to say she’s also a human being like the rest of us, having to handle her own issues and struggles just like any regular person. As you can see in this article by Blabbermouth from the end of February, Mia mentioned in a special and very personal Facebook post that the past few months have been the been the darkest and most painful period of her life, with all recent events leaving her physically and emotionally destroyed. “I tried to face hell trying not to crack, always holding hard in front of events which, daily, were destroying my soul and my emotions, unfortunately, also physically, by pushing up that strong Mia everyone knows,” she wrote, complementing that by saying that “these terrible experiences are always destructive, but they also left a positive note: the ability to see who stayed, who, day after day, try to be close to me, without judging me or making me feel wrong, without making me feel the weight of my reactions dictated by despair, but simply making me feel that even though Mia is going through a negative phase, something good in her is still there, holding my hands and telling me that it will pass, listening to my pain, drying my tears and looking for the best way not to make me collapse.These people are the people who love me, my family, the people to whom my gratitude and love will remain as long as I am alive, and to whom I will give all of myself, with my strength and, unfortunately, flaws.” Those were the honest and austere words by “the imperfect” Mia, who we all wish a quick and healthy recovery and, of course, who we wish to see on stage smashing our skulls with her thunderous bass as soon as possible.

May 6, 2020 UPDATE: As you can see HERE, the unrelenting Mia Wallace has just been announced as the new bass player for Brazilian all-female Thrash Metal band Nervosa! The band’s mastermind Prika Amaral couldn’t have made a better choice to take care of their bass duties! Congratulations, Mia!

Mia Wallace’s Official Facebook page
Mia Wallace’s Official Instagram
Mia Wallace’s Official Twitter

“As I have often been wont to do, I’ll quote Friedrich Nietzsche: ‘Without music, life would be a mistake.’ That has always been my modus vivendi.” – Mia Wallace

Album Review – Nervosa / Downfall Of Mankind (2018)

Slam into the pit to another killing hardcore thrashing bulldozer by Brazil’s meanest all-female Thrash Metal commando unit.

After two long years, here they finally are the unrelenting Brazilian all-female Thrash Metal commando unit Nervosa with a brand new and devastating album titled Downfall Of Mankind, delivering their usual raw aggression and untamed power throughout the album’s almost 50 minutes split into 14 compositions (including the limited edition bonus track) of killing hardcore thrash. In addition, the follow-up to their sensational 2016 release Agony marks their first with drummer Luana Dametto (who also plays drums for Brazilian Death Metal squad Apophizys), adding an extra touch of pugnacity to the band’s already heavier-than-hell and faster-than-a-bullet musicality and, therefore, providing lead singer and bassist Fernanda Lira and guitarist Prika Amaral all they need to keep haunting the souls of the lighthearted with their Thrash Metal tempest.

Downfall Of Mankind perfectly captures the live energy and the old school character that defines this São Paulo-based band without neglecting the strengths of a modern, compact soundscape, bringing the most pulverizing and sharp elements from all types of extreme music such as Thrash, Death and Black Metal, but of course always being deeply rooted in our beloved Bay Area Thrash sound. Featuring a demonic artwork by Brazilian artist Hugo Silva (Abracombie Ink), and with guest musicians João Gordo (Ratos de Porão), Rodrigo Oliveira (Korzus) and Michael Gilbert (Flotsam & Jetsam) providing their share of insanity and rage to Nervosa’s music, Downfall Of Mankind is definitely one of those albums that will inspire you to slam into the circle pit and bang your head like a maniac, two of the main goals in our good old Thrash Metal,  becoming a permanent part of your most metallic playlist.

An ominous intro takes us to the demonic realm ruled by Nervosa, who don’t waste a single second and start crushing our skulls with their ruthless Thrash Metal in Horrordome, with newcomer Luana simply demolishing her drums while Fernanda delivers her already classic she-demon gnarls. This berserk tune will surely generate some interesting mosh pits during their live concerts, which is also the case in Never Forget, Never Repeat, sounding even more devilish and pulverizing and showcasing the band’s heavy artillery at its finest. Prika seems to be mastering “the art of the riff”, delivering sheer brutality in a well-balanced fusion of Thrash and Death Metal, all complemented by the song’s utterly austere, old school lyrics (“Tyranny, bigotry / Crimes against humanity / Murder, persecution / Inprisonment subordination / Enough of genocides / Enough of bloodshed / Break this perpetration / Of history’s dark past”). Then toning down a bit their rage but still sounding brutal, the power trio blasts more of their thrashing music with their riffs and beats generating a menacing wall of sounds in Enslave, followed by Bleeding, presenting hints of the contemporary music by Cannibal Corpse (which is obviously a good thing) and with Fernanda taking her growls to a deeper, more hellish level, while Luana proves why she was the perfect choice as their new drummer.

After such level of destruction, get ready for an 80’s-inspired (or I should say old school Metallica-inspired) Thrash Metal attack by those three she-devils titled …And Justice For Whom?, where the unstoppable beats by Luana dictate the rhythm while Prika continues with her shredding onrush. Needless to say, I can’t wait to see them playing this one live. And Fernanda’s rumbling bass ignites a dark, mid-tempo tune beautifully titled Vultures, a good song to break your neck headbanging with Prika once again delivering cutting riffs from start to finish (despite the fact the song could have been a little shorter, though), whereas Kill The Silence brings a classic Nervosa sonority in terms of its pace, riffs and lyrics, led by the slashing guitar lines by Prika while Fernanda keeps growling and gnarling like a beast, therefore keeping the album at a truly high level of aggressiveness. Their sonic insanity goes on in No Mercy, a more rhythmic and groovy circle pit-generator with highlights to the solid job done by Luana on drums, and Raise Your Fist!, a rebellious anthem by Nervosa bringing forward an inspirational intro with historic speeches about freedom, gender equality and equal opportunities for all, such as the timeless one by Martin Luther King, Jr., sounding melodic, violent and electrifying, all at the same time. In other words, let’s all raise our fists up in the air to this insurgent hymn by Nervosa.

Downfall Of Mankind/Limited Edition Digipack CD Fan Package

And Nervosa still have energy left for more devastation, starting with the berserk Fear, Violence And Massacre, blending the most pulverizing elements from Thrash, Death and even Black Metal, with Prika firing an awesome, melodic guitar solo halfway through it, not to mention you’ll definitely feel the urge to scream the words “fear, violence and massacre” together with Fernanda; whereas although Conflict is a decent creation by the girls, it’s a bit too generic compared to the rest of the album. There’s a lot of good stuff in the song, though, such as the incendiary riffs by Prika and its frenzied pace. The last track from the regular version of Downfall Of Mankind is the superb Cultura do Estupro, with the iconic vocalist João Gordo (Ratos de Porão) sharing the vocal duties with Fernanda in the only song of the album entirely sung in Brazilian Portuguese. I really hope João joins Nervosa during some of their live concerts to sing this cataclysmic, acid tune, with Luana sounding simply demented behind her drums. Lastly, as a bonus track to the limited edition version of the album we have Selfish Battle, featuring Rodrigo Oliveira (Korzus) on drums and Michael Gilbert (Flotsam & Jetsam) providing a nice guitar solo in a slightly different version of Nervosa, feeling more like a heavier version of 80’s Hard Rock the likes of Warlock thanks mainly to the high-pitched vocals by Fernanda.

One can never get enough of Nervosa, and if you’re already addicted to their incendiary music go check what they’re up to on Facebook and purchase your copy of Downfall Of Mankind from their own BandCamp page or from several other locations such as the Napalm Records webstore, where you can get the deluxe fan package featuring the limited edition digipack, a cover flag, a patch, leather wriststraps and a tote bag. Also, don’t forget to watch the track by track breakdown of the album by the girls on YouTube (part 1 and part 2), and obviously to keep an eye on their official website and Facebook page for whenever they take your hometown by storm. Downfall Of Mankind once again proves that thrashing like there’s no tomorrow is Nervosa’s business, and they don’t need any guy to make sure that their business continues to be more than good.

Best moments of the album: Horrordome, Never Forget, Never Repeat, …And Justice For Whom? and Cultura do Estupro.

Worst moments of the album: Vultures and Conflict.

Released in 2018 Napalm Records

Track listing
1. Intro 1:12
2. Horrordome 3:17
3. Never Forget, Never Repeat 4:40
4. Enslave 3:15
5. Bleeding 3:47
6. …And Justice For Whom? 3:34
7. Vultures 4:09
8. Kill The Silence 3:29
9. No Mercy 3:40
10. Raise Your Fist! 4:04
11. Fear, Violence And Massacre 3:35
12. Conflict 2:59
13. Cultura do Estupro (feat. João Gordo) 3:10

Limited Edition/Digipak bonus track
14. Selfish Battle (feat. Michael Gilbert & Rodrigo Oliveira) 3:26

Band members
Fernanda Lira – lead vocals, bass
Prika Amaral – guitar, backing vocals
Luana Dametto – drums

Guest musicians
João Gordo – additional vocals on “Cultura do Estupro”
Michael Gilbert – guitar solo on “Selfish Battle”
Rodrigo Oliveira – drums on “Selfish Battle”

Metal Chick of the Month – Fernanda Lira

Join the army, get in the violent mosh!

There’s nothing better than revving up the engines of 2018 with the thunderous sound blasted by one of the meanest and most humble bassists in contemporary Thrash Metal, a woman who not only kicks some serious ass with her roaring bass guitar, but who’s also an accomplished Extreme Metal vocalist, growling and gnarling like a beast anywhere she goes for our total delight. With that said, please welcome as our first metal chick of the year the stunning and electrifying Brazilian musician Fernanda Lira, better known as the lead singer and bassist for Brazilian all-female Thrash Metal power trio Nervosa. And you better be ready, because Fernanda will accelerate your heart and mercilessly rock you like a hurricane with all her passion for heavy music, her devilish screams and, above all, the groovy wallops of her mighty bass.

Fernanda B. Lira was born on September 9, 1989 in São Paulo, one of the world’s most populous cities with over 20 million inhabitants in its metropolitan area, having discovered her love for heavy music and for playing bass guitar at the age of 13, being influenced by her father, who was also a bass player (and with whom she remembers “jamming” with his acoustic guitar or “playing drums” on the leather couch as a child while he played) and a huge fan of bands like KISS and Venom, and by her biggest idol since childhood, Iron Maiden’s one and only Steve Harris. Furthermore, she never attended classes to learn how to play bass, always using her instincts and utter dedication to develop her skills as a musician, blending all that with her endless energy and aggressiveness to make her playing style truly unique. And despite deciding she wanted to be in a band when she was around 15 years old, Fernanda undertook several other endeavors before becoming (and even when she was already) the frontwoman for Nervosa, as for example studying journalism at Faculdade Cásper Líbero (the oldest journalism school in Latin America), working as an English teacher, and presenting a show called Heavy Nation on Rádio UOL together with her friend Julio Feriato from 2012 until 2015, among other projects.

Highly inspired by the aforementioned Steve Harris and by other renowned bassists such as Geezer Butler, Steve Di Giorgio, Geddy Lee, Ron Royce and Markus Grosskopf, our badass Fernanda eliminated the use of picks and dedicated herself to playing with her fingers, also trying to take down from the bass the function of only “marking” the rhythm of the music. Moreover, regarding her vocal inspirations, Fernanda has always tried to learn how to sing by imitating her metal idols Tarja Turunen, Michael Kiske and Geoff Tate; however, after she started working with more aggressive vocal-inspired bands, she began to migrate to a different style of singing, leaning towards a similar style used by extreme music singers Tom Araya (the iconic vocalist and bassist for Thrash Metal behemoths Slayer) and Schmier (from Teutonic Thrash Metal legends Destruction).

Before joining Nervosa, Fernanda was part of two other Brazilian metal bands, both hailing from the city of São Paulo, those being the all-female Heavy Metal act Hellgard (who played more melodic material the likes of Helloween and Edguy), from 2008 to 2009, and Thrash/Death Metal group HellArise, from 2009 to 2011, playing bass and doing some backing vocals, as well as playing bass live for a comedy Heavy Metal band known as Detonator e as Musas do Metal (which translates as “Detonator and the Muses of Metal”), in 2012. She recorded two demos in her pre-Nervosa era with those bands, one being a three-track demo with Hellgard titled Rise of a Kingdom, in 2009, and a four-track demo with HellArise named Human Disgrace, in 2010, with the title-track being re-recorded and re-released in 2016 already without Fernanda on bass. Apart from Hellgard, HellArise and obviously Nervosa, Fernanda was a guest musician for two distinct metal bands from Brazil in the past few years, Post-Black/Doom Metal act Fanttasma and Thrash Metal titans Torture Squad, and in both cases she acted as a guest vocalist, leaving her menacing bass guitar “dormant”, for lack of a better word. You can enjoy her potent vocals in the songs Metropolis and Life Is War, from Fanttasma’s 2013 album Another Sleepless Night, as well as in their 2014 single Voodoo, and in Torture Squad’s 2013 release Esquadrão de Tortura (throughout the entire album) and in their cover version for Coroner’s Divine Step, released as a bonus track for their 2017 opus Far Beyond Existence. And last but not least, she’s also featured in the song Carcaça de Outro Alguém, together with a band called Fire Strike, as part of a tribute album to the cult Brazilian Horror Punk band Zumbis do Espaço; in a partnership with Brazilian guitarist and producer Denis Di Lallo in a song called Struggle to Survive; and in countless live performances with distinct bands and musicians, like for example playing Slayer’s all-time classic Black Magic with Brazilian Thrash/Death Metal band Desaster.

It’s finally time to talk a little about her career with Nervosa, one of the most promising bands not only in Brazilian metal but in the entire world of Thrash and Death Metal. After quitting her previous bands, our raven-haired growler was already searching for an all-female thrash act when she met guitarist Prika Amaral, who already had Nervosa as a project and was in pursuit of a bassist and singer to bring the band into being, which ended up happening in 2010. And Nervosa have been on a roll since their inception, releasing their debut EP titled Time of Death, in 2012, followed by the full-length albums Victim of Yourself, in 2014, and more recently the underground masterpiece Agony, one of the top 10 metal albums of 2016 from our list. From all those three flammable releases by Nervosa, you can slam into the circle pit together with Fernanda and the girls to the songs Masked Betrayer, Death, Hostages and Guerra Santa (with a nice explanation of what this song is all about by Fernanda herself). As a matter of fact, in one of her interviews, our ass-kicking bassist explained in more details the concept behind Guerra Santa, which is Portuguese for “holy war”. According to Fernanda, this song “talks about all the intolerance that goes on when the subject is religion. Although this is not like a Black Metal song talking against God, Jesus or any religion because I totally respect people’s beliefs. So, this song is not against religion but against the way religion can be harmful sometimes; I mean, religions should be preaching about love, respect, being kind to the next of kin, doing good stuff but sometimes they preach about intolerance against like sexual orientation, races, other cultures – destroying temples of other religions – so what kind of good they bring?”

When asked about the fast and growing success of a relatively young band like Nervosa, Fernanda mentioned that metal is always renewing itself, and everything that’s new in metal, such as three girls playing furious and aggressive Thrash Metal like Nervosa, ends up catching a lot of attention from metalheads all over the world. In addition, she believes that, as part of the process, in some years that’s going to become more natural with more and more girls getting involved with metal. In my humble opinion, I strongly believe their music is what’s really driving their success in the heavy music scene, especially when Nervosa are performing live, and you can get a very good taste of their crushing thrash live in several videos on YouTube, such as the songs Time of Death at Estúdio Showlivre in 2012 in Brazil; Justice Be Done at Seis Tercios Sesiones in Colombia in 2014; Masked Betrayer, Victim of Yourself and Nasty Injury at Ao Vivo no Casarão in Brazil in 2013; and in distinct full live performances like their 2016 concerts in Bulgaria and Serbia, and in special their demolishing concert at Rock Al Parque in 2017, arguably the largest free rock festival not only in Colombia but in the entire continent. And Fernanda loves that life on the road and being on stage, having already visited a lot of different countries and cities, despite the fact she never has enough time to walk around and get to know more about the place she’s playing that night nor about its culture or people.

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As expected, Fernanda has already been asked numerous times how it feels to be an all-female band and about the growing importance of women in metal music. She said that, at the end of the day, we’re all metalheads nurturing the same passion and admiration for Heavy Metal. She complemented by saying she doesn’t really care about being gendered, because in her opinion being called an all-female Thrash Metal band is just a way to describe a specific genre, like Folk Metal, Black Metal, and so on, given the fact that there aren’t many known bands like Nervosa in the market, and although it was a little difficult in the beginning because they’re playing an extreme style dominated by men in a sexist country like Brazil, people are changing their view of women in metal, supporting them, respecting them and encouraging other women to play heavy music. Moreover, she said there’s still a long way to go regarding this matter because there are many conservative metalheads that do not fully accept girls playing heavy music yet, but that’s something metal as a subversive kind of music can certainly change, with fans of heavy music being in their majority very open-minded, intelligent and cultural people. In addition to that, Fernanda said she has always felt like playing only with girls, as she has always dreamed about that and has always been inspired by girls in metal. All her previous bands were all-female groups, and she knew that it was something new that would help her and her bands stand out in metal.

Another interesting topic discussed by our charming growler in some of her interviews is the usage of the Portuguese language in her lyrics, something you can easily find in other heavy music styles like Punk Rock and Hardcore, with amazing bands like the unparalleled Ratos de Porão applying the Portuguese language to their music almost to perfection, but that’s not very common in Thrash, Death and Black Metal. Although Nervosa have two songs in Brazilian Portuguese, those being Urânio em Nós (from Victim of Yourself) and Guerra Santa (from Agony), she said she has always listened to metal in English despite the fact she was born and lives in Brazil, obviously due to the fact most major metal bands sing in English, and that writing lyrics in English is much more natural and easier for her than in Portuguese. And besides, she believes that the English language helps her spread her opinion and ideas much better than Portuguese to a wider audience worldwide (despite the fact that nowadays it’s quite easy to translate anything in any language), making people think, debate, agree or disagree about the topics and subjects contained in her lyrics.

If there’s one thing you can definitely spend hours watching on YouTube, those are several interviews Fernanda gave in both English and Portuguese to the most diverse channels, shows and websites, and in all of them you’ll be able to notice how fun and honest she is not only as a musician but also as a regular human being. I’ve selected a few of those videos for you, including an interview she gave during Nervosa’s performance at Obscene Extreme festival in the Czech Republic in 2015; her chat with the online show From Hero To Zero in 2016 during Nervosa’s European tour with Destruction, where she talks about how difficult it is to make a living out of metal in Latin America, among other topics; and my favorite (and most distinct) of all, Fernanda, together with João Gordo (the idiosyncratic frontman for Ratos de Porão) and vegan chef Willyan Balbino, preparing a vegan twist to a Brazilian popular food snack named “coxinha”, a savory dough shaped into a drumstick around a creamy chicken salad filling then battered and fried, but in this specific case as Panelaço do João Gordo is a vegan show the coxinha was prepared with jackfruit instead of chicken. They obviously talk about heavy music and other stuff, but the star of the show in the end is the jackfruit coxinha (even for a “meatatarian” like myself, those coxinhas look beyond delicious).

And closing our small tribute to the talented Fernanda, when asked about what her recommendations are for bands that are starting their career in heavy music, she said the best option in the beginning is for the bands to promote their music in their homeland, focusing on what’s around them first before going for bigger markets like the USA and Europe. Nervosa have hundreds of thousands of Facebook and Instagram likes, but most of them come from their fanbase in Brazil and the rest of South America. She strongly believes it’s essential to have a huge support from where you come from, with the only issue in their own case being the fact that it’s really hard to make heavy music in Brazil due to the lack of money, opportunities and support from the media. However, as an obstinate metalhead that she is, she believes in the power and unity of metal fans in Latin America, who are always buying albums, merchandise and attending concerts with more intensity than in other parts of the world, being proud of the scene and proudly carrying the flag of Brazilian metal anywhere she goes with Nervosa. And that, my friends, is how you join professionalism and passion in the best possible way.

Fernanda Lira’s Official Facebook page
Fernanda Lira’s Official Facebook fan page
Fernanda Lira’s Official Instagram
Nervosa’s Official Website
Nervosa’s Official Facebook page
Nervosa’s Official Twitter
Nervosa’s Official YouTube channel
Nervosa’s Official Instagram

“All of my best stories and memories are because of metal. I was born and raised in metal. So, all my boyfriends, all my friends, and experiences are related to metal. That’s why I’m so intense on the stage, I feel like I’m living the dream.” – Fernanda Lira

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2016

“I don’t know where I’m going from here, but I promise it won’t be boring.” – David Bowie

The unexpected death of the most badass musician in history, Motörhead’s heart and soul Lemmy Kilmister, on December 28, 2015 was a harbinger of all the bad, shocking and revolting things that would turn the year of 2016 a true nightmare for mankind. That dark prophecy was confirmed less than two weeks later, more specifically on January 10 when we lost another true star in rock music to cancer, the unparalleled chameleon David Bowie, just two days after the release of his final masterpiece Blackstar. If that was not enough to make 2016 a miserable year, we also had to endure the passing of other icons who, despite not being metal, have always inspired countless bands and artists in heavy music. We lost Prince, Leonard Cohen and Keith Emerson (Emerson, Lake & Palmer), to name a few, all irreplaceable losses to music in general. In addition, important names in the history of Heavy Metal also left us in 2016, such as Nick Menza (Megadeth) and Jimmy Bain (Rainbow, Dio), not to mention the disbandment of amazing groups like Eths (who are by the way part of our top 10 this year), Crucified Barbara and Bolt Thrower. And I’m not even going to talk about all other types of disasters and tragedies that happened all over the world, as the list is too macabre and grievous to be remembered in full.

Fortunately, 2016 was considerably generous for us headbangers in terms of the quantity and quality of albums released throughout the entire year, especially for diehard fans of old school Thrash Metal. Except for Slayer and Exodus, all other prominent names in Thrash Metal blasted the world with their high-speed, thrilling music, led by another superb album by Testament. Even Metallica released a decent album this year, just to give you an idea of how fruitful 2016 was for this rebellious type of music. Having said that, it’s time for The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2016, excluding EP’s, best of’s and live albums. And even if 2017 is as hideous as 2016, let’s never forget the wise words by Bill S. Preston, Esquire and Ted “Theodore” Logan. Be excellent to each other, and party on, dudes!

testament_brotherhood-of-the-snake1. Testament – Brotherhood Of The Snake (REVIEW)
Join the Brotherhood of Thrash Metal spearheaded by one of the heaviest, most technical and most electrifying bands on the entire planet.
Best song of the album: The Number Game

cover2. Charred Walls Of The Damned – Creatures Watching Over the Dead (REVIEW)
A magnificent lecture in Heavy Metal by four electrified beasts.
Best song of the album: As I Catch My Breath

Cover3. Eths – Ankaa (REVIEW)
One of the most prominent and innovative French bands of all time returns with a true masterpiece of complexity, darkness and heaviness.
Best song of the album: Nefas

cover4. Primal Fear – Rulebreaker (REVIEW)
Who said rules must be broken for a metallic eagle to spread its wings and soar high in the skies of heavy music?
Best song of the album: Rulebreaker

megadeth_dystopia5. Megadeth – Dystopia (REVIEW)
And the dystopian world portrayed in the brand new album by the iconic Dave Mustaine and his Thrash Metal army is beyond awesome.
Best song of the album: Lying In State

abbathsoloface_6386. Abbath – Abbath (REVIEW)
The one and only Abbath takes a new step in his career with a brand new band an album.
Best song of the album: Fenrir Hunts

death angel_the evil divide7. Death Angel – The Evil Divide (REVIEW)
Fast and furious anthems, dark mid-tempo songs, austere lyrics and endless stamina. This is how Thrash Metal should always be done.
Best song of the album: Hell To Pay

anthrax_for all kings8. Anthrax – For All Kings (REVIEW)
A classy and electrifying Thrash Metal album especially crafted for all of us, the real kings of heavy music.
Best song of the album: Breathing Lightning

front9. Axel Rudi Pell – Game of Sins (REVIEW)
You might be a sinner, but don’t be a fool and go relish another magnificent album by Mr. Axel Rudi Pell and his loyal henchmen.
Best song of the album: Falling Star

nervosa-agony-201610. Nervosa – Agony (REVIEW)
Brazil’s meanest power trio returns with another marvelous blast of their kick-ass high-octane Thrash Metal.
Best song of the album: Theory of Conspiracy

And here we have the runner-ups, completing the top 20 for the year:

11. Blaze Bayley – Infinite Entanglement (REVIEW)
12. The Silent Rage – The Deadliest Scourge (REVIEW)
13. Neverworld – Dremasnatcher (REVIEW)
14. Ancesttral – Web Of Lies (REVIEW)
15. Front – Iron Overkill (REVIEW)
16. Dö – Tuho (REVIEW)
17. Be Under Arms – Doomed To Life (REVIEW)
18. SystemHouse33 – Regression (REVIEW)
19. Gojira – Magma (REVIEW)
20. False Coda – Secrets and Sins (REVIEW)

As in Heavy Metal the artwork is just as important as the music itself, like what always happens with bands such as Iron Maiden, Megadeth, Metallica, KISS and tons of other metallic titans, we decided to list the Top 10 Cover Artworks of 2016. There are several reasons for an album art to be considered outstanding, such as its strong connection with the music like Iron Maiden’s Powerslave, its visual impact (usually associated with its controversial content) like Slayer’s God Hates Us All, or its perfect minimalism and finesse like Pink Floyd’s Dark Side Of The Moon. Do you agree with our list?

1. Anthrax – For All Kings [by Alex Ross]
2. Primeval Mass – To Empyrean Thrones [by Karmazid]
3. Witches Of Doom – Deadlights [by Carlo Muselli]
4. Ragehammer – The Hammer Doctrine [by Robert A. von Ritter]
5. Howls Of Ebb – Cursus Impasse: The Pendlomic Vows [by Agostino Arrivabene]
6. Testament – Brotherhood Of The Snake [by Eliran Kantor]
7. Henriette B – Tales of Reality (EP) [by Pierre-Alain D.]
8. Skáphe – Skáphe² [by H.V. Lyngdal]
9. Diabolizer – Apokalypse (MCD) [by Robert A. von Ritter]
10. Hostis – Hostis [by Zvonimir Grabić & Milena Nićić]

Rest assured in 2017 we at The Headbanging Moose will keep providing you the best of the underworld of Death, Thrash, Black, Symphonic, Epic, Power Metal and all other genres and subgenres of heavy music, as well as our view of the biggest names worldwide. There are already brand new albums confirmed for 2017 by Kreator, Sepultura, Grave Digger, Battle Beast and more, which means at least musically the new year promises to be really good. Thank you very much for your precious time, and keep on rockin’! Au revoir!

Metal Xmas and a Headbanging New Year! See you in 2017!

Well, before we go, here’s a special gift from Iron Maiden to all metalheads all over the world… A nice festive yule log fireplace to keep our hearts warm during the entire season!

Album Review – Nervosa / Agony (2016)

Brazil’s meanest power trio returns with another marvelous blast of their kick-ass high-octane Thrash Metal.

Rating3

nervosa-agony-2016Do you know what the main difference is between Brazilian Thrash Metal power trio Nervosa and iconic bands such as Slayer, Testament, Exodus and Death Angel? Instead of a bunch of big bad guys with fully grown beards and ugly faces, Nervosa are three charming and beautiful girls, but don’t think that because of that minor detail their music is less demolishing, vicious or infernal. Quite the contrary, Brazil’s meanest power trio plays a fantastic high-octane Thrash Metal that lives up to the legacy of the genre, putting the pedal to the metal in each one of their electrifying compositions and taking no prisoners on their path to stardom. Furthermore, they might be relatively new to the business, but what those three thrash metallers offer us in their brand new album, entitled Agony, has the energy and feel of an old school metal classic.

Formed in February 2010 in the metropolis of São Paulo, Brazil by guitarist Prika Amaral, who was joined in July 2011 by vocalist and bassist Fernanda Lira, Nervosa (which by the way is the female word for “nervous” in Brazilian Portuguese) have already built a respectable career in the underground of heavy music, having released their debut demo/EP named Time of Death in 2012 and their first full-length album, Victim of Yourself, in 2014, leading to their participation on some of the major European summer festivals such as Summerbreeze, Brutal Assault and Metal Days, as well as on the unique 70000 Tons Of Metal in the United States, sharing the stage with important names like Exodus, Raven and Samael through the years. All that enhanced experience, together with their always-improving technique, culminated in the release of Agony, an album that will mercilessly assault you like a rabid beast, starting by the deadly cover art designed by Godmachine, and when this gripping opus is over I dare you to not listen to it again and again.

The album starts at full speed in Arrogance, a brutal composition perfectly executed by those three talented women with drummer Pitchu Ferraz (who unfortunately has left the band recently) delivering sheer Thrash Metal beats before Fernanda begins firing her Hantu Kopek-like gnarls. And there’s no time to breathe as the second tune of the album, Theory of Conspiracy, is as visceral and fast-paced as its predecessor, with highlights to the brilliant job done once again by Fernanda with her enraged screams (especially when she barks the famous saying “what goes around comes around”). Furthermore, this song has what it takes to become a Thrash Metal classic, in special the lancinating riffs by Prika. And in Deception, a rhythmic composition with elements from Death Metal added to drums and riffs, sounding like contemporary Cannibal Corpse due to its pace and intricacy, the vocals by Fernanda get to a more Black Metal-ish level, which only makes things even better in the end.

The lyrics might sound cheesy in Intolerance Means War, but they’re spot-on with their message against our society’s cruel reality (“Different doesn’t means it’s not the way / Remove sex creed race, we are all the same / Confront ignorance with knowledge and awareness / Show respect / Dialogue is freedom / Intolerance is war”), and when Fernanda growls the word “war” it truly feels like her personal tribute to Mr. Tom Araya screaming the same word in Slayer’s all-time classic War Ensemble. Needless to say, this Thrash Metal anthem is ideal for some fun circle pits and wicked headbanging. Guerra Santa (or “Holy War” in English) is the only song in Agony entirely sung in Brazilian Portuguese, which ends up adding an extra touch of rawness to the overall result. Pitchu is a female demon on drums, as violent and demented as possible, blending the sheer heaviness of Death Metal with the groove from Thrash Metal in her beats, not to mention the cutting guitar sounds blasted by Prika throughout this phenomenal song.

nervosaFailed System reminds me of old school Exodus with hints of Black Metal, where Fernanda not only growls like a beast, but her bass guitar also emanates pure hatred; whereas Hostages, a song about how disturbing and horrible it is to be at a decaying public hospital in Brazil (and you should definitely check their official gory video for the song at the end of this review), is another straightforward chant bursting madness and anger where Prika continues to pierce our souls with her powerful riffs. More melodic and groovy, Surrounded by Serpents brings forward lyrics about the venomous effects of betrayal (“Poisonous snake / Disguised as friends / Enemies attack / Snakes stab you in the back / A beast wounds your body / A snake wounds your mind / Pretend disguise destroy / In a blink of an eye”), with Fernanda reaching some deep growls that effectively increase the song’s obscurity.

The rumbling bass by Fernanda kicks off another metallic and vile composition, titled Cyberwar, presenting an electrified Exodus-inspired Thrash Metal vibe tailored for slamming into the pit with the girls, with the awesome solo by Prika making this beautiful thrashy anthem a thousand times more adrenalized. The excellent Hypocrisy begins in a dark and atmospheric way before getting as heavy as hell, feeling as if Pitchu wanted to destroy her drums due to the strength she puts into her beats. Moreover, those unstoppable and remorseless girls yet again add elements of Death Metal to the song’s sonority, a recurrent technique they know how to use almost to perfection. And what better song to end such fulminating album than one called Devastation? That’s what Fernanda, Prika and Pitchu beautifully do, decimating every living creature that has the guts to face them in this more-modern-than-usual tune thanks to its hints of Groove Metal.

Instead of following those girls that only care about showing their asses on social media or that wear more makeup than an entire Black Metal band and live a complete superficial life, try following Nervosa through their Facebook page, Instagram, YouTube channel and SoundCloud. I’m sure you’ll have a much better and more productive time by doing that. And in case you want to purchase this high-end Thrash Metal gem, simply go to their official webstore or to the Napalm Records’ webstore and grab your copy of Agony’s Limited Edition Digipack, which includes a bonus track named Wayfarer, a 6-minute chant mixing Blues and Jazz to the band’s ruthless music by showcasing clean vocals and harsh screams together in a very creative and interesting form. After listening to Agony, the first thing that will come to your mind when you hear the world “Nervosa” is undoubtedly first-class Thrash Metal, and if you disagree with me I guess there are three mean and violent girls that will be more than happy to pay you a visit.

Best moments of the album: Theory of Conspiracy, Intolerance Means War, Guerra Santa and Cyberwar.

Worst moments of the album: None, of course.

Released in 2016 Napalm Records

Track listing
1. Arrogance 3:08
2. Theory of Conspiracy 4:17
3. Deception 3:54
4. Intolerance Means War 3:29
5. Guerra Santa 2:52
6. Failed System 3:43
7. Hostages 3:25
8. Surrounded by Serpents 4:32
9. Cyberwar 3:02
10. Hypocrisy 4:28
11. Devastation 3:32

Limited Edition Digipak bonus track
12. Wayfarer 6:17

Band members
Fernanda Lira – lead vocals, bass
Prika Amaral – guitar, backing vocals
Pitchu Ferraz – drums