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Metal Chick of the Month – Luana Dametto

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I curse at their holy symbols… I laugh as they pray…

As we’re reaching the end of 2022, let’s all make a lot of noise together with our last metal lady of the year in the name of rock and metal music, sounds good? And when I say a lot of noise, I mean A LOT OF noise, because our metallic diva this month of December is undoubtedly one of the most talented drummers of the current Death and Thrash Metal scene, hammering her drums mercilessly for our total delight wherever she goes. I’m talking about the talented and charismatic Luana Dametto, the unrelenting drummer for Brazilian Death/Thrash Metal horde Crypta, and also known for her work with the bands Nervosa, Chaos Rising and Apophizys. Having said that, are you ready to know more about such unstoppable lady of the extreme music scene?

Born on November 22, 1996 in Tapejara, a municipality in the state of Rio Grande do Sul, Brazil, Luana started her path in the world of music at the young age of 12 when she already began to play drums, later joining her very first band, Passo Fundo, Brazil-based Death Metal act Apophizys, at the age of 16. That’s exactly when she discovered her passion for Death Metal, and from there it was just a matter of time until she joined Brazilian Thrash Metal ladies Nervosa back in 2016. However, before becoming part of Nervosa, Luana studied Graphic Design at UPF – Universidade de Passo Fundo in Brazil in order to build a career in this field while still working as a musician in her spare time until the age of 19, which turned out to be very useful for her as she actually applied her studies into her passion for heavy music, being responsible for the artwork for the first (and only) full-length album by Apophizys.

Speaking about Apophizys, our metal lady was part of the band between 2012 and 2017, when the band split up, having recorded with them the album Into the Chaos back in 2015, which included some excellent songs such as Fear of the Unknown and Carnage (and you can enjoy a nice drum cam recorded by Luana herself for this song by clicking HERE). In one of her interviews, Luana explained exactly how she made it to  Apophizys, saying that in the city of Passo Fundo there were two Death Metal bands, one formed by brothers who wouldn’t allow her to join the band, and the aforementioned Apophizys. She said Apophizys already had a drummer at that time, but Luana didn’t give up and stayed tuned to them hoping their drummer would leave the band, opening the so much needed spot for her. As you might already know, that worked, and Luana kicked some ass behind her drums with Apophizys for six years before joining Nervosa.

Luana was still in college when Nervosa’s founder and guitarist Prika Amaral added her on Facebook and contacted her for an audition (being referred by Brazilian drummer Eduardo Lane of NervoChaos, who had already toured with Apophizys before), as at that time Nervosa had just lost their previous drummer Pitchu Ferraz. She then travelled to the city of São Paulo, passed the test, and went on to start playing live with the band that same year and to record the band’s 2018 opus Downfall of Mankind. From such intense album, you can enjoy amazing songs the likes of Kill The Silence and Never Forget, Never Repeat (and there’s also a kick-ass drum cam for this song HERE). After the album release, she traveled and toured a lot around the world, playing at several big festivals and, therefore, turning music into her main occupation.  In addition, Luana also recorded with Nervosa the single Freakshow, originally released on the Adult Swim metal compilation 2 in 2019. It was in 2020 when Luana parted ways with Nervosa, saying that the main reason for her departure was the fact that the three girls at that time felt there was no more passion for doing music together. There wasn’t any type of fighting or arguing, and she said they could have even continued with the band as is, but they all agreed they had to change something to reignite that passion and love for extreme music.

The seed for what’s known today as Crypta had already been planted before she left Nervosa, more specifically in June 2019, as a new musical project by Luana together with Fernanda Lira, also from Nervosa. As the co-founder of the band, she said the focus would be on playing Death Metal in a way that could not be done with Nervosa, inviting Dutch guitarist Sonia Anubis (of Burning Witches) to the band and later also adding Brazilian guitarist Tainá Bergamaschi (of Hagbard) to their lineup. After consolidating the band members, they started working on their debut effort Echoes of the Soul, released in 2021, and you can have an absolute blast to the sound of such incendiary album to the sound of songs such as From The Ashes, Dark Night Of The Soul and Kali (check out another awesome drum cam for this song HERE). Furthermore, earlier this year the band released the single I Resign (which also has a really cool drum cam video that can be watched HERE), once again presenting the visceral and heavy elements that are characteristic of their sound. Moreover, if live concerts are your cup of tea, you can find Luana pounding her drums in great fashion in several live videos of the band including From The Ashes live at Wacken Open Air 2022, and a 30-minute performance at Espaço Som studio in São Paulo, Brazil in November 2021.

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Apart from Crypta, Nervosa and Apophizys, you can also find Luana smashing her drums since 2021 with Chaos Rising, a collaborative international project focused on different subgenres of heavy music open to every female artist interested in metal that includes members from Brazil, France, Germany, England, Sweden, Hungary, Russia, Iran and Argentina, among others. She recorded with Chaos Rising in 2021 the single Cost of Inaction alongside Swiss vocalist Alessia Mercado (Burning Flesh, Murge), French guitarist Stéphanie Nolf (Unsafe), Italian guitarist Francesca Mancini (Sudden Death), and German bassist Tina Gruschwitz (Demorphed, Cryoblood), and the final result is a bestial Death and Thrash Metal attack that will please all fans of extreme music. In addition, Luana was also a guest drummer in the 2016 EP Souls Dragged into the Abyss of Torment, by Brazilian Melodic Black/Death Metal act Isfet,  also working in the recording of the album. If you want to listen to Luana playing a more demonic, blackened style of music, you can enjoy for example what’s perhaps the best song of the album, Perennial Pain Domain.

Regarding her idols and influences, Luana mentioned that she’s a huge fan of Thrash, Black and in special Death Metal, and that she began playing drums influenced by Joey Jordison (RIP) of Slipknot and Vinnie Paul (RIP) of Pantera, learning a lot about double bass and groove by listening to and watching them. She also mentioned Kerim “Krimh” Lechner of Decapitated and Derek Roddy of Hate Eternal as influences on the way she does her blast beats, complementing by saying that playing drums was actually a random thing that happened to her, as she was only 11 years old when she got in touch with a friend who played drums who led her to get her own set and begin playing. Not sure if her setup is still the same, but a few years ago she was using a 14″ Color Sound 900 Black Heavy Hi-Hat, a 16″ Color Sound 900 Black Heavy Crash, a 17″ Color Sound 900 Black Heavy Crash, a 18″ 2002 Giga Bell Ride “Psychoctopus”, and a 16″ Color Sound 900 Black China.

Speaking about her life on the road, although Luana might still be a very young drummer, she has already been to several different parts of the world including of course most regions in Brazil, the United States, Colombia, many countries across Europe and Asia (even recommending Singaporean Grindcore act Wormrot as one of her favorite bands of the region), and even the United Arab Emirates together with Nervosa and now Crypta. She mentioned Rock in Rio in Brazil and Altavoz Fest in Colombia as the most memorable concerts so far in her career, saying that Altavoz Fest is some sort of “Rock in Rio Colombia” where she played in front of over 30,000 people. Moreover, when asked which bands she enjoyed the most to play alongside, our dauntless drummer mentioned Havok (Brazil), Warbringer (United States) and Venom Inc. (England) as her favorite bands to tour together. There are some very interesting interviews with Luana on YouTube (most of them in Portuguese, though) where she talks about not only her touring experience but also about what’s next for Crypta, their music and so on, such as this one to a podcast named TUPFS, this one to Revista Freak, and this one to Hedflow.

There’s also another excellent interview to a podcast named Music Hero where she talks about being a woman in the extreme metal scene, and that’s how we’ll conclude this humble tribute to her. As a prominent female drummer in the world of heavy music, Luana thinks the scene is still ruled by men and that there’s a lot of sexism everywhere, saying she feels extremely disappointed when people treat her as if she knows less about her instrument than guys just because she’s a woman. Her advice to other women who are starting their careers in music is to focus on your work and ignore all the negativity that might come from some people, only doing what you truly feel comfortable doing. When asked about her favorite female metal musicians, Luana listed Canadian drummer Justine Éthier (Karkaos, Blackguard), Dutch vocalist Simone “Som” Pluijmers (Your Chance to Die, Lacerated, Cerebral Bore), and American vocalist Reba Meyers (Pray for Teeth) as the best for her, and just by mentioning only names from the underground scene we can see how much Luana is passionate about it. Hence, if you also love the underground extreme scene, you must go check what Luana and the other girls from Crypta are doing and, of course, stay tuned for when the band takes your city by storm with their pulverizing live performance, with Luana proving that you don’t need to be a big guy to powerfully smash your drums in the name of extreme music.

Luana Dametto’s Official Facebook page
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Luana Dametto’s Official YouTube channel
Crypta’s Official Facebook page
Crypta’s Official Instagram
Crypta’s Official YouTube channel
Crypta’s Official Linktree

Concert Review – Nervosa & Destruction (Lee’s Palace, Toronto, ON, 05/01/2022)

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The German butchers of Thrash Metal struck back in another diabolical night of heavy music in the city of Toronto.

OPENING ACTS: VX36 and Sunlord

There’s nothing better than ending another fun weekend and getting ready for a cold and rainy Monday than a night of pure Thrash and Death Metal, and that’s exactly what several Torontonian metalheads were able to enjoy last night at Lee’s Palace thanks to the ruthless Diabolical North American Tour 2022, with the bands VX36, SUNLORD, NERVOSA and the iconic DESTRUCTION offering their fans exactly what they needed to slam into the pit and raise their horns nonstop. The first band to hit the stage was Geyserville, California-based Thrash/Groove Metal band VX36, led by vocalist and guitarist Nate Klug, who inspired all thrashers at the venue to bang their heads to great songs such as Satan’s Fury and Blood War. That was an excellent start to the night, and I just wish the band had new material to present as everything they played, despite being awesome, was from over seven years ago I believe.

Band members
Nate Klug – vocals, guitar
Gage Higgins – lead guitar, vocals
Nick Altenburg – bass
John Lorence – drums

After a really, really quick break, it was time for Jackson Heights, New York’s own Heavy/Speed Metal trio SUNLORD to kick some ass on stage. Comprised of vocalist, guitarist and founder Alfonso Ferrazza, bassist Ashely Wells and drummer Lamar Little, the band delivered a solid show including the fun songs Forbidden Witch and Turn Me Loose, with Lamar stealing the spotlight with a beyond professional and thrilling performance behind his drums, adding an extra touch of groove and heaviness to the band’s music. In the end, Sunlord might not be as thrash as the other bands from the night, but they definitely proved why they were chosen to open for Nervosa and Destruction with their energy and passion for heavy music.

Band members
Alfonso Ferrazza – vocals, guitars
Ashely Wells – bass
Lamar Little – drums

NERVOSA

Finally, after years and years waiting, I was able to see for the first time ever the all-female thrashing machine NERVOSA pulverizing everything and everyone live on stage. One of the most multinational bands of the current metal scene, as the band is now formed of Spanish frontwoman Diva Satanica, Brazilian guitarist and founder Prika Amaral, Italian bassist Mia Wallace and Greek drummer Eleni Nota, the quartet was infernal with their fusion of Death and Thrash Metal from start to finish, with the stunning Diva Satanica not only showcasing a breathtaking vocal performance, but her stage presence was also a thing of beauty. Still promoting their 2021 opus  Perpetual Chaos, Nervosa made a lot of awesome noise playing songs the likes of Kill the Silence, Masked Betrayer, Into Moshpit, Guided By Evil and Under Ruins, as well as my favorite ones of the night, Genocidal Command, Time to Fight and Rebel Soul, where not only Diva Satanica was flawless on vocals, but Prika, Mia and Eleni were also smashing their instruments in great fashion. I just wish the girls had some time to interact with their fans at their booth (which apparently was reduced to just a few random items as their shirts couldn’t be delivered on time), but again, what really matters is what they do on stage, and they more than succeeded by inflicting that nice pain in our necks due to all headbanging involved.

Band members
Diva Satanica – lead vocals
Prika Amaral – guitar, backing vocals
Mia Wallace – bass
Eleni Nota – drums

DESTRUCTION

Another short break and there they were, German Thrash Metal institution DESTRUCTION, ready to show everyone at Lee’s Palace what old school thrash is all about. Anything I say about the band’s frontman and mastermind Schmier won’t be enough to depict his energy, his charisma and his onstage performance, kicking ass from the very first second and showing absolutely no mercy for our souls armed with his metallic bass and raspy vocals. Blending classics the likes of Nailed to the Cross, Born to Perish, Mad Butcher, Thrash Till Death, Bestial Invasion and The Butcher Strikes Back with songs from their recently released album Diabolical, including the amazing title-track and the pulverizing No Faith in Humanity, Schmier and his henchmen Damir Eskić and Martin Furia on the guitars and Canadian beast Randy Black on drums gave a lecture in Thrash Metal to their fans, showing why they’ve been alive and kicking since their inception in the distant year of 1983. By the way, close to the end of the show, Schmier had some very nice words to say about a guy that was present at the venue who was their first ever North American fan, being the first person in the US and Canada to purchase their 1984 demo Bestial Invasion of Hell. That was a really cool moment, and that guy, who was not too far from where I was standing, seemed deeply touched by such amazing tribute by one of his favorite bands of all time. That’s pure Thrash Metal, and after all was said and done (already past midnight, by the way), we were all certain those Teutonic metallers will return to destroy Toronto once again in a not-so-distant future.

Band members
Schmier – vocals, bass
Damir Eskić – lead guitars
Martin Furia – guitars
Randy Black – drums

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Album Review – Nervosa / Downfall Of Mankind (2018)

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Slam into the pit to another killing hardcore thrashing bulldozer by Brazil’s meanest all-female Thrash Metal commando unit.

After two long years, here they finally are the unrelenting Brazilian all-female Thrash Metal commando unit Nervosa with a brand new and devastating album titled Downfall Of Mankind, delivering their usual raw aggression and untamed power throughout the album’s almost 50 minutes split into 14 compositions (including the limited edition bonus track) of killing hardcore thrash. In addition, the follow-up to their sensational 2016 release Agony marks their first with drummer Luana Dametto (who also plays drums for Brazilian Death Metal squad Apophizys), adding an extra touch of pugnacity to the band’s already heavier-than-hell and faster-than-a-bullet musicality and, therefore, providing lead singer and bassist Fernanda Lira and guitarist Prika Amaral all they need to keep haunting the souls of the lighthearted with their Thrash Metal tempest.

Downfall Of Mankind perfectly captures the live energy and the old school character that defines this São Paulo-based band without neglecting the strengths of a modern, compact soundscape, bringing the most pulverizing and sharp elements from all types of extreme music such as Thrash, Death and Black Metal, but of course always being deeply rooted in our beloved Bay Area Thrash sound. Featuring a demonic artwork by Brazilian artist Hugo Silva (Abracombie Ink), and with guest musicians João Gordo (Ratos de Porão), Rodrigo Oliveira (Korzus) and Michael Gilbert (Flotsam & Jetsam) providing their share of insanity and rage to Nervosa’s music, Downfall Of Mankind is definitely one of those albums that will inspire you to slam into the circle pit and bang your head like a maniac, two of the main goals in our good old Thrash Metal,  becoming a permanent part of your most metallic playlist.

An ominous intro takes us to the demonic realm ruled by Nervosa, who don’t waste a single second and start crushing our skulls with their ruthless Thrash Metal in Horrordome, with newcomer Luana simply demolishing her drums while Fernanda delivers her already classic she-demon gnarls. This berserk tune will surely generate some interesting mosh pits during their live concerts, which is also the case in Never Forget, Never Repeat, sounding even more devilish and pulverizing and showcasing the band’s heavy artillery at its finest. Prika seems to be mastering “the art of the riff”, delivering sheer brutality in a well-balanced fusion of Thrash and Death Metal, all complemented by the song’s utterly austere, old school lyrics (“Tyranny, bigotry / Crimes against humanity / Murder, persecution / Inprisonment subordination / Enough of genocides / Enough of bloodshed / Break this perpetration / Of history’s dark past”). Then toning down a bit their rage but still sounding brutal, the power trio blasts more of their thrashing music with their riffs and beats generating a menacing wall of sounds in Enslave, followed by Bleeding, presenting hints of the contemporary music by Cannibal Corpse (which is obviously a good thing) and with Fernanda taking her growls to a deeper, more hellish level, while Luana proves why she was the perfect choice as their new drummer.

After such level of destruction, get ready for an 80’s-inspired (or I should say old school Metallica-inspired) Thrash Metal attack by those three she-devils titled …And Justice For Whom?, where the unstoppable beats by Luana dictate the rhythm while Prika continues with her shredding onrush. Needless to say, I can’t wait to see them playing this one live. And Fernanda’s rumbling bass ignites a dark, mid-tempo tune beautifully titled Vultures, a good song to break your neck headbanging with Prika once again delivering cutting riffs from start to finish (despite the fact the song could have been a little shorter, though), whereas Kill The Silence brings a classic Nervosa sonority in terms of its pace, riffs and lyrics, led by the slashing guitar lines by Prika while Fernanda keeps growling and gnarling like a beast, therefore keeping the album at a truly high level of aggressiveness. Their sonic insanity goes on in No Mercy, a more rhythmic and groovy circle pit-generator with highlights to the solid job done by Luana on drums, and Raise Your Fist!, a rebellious anthem by Nervosa bringing forward an inspirational intro with historic speeches about freedom, gender equality and equal opportunities for all, such as the timeless one by Martin Luther King, Jr., sounding melodic, violent and electrifying, all at the same time. In other words, let’s all raise our fists up in the air to this insurgent hymn by Nervosa.

Downfall Of Mankind/Limited Edition Digipack CD Fan Package

And Nervosa still have energy left for more devastation, starting with the berserk Fear, Violence And Massacre, blending the most pulverizing elements from Thrash, Death and even Black Metal, with Prika firing an awesome, melodic guitar solo halfway through it, not to mention you’ll definitely feel the urge to scream the words “fear, violence and massacre” together with Fernanda; whereas although Conflict is a decent creation by the girls, it’s a bit too generic compared to the rest of the album. There’s a lot of good stuff in the song, though, such as the incendiary riffs by Prika and its frenzied pace. The last track from the regular version of Downfall Of Mankind is the superb Cultura do Estupro, with the iconic vocalist João Gordo (Ratos de Porão) sharing the vocal duties with Fernanda in the only song of the album entirely sung in Brazilian Portuguese. I really hope João joins Nervosa during some of their live concerts to sing this cataclysmic, acid tune, with Luana sounding simply demented behind her drums. Lastly, as a bonus track to the limited edition version of the album we have Selfish Battle, featuring Rodrigo Oliveira (Korzus) on drums and Michael Gilbert (Flotsam & Jetsam) providing a nice guitar solo in a slightly different version of Nervosa, feeling more like a heavier version of 80’s Hard Rock the likes of Warlock thanks mainly to the high-pitched vocals by Fernanda.

One can never get enough of Nervosa, and if you’re already addicted to their incendiary music go check what they’re up to on Facebook and purchase your copy of Downfall Of Mankind from their own BandCamp page or from several other locations such as the Napalm Records webstore, where you can get the deluxe fan package featuring the limited edition digipack, a cover flag, a patch, leather wriststraps and a tote bag. Also, don’t forget to watch the track by track breakdown of the album by the girls on YouTube (part 1 and part 2), and obviously to keep an eye on their official website and Facebook page for whenever they take your hometown by storm. Downfall Of Mankind once again proves that thrashing like there’s no tomorrow is Nervosa’s business, and they don’t need any guy to make sure that their business continues to be more than good.

Best moments of the album: Horrordome, Never Forget, Never Repeat, …And Justice For Whom? and Cultura do Estupro.

Worst moments of the album: Vultures and Conflict.

Released in 2018 Napalm Records

Track listing
1. Intro 1:12
2. Horrordome 3:17
3. Never Forget, Never Repeat 4:40
4. Enslave 3:15
5. Bleeding 3:47
6. …And Justice For Whom? 3:34
7. Vultures 4:09
8. Kill The Silence 3:29
9. No Mercy 3:40
10. Raise Your Fist! 4:04
11. Fear, Violence And Massacre 3:35
12. Conflict 2:59
13. Cultura do Estupro (feat. João Gordo) 3:10

Limited Edition/Digipak bonus track
14. Selfish Battle (feat. Michael Gilbert & Rodrigo Oliveira) 3:26

Band members
Fernanda Lira – lead vocals, bass
Prika Amaral – guitar, backing vocals
Luana Dametto – drums

Guest musicians
João Gordo – additional vocals on “Cultura do Estupro”
Michael Gilbert – guitar solo on “Selfish Battle”
Rodrigo Oliveira – drums on “Selfish Battle”

Album Review – My Dear Addiction / Kill The Silence (2016)

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This electric Swedish act is back and absolutely psyched up to kill the silence with more of their dynamic and melodic Metalcore.

Rating5

MDA-Kill_The_Silence-albumcoverHailing from the city of Älmhult, Sweden, around 500km southwest of the capital Stockholm (by the way, it was in Älmhult that the first IKEA store was built), the competent Melodic Metalcore five-piece band My Dear Addiction is back in action with their second full-length album, entitled Kill The Silence. And I might add that silence is the only thing you’ll definitely not find in this storm of ten high-speed and intense tunes thoroughly put together by this electric Swedish act.

With over a decade of experience, having released their debut album New Blood back in 2010 and having already played alongside bands such as Scar Symmetry and Dead By April over the years, My Dear Addiction returned to The Panic Room, the same studio where their first album was born in Sweden, to record Kill The Silence. Featuring a subtly dark artwork by Carl Blekkmark, from Blekkmark Design Studio (who has already worked with renowned artists such as Yngwie Malmsteen, Richie Sambora, Paul McCartney and Stephen King), Kill The Silence has everything Metalcore fans can expect from an album, delivering a strong message through each and every song.

The atmospheric and modern title-track Kill the Silence ignites the album by blending American Metalcore with the Gothenburg sound, with lead singer Kim Lindstén providing a good balance between clean vocals and harsh screams. A Promise is a lot heavier than the opening track thanks to the ferocious riffs by guitarists Christoffer Holm and Ludvig Blaesild, which add a lot of fuel to this excellent Melodic Death Metal tune; whereas in the upbeat chant Winners, drummer Peter Parkeborn pounds his drums mercilessly while Kim delivers a solid performance enhanced by the positive message from the song’s lyrics.

Beautiful is another great display of contemporary Metalcore, with its cheerful lyrics (“You are beautiful for what you are / Eyes will see / This will reach their heart / This is the song for a new start”) getting even more expressive due to the song’s background effects and powerful guitar lines. But it’s when those Swedes get faster and heavier that their music gains some considerable punch, which is the case in the thrilling Unbreakable, a song to bang your head and slam into the pit with your friends. As expected from any European band, they have a strong and noticeable melodic vein feeding their music, with the guitars by Christoffer and Ludvig burning bright and leading that harmonious torrent.

MDA-01Very melodic and with lots of breaks and variations, Always Around You sounds like a more progressive version of Metalcore, with bassist Johannes Nordigårds smashing his chords and consequently increasing the song’s impact, followed by All White, which despite losing some of its grip after a while is pretty decent in the end anyway. Furthermore, I’m not sure who’s responsible for the keyboards in the entire album, but he or she does an amazing job crafting a metallic and eerie ambience in almost all songs.

Veins, the shortest of all tracks, offers the listener the sheer violence found in Melodic Death Metal with smoother passages from Metalcore, especially in regards to the vocal lines by Kim, which should work pretty well if played live. And Face It and Rewind, although weaker than most tracks of the album, still presents solid guitar lines and sharp beats that prevent it from letting the energy level go down in Kill the Silence. Last but not least, Our Fire Inside has a Linkin Park-ish vibe in the beginning that suddenly morphs into heavy and aggressive Metalcore with some futuristic elements added to it, with highlights to its rhythm and groove, perfect for some crazy headbanging.

If you’re a diehard Metalcore fan, I truly recommend you go after the work by My Dear Addiction, either by getting in touch with them through their Facebook page or by enjoying their music through their YouTube channel. And you can obviously purchase Kill the Silence, available for streaming in its entirety HERE, at their official BandCamp page, on iTunes, on Amazon, and several other locations. Luckily for all of us, My Dear Addiction is not just back with a brand new album, but absolutely psyched up to kill the silence with more of their dynamic and melodic Metalcore.

Best moments of the album: A Promise, Winners and Unbreakable.

Worst moments of the album: All White and Face It and Rewind.

Released in 2016 Dead End Exit Records

Track listing
1. Kill the Silence 3:51
2. A Promise 3:38
3. Winners 3:17
4. Beautiful 3:31
5. Unbreakable 3:00
6. Always Around You 4:00
7. All White 3:57
8. Veins 2:42
9. Face It and Rewind 3:53
10. Our Fire Inside 4:24

Band members
Kim Lindstén – vocals
Christoffer Holm – guitar
Ludvig Blaesild – guitar
Johannes Nordigårds – bass
Peter Parkeborn – drums