Concert Review – Beyond the Gates (Bergen, Norway, 07/31/2024-08/03/2024)

***Review and photos by Mathis Backe***

A metalhead can’t ask for a more fitting experience than four days of extreme metal in the city that is responsible for birthing one of the most notorious and exciting sub-genres, black metal. Bergen, Norway is home to some of the most relevant and awe-inspiring artists, bands and figures such as Enslaved, Gorogorth/Gaahl, Burzum/Varg Vikernes, Immortal/Abbath put this city on the map as it relates to their contributions. It makes perfect sense, then, that this same city is host to the Beyond The Gates Festival, which features many of the Nordic bands that have helped shape black metal, plus a whole selection of other artists and experiences. The 2024 edition proved to be one of the best yet.

DAY ONE

Mayhem @ Beyond the Gates 2024

The day started with Trondheim’s Whoredom Rife who are one of the most exciting bands to come out of Norway in quite some time. They hit the stage with the ferocity of a tsunami and destroyed with a raw, vicious black metal assault. Next up was Polish black metallers Manbryne. As a relatively new entry into the space (having formed in 2017) this five-piece delivered a set like a band with a few decades under their bullet-adorned belts. Next up was American black/death/thrash gods, Black Anvil. If you’ve ever been fortunate enough to catch these guys live, you’ll already know that they truly give it their all. A fantastic band that showcases both their many years of experience and utter exuberance when they hit that stage. The mighty Mayhem hit the larger of two stages at USF Verftet (the venue that hosted the first two days of the festival) with a set that celebrated the band’s 40th anniversary. There is no better place for this to happen, as Bergen is the same city that the band recorded their legendary debut album, De Mysteriis Dom Sathanas. The guys hit the stage and plowed through decades worth of material, which included a couple of tracks from their now-classic debut, Deathcrush (even inviting two former members to the stage to perform these tracks). Ending off the night was Bergen resident and legendary black metal figure, Gaahl, and his newly-revamped Trelldom. For this unfamiliar, Trelldom sprung to life in the 90s, prior to Gaahl joining Gorgorth, and released a few now-legendary albums. They were short-lived, but have recently reformed, releasing a brand new album of experimental music with some tinges of black metal. Their set tonight comprised mostly new material, but they also threw in a few goodies for longtime fans.

DAY TWO

Behemoth @ Beyond the Gates 2024

Waking to a beautiful day in Bergen, we were ready to hit the streets and make our way over to the venue to catch the first two bands of the day: Prague’s Cult Of Fire and Sweden’s Portrait. Both bands put on spectacular, albeit very different, sets. Cult Of Fire are the Buddhists of metal and, as such, their set and theatrics reflect this perfectly. Portrait’s brand of classic heavy metal was a nice change of pace from all the extremity we had witnessed thus far. Next up was the classic lineup of Venom (not to be confused with Venom Inc.) which features original member, Cronos. The larger venue, Hallen, was packed to the gills for this set which featured all the classics fans have grown to love over the last five decades. It was a highly-energized set which included many fan sing-alongs. Switzerland cosmic black metallers, Darkspace, then put on what can only be described as a trip into the outer reaches of the universe punctuated by their brand of hypnosis-inducing black metal. Incredible stuff from a band that does not often play live. Definitely a rare treat. Ending the night were Behemoth and Death SS. Having seen Nergal and crew many times, tonight was probably one of the best performances yet. The festival spared no expense with the pyro and stage props, which allowed the guys to truly capitalize on their already larger-than-life presence. The final act of the night, Death SS, are a band that have existed since the late 70s. Not being too familiar with their material, I was pleasantly surprised by their super high-energy set and the quality of songs that they delivered, which ranged from classic heavy metal all the way to stuff on the more extreme end of things. A very interesting and fun to catch on the live front, if you ever get the chance.

DAY THREE

Enslaved @ Beyond the Gates 2024

With the first two days in the history books, we move to the second of two venues, the famed Grieghallen, for the final two days. If you are familiar with Grieghallen, you would know that the venue was the very same place that many of the legendary Norwegian black metallers recorded their early work. The first band of the evening was Norwegian avant-garde black metal, Dødheimsgard. Frontman, Vicotnik, and his merry band of minstrels, carnivalized their way through an incredible set of vertigo-inducing tracks. Next up was Norway’s Djevel, the band that features one Bard Faust behind the drums (formerly of Emperor). These guys are the gatekeepers of True Norwegian Black Metal, and their set proved as much. There are no frills or gimmicks. It was just straight-up second wave-inspired black metal from start to finish. One of the best performances of the festival thus far. Hometown heroes, Enslaved, are one band that have played many of the previous editions of the festival. Each year, the band tackles one of their classic, early albums. This year, they played through the entirety of their ’95 album, Frost. As such, the stage was adorned with jutting icicles which further enhanced the overall performance. At this point, Enslaved can do no wrong. Let’s hope they are back again next year. The last band of the night, Satyricon, were the only band to play two sets. This first set, comprised material from their entire catalog, with focus on some of their more well-known songs. Satyr and crew did an excellent job of vetting songs that would appeal to fans of different eras of the band. Additionally, the festival hosted a retrospective exhibit of Satyricon’s entire career. Incredible stuff.

DAY FOUR

Blood Fire Death @ Beyond the Gates 2024

Heading into the final day, the sunshine of the previous three days gave way to more inclement, wet weather. Fittingly, the rain of the day perfectly suited the first two bands, Vemod and Vreid, respectively. Both bands delivered stunning sets of Norwegian black metal in the realm of the more atmospheric. Vreid, which features former members of the highly-regarded Windir, were definitely a fan favorite. They even invited the brother of former Windir frontman, Valfar (who tragically passed away a number of years ago), up on the stage as a guest vocalist to honor his brother with a Windir song. Satyricon then charged onto the stage for the second set of the festival with another collection of songs that spanned their entire catalog. This time, there was more focus on later era tracks, which, as a fan of this era, was a welcomed treat. Lastly, the performance that everyone was waiting for: Blood Fire Death, a tribute to Bathory. There can be no better festival to host something like this, as each and every band that performed over the last four days owes something to the legendary Bathory. Each song of the performance featured various members of bands that performed throughout the fest to give their own spin on these songs, with many of the songs featuring a different vocalist. The entire spectacle was overwhelming and will go down in history as one of the pivotal performances of Beyond The Gates.

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Album Review – Dormanth / Complete Downfall (2020)

This already prominent band from the Spanish underground scene returns with the perfect soundtrack for mankind’s downfall, continuing with their traditional style of Melodic Death Metal.

Two years and a few lineup changes after the release of their highly acclaimed 2018 album IX Sins, Bilbao, Spain-based Melodic Doom/Death Metal outfit Dormanth returns to the battlefield with their fourth full-length opus titled Complete Downfall, featuring 11 songs where double bass drums, melodies and catchy choruses prevail in many of the songs along with other mid-tempo tunes, continuing with their traditional style of Melodic Death Metal influenced by bands like Paradise Lost, Amorphis, Amon Amarth, In Flames and Insomnium. Produced, mixed and mastered by Pedro J. Monge at Chromaticity Studios, and displaying a stylish cover art by The Blind Gallery, the album represents another step forward in the career of the band now formed by vocalist and guitarist Oscar Del Val, guitarist Jokin Andrés, bassist Isma Fernández and drummer Javi Martínez.

Javi begins hammering our heads with his vicious beats in the doomed and melodic opening tune Dreamcatcher, before Oscar comes ripping with his deep guttural growls and sick riffs in a first-class lecture in Melodic Death Metal as Dormanth’s welcome card, whereas Fire is another classic creation by the quartet, living up to the legacy of the genre and loyal to their own roots, with Oscar and Jokin being spot-on with their melodious guitars supported by the metallic bass by Isma. Tragicomic Day is as melodic and thrilling as its predecessors, with Oscar roaring in a beyond infernal way accompanied by the traditional drums by Javi, inspiring us all to break our necks headbanging like true bastards, and speeding things up and sounding more vicious than before they offer us all Beyond the Gates, sounding like the early days of Arch Enemy at times and with the riffs and solos by Oscar and Jokin feeling sharper than a razor blade. And in Odyssey in Time we’re treated to a no shenanigans, no bullshit fusion of Death and Doom Metal by Dormanth that will put all fans of heavy music to raise their horns high, with Javi once again showcasing an amazing performance behind his drums.

Galloping bass and drums set the pace in the also harmonious extravaganza The Origin, where the strident guitars by Oscar and Jokin bring a touch of finesse to the overall result, whereas slashing riffs are boosted by endless fury in the excellent Dark Times for the God’s Creation, spearheaded by Oscar’s demented roars and leaning towards a more epic version of Death Metal the likes of Unleashed. Then in the instrumental bridge -273° K enfolding guitars permeate the air before Dormanth kick ass once again with Brainstorm, where the band invites us all to keep banging our heads to their demolishing but very melodic music, also presenting interesting breaks and variations until its crushing finale. And the band puts the pedal to the metal in the Black Metal-ish Crystal Bone, with all band members sounding extremely sharp and focused, specially Javi with his venomous beats and fills, being therefore recommended for diehard fans of Melodic Death and Black Metal. Lastly, it’s time for Dormanth to go full Doom Metal in Bloody Scars, sounding and feeling sluggish and vile from start to finish, with Oscar being even more deranged and infuriated on vocals than before, and the atmosphere remains dark, menacing and grim until the very end.

Dormanth are eager to unleash all the darkness and fury from their first-class new album upon us all sooner than you can imagine, and while we wait for their doomed tempest we can keep an eye on their Facebook page and Instagram for news, tour dates and other nice-to-know details about such talented Spanish squad, and purchase a copy of Complete downfall from their own BandCamp page, as well as from Xtreem Music’s BandCamp page or webstore. As the complete downfall of mankind gets closer and closer, Dormanth are among us to provide our avid ears the perfect soundtrack for our doomsday, exploding our senses with their refined Melodic Death Metal and, above all, proving once and for all that their homeland Spain is indeed the birthplace of some of the best underground metal acts of all time.

Best moments of the album: Dreamcatcher, Beyond the Gates and Dark Times for the God’s Creation.

Worst moments of the album: The Origin.

Released in 2020 Xtreem Music

Track listing
1. Dreamcatcher 4:15
2. Fire 3:35
3. Tragicomic Day 4:52
4. Beyond the Gates 4:10
5. Odyssey in Time 3:37
6. The Origin 4:02
7. Dark Times for the God’s Creation 3:53
8. -273° K 0:50
9. Brainstorm 3:32
10. Crystal Bone 4:23
11. Bloody Scars 5:12

Band members
Oscar Del Val – vocals, guitar
Jokin Andrés – guitar
Isma Fernández – bass
Javi Martínez – drums