Concert Review – Judas Priest (Dalhalla, Rättvik, Sweden, 07/10/2025)

Thousands of metalmaniacs heeded the call of the Metal Gods to join them at the Gates of Dalhalla for a perfect night of pure Heavy Metal.

INTRO: At the Gates of Dalhalla

I think before starting the review of the actual concert, we should first talk a little about the venue. By the way, it’s my new favorite venue in the entire world, and I doubt any other place I see a concert in my life will be so beautiful and mesmerizing. Dalhalla or Draggängarna as it was previously called, is the name of a former limestone quarry where mining ceased in 1990, used nowadays as an open air theatre and music venue during the summer. It is located 7km north of Lake Siljan in the municipality of Rättvik in Dalarna, central Sweden. 360 million years ago, a meteor fell from space. It fell over Dalarna and the result was the Siljansringen and the surrounding Siljansbygden. The entire bedrock of the area was affected and formed an exciting composition of colorful vertical stripes that are different soil and rock layers, from which lime has become easy to access.

For about fifty years, they blasted and excavated what has now become the basis for Dalhalla, an acoustically designed arena with dimensions that form a kind of ideal golden ratio, albeit in three dimensions. A stroke of luck, which means that Dalhalla can be compared to famous stages in ancient Greece and Italy. In other words, it was the PERFECT venue for JUDAS PRIEST, with support from PHIL CAMPBELL AND THE BASTARD SONS, to stun us all with their undisputed Shield of Pain Tour 2025. And as soon as we got inside such a phenomenal venue, we were impressed with the entire structure, with not only the stage, the pit and the seats looking awesome, but the whole food and merch court was excellent, with plenty of options for all types of people, lots of spots to sit, and extra space for friends to chat about music and life. I obviously got myself a tour shirt and a set of patches, as I had to register that day not only in my memory, but also in my own fashion.

OPENING ACT: Phil Campbell And The Bastard Sons

A Welsh rock band established in 2016 by longtime Motörhead guitarist Phil Campbell, following the 2015 death of Motörhead iconic frontman Lemmy, PHIL CAMPBELL AND THE BASTARD SONS had the utmost pleasure of warming up the wild Dalhalla crowd on a perfect night, or maybe I should say day, as this time of the year it doesn’t really get dark in Sweden, with a lot of sun, blue skies, no clouds, rain or strong winds, and temperatures around +25oC. Seriously, the weather couldn’t have been better. I have mixed feelings about Phil Campbell and his crew, as sometimes they sound like a badass ensemble, sometimes like a college band with that “crazy drunk uncle” we all know on the guitar. Their setlist was fine, mixing songs form their 2023 album Kings of the Asylum with some Motörhead classics such as Going to Brazil and Born to Raise Hell, the two best songs of their entire show by the way, but there was something “missing” to give it that extra kick. I’m not going to say that extra ingredient would have been Lemmy because that would be daydreaming, but I think you know what I mean. In the end, it was a decent opening act for the Metal Gods, and they all seem to be very nice guys, so it was a good show for what it is.

Setlist
We’re the Bastards
Step Into the Fire
Going to Brazil (Motörhead cover)
Hammer and Dance
High Rule
Born to Raise Hell (Motörhead cover)
Straight Up (Phil Campbell song)
Dark Days
Ace of Spades (Motörhead cover)
Strike the Match

Band members
Joel Peters – lead vocals
Phil Campbell – guitar
Todd Campbell – guitar, harmonica
Tyla Campbell – bass
Dane Campbell – drums

JUDAS PRIEST

Faster than a bullet. Terrifying scream. Enraged and full of anger. They’re half man, half machine, and one hundred percent Metal Gods. Just like the meteor that fell from space hundreds of millions of years ago to form the stunning Dalhalla, the almighty Heavy Metal institution JUDAS PRIEST began ripping out hearts mercilessly with their flawless celebration of pure metal magic. The Hell Patrol showed no mercy for our metallic souls, blending some of their biggest classics like You’ve Got Another Thing Comin’ and Breaking the Law with new songs from their 2024 beast Invincible Shield, and of course almost all songs from the most metal album in history, the unparalleled 1990 masterpiece Painkiller. I can’t remember a setlist by the Metal Gods that sounded so powerful, electrifying and heavy, an ode to all things metal that inspired everyone at Dalhalla to keep their horns high throughout their entire set, headbanging and screaming like crazy until the very last second.

Speaking of the crowd, I couldn’t have asked for a better one that night. The Swedish metalheads proved you don’t need to push anyone for a concert to be absolutely wild, showing nothing but utmost respect for each other, and leaving enough space for each and every person in the floor section to breathe and actually enjoy the concert to the fullest. Kudos to the Swedes! Furthermore, when the speakers started playing Black Sabbath’s all-time classic War Pigs, and pretty much the entire venue began singing it at the top of their lungs, I knew the whole concert was going to be phenomenal, and as soon as the band took the stage by storm with the hard-hitting anthem All Guns Blazing, followed by the metal hymn Hell Patrol, the whole area turned into the most metal place on earth.

I love the way Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis managed to bring so much stamina, passion and energy to their setlist, going from a total banger like Freewheel Burning to the dark venom of A Touch of Evil, keeping all fans engaged from start to finish. The new songs selected for this tour also brought endless joy to my metal heart, with Gates of Hell putting everyone to dance, the fast and furious The Serpent and the King (which is my favorite song from Invincible Shield) exhaling the essence of pure Heavy Metal, and Giants in the Sky being the most emotional moment of the entire show with its homage to our fallen heroes. The fact Halford added Jill Janus to such a stellar group of rock and metal icons almost made me cry, and if you know nothing about her I highly recommend you go after her music. Halford loved her, her voice and her creations, just to give you an idea of how metal she was.

I was already on cloud 9 at that point, but when Mr. Scott Travis began hammering his drums in the iconic intro to Painkiller (which would certainly be my chosen song to be added to a time capsule to show all future generations the meaning of Heavy Metal), it was a collective metallic orgasm as everyone started screaming its lyrics together with the Metal Gods. I don’t remember seeing such a demented reception to that song ever before, as if it was the musical climax in the life of everyone at Dalhalla. I don’t think there’s a song by Judas Priest that the Swedish fans love more than that, and when the band is onstage playing it to perfection, you know you’re in for a treat.

Once again, I had some hope in my heart that Mr. Glenn Tipton would join them onstage for the encore, in special after they skipped Metal Gods (which was a part of their setlist, and a song Mr. Tipton might still be able to play at a high level), but unfortunately one of the best guitarists in the history of metal wasn’t there to jam with his bandmates during the encore. Well, I can’t complain at all about the work done by Richie and Andy, as those guys were shredding their axes in great fashion nonstop, but Glenn will always have a very special place in our hearts and minds.

Speaking of heart, mind and soul, it’s very hard nowadays to say who’s Rob Halford, and who’s Judas Priest. He’s always been the Metal God, no doubt about it, but it feels like his passion for heavy music has grown even stronger in recent years, adding even more strength and feeling to the band’s undisputed live performances. Rob was on fire as usual, being worshipped by all concert goers and driving the fans in the pit absolutely mental with his high-pitched screams. And when he rode his Harley-Davidson to the stage during the encore for Hell Bent for Leather and Living After Midnight, well, that’s one of those moments when you perfectly understand why you love Heavy Metal so much.

After the show was over, it was time to unfortunately say goodbye to Dalhalla, or maybe I should say farewell as I’m sure I’ll be back to that phenomenal venue, and drive back in almost broad daylight to our cabin not too far from there. I must say it was hard to fall asleep due to the adrenaline flowing through my body before, during and after the show, and of course the next morning I had to listen to the entire setlist again to relive such an unforgettable event, in special songs like Hell Patrol, The Serpent and the King, Giants in the Sky, and Painkiller. The big screen behind the band at the end of the show showed in big letters “THE PRIEST WILL BE BACK”, and I guess I don’t need to say that whenever they announce a new show in Dalhalla, I will be there.

Setlist
War Pigs (Black Sabbath song)
All Guns Blazing
Hell Patrol
You’ve Got Another Thing Comin’
Freewheel Burning
Breaking the Law
A Touch of Evil
Night Crawler
Solar Angels
Gates of Hell
The Serpent and the King
Battle Hymn
One Shot at Glory
Between the Hammer and the Anvil
Giants in the Sky
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

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Concert Review – Scorpions (Heinz von Heiden Arena, Hannover, Germany, 07/05/2025)

The city of Hannover welcomed home one of the most important bands in the history of rock music on a night to remember.

OPENING ACTS: Rosy Vista, Bülent Ceylan, Alice Cooper and Judas Priest

They have played all over the world in stadiums and open-air arenas, in La Paz, Bolivia, at 3,636 meters, in Rio de Janeiro in front of 1.3 million fans, in Los Angeles and Moscow, but it was on July 5, 2025 when the unstoppable SCORPIONS, with support from ROSY VISTA, BÜLENT CEYLAN, ALICE COOPER and JUDAS PRIEST, played their most emotional concert in history, in a stadium in their home city of Hannover for the first time ever, the massive Heinz von Heiden Arena. Billed as Scorpions 60 Years Anniversary Concert – Coming Home to Hannover, it was a day and night to remember in the hearts and minds of the almost 50,000 fans who took every single space available at the arena, and when you add to that the perfect weather that was over the city, plus the quality or all merch, food and drinks, it definitely makes me want to go back in time to relive such an amazing celebration of heavy music. Well, to be honest, I will be able to do so, as the show was professionally recorded to be released as a live album titled Coming Home Live later this year.

Due to all attractions in the bill, the event started really early at around 3:30pm, when another band from Hannover, the girls from Melodic Heavy Metal/Hard Rock band ROSY VISTA, kicked off the festivities. The band formed of Andrea Schwarz, Anca Graterol, Heike “Bass Sistah” Müller and Marina Hlubek has just released a new album named F.o.r.t.y. this year, celebrating their 40 years on the road (and yes, Scorpions were not the only ones celebrating an important milestone that day), and of course available on most platforms like Spotify, but unfortunately we couldn’t make it to the stadium in time to see the girls. I have no idea how their performance was, but based on the quality of their music it might have been a cool opener for their hometown heroes. Maybe next time I visit Hannover I can catch them live, who knows.

Setlist
I Can’t Live Without My Radio
I Wanna Get You Back
Master of Control
Too Much Feeling
Addicted to Freedom
Poor Rosy

Band members
Andrea Schwarz – vocals
Anca Graterol – guitars
Heike “Bass Sistah” Müller – bass, backing vocals
Marina Hlubek – drums

After the girls from Rosy Vista, it was time for BÜLENT CEYLAN, a German comedian and Cabaret artist who plays several comic roles with frequent themes being the quirks of Germans from Turkish family backgrounds and people from Mannheim (told in the dialect of Mannheim), to hit the stage with his fusion of comedy and music. Once again, due to the early time slot allocated for Bülent Ceylan we couldn’t make it in time to see the band playing, and besides, I guess I wouldn’t have understood any of the jokes from his performance as they might have been all in German. I have no idea how the band sounds like, but I might take a listen at some of their songs on Spotify just out of curiosity.

Setlist
Yallah Hopp
Schmutzige Liebe
Wenn Metaller traurig sind
Rüstung aus Hass
Wohin du gehst
Anders gleich
Ich liebe Menschen
Brüder
Booom

Band members
Bülent Ceylan – vocals
Julia Lange – guitar
Tobi Stulz – guitar, backing vocals
Hannes Merten – bass, keyboards
Marcel Vojvodic – drums

After grabbing the event shirt at the merch booth outdoors, as well as a couple of beers (which included different versions of a Scorpions commemorative cup), we entered the arena about 20 minutes before American Heavy Metal/Hard Rock legend ALICE COOPER kicked off his horror-inspired rock show, increasing the temperature inside the venue with his collection of undisputed hits, including No More Mr. Nice Guy, I’m Eighteen, Under My Wheels, Hey Stoopid, Poison, School’s Out, and as the encore, Feed My Frankenstein. There were no songs from his upcoming new album The Revenge of Alice Cooper, but I don’t think anyone cared about that to be honest. The entire band was on fire, the theatricals during the songs were spot on, and it looked like the cameramen and the crowd were there to worship the stunning guitarist Nita Strauss. Seriously, she appeared on the big screens A LOT more than Mr. Cooper, and when she was introduced by him to the fans, the entire arena trembled. Well, long live Alice Cooper, and long live Nita Strauss.

Setlist
Lock Me Up
Welcome to the Show
No More Mr. Nice Guy
I’m Eighteen
Under My Wheels
Bed of Nails
Billion Dollar Babies
Hey Stoopid
Go to Hell
Poison
The Black Widow
Nita Strauss Guitar Solo
Black Widow Jam
Ballad of Dwight Fry
Killer
I Love the Dead
School’s Out

Encore:
Feed My Frankenstein

Band members
Alice Cooper – lead vocals, harmonica, guitars, percussion, synthesizer
Nita Strauss – guitars, backing vocals
Ryan Roxie – guitars, backing vocals
Tommy Henriksen – guitars, backing vocals
Chuck Garric – bass, backing vocals
Glen Sobel – drums, percussion

When you have as a supporting act the almighty JUDAS PRIEST, you know the whole event is going to be more than special. Add to that the fact the Metal Gods are currently running their phenomenal Shield of Pain Tour 2025, blending their 2024 beast Invincible Shield with the most metal album of all time, the masterpiece Painkiller, and you’re in for an unforgettable night alongside Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis. I had high hopes for Mr. Glenn Tipton to join them during the encore due to the caliber of such a special event, but I think his health has sadly deteriorated to a point he can’t perform live anymore. I love the fact he’s in their official video for their cover version for Black Sabbath’s War Pigs, but unfortunately I believe that’s all we’re going to get from Mr. Tipton from now on.

Anyway, back to the show, despite the fact they had to shorten their current setlist as they were “just” a supporting act, the Metal Gods kicked some serious ass with their avalanche of hits, with of course songs like Breaking the Law and Painkiller getting the wildest reactions from the crowd. It was also clear a lot of people were there only to see Scorpions and knew nothing about Judas Priest, or knew only their classics, showing indifference to their excellent new song Gates of Hell, for example. As mentioned, it was a Scorpions gig, not a Judas Priest one, but several fans like myself had an amazing time with one of the most important bands in the history of Heavy Metal. Add to that the fact Halford wasn’t afraid at all to grab the Ukrainian flag from a fan at the barrier and proudly carrying it onstage at the end of the show, without being afraid at all of any type of backlash or criticism, and you know you’re in front of the one and only Metal God.

Setlist
War Pigs (Black Sabbath song)
All Guns Blazing
Hell Patrol
You’ve Got Another Thing Comin’
Freewheel Burning
Breaking the Law
A Touch of Evil
Night Crawler
Solar Angels
Gates of Hell
Between the Hammer and the Anvil
Painkiller
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

SCORPIONS

It was getting late as apparently SCORPIONS and the entire production were waiting for the skies to get dark to kick off their more-than-special hometown concert, and that was a bit of a bummer as it was a very long day for tons of fans (who are not kids anymore, by the way). When the show finally started, the energy was back to the faces of all concert goers, and I wish I had a professional photographer working with me that night as my crappy cellphone photos do not live up to the visual magic that took over the entire arena. When we were entering the venue, we got a special wristband with a led that would automatically turn on and change colors depending on the song played, and in the end that worked really well, adding an extra special touch to the show as if the whole arena and the band were united as one.

Regarding their setlist, not only it was the same as from their most recent concerts, but also the lack of special guests (like Doro, or maybe even Halford joining them to sing Blackout) took away a bit of the uniqueness of the night. We still got their biggest classics, of course, such as the obvious choice for opening the night, Coming Home, followed by Make It Real, Bad Boys Running Wild, Send Me an Angel, Wind of Change, and so on, but maybe they could have also played a few deep cuts to add an extra kick to the show. I loved all songs, no doubt about that, but as a fan of new music or non-classics, that would have been even better for my personal taste. Furthermore, if there’s one thing that really adds absolute power to the live performances by Scorpions these days, that’s Mikkey Dee. The “motörhead” behind the band’s drums is a true rock and metal beast, filling every single space in the air with his precision, punch and stamina, and even adding hints of progressiveness to each song. The man in unbelievable live, making it worth every penny just to see him playing drums, to be fair. Just to give you an idea, as much as I hate drum solos, his own solo is a thing of beauty and I like the fact it’s part of their setlist.

Time, it waits for no man, and if you’re the frontman of a rock or metal band with very demanding songs, that’s even harder. That’s exactly the case with Klaus Meine, who’s still performing at a high level, but you can notice he’s struggling already in a few songs due to the beyond hectic schedule of singing for almost two hours day in, day out. Don’t get me wrong, his voice is still beautiful, it gives a soul to mesmerizing songs like the undisputed ballad Still Loving You, but the man definitely needs to slow down with the band’s crazy touring schedule. The support he gets from his bandmates is superb, which makes it easier for him to keep moving forward, but the vocals are by far the most difficult instrument to handle after so many decades on the road, and I fear he’s getting to the end of the road regarding his vocal power and reach, unfortunately.

When the whole celebration was coming to its end, it was time for the band’s colossal scorpion mascot to rise behind Mikkey Dee for their encore with the mega hits Blackout and Rock You Like a Hurricane, and oh boy, what a massive, gigantic scorpion! I loved its imposing vibe, just like all giant Eddies from Iron Maiden’s previous tours, and he even moved well for its size, giving the show a nice creepy vibe. Unfortunately, as aforementioned, I don’t have any professional photos of it, but let’s say that’s a good thing as you’ll be able to enjoy it in all of its glory when Coming Home Live is released, right? I can’t wait to watch the full concert again, because it was a night to remember, a night when Hannover welcomed home one of the greatest rock bands of all time, and if they manage to celebrate their 70th anniversary in style like that, I guess I’ll have to pay Hannover a visit again in ten years.

Setlist
Coming Home
Gas in the Tank
Make It Real
The Zoo
Coast to Coast
Top of the Bill / Steamrock Fever / Speedy’s Coming / Catch Your Train
Bad Boys Running Wild
Delicate Dance
Send Me an Angel
Wind of Change
Loving You Sunday Morning
I’m Leaving You
New Vision
Tease Me Please Me
Big City Nights
Still Loving You

Encore:
Blackout
Rock You Like a Hurricane

Band members
Klaus Meine – vocals
Matthias Jabs – guitars
Rudolf Schenker – guitars, backing vocals
Paweł Mąciwoda – bass
Mikkey Dee – drums

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Concert Review – Judas Priest (Fallsview Casino, Niagara Falls, ON, 09/14/2024)

The Metal Gods proudly raised the Invincible Shield in Niagara Falls on Saturday night in a celebration of the beauty and glory of our beloved Heavy Metal.

OPENING ACT: Sabaton

If you’ve never seen a concert at the OLG Stage at Fallsview Casino in Niagara Falls, Ontario, Canada, go check their calendar and don’t miss the chance of visiting one of the best venues of the current Canadian landscape. It’s a beyond phenomenal venue with a great seating chart and excellent view from wherever you end up seating (or standing, if the concert you attend saves some space upfront for a small pit), therefore the perfect choice for the one and only Metal Gods JUDAS PRIEST, plus their more-than-special guests SABATON, to kick some serious ass during the second show of the new leg of the Invincible Shield Tour North America 2024. My friend Keith Ibbitson of Metal Paparazzi (who by the way had his photos shared by the Metal Gods themselves on their official Instagram) were obviously there to worship the Metal Gods in another night of the purest form of heavy music you can think of, and let me tell you that the show was beyond memorable, simply mind blowing from start to finish.

Once again, Swedish Power Metal brigade SABATON was the chosen band to warm up the avid Priest fans at a sold out OLG Stage, showing how strong the partnership seems to be between the two bands. Not only that, Sabaton are also becoming a fan-favorite worldwide, attracting countless fans to the show at the Falls this Saturday, and once they started playing it became crystal clear why they’ve already gathered such an immense fanbase. The band spearheaded by the charismatic Joakim Brodén was on fire during their entire show, delivering a solid hybrid of Heavy and Power Metal infused with warlike themes. Songs like Ghost Division, Stormtroopers, and in special the last three songs, Primo Victoria, Soldier of Heaven and To Hell and Back, inspired all fans at the venue to jump up and down nonstop, to raise their fists and horns, and to singalong all songs with Joakim and his henchmen, all of course boosted by a stage that transpired wars and battles. If you’re seeing any concerts of this tour, make sure you arrive in time for Sabaton even if you know nothing about them, because their live performances are as explosive as a hand grenade.

Setlist
The March to War
Ghost Division
The Last Stand
Swedish Pagans
The Red Baron
Bismarck
Stormtroopers
Carolus Rex
Resist and Bite
The Attack of the Dead Men
Primo Victoria
Soldier of Heaven
To Hell and Back

Band members
Joakim Brodén – lead vocals, keyboards
Thobbe Englund – guitars, backing vocals
Chris Rörland – guitars, backing vocals
Pär Sundström – bass, backing vocals
Hannes Van Dahl – drums, backing vocals 

JUDAS PRIEST

After a quick break, it was time for the Metal Gods JUDAS PRIEST to raise the Invincible Shield for the second time on this leg of the tour, one day after their also ass-kicking concert in Montreal, and let me tell you that what I had the pleasure of witnessing in Niagara Falls this Saturday was one of their best performances ever. After the flag dropped during the intro to Panic Attack, it was a wild and frantic feast of undisputed Heavy Metal by Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis, leaving every single person at the OLG Stage absolutely disoriented after all was said and done. As a result, the fans at the pit went completely mental from the very first second of the show, igniting some sick mosh pits until the very end, something not so common for a band like Judas Priest. Well, when you start the show with some fast-paced masterpieces like Panic Attack, You’ve Got Another Thing Comin’, Rapid Fire, Breaking the Law and Riding on the Wind, I think it’s fair to expect some action in the pit. To be fair, the pit during Rapid Fire was so intense it looked like a Death Metal pit, just to give you an idea of how rowdy the crowd was.

I believe there are three reasons for the band to be so tight, so heavy and so precise at this point of their 50-year career. First and foremost, Mr. Rob Halford, the one and only Metal God, the heart of the band, is delivering stellar vocal performances night after night at the age of 73, something so unbelievable it makes me wonder if he’s an actual god. I mean, guys like Rob Halford and Bruce Dickinson are definitely role models for anyone who wants to enjoy a healthy and fun life after you turn 60 or 70. In other words, if I get to Halford’s age with one fifth of his energy, I’ll be a very happy man. Second, Richie Faulkner is now the soul of Judas Priest, blasting our ears with his electrifying riffs and solos nonstop, which I’m sure makes Glenn Tipton very, very proud of how he’s helping carry the band’s legacy forward. And third, Scott Travis continues to hammer his drums majestically, becoming the band’s engine, and all that power and speed always translates into more action on and off stage.

Even the slower songs like Love Bites and Crown of Horns brought a lot of energy to the show, plus of course some heavy classics like Sinner and Turbo Lover; however, as expected, it was during the most hard hitting songs of the night, their new anthem Invincible Shield and the most metal song of all time, the unparalleled Painkiller, that the crowd had the biggest reactions of the entire show, with the pit during Painkiller going out of control to the point there were almost a few fights inside of it. It was a beautiful, memorable moment by a band that is not only celebrating 50 years of Heavy Metal, but that is the ultimate depiction of Heavy Metal. For instance, when a renowned guitarist like Rob Barrett of Cannibal Corpse is in attendance of the show as a fan, you can have a good idea of the importance of Judas Priest to the world of music. The encore with the timeless classics The Hellion/Electric Eye, Hell Bent for Leather and Living After Midnight simply proved that, and it didn’t matter if it was a 60, 70 or 80-year old veteran or a three-year old kid (who not only got the sunglasses of the vocalist for Sabaton, but also a pick, a setlist, and a special post on Instagram by Judas Priest), everyone at the OLG Casino was mesmerized by the Metal Gods in another celebration of the beauty and glory of Heavy Metal.

Setlist
War Pigs (Black Sabbath song)
Invincible Shield Tour Anthem
Panic Attack
You’ve Got Another Thing Comin’
Rapid Fire
Breaking the Law
Riding on the Wind
Love Bites
Devil’s Child
Saints in Hell
Crown of Horns
Sinner
Turbo Lover
Invincible Shield
Victim of Changes
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

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Concert Review – KK’s Priest & Accept (Queen Elizabeth Theatre, Toronto, ON, 09/10/2024)

Two of the most important bands of the current scene delivered powerhouse performances to their fans in Toronto, maintaining the spirit of classic metal alive.

***Review by Elizabeth “Liz Bathory” Anderson, with photos by Keith Ibbitson of Metal Paparazzi***

The Queen Elizabeth Theatre in Toronto hosted an unforgettable night of classic heavy metal music on September 10th, 2024. With doors opening at 6:45 PM, eager metalheads had to wait until about 8 PM for the first band to hit the stage. Despite the wait, the anticipation was palpable, and the venue offered 750 ml of beer for $20, which wasn’t bad considering the cost at most venues.

The crowd was mostly veteraned metalheads with a few younger fans who appreciate the classic sound of old-school heavy metal. Interestingly, the venue was entirely seated, which is a rarity for metal concerts, but that didn’t stop the audience from rockin’ out once the music started.

ACCEPT

Setlist
The Reckoning
Humanoid
Restless and Wild
Straight Up Jack
London Leather Boys
Midnight Mover
Demon’s Night
Princess of the Dawn
Metal Heart
Teutonic Terror
Fast as a Shark
Pandemic
Balls to the Wall

The band ACCEPT kicked off their set with their opening song, “The Reckoning,” and as the first note was played, the crowd immediately stood up from their seats. Although long-time bassist Peter Baltes was no longer in the band, Martin Motnik, who has been playing with them since 2019, showed off his versatility on stage. The band’s stage presence and energy was as electrifying as ever. Following up with “Humanoid,” they delivered raw, raspy vocals and a classic metal sound complete with a blistering guitar solo. It was incredible to hear and see, filled with electric musical energy.

As they tore through “London Leather Boys,” the audience was fully immersed, with even an elderly man using an accessibility walker headbanging by his seat. The enthusiasm was contagious, and the fans moved to the venue’s aisles and sides to get closer to the action. One of their hit songs, “Princess of the Dawn,” turned into a bellowing crowd-wide chant, showcasing the timeless bond between the band and their followers.

The set culminated in a powerful rendition of “Balls to the Wall,” leaving the crowd awash in nostalgia. From the buzzsaw riffs in “Fast as a Shark” to the anthemic “Teutonic Terror,” Accept proved they still command the stage with authority and ferocity, bringing satisfaction to the ticket holders.

KK’S PRIEST

Setlist
Hellfire Thunderbolt
Strike of the Viper
One More Shot at Glory
The Ripper
Reap the Whirlwind
Sermons of the Sinner
Burn in Hell
Diamonds and Rust
Hell Patrol
The Green Manalish
Before the Dawn
Breaking the Law
Sinner
Raise Your Fists (encore)

When it was KK’S PRIEST‘s turn to perform, the majority of the audience had abandoned their seats and crowded the stage area, preparing for what could possibly be an epic show. They opened with “Hellfire Thunderbolt.” The song was captivating and also captured the audience’s attention with an accompanying visually stunning display. The band utilized custom visuals on large screens to complement each song, making the experience akin to a metal-infused action movie. For instance, “One More Shot at Glory” featured lighting effects that mimicked sharp bullets, while “Reap the Whirlwind” brought the storm to life with thunder on their back screen, lightning effects from their laser stage lighting, and smoke from smoke machines at both sides of the stage. It was quite a mesmerizing experience, and I felt that people got more than just music for what they paid but also a light and art show.

The vocalist’s ability to hit and hold high notes effortlessly was jaw-dropping, showcasing a vocal range that would make even the most experienced singers envious. K.K. Downing, the legendary guitarist and founder of the band, performed his riffs with ease, his casual demeanor belied the complexity of the music. He showed immense talent, which was clearly on display.

When they played “Diamonds and Rust,” the crowd clapped along to the intro, and during the Judas Priest cover “Hell Patrol,” the audience was singing in unison, with robot army visuals enhancing the performance. “Before the Dawn” offered a brief respite with a space-themed visual, slowing things down before launching back into high-octane metal with “Breaking the Law,” complete with a British flag backdrop. Downing’s speed picking and shredding during “Sinner” were nothing short of spectacular, with some insane whammy bar effects thrown in for good measure.

As they finished their set, the audience demanded an encore, and the band obliged with “Raise Your Fists,” ending the night on a high note and creating a lasting memory for those in attendance.

Final Thoughts

Both Accept and KK’s Priest delivered powerhouse performances, maintaining the spirit of classic metal. The seated venue didn’t stop the crowd from rocking out, proving that the music and the energy of metal know no bounds and that people will always find a way to rock out to the music. From start to finish, it was a night of incredible musicianship, theatrical visuals, and a shared love for the genre that transcended generations. For those in attendance, it was most definitely a night to remember, and I’m sure the fans will return whenever they decide to come back.

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Concert Review – Judas Priest – 50 Heavy Metal Years (First Ontario Centre, Hamilton, ON, 04/13/2022)

The Priest finally returned to Ontario, Canada to celebrate 50 years of their undisputed Heavy Metal.

OPENING ACTS: Queensrÿche

Finally, after exactly 880 excruciating days (as my last metal concert was Cannibal Corpse in Toronto on November 15, 2019), I was able to attend a metal concert, and the adrenaline rushing through my veins last night was worth every penny spent in the ticket. The place chosen for my “return” was the nice First Ontario Centre, and the first band I had the pleasure to see on stage after so long was the iconic American Heavy Metal band QUEENSRŸCHE, who led by the talented frontman Todd La Torre put on a great show to properly warm up the crowd for the almighty JUDAS PRIEST.

Blending songs from their most successful album to date, Operation: Mindcrime, those being the title-track Operation: Mindcrime, The Needle Lies and Eyes of a Stranger, with other hits such as their first-ever single Queen of the Reich and the excellent Walk in the Shadows, Todd and his henchmen received a standing ovation from the audience when their performance was over, showing why they’re one of the most respected bands from the 80’s. My only complaint has nothing to do with their setlist, even with “Silent Lucidity” being left out of it, but with the fact that the doors of the First Ontario Centre opened at 7:30pm and it wasn’t even 7:45pm when the band hit the stage, which means a lot of people missed their concert due to such limited time to get to their spots. They should have been given at least 30 minutes to start their show, but it is what it is.

Setlist
Queen of the Reich
Warning
En Force
NM 156
Empire
Walk in the Shadows
The Whisper
Operation: Mindcrime
The Needle Lies
Take Hold of the Flame
Screaming in Digital
Eyes of a Stranger

Band members
Todd La Torre – vocals
Michael Wilton – guitars
Mike Stone – guitars
Eddie Jackson – bass
Casey Grillo – drums

JUDAS PRIEST

After a not-so-long break, it was time for my metal heart to pump frantically once again after over two years thanks to one of the most important and electrifying institutions in the history of rock and metal music, my beloved JUDAS PRIEST. Celebrating 50 years alive and kicking on their tour simply called “Judas Priest – 50 Heavy Metal Years”, which unfortunately had to be postponed a few times due to several reasons, the band comprised of the one and only Metal God Rob Halford on vocals, Richie Faulkner and Andy Sneap on the guitars, Ian Hill on bass, and Scott Travis on drums took the crowd on a magical journey through 50 years of the purest and most crystalline Heavy Metal you can think of, from their 1974 classic Rocka Rolla to one of their most recent hits Lightning Strike. It was a fusion of nostalgia, perfection, adrenaline, happiness and so many other great feelings it’s hard to describe everything in just a few words, proving why Judas Priest have always been one of the pillars of traditional Heavy Metal alongside Iron Maiden and Black Sabbath.

The setlist chosen by Mr. Robert John Arthur Halford and his bandmates, as aforementioned, was a thing of beauty, inspiring all fans at the first Ontario Centre to keep screaming, banging their heads and raising their horns high in the air while the band delivered some precious gems of heavy music the likes of Freewheel Burning, Turbo Lover, Blood Red Skies, Electric Eye, Hell Bent for Leather and Breaking the Law. However, as a huge fan of the album Painkiller, which is by the way one of my top metal albums of all time, it was a true pleasure witnessing Judas Priest playing not one, not two, not three, but FOUR songs from that masterpiece, the majestic One Shot at Glory, the metallic hymn Hell Patrol, the stunning A Touch of Evil, and of course the all-time classic, fan-favorite, hard-hitting aria Painkiller, with Scott doing a fun intro where he not only talked about how much the band loves Canada, but also throwing some last minute jokes about how the band would have to play until Sunday if they played every song requested by the audience (and he even forgot it was a Wednesday, not a Thursday). Halford was on fire in all of those songs delivering his trademark high-pitched screams and interacting with the fans in great fashion, supported of course by the amazing guitar by Richie, and by the way it was great seeing Richie is fully recovered from last year’s scary incident.

Of course, everyone who attended the concert in Hamilton yesterday wanted to see Glenn Tipton joining the band for the encore just like what he’s done several times since he opened up about his fight against Parkinson’s disease, especially due to the fact it was the very last concert of their 2022 North American tour, but I’m sure Glenn had his reasons for not playing with the band last night. Moreover, after the last notes of the closing song Living After Midnight were played by the band, the background screen showed in capital letters the message “THE PRIEST WILL BE BACK”, so I guess there will be more opportunities in the future for Glenn to kick some serious ass on stage with a band that not just represents Heavy Metal to perfection, but a band that is Heavy Metal, period. And may Judas Priest keep coming back to Canada for more of their unparalleled performances for another 50 years.

Setlist
Battle Hymn
One Shot at Glory
Lightning Strike
You’ve Got Another Thing Comin’
Freewheel Burning
Turbo Lover
Hell Patrol
The Sentinel
A Touch of Evil
Rocka Rolla
Victim of Changes
Desert Plains
Blood Red Skies
The Green Manalishi (With the Two Prong Crown)
Diamonds & Rust
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Breaking the Law

Encore 2:
Living After Midnight

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

Metal Chick of the Month – Aura Dănciulescu

Let’s go fucking wild, Aura!

The year of 2019 might be coming to an end, but not before we fill the airwaves with the stunning vocals by Aura Dănciulescu, the winged frontwoman for Romanian Symphonic Heavy/Power Metal band Scarlet Aura and our awesome metal chick of the month of December. Born Aura Gabriela Danciulescu on October 28, 1985 in Fălticeni, a city in Suceava County, north-eastern Romania, situated in the historical region of Moldavia, Aura is a multi-talented singer, lyricist and songwriter, always passionate about music and writing. Of light brown hair (but currently dyed blonde) and brown eyes, Aura has all the attributes fans of heavy music look for in a vocalist, and I’m sure after reading a little about our gorgeous metalhead you’ll get addicted to her music and be quite impressed with her skills, transparency and deep love for our good old Heavy Metal.

Aura, who by the way has a famous sister, Mihaela Pohoaţă, a Romanian aerobic gymnast who won five world championships medals (three gold and two bronze) and three European championships gold medals during her career, started singing when she was just a little kid, and her initial performance was so bad her parents actually decided to put her in vocal lessons to improve her skills. By the way, her parents have always supported her decisions, letting her be free, believe in herself and have her own goals. She then naturally decided to become a singer after the vocal lessons when she was around 10 years old, developing her voice through the years until reaching the superb level she sings nowadays. Although she’s always been a rock and metal fan, it was when she met her now husband, Mihai Danciulescu, lead guitarist and backing vocalist for Scarlet Aura, that she really started to adore it, with Mihai explaining to her all the different styles of rock and metal music and introducing her to some of his biggest idols. Furthermore, before dedicating her life to music from the year of 2011 onward, Aura went to University of Bucharest and studied political science and law school, also holding a few extra courses on diplomacy and national defense and having worked for a few years at the Romanian Senate.

After numerous music projects and her first rock band Steelborn, having recorded with the band the EP’s Un Nou Inceput and Intr-Un Vis, both in 2010, and the full-length album Trup De Apa, in 2012, all in her mother tongue Romanian (and if you want to listen to Aura beautifully singing the band’s pleasant Rock N’ Roll you can check a couple of YouTube videos with the songs Orice Ar Fi & Suflet Furat live and Ratacire), it all eventually led to creation in 2014 of Scarlet Aura, the exotic rising metal star of the East that quickly got the attention of promoters and fans worldwide. By the way, if you would like to enjoy a very interesting “fusion” of Aura’s past and present, Scarlet Aura recorded in 2018 a heavier version of one of Steelborn’s oldest songs, Un Nou Inceput, the title-track to their 2010 debut EP. Having already toured with renowned acts like Tarja Turunen, Beast in Black and Soto, the band comprised of our unstoppable Aura on vocals, the aforementioned Mihai on the guitars and backing vocals, Rene Nistor on bass and backing vocals, and Doru Gheorghita on drums are on a roll since their inception, positioning them as one of the most promising names in the current European scene.

As a matter of fact, the name scarlet Aura was only adopted in 2015, with the band’s original name AURA being used only during their first year of existence, having released under their old name the album The Rock Chick. In addition, as you might have noticed, Aura and Mihai met in 2010 while playing with Steelborn, and after a few years they fell in love, got married and decided to pursue a career together as Scarlet Aura. Under their new and powerful name, Aura and the boys have already released the full-length albums Falling Sky in 2016, Memories in 2017, and Hot’n’Heavy in 2018, as well as the EP The Beast Within Me in 2017 and the CD/DVD box set Scarlet Aura in Concert (recorded live at Quantic Pub in Bucharest on April 27, 2017) in 2018. Moreover, Scarlet Aura are set to release in 2020 their fifth album, entitled Stormbreaker, and the second one in the trilogy The Book Of Scarlet, once again combining metal music with fantasy literature, and if you want to show your true support to Aura and the boys you can help them make the album come true by participating in their Indiegogo campaign. also, the band’s official YouTube channel is and endless source of awesomeness, providing us metalheads several first-class videos for the best songs form all of their albums, such as Hail To You!, High in the Sky, Hate is Evanescent, Violence is Forever, My Own Nightmare, You’re Not Alone, Immortal In Your Eyes and Fallin’ to Pieces, not to mention other interesting videos from the band playing songs like In The Name Of My Pain at a Romanian TV show called  Antena 1, and their full performance at Transalpina Rock Fest in 2018.

In addition to all of the band’s original material, I would also recommend you take a very good listen at their 2017 album Memories, which is pretty much a tribute to all of their idols and influences in music, mixing some of the biggest metal hits in history with non-metal cover songs as well. For instance, you can enjoy Aura giving her own feminine twist to all-time Heavy Metal and Hard Rock classics like Judas Priest’s Breaking the Law, Blind Guardian’s A Past and Future Secret, Europe’s The Final Countdown, Iron Maiden’s Wasting Love, Survivor’s Eye of the Tiger, Twisted Sister’s We’re Not Gonna Take It, Ozzy Osbourne & Lita Ford’s If I Close My Eyes Forever, and Dio’s Don’t Talk To Strangers, or maybe you fancy listening to her personal interpretation of hits by female-fronted bands from the most diverse styles like Skunk Anansie’s My Ugly Boy, Doro’s All We Are, and The Cranberries’ Zombie. You can obviously find these and all of their own original songs by directly visiting their Spotify profile, bringing to your metallic ears hours of first-class metal music made in Romania.

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Apart from her life with Scarlet Aura, was also a guest vocalist in a song called Plecăciune Zăului, from the album Zăul Moș, released in 2017 by Romanian Symphonic Black Metal band Syn Ze Șase Tri (with the name of the band translating as “I Am With Triple Six”, just to give you an idea of how dark their music is). Not only that, Aura has also been working as a moderator at Wacken Radio since April this year, spearheading the first ever English show of the radio called Go Wild. “I was invited to give an interview on Scarlet Aura in the S.T.U.N.T.S. metal show, for Wacken Radio, held by TinU and SlayerOfMadness. We connected immediately and the invitation to join them as host came naturally and I couldn’t be more honored and happy to say Yes! And soon I discovered that Wacken Radio supports radio hosts applicants that can join the family by applying and going through some tests and if they pass, they can be also part of Wacken Radio! I passed the tests too so here I am!”, said Aura about her new experience as a show host. Furthermore, this is not the first connection with Wacken organization for Scarlet Aura, as the band was supported by Wacken Foundation in 2018.

Aura doesn’t use only her voice as her instrument of work, as her brain also seems to be a nonstop source of great ideas and projects. For example, Aura is the managing director for a Tallinn, Estonia-based record label named Silver City Records, founded by Aura herself together with her husband and bandmate Mihai and Tatyana Shubina (from Outlanders Productions), exclusively for rock and metal bands, and if you have a band looking for an up-and-coming label you can contact them directly via Facebook or by e-mail at contact@silvercityrecords.com. She was also a guest speaker at an event held by Mastering the Music Business, the leading Romanian music conference and showcase event, where she talked about her music, her business and her vision as a a successful performing artist, manager and record label CEO that she is, and you can also hire Aura for marketing and advertising purposes as a voice actor through a website called Voices.com, where you can see our multi-talented diva has already worked for Vodafone România, real estate companies and other local advertising companies, being able not only to sing classical, rock and metal music, but also to impersonate voices from all ages in English, Romanian, French and Italian for an array of projects like animations, documentaries, movie trailers and video-games, among others. Well, in the end I think the question should be “is there something she CAN’T do?”

A lover of the simple things that make our lives more fun such as pizza, red wine, yoga, cats, writing, reading, carpentry and painting, with her favorite movie of all time being the 1939 classic Gone with the Wind and her favorite books being from English author Terry Pratchett, Aura has among her biggest idols some of the most iconic names in the history of Heavy Metal, including the one and only Ronnie James Dio (R.I.P.), the unstoppable Mr. Bruce Dickinson, and Slayer’s own roaring engine Tom Araya, as well as bands like German institution Helloween, and on a more feminine side she always mentions names like the unparalled Tarja Turunen and Doro. However, Aura mentioned in one of her interviews that she always searches inside herself for the power she needs to print her own convictions, her own beliefs and of course her own voice, also mentioning her own mother as her biggest idol of all, which is just fantastic, don’t you agree? She also considers scarlet as her favorite color (which makes total sense to me),  My Own Nightmare as her favorite Scarlet Aura song, and the day she married Mihai, on September 22, 2012, as the best day of her life.

Just like any other true metalhead, our Romanian bombshell simply loves touring and performing live, always eager to promote her music to the four corners of the earth and to inspire all girls out there to join her in her female-fronted metal movement. When asked about her experience sharing the stage with her idol Tarja Turunen in 2016, considered by many as the most influential woman in modern-day metal music, she said that meeting her was really overwhelming at first, and that she was able to learn a lot from her during that tour. One funny (and somewhat stressful) episode during the tour with Tarja happened when Scarlet Aura’s crew crew lost their stage clothing luggage, forcing the band to improvise by borrowing belts, T-Shirts and make up. Moreover, Aura also has very good memories of other conerts with renowned acts of the metal scene like Accept, Doro, Nazareth, Gotthard, Helloween and Europe, showing how much all members of Scarlet Aura are connected to metal and how much they admire and are influenced by their music idols. And last but not least, when Aura was asked about the current metal scene in her birthplace Romania, she said that it has been continuously growing, getting bigger and shinier as the years go by, and that she expects it keeps getting more and more important to the world of heavy music. She complemented by saying that growth, especially her own band’s rise to stardom, wouldn’t be possible without the support of metalheads in Romania and worldwide, always praising fans like us for all support and passion we have for our good old Heavy Metal.

Aura Dănciulescu’s Official Facebook page
Aura Dănciulescu’s Official VKontakte
Aura Dănciulescu’s Official Instagram
Aura Dănciulescu’s Official Twitter
Scarlet Aura’s Official Facebook page
Scarlet Aura’s Official VKontakte
Scarlet Aura’s Official Instagram
Scarlet Aura’s Official Twitter
Scarlet Aura’s Official YouTube channel

“As an artist I’m not afraid to dig into the unknown by approaching sensible subjects in our songs, subjects like the difficulty of being honest with others but also with yourself regarding your own feelings, the need of overcoming a huge sufferance that troubles you, the lack of courage when it’s about doing the right thing, the lack of love or the crying for it… subjects that make ourselves human, subjects that are in each one of us and that makes us who we are and maybe throughout our music, we get recovered, healed or better, we discover ourselves for who we really are because with any doubt music heals the spirit, metal heals the heart.” – Aura Dănciulescu

Concert Review – Judas Priest (Tribute Communities Centre, Oshawa, ON, 03/28/2018)

A night of celebration of the purest form of British Heavy Metal in the Ontarian city of Oshawa, spearheaded by the unparalleled Judas Priest.

OPENING ACTS: Black Star Riders and Saxon

Getting from Oakville to Oshawa for a concert is always a nightmare due to the humongous distance (almost 100km) and the fact I have to drive there exactly during the peak of rush hour. However, for my total delight, it was fairly quick to get to the Tribute Communities Centre in Oshawa yesterday where the mighty Judas Priest was going to play their unparalleled classics, supported by the ass-kicking Black Star Riders and Saxon as the opening acts. After a Tuesday of rain and fog, the day yesterday was beyond perfect, being totally clean and dry, and with the temperatures reaching almost the positive double digit mark. I guess the weather knew it shouldn’t mess with the Metal Gods, right?

One thing I highly recommend if you ever attend a concert or a sports event at the Tribute Communities Centre is to grab a bite before (or maybe even during) the event at the Prospects Bar & Grill, the pub that’s right inside the venue. Good food, cold and crisp beer, and all for a very decent price, helping you to properly get ready for the event. Actually, because I arrived there right when BLACK STAR RIDERS, a band formed by members and ex-members of renowned acts like Thin Lizzy and Alice Cooper, started their concert, I couldn’t really watch them perform, but I was listening to their music from the pub with attention and they sounded solid and entertaining with their old school Rock N’ Roll, with their cover song for Thin Lizzy’s Jailbreak and their own song Bound for Glory being the highlights of their performance.

Setlist
All Hell Breaks Loose
Jailbreak (Thin Lizzy cover)
Before the War
Heavy Fire
Who Rides the Tiger
Kingdom of the Lost
When the Night Comes In
Bound for Glory

Band members
Ricky Warwick – vocals, guitar
Scott Gorham – guitars
Damon Johnson – guitars
Robert Crane – bass
Chad Szeliga – drums

After a short break (and now already sitting in my proper place in the floor section), it was time for Biff Byford and his Heavy Metal institution SAXON to begin their sonic attack on stage, delivering pure metal from the NWOBHM, with songs like Power and the Glory, Motorcycle Man, Denim and Leather and Heavy Metal Thunder inciting all fans at the venue to start banging their heads nonstop to their classic Heavy Metal. The band was on fire from start to finish promoting their brand new album Thunderbolt, not giving any time for the crowd to breathe or take a bathroom break, with Mr. Byford being a true beast on vocals. My favorite tune played from their new album was by far They Played Rock and Roll, introduced by the band as their personal and honest tribute to the greatest Rock N’ Roll band of all time, the glorious Motörhead. And let’s face it, any tribute to the one and only Lemmy Kilmister is never enough, right? He always deserves more and more, and when that comes from such an amazing band like Saxon, the homage paid is even more powerful.

Setlist
Olympus Rising
Thunderbolt
Power and the Glory
The Secret of Flight
Motorcycle Man
Nosferatu (The Vampires Waltz)
Dallas 1 PM
They Played Rock and Roll
Denim and Leather
Princess of the Night
Wheels of Steel
Never Surrender
Heavy Metal Thunder

Band members
Biff Byford – vocals
Paul Quinn – guitars
Doug Scarratt – guitars
Nibbs Carter – bass
Nigel Glockler – drums

JUDAS PRIEST

The intensity of the metal played by Saxon was exactly what everyone needed to get really warmed up for the main attraction of the night, the iconic metal behemoths JUDAS PRIEST. It was already past 9pm when Black Sabbath’s War Pigs started playing on the speakers, followed by the intro Guardians, before the band spearheaded by the Metal God Rob Halford hit the stage to the sound of their newborn classic Firepower, the opening track of their majestic new opus Firepower, putting a smile on everyone’s faces and showing everyone at the venue that the Metal Gods still got it no matter what happens to them. Of course I missed seeing the guitar hero Glenn Tipton (who’s not touring with the band due to the complications of his recently diagnosed case of Parkinson’s disease) slashing our senses with his riffs and solos on stage, but Andy Sneap did a pretty good job replacing him. And what to say about Richie Faulkner? The guy is undoubtedly a core piece of Judas Priest now, showcasing all his skills as a great guitarist that he is and also having an excellent performance on stage.

Nothing I can say about the setlist will represent its true beauty, as the Priest played a mix of some of the best songs of the new album, such as Lightning Strike and Evil Never Dies, with amazing classics from almost all of their albums, including really old school material such as Running Wild, The Ripper, Some Heads Are Gonna Roll and especially Saints in Hell, from Stained Class, and album that turned 40 years old this past February 10. After watching them playing that stunning song live, I once again must say their music is definitely like wine, getting better and better as time goes by. Furthermore, the video they played on their background screen during Saints in Hell was superb, with all the dark and red imagery of Christ, demons and wild beats being mesmerizing, and I wonder if one day they’ll upload it somewhere like YouTube as an alternative video for this beyond classic metal hymn.

My only complaint about their setlist was replacing one of the most touching metal ballads of all time, the absolutely beautiful Angel (which they were playing until their concert at The Anthem in Washington, D.C. on March 18), with the good-but-not-fantastic The Green Manalishi (With the Two Prong Crown). This song feels like when Iron Maiden play “Wrathchild” on their live concerts, as we all certainly enjoy it but we also know deep down inside there are far better options to be part of their setlist. Anyway, the last part of their setlist, including the encore, was a true feast of pure Heavy Metal, working like a tribute to the Rock N’ Roll lifestyle, with metallic hymns like Breaking the Law, Hell Bent for Leather and Living After Midnight being some sort of “motto” or “guide” to anyone who lives and breathes rock music 24/7. I was honestly hoping that Glenn would hit the stage out of nowhere to play the last batch of songs with the band last night, just like what he did at The Prudential in Newark, New Jersey on March 20, but unfortunately that did not happen in Oshawa. Well, I can’t complain at all, as seeing Judas Priest live once again was truly amazing and memorable, making even my 90km drive back a lot easier and smoother than I thought, and I can’t wait to see them again in a not-so-distant future, hopefully with Glenn back in action.

Setlist
War Pigs (Black Sabbath song)
Guardians
Firepower
Running Wild
Grinder
Sinner
The Ripper
Lightning Strike
Bloodstone
Saints in Hell
Turbo Lover
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Evil Never Dies
Some Heads Are Gonna Roll
Breaking the Law
Hell Bent for Leather
Painkiller

Encore:
The Hellion
Electric Eye
Metal Gods
You’ve Got Another Thing Comin’
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

Metal Chick of the Month – Emmi Silvennoinen

emmi01

Aina sydämessäin oon… Neito pohjolan…

Brothers of the North, sharpen your swords and axes, grab your war hammers and shields, paint your faces with the colors of your Norse clans and be prepared to bleed in the battlefield fighting side by side with our Metal Chick of the Month, the lionhearted Finnish warrior Emmi Silvennoinen, former keyboardist for Finnish Epic Folk Metal band Ensiferum. If you dig Scandinavian girls and are also crazy for electrifying fighting chants, Emmi will certainly drive you moonstruck.

Born on April 9, 1988 in the city of Vantaa, Finland, the fourth most populated Finnish city and also part of the inner core of the Finnish Capital Region along with Helsinki, Espoo, and Kauniainen, Emmi stepped in as the keyboardist for Ensiferum for their live performances following the departure of Meiju Enho in September 2007, until she finally joined the band as their permanent keyboard player for the recording of the album From Afar, in 2009.

Before becoming part of Ensiferum’s metallic army, our gorgeous Scandinavian shieldmaiden was the keyboardist for a Finnish Melodic Death/Gothic Metal band named Exsecratus, from Helsinki, with whom she recorded the demo Execute, in 2006, and the full-length album Tainted Dreams, in 2007. Although the band doesn’t exist anymore, you can still enjoy Emmi’s impassioned keyboard notes embellishing the band’s sounding in interesting songs such as Under the Winter Moon, My Last Fight and Suicide. As you can see, Emmi used to play a completely different style than her work with Ensiferum, but that doesn’t mean her excellent skills behind the keyboards were less important or less effective for the music by Exsecratus.

As aforementioned, our Finnish “valkyrja” joined Ensiferum back in 2007 as the band’s keyboardist for all their upcoming live performances when in 2009 she finally got the full-time job with them, recording her first single with Ensiferum called From Afar, which is also the name of her first full-length album with the band, from 2009. From that album, one of the most interesting tracks is Twilight Tavern, which official video features live footage from the famous venue Nosturi, located in Helsinki. After that strong start, Emmi also recorded with Ensiferum the singles Stone Cold Metal (2010) and Burning Leaves (2012), the full-length album Unsung Heroes (2012), the fun Suomi Warmetal EP (2014), and more recently the full-length album One Man Army (2015).

Among all Ensiferum songs that could be used to present Emmi’s solid skills as a musician, I believe the title-track of their latest album, One Man Army, is a very good example of what she’s capable of doing. In addition, why not grab a cold beer and enjoy the sound of her keyboards in their cover versions for the all-time classics Wrathchild (Iron Maiden) and Breaking The Law (Judas Priest)? Despite the fact both original songs do not have any keyboard parts at all, she managed to add her own notes to the music, enhancing their uniqueness compared to all other cover versions for those two songs you might find anywhere.

Emmi hasn’t been in many parallel projects apart from her full-time commitment with Ensiferum, except for playing keyboards in the album Hymns of the Mortals – Songs from the North (2014) by Finnish Melodic Death Metal band Thyrien. Again, the musicality crafted by Thyrien is quite different from the Folk Metal by Ensiferum, as you can see in the excellent tune When The Horizon Burns, once again showcasing Emmi’s versatility and ability to adapt to what the music is asking for.

One very important detail about Emmi’s natural aptitude for music is that she doesn’t only play regular keyboards in her life and career, but she can also play the Hammond organ, the pump organ, the regular organ and the piano, not to mention she was also doing the backing vocals in all songs by Ensiferum. If that doesn’t prove to you how dexterous our charming keyboardist is, I honestly have no idea what really would.

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Due to the fact that Emmi was a live musician for a good couple of years with Ensiferum, I thought it would be nice to have some words from our diva regarding her life on the road, her opinion about the importance of live performances to a metal band, or anything similar to that. Fortunately, I was able to find an interview where, when asked about the differences between playing at a big festival and playing at small venues, she gave a short and sweet explanation of the importance of festivals to bands like Ensiferum. “There are usually more people who hasn’t heard of our music, and festivals are a place to show all we got”, she said, and let’s admit she’s absolutely right about that.

Furthermore, if you’re either a fan of Emmi and the music by Ensiferum or if you’re a newcomer to the world of Epic and Folk Metal, you can enjoy Emmi kicking ass on her favorite place on earth, which is on a festival stage together with the other members of the band, playing songs such as Windrider (at With Full Force XV, Germany, 2008), Lai Lai Hei and Token Of Time (both at Wacken Open Air, Germany, 2008), or even Ensiferum’s full performance at the RockHard Festival, in Germany, on May 18, 2013.

However, in the past few years Emmi was unfortunately forced to sit out of some of Ensiferum’s tours around the world for personal reasons (which were not disclosed anywhere), culminating in her definite departure from the band in April this year. In 2013, she missed the band’s South American tour which was scheduled to start on May 28 in Bogota, Colombia, with her parts being replaced by backing tracks as per a statement released by the rest of the group. And in the beginning of 2015 Emmi couldn’t make it to Ensiferum’s European and North American tours, when she was replaced by the digital accordion of Netta Skog (ex-Turisas). “This was a very tough decision for me to make to not be a part of the European and North American tours, but I am so happy that not only an amazing musician will be standing in for me, but also a close friend. I hope you all enjoy the shows and the new songs with Netta – I’m looking forward to returning to play them for you in the summer!”, she stated, showing her relationship with the band was more than perfect at that time. Unfortunately, she couldn’t get back in action due to family reasons, being replaced permanently by Netta.

Lastly, I wish there were more interviews (both written and on YouTube) with Emmi to be shared with all of you, but it looks like she’s either more reserved than the other members of the band, or that interviewers all over the world are wasting some amazing opportunities to ask a few questions to such a unique musician. Anyway, if you speak Finnish you might have a good time with this interview to a Finnish channel called MoonTV (I couldn’t understand almost anything, obviously), and if you’re a fan of radical sports you can check Emmi and the other members of Ensiferum going paragliding in the valleys of Slovenia after their concert at Metaldays, held in Tolmin, Slovenia in 2013. Adrenaline has always been the perfect catalyst for good heavy music, don’t you think?

“It’s nice to see Scandinavian folk metal bands, especially Finnish bands, are doing well all around the world. I’m proud to be part of this, and it’s nice to see people are loving this kind of music, and getting inspirations from Scandinavian bands for their own music and all their lifestyles.” – Emmi Silvennoinen

Concert Review – Judas Priest (Air Canada Centre, Toronto, ON, 11/12/2015)

Thousands of Heavy Metal maniacs screamed for vengeance together with the Metal Gods on a memorable night in Toronto.

OPENING ACT: Mastodon

Judas-Priest-Redeemer-of-Souls-Tour-2015Fortunately, after the excruciating hassle of having to drive for hours to get to Casino Rama to see Judas Priest last year, an enlightened soul realized there was an urge emanating from all metalheads in Toronto to have the Metal Gods in town for a proper concert, and therefore we were all granted with a memorable Heavy Metal celebration at the Air Canada Centre last night. I know some people loved the fact they could stay in Orillia for some gambling and beer, taking a day or two off for that, but they must understand this is all about praising the almighty Judas Priest, not about wasting your money in tedious slot machines. I just wish the floor section didn’t have those stupid seats. Why not just having a floor section, period?

IMG_0770The opening band this time were American metallers MASTODON, with all their craziness, psychedelia, heaviness and unquestionable talent. However, the biggest problem for me (and I’m sure it was the same with lots of other Priest fans at the concert) was their lack of charisma. I mean, they have all the ingredients to be one of the best metal acts in activity, but unless you’re high on something it’s pretty hard to enjoy their full setlist. Songs like High Road and Megalodon stand out among the others, but the overall result is not as exciting as watching a less skilled band on stage playing simpler but a lot catchier songs. All band members masterfully handle their instruments, and if you’re a guitar player you probably go insane with their intricate riffs and compositions, but I think it’s a lot better to listen to their music at home or in your car than at a venue like the Air Canada Centre. I’m not saying it was a bad concert, quite the contrary, Mastodon were pretty good. It just wasn’t what I had in mind as the perfect warm-up for the Metal Gods.

Setlist
Tread Lightly
Blasteroid
The Motherload
Chimes at Midnight
High Road
Aqua Dementia
Mother Puncher
Halloween
Bladecatcher
Black Tongue
Ember City
Megalodon
Blood and Thunder

Band members
Brent Hinds – guitar, vocals
Bill Kelliher – guitar
Troy Sanders – bass, vocals
Brann Dailor – drums, vocals

JUDAS PRIEST

IMG_0773Finally back to the CITY of Toronto after four long years, Heavy Metal titans JUDAS PRIEST seem to be getting better and better as years go by. Perhaps it’s the fresh energy brought to the band by the awesome guitarist Richie Faulkner, or the fact that Redeemer Of Souls put the band back on track in their career, but the truth is that they’ve been delivering flawless concerts for years in a row now, putting smiles on everyone’s faces and reminding us all why they’re called “Metal Gods”.

When the backdrop curtain carrying the Priest classic logo dropped, right after the venue sound system played an excerpt of “War Pigs” by Black Sabbath and the intro to one of their own new songs, the excellent “Battle Cry”, an avalanche of Heavy Metal classic mixed with some of their new tunes began, driving all diehard fans crazy with their intensity and passion in this successful Redeemer of Souls Tour 2015. And from the very beginning we could see how impressive the performance by the one and only Rob Halford is nowadays. The Metal God is already 64 years old, but he can still deliver it like if he was just 20 something. It’s sometimes unbelievable how powerful his voice still is at this stage of his career, don’t you agree?

IMG_0780I personally found part of the fans at the venue a little too slow for the electricity imposed by the band, but anyway most Heavy Metal maniacs had an unforgettable time singing and screaming together with Halford & Co. during the entire setlist. From the first part of the concert, I must say it was beautiful witnessing Halford singing the classic Desert Plains while Richie and the iconic Glenn Tipton were ripping our hearts off with their razing riffs, as simple and effective as that. And what to say about Halford’s monumental performances in the unparalleled Victim of Changes and the newer Halls of Valhalla, already a classic song for many? Holy shit, that gave me metallic goosebumps so awesome it was.

Then after playing a few more incredible tunes, such as The Rage and Turbo Lover, it looked like the Metal Gods wanted to mark our hearts, bodies and souls with their burning metal as the sequence of Heavy Metal anthems was beyond superb. They didn’t just play my favorite Priest song of all time, the fiery Screaming for Vengeance, they executed it to perfection. Add to that the back video where you could follow its lyrics (and see a meme of Halford SCREEEEAAAAAAMING! on the video by the end of the song), and you have the most astonishing moment of the night. Not only that, as soon as this masterpiece was over, Halford intoned his famous “Woo-woo-woo-yeah!” before the whole band kicked some serious ass with Breaking the Law and Hell Bent for Leather, the latter featuring Halford’s shining Harley-Davidson for the delight of everyone at the venue.

IMG_0793But before Judas Preist let Toronto be that quiet and cozy city again, they fired two final rounds of all-time classics, including Electric Eye, Painkiller and Living After Midnight. Let me tell you something about Painkiller, as it was a really bold move by the band to put it at the end of the setlist knowing how demanding it is, especially for Halford. When the unstoppable drummer Scott Travis provoked Toronto to go wild with his unique drumming intro, I wasn’t sure if Halford would be capable of delivering his high-pitched screams during the whole song. Well, guess what? That was by far the best performance by the Metal God singing Painkiller I’ve ever seen in my life, a billion times better than their 2005 DVD Rising in the East, and that was over 10 years ago.

At around 11pm the concert was over, people started heading back to their homes by car, subway or, like I did, by Go Train. Everyone was displaying a mix of happiness and complete exhaustion on the way back, but one thing is beyond certain after you witness such a beautiful ode to Heavy Metal. It doesn’t matter how long it takes for Judas Priest to return to Toronto again, we’ll all be there one more time to enjoy our metallic deities celebrating heavy music and, of course, SCREEEEEEAAAAAAAAAAAMING FOR VENGEANCE!

Setlist
War Pigs (Black Sabbath song)
Battle Cry
Dragonaut
Metal Gods
Desert Plains
Victim of Changes
Halls of Valhalla
The Rage
Turbo Lover
Redeemer of Souls
Beyond the Realms of Death
Screaming for Vengeance
Breaking the Law
Hell Bent for Leather

Encore:
The Hellion/Electric Eye
You’ve Got Another Thing Comin’

Encore 2:
Painkiller
Living After Midnight
Beginning of the End

Band members
Rob Halford – vocals
Glenn Tipton – guitar
Richie Faulkner – guitar
Ian Hill – bass guitar
Scott Travis – drums