Tag Archives: deathcore

Album Review – Crystal Lake / The Weight of Sound (2026)

Posted on by
Reply

One of the most important Metalcore bands to ever arise from Japan is back with album number seven, representing a new page in their electrifying history.

Formed in Tokyo, Japan in 2002, and having already released six full-length albums in their solid career, captivating audiences across the globe with their undisputed energy and passion for heavy music, the incendiary Metalcore act Crystal Lake is set to unleash their album number seven, titled The Weight of Sound, following up on their 2020 opus The Voyages. Mixed and mastered by Jeff Dune, and featuring an array of very special guest musicians the likes of David Simonich of Signs of the Swarm and Jesse Leach of Killswitch Engage, The Weight of Sound represents a new page in the band’s history, being their first ever album with new vocalist John Robert C., while their core sound keeps burning brighter than a thousand suns with Yudai Miyamoto and T.J. on the guitars, Mitsuru on bass, and Gaku Taura on drums.

The band wastes no time and kicks off their feast of melodic brutality with Everblack, featuring David Simonich of Signs of the Swarm, where the vocal duet formed of John and David sounds beyond inhumane. BlüdGod, featuring Taylor Barber of Left to Suffer, feels more melodic and modern than the opening tune, with Yudai and T.J. sounding amazing with their intricate yet piercing guitar lines; and it’s then time for Gaku to smash his drums without a single drop of mercy in Neversleep, with Myke Terry of Volumes as the third guest vocalist in the album, perfect for igniting a wild mosh pit during their live shows. Then the rumbling bass by Mitsuru will punch you hard in the head in King Down, offering more of the band’s blend of Metalcore with Hardcore influences; whereas The Undertow, featuring Karl Schubach of Solace also on guest vocals, showcases a less violent side of the band, with their riffs once again permeating the air in great fashion.

What looks like it’s going to be some sort of Deathcore ballad in the vein of Lorna Shore explodes into pure Metalcore in the title-track The Weight Of Sound, led by the always visceral vocals by John; followed by Crossing Nails, one of the heaviest of all songs, with elements of Djent flourishing from Mitsuru’s bass while Gaku pounds his drums nonstop. Dystopia, featuring guest vocalist Jesse Leach of Killswitch Engage, is a bit too modern for my taste, although their Djent-infused sounds still bring the heaviness to their music, whereas Sinner follows a similar pattern but slightly more entertaining, with the guitars by Yudai and T.J. clashing perfectly with the song’s background electronics. Don’t Breathe brings to our avid ears another onrush of violent Metalcore for the masses, spearheaded by John’s demented roars and screams, and they conclude the album with the dark ballad Coma Wave, with its piano bringing peace to our blackened hearts.

Drawing from Hardcore and Metalcore influences, seamlessly blending infectious melodies with a powerful heaviness, Crystal Lake are on absolute fire throughout the entire The Weight of Sound, offering fans of modern-day Metalcore a very good excuse to go slamming into the circle pit like there’s no tomorrow. Hence, you can get in touch with such an amazing band from the land of the rising sun via Facebook and Instagram, stream their entire discography on places like Spotify, and of course add The Weight of Sound to your most excellent private collection by purchasing it from BandCamp or from Century Media as  a CD or a special forest green LP (or click HERE for all digital platforms). In other words, in case you have no idea how much the sound weighs, simply listen to the new album by Crystal Lake and you’ll see it’s heavy. Very, very heavy.

Best moments of the album: Everblack, Neversleep and Crossing Nails.

Worst moments of the album: Dystopia.

Released in 2026 Century Media Records

Track listing
1. Everblack 3:17
2. BlüdGod 3:13
3. Neversleep 2:50
4. King Down 2:29
5. The Undertow 3:20
6. The Weight Of Sound 4:33
7. Crossing Nails 3:42
8. Dystopia 4:14
9. Sinner 4:19
10. Don’t Breathe 3:59
11. Coma Wave 4:46

Band members
John Robert C. – vocals
Yudai Miyamoto – lead guitars
T.J. – rhythm guitars
Mitsuru – bass
Gaku Taura – drums

Guest musicians
David Simonich – vocals on “Everblack”
Taylor Barber – vocals on “BlüdGod”
Myke Terry – vocals on “Neversleep”
Karl Schubach – vocals on “The Undertow”
Jesse Leach – vocals on “Dystopia”

Album Review – Ov Sulfur / Endless (2026)

Posted on by
Reply

What kind of god would test a child? You’ll get the answer to such a delicate question and more in the incendiary sophomore opus by one of the most demented monsters of the current Blackened Deathcore scene worldwide.

Time is a strange thing. Just ask Las Vegas, Nevada’s own Blackened Deathcore monster Ov Sulfur. Almost three years after the release of their bestial debut The Burden ov Faith, the band formed of Ricky Hoover on vocals, Christian Becker and Chase Wilson on the guitars, Josh Bearden on bass, and Leviathvn on drums returns in full force with their sophomore opus, entitled Endless. Produced by Josh Schroeder (Lorna Shore, Signs Of The Swarm, King 810, Varials) at Random Awesome! Recording Studio, Endless may just be the magnum opus for those anti-God metallers, here aiming for something timeless. The album’s overarching theme calls back to a line from “Earthen,” a song about Hoover’s nephew’s tragic losing battle with cancer that questions, “What kind of god would test a child?” Extend that to everyone – does religion not claim us all as children of God? – and you have to wonder what kind of benevolent maker would put their very own through trials and tribulations.

The menacing intro Endless//Godless will drag us all to Ov Sulfur’s Stygian lair, crushing our spinal cords with Seed, where Ricky vociferates the song’s acid lyrics manically (“The realization of completely losing everything / Feeling all the pressure, knowing things forever changed / The weight of guilt and agony has become too much to bare”) amidst an absolute sonic devastation. Leviathvn keeps the adrenaline flowing in Forlorn, accompanied by the crisp, no shenanigans riffage by Christian and Chase; and it seems to be a trend among Deathcore bands to release longer, more elaborate songs, like Lorna Shore did in their latest album, and Ov Sulfur’s contribution comes with Vast Eternal, with those breakdowns plus the deep screeches by Ricky turning it into a must-listen for fans of the style. Wither sounds maybe too Metalcore for my taste, and not the good type of Metalcore, but that extremely mellow one, although I understand the message of the song.

Evermore feels a lot heavier and more dynamic, with Ricky sounding demonic screaming the song’s austere words (“Why is it that death is always around me? / It’s taken everything and everyone I love / I’m forever stuck and always left behind / Trapped in an endless cycle / It’s never my time”); whereas Josh Davies (of Ingested) lends his demented vocals to the band’s Deathcore sonority in Dread, while Christian, Chase and Josh hammer their axes like true metalmaniacs. Then Johnny Ciardullo (of Carcosa) joins the band in the somber, visceral Bleak, again showcasing a pulverizing performance by Leviathvn  on drums, sounding like a Symphonic Black Metal beast at times. The last guest of the album is vocalist Alan Grnja (of Distant), with the band offering a more direct Deathcore hymn entitled A World Away, where the riffs and solos by the band’s guitar duo sound as acid as possible, before we have the pensive Endless//Loveless closing the album, a dark ballad full of emotions like rage, despair, hope and anger.

“If experiences or the resulting feelings went on forever, the subject would go insane,” commented Rick. “Even positive ones would eventually be blasé, which could lead to a lot of questioning yourself. Of course, we focused on the negative ones; because we’re a metal band after all. What if this doubt never ceases? What if I never stop grieving over the loss of a loved one? How would this all make us feel? How would it affect our sanity?” That eternal paradox between good and evil, positive and negative, light and darkness, and so on, can be fully appreciated throughout the ten songs in Endless, and you can purchase it from their own BandCamp, or by clicking HERE, and don’t forget to also check their merch HERE,  to give them a shout on Facebook and on Instagram, to subscribe to their YouTube channel, and to stream their Stygian hymns on Spotify. Because time might be a strange thing, but the music blasted by Ov Sulfur in Endless is not. It’s first-class, dark and visceral Deathcore, and I’m sure we’ll hear a lot more from those talented guys in a not-so-distant future.

Best moments of the album: Seed, Vast Eternal, Evermore and Bleak.

Worst moments of the album: Wither.

Released in 2026 Century Media Records

Track listing
1. Endless//Godless 1:50
2. Seed 4:49
3. Forlorn 4:23
4. Vast Eternal 6:03
5. Wither 5:01
6. Evermore 4:24
7. Dread 5:14
8. Bleak 5:13
9. A World Away 4:31
10. Endless//Loveless 4:30

Band members
Ricky Hoover – vocals
Christian Becker – guitars
Chase Wilson – guitars
Josh Bearden – bass
Leviathvn – drums

Guest musicians
Josh Davies – vocals on “Dread”
Johnny Ciardullo – vocals on “Bleak”
Alan Grnja – vocals on “A World Away”

Album Review – Deadwood / Rituals of a Dying Light EP (2026)

Posted on by
Reply

It’s time to make Deathcore angry again with the incendiary new EP by these unstoppable Canadian bruisers.

Make Deathcore Angry Again. That’s the ruthless motto by Montreal, Quebec’s own Deathcore bruisers Deadwood, who uniquely blend elements from Death Metal and Hardcore to create their own blend of modern Deathcore. Aiming to evoke terror and fear through their music, ensuring their performances are unforgettable, the band currently formed of Derek Heynekemp on vocals (note: the vocals in the EP were recorded by Martin Demontigny), Stephane Filion and Fred Element on the guitars, and Charles Etienne Lafrance on drums returns with a new EP entitled Rituals of a Dying Light, following up on their vicious 2023 EP Inhuman. Recorded at EMNT Studio, and produced mixed and mastered by the band’s own guitarist Fred Element, the EP caters to enthusiastic metalheads who crave pure brutality and violence, positioning the band as one of the must-see acts of the current scene.

In Tales of Massacre the band blends Deathcore with Technical Death Metal to give the song an even more insane vibe, with Stephane and Fred sounding ruthless armed with their axes, therefore offering Martin all he needs to growl like a rabid beast. Heretic is an even heavier, more dynamic and bestial tune by the quartet, with the deep guttural by Martin matching perfectly with the rumbling drums by Charles, not to mention the song’s background haunting sounds; whereas another demented roar by Martin kicks things off in Thirst for Blood, offering more of the band’s trademark Deathcore violence. Whispers of Death is a song made for being played live, as it will surely ignite some sick, infernal mosh pits to the metallic, thunderous riffs by Stephane and Fred; and the EP ends just like it started, on a vile and demented mode with Echoes of The Fallen thanks to the hammering drums by Charles in a beyond cryptic instrumental tune.

Drawing from the ferocity of Meshuggah, the brutality of Whitechapel, and the groove-driven power of Pantera, Deadwood deliver crushing riffs and haunting atmospheres steeped in true dark histories, from the Salem witch trials to the reign of Jack the Ripper, translating into a no shenanigans, vicious EP that will surely please all fans of extreme music. You can get to know more about Deadwood on Facebook, including their upcoming tour dates across Canada and Europe, stream their wicked music on Spotify, and purchase the excellent Rituals of a Dying Light from BandCamp or by clicking HERE. In other words, it’s time to make Deathcore angry again, and the incendiary new EP by these unstoppable Canadian beasts is exactly what’s needed to achieve such a fun objective.

Best moments of the album: Heretic and Whispers of Death.

Worst moments of the album: None.

Released in 2026 Innerstrength Records

Track listing
1. Tales of Massacre 2:48
2. Heretic 4:23
3. Thirst for Blood 2:54
4. Whispers of Death 4:26
5. Echoes of The Fallen 3:36

Band members
Martin Demontigny – vocals
Stephane Filion – lead guitars
Fred Element – guitars
Charles Etienne Lafrance – drums

Guest musician
Derek Heynekemp – vocals (live)

Album Review – Discovery Through Torment / Telesynthetic Rebirth EP (2025)

Posted on by
1

This up-and-coming Deathcore ensemble is ready to attack armed with their newborn EP, telling a video game-inspired story of collapse and replacement.

Blending elements of Brutal Death Metal, Slam, and Black Metal into a sound defined by relentless aggression and technical intensity, Montreal, Quebec’s own Deathcore beast Discovery Through Torment has been building a reputation in the Canadian underground metal scene for uncompromising heaviness, surgical precision, and a clear artistic identity rooted in themes of Sci-Fi, aliens, and existential decay. Now in 2025 the band formed of vocalist Alexandre Desroche, guitarists Samuel Fortin and Frédéric Ricard, bassist Alexis Lafrance, and drummer Charles-Étienne Lafrance returns to the battlefield with a new EP titled Telesynthetic Rebirth, following up on their demented 2022 sophomore opus The Mangled God. Recorded and produced by the band itself, mixed and mastered by Maxime Lacroix of House of Gain Studio, and displaying a sinister artwork by Mark Erskine of Erskine Designs, the EP tells a video game-inspired story of collapse and replacement, following the downfall of a former entity and the rise of a new force that abducts humans, reshapes them into telepathic killing machines, and unleashes them in a genocidal conquest of Earth. The lyrics weave themes of experimentation and domination, closing with a cliffhanger that sets up the next chapter.

Eerie sounds permeate the air in the opening track Dethronement, exploding into a beyond brutal and technical slab of Deathcore led by Charles-Étienne’s demented beats and fills while Alexandre delivers those deep, inhumane growls we all love so much. Their demented feast of Blackened Deathcore goes on in full force in Arcane Inception, showcasing an amazing job done by Samuel and Frédéric on the guitars, being therefore perfect for some action inside the circle pit; and Charles-Étienne doesn’t let the band’s aggressiveness and heaviness go down not even a tiny bit in Veil Unferling, with those insane breakdowns providing Alexandre with exactly what he needs to roar like a demonic entity. Moreover, the song has a nod to the first F.E.A.R. game, with a hidden line straight from Paxton Fettel. Lesions is by far the most infernal (and consequently the most trilling) of all songs from the EP, where Alexis hammers his bass manically accompanied by the thunderous drums by Charles-Étienne; and finally, they add hints of Melodic Death Metal to their core sonority in First Encounter Assault Regiment (a play on the aforementioned game’s acronym), and the final result is obviously incendiary.

As an unsigned and self-produced act, Discovery Through Torment exemplify the raw potential of modern underground metal music, always ambitious, unfiltered, and driven entirely by passion, and their brand new EP is the perfect depiction of all that hard work and focus. Hence, you can show those relentless metallers your total support by following them on Facebook and on Instagram, by streaming their music on any platform like Spotify, and of course by purchasing their excellent new EP from BandCamp or by clicking HERE. It certainly won’t take long for Discovery Through Torment to attack again with the next chapter in their already solid career, and I can’t wait to see what’s next for such an up-and-coming Deathcore ensemble after the striking and incendiary Telesynthetic Rebirth.

Best moments of the album: Arcane Inception and Lesions.

Worst moments of the album: None.

Released in 2025 Independent

Track listing
1. Dethronement 4:36
2. Arcane Inception 3:40
3. Veil Unferling 4:29
4. Lesions 3:35
5. First Encounter Assault Regiment 4:19

Band members
Alexandre Desroche – vocals
Samuel Fortin – guitar
Frédéric Ricard – guitar
Alexis Lafrance – bass
Charles-Étienne Lafrance – drums

Album Review – 5RAND / Ordhalia (2025)

Posted on by
Reply

Offering an overdose of crushing riffs, cinematic atmospheres, and the fierce duality of clean and growl vocals, this Italian outfit is out for blood armed with their incendiary third full-length album.

With a story that began with a unique twist of fate, a chance meeting with a Shaman and a South African 5Rand coin, Rome, Italy-based Melodic Death/Groove Metal/Deathcore outfit 5RAND has been carving a unique space in the metal scene with their blend of Deathcore aggression with the emotional depth of melodeath, offering an overdose of crushing riffs, cinematic atmospheres, and the fierce duality of clean and growl vocals by frontwoman Julia Elenoir. Now in 2025 the band formed of Julia alongside guitarist Pierluigi Carocci, bassist Acey Guns and drummer Andrea De Carolis is ready to take the world of heavy music by storm once again with Ordhalia, their third full-length opus, the follow-up to their excellent 2019 sophomore Dark Mother, and a must-listen for fans of modern and vibrant heavy music.

The cinematic intro Lullaby for the Broken effectively invites the listener to the world of 5RAND before all hell breaks loose in Bloodlife, with Andrea kicking some ass behind his drums while Julia fires deep, enraged roars in the best she-wolf style, accompanied by the caustic riffs by Pierluigi. The title-track Ordhalia starts in a more serene, pensive manner, again exploding into a visceral fusion of Melodic Death Metal and Metalcore with Andrea hammering his drums mercilessly; followed by The Nihilist, featuring Milo Silvestro of Fear Factory, who makes a fantastic vocal duet with Julia, with both their clean and harsh vocals walking hand in hand in the name of extreme music. And Pierluigi’s minimalist guitar lines and Acey’s somber, menacing bass set the tone in Double Bind, a mid-tempo, headbanging chant that will please all fans of modern-day Metalcore.

Julia continues to scream like a blood-soaked Valkyrie in Turbid while her bandmates generate a vibrant hurricane of Melodic Death Metal armed with their scorching instruments, whereas Acey fires more of his cryptic bass lines in Ritual of Silence, with the band’s blend of classic and modern heavy music sounding very exciting. Then all background sounds give Lethargy an epic and vibrant vibe, with Pierluigi firing his heaviest riffs of the entire album, consequently inspiring Julia to roar manically for our absolute delight, while Resurge in Death is by far the most generic and uninspired of all songs, despite still showcasing a striking guitar solo by Pierluigi. Lastly, the band gets back on track with Silent Line, offering a progressive and intricate fusion of melodeath with contemporary heavy music where Julia is once again fantastic with both her she-devil gnarls and whimsical clean vocals.

More than just a band, 5RAND are a creative force blending music and visual art, connecting deeply with their growing fanbase, and the excellence found in their new album Ordhalia will undoubtedly help them in keep building a loyal international following and performing alongside legends the likes of Dark Tranquillity, Vader, Immolation, Butcher Babies and Infected Rain. Such a promising name of the Italian modern metal scene can be found on Facebook and on Instagram, where you can stay up to date with their news and live concerts, you can also enjoy their music on any streaming platform like Spotify, and obviously purchase the electrifying Ordhalia from Big Cartel and other online retailers. 5RAND are out for blood armed with Ordhalia, and I can’t wait to see what’s next for those restless Italian rockers.

Best moments of the album: Bloodlife, The Nihilist and Lethargy.

Worst moments of the album: Resurge in Death.

Released in 2025 Art Gates Records

Track listing
1. Lullaby for the Broken 1:09
2. Bloodlife 3:30
3. Ordhalia 4:27
4. The Nihilist 3:12
5. Double Bind 4:30
6. Turbid 4:03
7. Ritual of Silence 3:54
8. Lethargy 3:43
9. Resurge in Death 3:40
10. Silent Line 4:19

Band members
Julia Elenoir – vocals
Pierluigi Carocci – guitar
Acey Guns – bass
Andrea De Carolis – drums

Guest musician
Milo Silvestro – vocals on “The Nihilist”

Concert Review – Lorna Shore (Great Canadian Toronto, Mississauga, ON, 10/27/2025)

Posted on by
Reply

Fans from all over Ontario and the rest of Canada felt the everblack festering within them in one of the heaviest and most emotional performances of the year in the entire country.

OPENING ACTS: Shadow of Intent and The Black Dahlia Murder

I don’t think there’s another way to start this review without stating my profound disappointment (and I’m sure everyone else who attended the show also feels the same) for not having PEELINGFLESH as one of the opening bands for LORNA SHORE this Monday night at Great Canadian Toronto during their North American Tour 2025. I mean, SHADOW OF INTENT and THE BLACK DAHLIA MURDER were both phenomenal guests, but I strongly believe the raw energy emanating from the Brutal Death Metal blasted by PeelingFlesh would have been beyond welcomed by the crowd. We should have had the pleasure of witnessing the unstoppable Damonteal Harris and his henchmen mercilessly kicking our asses onstage like when they opened for Aborted a few months ago in Toronto, and although I don’t want to start with any politics bullshit, I’ll never understand why a band that simply wants to play their music in any city in Canada during their US and Canadian tours has their entry denied into the country. I wish I could say more about it, but I’ll try to remain calm, and blast some of PeelingFlesh’s sickest tunes on Spotify to lighten up my mood. Well, at least before the other bands started I was able to try Slayer Burger’s new creation In Darkness, and I must say it’s by far their best burger to date. Hopefully they’ll get a lot of positive feedback from fans and keep it as part of their regular menu for a while, because that burger is indeed absurdly tasty.

Keith Ibbitson of Metal Paparazzi was also pissed off he wasn’t going to take some crazy photos of PeelingFlesh, but of course he was more than ready to fire his camera during the brutal performance by Connecticut, United States-based Symphonic Deathcore beast SHADOW OF INTENT. The second “low point” of the night was the fact their frontman Ben Duerr didn’t make it to the show in Toronto as he went back to the US to join his wife for the birth of his second child (congratulations to both!), but his replacement Adam Mercer, former vocalist of the also killer Deathcore entity A Wake in Providence, did a superb job and inspired all fans at the venue for some wild headbanging and mosh pit action. Having recently released the pulverizing Imperium Delirium, available on BandCamp and on Spotify, the band put on a demonic concert, with their heaviness, breakdowns, and the gruesome guttural by Adam making the entire venue tremble like in the best song of the night, the demented hymn Vehement Draconian Vengeance. I can’t wait for Shadow of Intent to visit Canada again, but of course next time I want to see them with Ben Duerr on vocals (despite having enjoyed Adam on the mic a lot). So please, Ben, no more babies during your next Canadian shows, alright?

Setlist
Prepare to Die
Flying the Black Flag
Mechanical Chaos
Vehement Draconian Vengeance
Infinity of Horrors
Feeding the Meat Grinder
The Heretic Prevails

Band members
Adam Mercer – vocals
Chris Wiseman – guitars, samples, backing vocals
Andrew Monias – bass
Bryce Butler – drums

I guess each band on the bill had at least two or three massive walls of death with mosh pits right after during their shows, and of course Detroit, Michigan’s own Melodic Death Metal masters THE BLACK DAHLIA MURDER made sure their fans had a great time while inside such a unique experience only available at extreme music concerts, one of them offered as a “birthday gift” to one of their guitarists, by the way. The band now spearheaded by the charismatic Brian Eschbach was also on fire from start to finish, blending songs from their entire career with their latest album Servitude, released in 2024 (all also available on BandCamp and on Spotify), inspiring everyone who still had enough stamina left to slam like a maniac inside the pit. The gorilla with a giant inflatable banana during Statutory Ape was a nice touch to their already incendiary show, and I just wish their sound, in special the vocals, was a little bit better as it sounded muffled at times. Anyway, those guys put on a tremendous warmup for Lorna Shore, and I’m sure they’ll keep blasting their undisputed blend of melodeath for many years to come, always in honor of our beloved Trevor Strnad (RIP).

Setlist
What a Horrible Night to Have a Curse
Everything Went Black
Nightbringers
A Vulgar Picture
Warborn
Statutory Ape
Cursed Creator
Unhallowed
Funeral Thirst
Deathmask Divine

Band members
Brian Eschbach – vocals
Ryan Knight – guitars
Wes Hauch – guitars
Max Lavelle – bass
Alan Cassidy – drums

LORNA SHORE

Finally after a short break it was time for New Jersey’s own Deathcore behemoth LORNA SHORE to kick off one of the heaviest performances of the year in Canadian lands. Blending songs from their three releases with Will Ramos on vocals, those being their 2021 EP …and I Return to Nothingness, their 2022 masterpiece Pain Remains, and their recently released beast I Feel the Everblack Festering Within Me, all available on BandCamp and on Spotify, the band was on absolute fire from start to finish, already hypnotizing the entire crowd from the very first notes in Oblivion. They made sure their show was not only a lecture in Deathcore, but also visually appealing, with the big background screen and the lights adding an extra touch of electricity to their already insane performance.

Songs like Unbreakable, Sun//Eater, Cursed to Die, Into the Earth, and the extremely emotional Glenwood reached deep inside our hearts and souls, but I must say as a fan of really heavy music I had a total blast with Prison of Flesh and To the Hellfire. Those breakdowns were demented, plus of course the inhumane guttural by Will and the crushing blast beats by Austin Archey, igniting some of the wildest mosh pits of the entire night. Everyone was having a great time, including our lord and savior Jesus Christ, leaving the doors open for another concert by those guys in Canadian lands in a not-so-distant future. The highlight of the night was obviously their three-part masterpiece Pain Remains during the encore, and until today I can’t decide which one is my favorite. Sometimes it’s Pain Remains I: Dancing Like Flames, sometimes Pain Remains II: After All I’ve Done, I’ll Disappear, and sometimes Pain Remains III: In a Sea of Fire, like this Monday night. Those were flawless, and I bet several fans were crying of joy during such an intense part of their set.

On a side note, a few minutes before the first band hit the stage, when I was eating the In Darkness Burger at the Slayer Burger food truck, I met a very young and cool guy (and I’m so sorry, I forgot his name just because I’m terrible with names) who flew from Saskatoon to Toronto only for the show, and if you know the geography of Canada you have a very good idea of how lengthy and exhausting that journey can be. He said he was beyond excited to see his favorite band of all time live for the first time ever, and I bet he was on cloud 9 after the show was over. Furthermore, that’s a good indication of how big Lorna Shore are getting to the point people are going out of their way to see them live, just like Iron Maiden and Metallica fans do all the time. Another guy, for instance, was flying to Montreal the next morning to see Lorna Shore again. Because Lorna Shore are simply awesome, and as long as they’re around, heavy music will remain.

Setlist
Oblivion
Unbreakable
Of the Abyss
Sun//Eater
Cursed to Die
Into the Earth
Glenwood
Prison of Flesh
To the Hellfire

Encore:
Pain Remains I: Dancing Like Flames
Pain Remains II: After All I’ve Done, I’ll Disappear
Pain Remains III: In a Sea of Fire

Band members
Will Ramos – vocals
Adam De Micco – guitar
Andrew O’Connor – guitar
Michael Yager – bass
Austin Archey – drums

This slideshow requires JavaScript.

Concert Review – Crypta (The Garrison, Toronto, ON, 10/08/2025)

Posted on by
Reply

On a cooler night in Toronto, metalheads from all over the city had an absolute blast with one of the must-see Death Metal beasts from the worldwide extreme music scene.

OPENING ACTS: Pretty Face and Death Club

This Wednesday was by far the coolest day from the past three or four months in Toronto, but that didn’t stop the metalheads from different parts of the city to head to The Garrison for a sold out show with PRETTY FACE, DEATH CLUB and CRYPTA during their In the Other Side Tour 2025, another killer event organized by the unstoppable Noel Peters of Inertia Entertainment. As the first band was only going to hit the stage at 8pm, I decided to take my time at home, had proper dinner, relaxed a little, and therefore avoided the chaotic madness of QEW during rush hour. Keith Ibbitson of Metal Paparazzi got to the venue a little earlier to get ready to take some amazing shots of all bands, which by the way are all led by super talented ladies who make heavy music way better, heavier, and more fun. The merch selection was also great for all bands, including some kick-ass guitar picks from Crypta, and everything with good quality and for a reasonable price. Not only that, the variety of beer and other drinks at The Garrison is way bigger and cheaper than at bigger venues like Budweiser Stage. Supporting the underground definitely has its advantages, with the main one being the much lighter impact on your pocket for an even higher amount of adrenaline and energy onstage.

On a side note, before and after the bands kicked some serious ass onstage, I had the pleasure of chatting with the organizers of the Icelandic festival named Satán, who were on vacation in the city, enjoying a few concerts like Judas Priest/Alice Cooper last week, and Crypta this Wednesday. Gísli Sigmundsson, an Icelandic metal legend who fronts the old school Death Metal band Sororicide, and Kristján Guðmundsson, drummer for the ruthless Blackened Death Metal horde Nexion, were having an amazing time at The Garrison, and of course I enjoyed a lot talking to them about heavy music and both the Canadian and the Icelandic underground scenes. I told Kristján that Nexion must come to Toronto for a show, to which he replied “do people enjoy that type of blasphemic music here?” Well, I guess I don’t even need to say what I answered to him, right? And if you have the time and money available for a trip next summer, the Satán festival is happening between June 4 and 6, 2026. Who knows, maybe I can visit Iceland for a share of their own blasphemy then.

Labeled as a queer-fem metal band hailing from Brampton, Ontario, expressing experiences and struggles growing up as teenage fem-presenting people through their music, PRETTY FACE kicked off the party with their fusion of Hardcore with elements of Death and Doom Metal, and the reaction of the fans at The Garrison was excellent. Although they only have one song officially released, the 2024 single The Gore Road, available on Spotify, those girls sounded excellent onstage and showed endless energy during their short but effective set. I have zero idea of which songs they played, or who the band members are as there’s nothing online about that (and I’m sorry, but I forgot to ask them in person after their show), but those girls have a bright future ahead of them. As long as they release an EP or a full-length album in the coming months to keep their momentum going, of course.

The second opening band of the night was another local band, Hamilton, Ontario-based modern Sludge Metal/Deathcore act DEATH CLUB, who released their debut Betrayal back in 2024, available on both BandCamp and Spotify. Formed of Dana Bowman on vocals and guitar, Adam Baldwin on bass and backing vocals, and Chelsea Todd on drums, plus another unknown musician who’s probably just their tour guitarist (and again, sorry for not asking him his name), the band kept the heaviness flowing inside The Garrison, which was already packed by the time they hit the stage. You can get more details about the band by clicking HERE, and if they ever play a concert at your city or town, I highly recommend you go watch them live because their music is great, and their stage presence is just as awesome.

CRYPTA

There was some uncertainty in the air if the indomitable Brazilian Death Metal beast CRYPTA was actually going to play this Wednesday night in Toronto as the iconic Fernanda Lima and another one of her bandmates got stuck at the Canadian border when trying to cross it from the United States, forcing them to fly from a city near Buffalo into YYZ and going straight to the venue for the show. Fortunately, those girls are absolute badass, and nothing would stop them from delivering their slab of Death Metal to one of their most loyal fanbase worldwide. The band was on absolute fire from the very first seconds of one of my favorite Crypta songs, The Other Side of Anger, and their setlist blending their two album Echoes of the Soul (2021) and Shades of Sorrow (2023), both available on BandCamp and on Spotify, brought sheer chaos and anarchy to The Garrison to the point Keith didn’t even dare to try to get a spot in front of the stage for his photos. Yes, it was wild.

Fernanda was insane on stage as usual, the mesmerizing Tainá Bergamaschi kept shredding her axe in great fashion, headbanging like a maniac, and making what was supposed to be an “angry” face during the heaviest parts of their songs (although she looks way to nice and cool to really look angry), Luana Dametto showed no mercy for our necks and bodies, crushing her drums nonstop for our total delight (therefore igniting some demented mosh pits), and their new touring guitarist Victoria Villarreal, from bands like Chaos Rising and Syrebris, proved why she was chosen by the band to support them on this tour, also kicking some serious ass with her flammable riffs and solos. I just think the overall sound volume was a bit low, but nothing that could make their performance less demolishing.

Some of the songs were phenomenal live, including Kali, The Outsider, Stronghold, Starvation, and of course From the Ashes, and when you have that high quality material in your hands like the girls from Crypta do, you can rest assured you’re in for a treat when they take the stage of your city by storm like this Wednesday night in Toronto. Not only that, Fernanda might be one of the sweetest musicians from the current scene worldwide, as even after going through all that hassle to make it to Toronto for the show she didn’t leave the stage after their concert was done, taking photos, signing albums and shirts, and chatting with each and every fan that stayed at The Garrison way past 11pm to meet one of the most talented women in heavy music. Toronto loves you, girls! And we’re ready for another round of your ruthless Death Metal anytime you decide to return to our metallic city.

Setlist
The Aftermath
The Other Side of Anger
Kali
Lift the Blindfold
The Outsider
Possessed
Lullaby for the Forsaken
Stronghold
The Limbo
Trial of Traitors
Under the Black Wings
Starvation
Dark Clouds
Lord of Ruins
From the Ashes
The Closure

Band members
Fernanda Lira – vocals, bass
Tainá Bergamaschi – guitars
Victoria Villarreal – guitars
Luana Dametto – drums

This slideshow requires JavaScript.

Album Review – Sanguisugabogg / Hideous Aftermath (2025)

Posted on by
Reply

The ‘Bogg is back in action with an ass-kicking record as gore-obsessed and violence-inclined as their prior works, but with a career-defining command over their ugly art.

Known for being THAT band with the unpronounceable name and unreadable logos, Columbus, Ohio-based Brutal Death Metal/Deathcore entity Sanguisugabogg returns to action with Hideous Aftermath, a record as gore-obsessed and violence-inclined as their prior works Tortured Whole (2021) and Homicidal Ecstasy (2023), but with a career-defining command over their ugly art. Recorded by Zach Weeks, produced by Kurt Ballou at Godcity Recording Studio, and mastered by Mike Kalajian at Rogue Planet Mastering, the newborn beast by frontman Devin Swank, guitarist Drew Arnold, bassist Ced Davis, and drummer Cody Davidson is the work of a band who has already cut a bloody swath into the underground and beyond, leaving any “Caveman Death Metal” tags in the dust while also flexing every muscle they have.

It’s pedal to the metal right from the beginning in Rotted Entanglement, led by the vicious drumming by Cody, almost sounding like old school, primeval Death Metal. In Felony Abuse of a Corpse we face guest vocals by the one and only Damonteal Harris (of Brutal Death Metal beast PeelingFlesh), and of course such an awesome partnership with Devin would result in pure sonic madness, with the riffs by Drew exhaling hatred; followed by Ritual Autophagia, featuring guest vocals by Todd Jones (of Nails), another slamming extravaganza by the quartet with the bass and drums by Ced and Cody, respectively, transpiring heaviness. They show no mercy for our souls in Heinous Testimony, offering an avalanche of unyielding Death Metal, with Devin’s Neanderthal vocals bringing pure hatred to their music; whereas the roars by guest Josh Welshman (of Defeated Sanity) add even more insanity to Abhorrent Contraception, with its lyrics reeking of evil (“Don’t run away, let’s play house, just stay / I’ll send them to their room, just ignore them for one day / And while they’re there, it’s just you and me right here / I’ll do what it takes for us forever”).

The second half of the album kicks off in an ominous manner, with a cryptic tune titled Repulsive Demise, led by the rumbling bass by Ced and setting the stage for the band to  kill us all in Erotic Beheading, with Drew setting fire to the atmosphere with his scathing riffage. In other words, its putrid, vile sound will please all fans of the most demented form of Brutal Death Metal, and needless to say, it will work brilliantly live. The quartet keeps hammering their sonic weapons in great fashion in Sanctified Defilement, with the deep, gargantuan vociferations by Devin sending shivers down our spines; and in Semi Automatic Facial Reconstruction we’re treated to the more-than-special guest vocals by Travis Ryan (of the unparalleled metal commando Cattle Decapitation), obviously turning it into one of the top moments of the album, with the instrumental chaos blasted by Drew, Ced and Cody providing such a phenomenal vocal duet with exactly what they need to crack the skies with their visceral roars. Lastly, featuring guest vocals by Dylan Walker (of Full of Hell), Paid in Flesh offers almost eight minutes of the most demonic form of the band’s blend of Death Metal, showcasing lots of break, variations, and of course, endless violence flowing from their riffs, beats, and the gruesome gnarls by Devin.

With Hideous Aftermath, Sanguisugabogg have proven themselves more than just an eccentric death crew on an acid-addled hateroll. They’re both champions of the underground and a musical force unto themselves. “It’s definitely our most death metal record, our most personal record, our most focused and brutal record to date,” commented Devin Swank, who’s waiting for you alongside his bandmates on Facebook and on Instagram with news, tour dates and so on. Don’t forget to also stream their undisputed brutality on Spotify, and of course to grab a copy of their excellent new album from their own BandCamp or webstore, from Century Media Records, or by clicking HERE or HERE. Hideous Aftermath showcases a band that’s not just out for blood, but out for YOUR blood, and once you find yourself in the hands of the ‘Bogg, there’s no escape.

Best moments of the album: Felony Abuse of a Corpse, Semi Automatic Facial Reconstruction and Paid in Flesh.

Worst moments of the album: Repulsive Demise.

Released in 2025 Century Media Records

Track listing
1. Rotted Entanglement 5:37
2. Felony Abuse of a Corpse 5:23
3. Ritual Autophagia 4:48
4. Heinous Testimony 3:20
5. Abhorrent Contraception 5:30
6. Repulsive Demise 4:02
7. Erotic Beheading 2:52
8. Sanctified Defilement 3:32
9. Semi Automatic Facial Reconstruction 4:33
10. Paid in Flesh 7:50

Band members
Devin Swank – vocals
Drew Arnold – guitars
Ced Davis – bass
Cody Davidson – drums

Guest musicians
Josh Welshman – vocals on “Abhorrent Contraception”
Travis Ryan – vocals on “Semi Automatic Facial Reconstruction”
Dylan Walker – vocals on “Paid in Flesh”
Todd Jones – vocals on “Ritual Autophagia”
Damonteal Harris – vocals on “Felony Abuse of a Corpse”

Concert Review – Signs of the Swarm (The Mod Club, Toronto, ON, 10/03/2025)

Posted on by
Reply

***Review by Kevin Ibbitson and photos by Keith Ibbitson of Metal Paparazzi***

OPENING ACTS: Face Yourself, Carcosa, Ten56 and Mental Cruelty

Friday October the 3rd, 2025 The Mod Club located in Toronto’s Little Italy neighborhood played host to a night of pure deathcore delight, with such bands as FACE YOURSELF, CARCOSA, TEN56, MENTAL CRUELTY and headlining act SIGNS OF THE SWARM, another amazing event organized by our metal hero Noel Peters of Inertia Entertainment. Headbangers from across the Greater Toronto Area enjoyed a night of self-inflicted whiplash and bodily torment as they moshed their brains out to some kick ass, heavy and hard as fuck deathcore from start to finish. I was also pleased to see that the venue now had a photo pit/barrier as well as a newly remodeled stage.

From the onset, New York band FACE YOURSELF, who has just released an amazing new EP titled Fury, had the crowd moshing in circle pits for the entire duration of their incredible and energetic first set. I could barely look away from the drummer the whole time as he was clad in a shirt with the face of Bubbles from Trailer Park Boys on it and couldn’t shake the image of Bubbs slaying on the drum kit out of head to my own personal delight. Lead vocalist Yasmin Liverneaux Belkhodja has quite a set of pipes on her that could strip the paint off the walls and could curdle blood with her guttural screams. Face Yourself totally kicked ass to open up the show. 10/10

Band members
Yasmin Liverneaux Belkhodja – vocals
Dave Ricco – lead guitar
Thomas Cardone – guitar
Corey Doremus – guitar, backing vocals
Kyle Muenzner – bass, backing vocals
Eric DiCarlo – drums

Next up was CARCOSA, a band created by Viral TikTokers Andrew Baena and Johnny Ciardullo out of Vancouver, British Columbia. They were absolutely brutal and didn’t let the crowd slack up, not even for a second. These guys crushed it on stage with their blend of doom & gloom, brutality, sick breakdowns, low end bass drops and humour. I also caught Andrew’s pick at the end of their set. The last album released by those guys was the EP Wrath of the Tyrant, back in 2022, which means I don’t think it will take long for them to attack us all again with their undisputed blend of death metal and hardcore. C’mon, Carcosa! WE need new music from you guys asap!  10/10

Band members
Johnny Ciardullo – vocals
Andrew Baena – guitar, backing vocals
Cooper Lagace – guitar
David Hicks – drums

French deathcore outfit TEN56 came on next and delivered a fantastic set which kept the crowd frantic and buzzing with energy. Non-stop moshing was the theme of the night. I found their drummer Arnaud Verrier to be quite impressive and he reminded me a lot of Dave Grohl mixed with Mario Duplantier. I kept getting blasted in the face with puffs of air from the bass drum as it was directly in line with me in the front row, and as I left the venue towards the end of the show I ran into Arnaud on the street outside of the club and he told me he was looking at me the whole set, and noticed that he was not exactly set up perfectly straight on to which I let him know that I felt the percussive air puffs hitting my face and thanked him for the air conditioning. I let him know that he is a hell of a drummer. Ten56 were seriously good. 10/10

Band members
Aaron Matts – vocals
Quentin Godet – guitar
Luka Garotin – guitar
Steeves Hostin – bass
Arnaud Verrier – drums

Germany’s MENTAL CRUELTY was up next and they proceeded to absolutely destroy. The crowd ratcheted up even more and exploded into wave after wave of crowd surfers and lead vocalist Lukas Nicolai eventually made his way closer to the crowd and braced by fans and balanced on top of the barrier where he continued to melt faces. The audience was losing its collective mind for Mental Cruelty. This band is pretty fuckin’ sick! Thier new song Helheim, which features the guys from Signs of the Swarm in its studio version, was a nice addition to their setlist, and a great indication of what to expect from those Germans after their 2023 masterpiece Zwielicht.  10/10

Setlist
The Venerable One
King ov Fire
Helheim
Forgotten Kings
Obsessis a Daemonio
Ultima Hypocrita
Nordlys
Zwielicht
Symphony of a Dying Star

Band members
Lukas Nicolai – vocals
Nahuel Lozano – guitars
Marvin Kessler – guitars
Viktor Dick – bass
Danny Straßer – drums

SIGNS OF THE SWARM

Pittsburgh Pennsylvania deathcore gods SIGNS OF THE SWARM headlined the show with a intensely killer set. Having just released their new album To Rid Myself of Truth, SOTS are always awesome to see live as they are one of those bands that burn with such intensity, brutality and raw aggression. Vocalist David Simonich blew me away with his brutal gutturals and sheer power. His vocals cutting straight through all of the brutally intense instrumentation to deliver a sonic assault not unlike a shotgun blast to the chest. The audience was in a frenzy with moshing in the circle pit when I decided my body couldn’t take any more of the brutality. My neck and back were sore from all of my non-stop headbanging and I regret that I couldn’t stay until the very end. I ended up out front of the club where my brother Keith and I ran into Members of Carcosa and Ten56. We shot the shit and got out of there as soon as possible while thanking them for a great show. I have no doubt in my mind that the crowd had an amazing time. 10/10

Setlist
Borrowed Time
Pray for Death
To Rid Myself of Truth
HELLMUSTFEARME
Natural Selection
Scars Upon Scars
Chariot
IWONTLETYOUDIE
Between Fire & Stone
Revelations Ov a Silent King
Creator
Pernicious
Amongst the Low & Empty

Band members
David Simonich – vocals
Carl Schulz – guitars
Michael Cassese – bass
Bobby Crow – drums

This slideshow requires JavaScript.

Album Review – Abyssalis / Adaptation (2025)

Posted on by
Reply

Masterfully blending classic Death Metal with technical and brutal elements, this American band is ready to soar armed with their captivating newborn spawn.

Imbibing various elements of contemporary Death Metal to concoct music that is at once technical, groovy, and riff-driven, Atlanta, Georgia-based Technical Death Metal/Deathcore entity Abyssalis is ready to please fans of bands the likes of Soreption, Eschaton, Fleshbore, Decapitated, and Demon King, among others, with their brand new offering, entitled Adaptation. Featuring five previously unreleased songs, plus all songs from their 2023 debut EP The Mountain as a beyond special bonus (leading to a healthy discussion about the album being a full-length or a special EP), all embraced by the striking artwork by Justin Abraham (Inanimate Existence, Equipoise, Arkaik), the new album by Mac Smith (Eschaton, Apogean) on vocals, Josh Steverson on the guitars, Cole Daniels (Fleshbore, Unaligned) on bass, and Jack Blackburn (Unaligned, Killitorous) on drums masterfully blends classic Death Metal with technical and brutal elements, resulting in a captivating beast tailored for fans of all intricate forms of extreme music.

The extremely technical yet pulverizing riffs by Josh and beats and fills by Jack will crush you like an insect in Adaptation, sounding infernal form start to finish in a lecture in Technical Death Metal; and Jack keeps destroying his drums in great fashion in Indomitable, accompanied by the ruthless bass lines by Cole while Mac growls deeply and manically nonstop. Those metal lunatics will crush your damned bodies mercilessly in Pandemonium, with the demented roars by Mac and the sick drumming by Jack turning it into a must-listen for fans of the genre, and the riffs by Josh will pierce your mind while Cole and Jack will knock you out with their devilish kitchen in Senescence, before we face the also inhumane Valholl, a lesson in brutality and intricacy by the quartet where Jack steals the show with his fulminating beats and fills.

All of the following tracks are from the band’s complete previous The Mountain release, but that only makes the album even more powerful, starting with Arrival, where its dark intro gradually turns into a demonic feast of Death Metal, followed by Attitude of Gratitude, where Jack hammers his drums mercilessly in the name of extreme music. Mac keeps barking like a rabid beast in Synonymous, with the music exhaling hatred, intricacy and darkness just he way we like it in Death Metal; and the venomous riffs by Josh will melt your damned minds and souls in Shine, all while also sounding absolutely melodic. Josh’s hard hitting riffs are nicely complemented by the rumbling bass by Cole in Ethos, keeping the album as vibrant as it can be; whereas lastly, the quartet will demolish our frail bodies with The Hills Have Eyes, spearheaded by the venomous roars by Mac.

In a nutshell, Adaptation is a solid, enjoyable release that serves as a fine introduction for this unheralded band that is poised for bigger things in the future, and if you like what you hear you should definitely give the guys from Abyssalis a shout on Facebook and on Instagram, as well as stream their creations on Spotify, and grab a copy of the album from their own BandCamp or from the Transcending Obscurity Records’ main store, Bandcamp, Europe store or US store. The future of Death Metal is certainly in good hands with bands like Abyssalis embellishing the airwaves with their unique and dynamic sounds, and I’m sure we’ll hear a lot more from those guys in the near future, shortly after their newborn spawn Adaptation takes the world of heavy music by storm.

Best moments of the album: Adaptation, Pandemonium and Synonymous.

Worst moments of the album: None.

Released in 2025 Transcending Obscurity Records

Track listing
1. Adaptation 3:27
2. Indomitable 4:15
3. Pandemonium 3:16
4. Senescence 3:41
5. Valholl 3:29

The Mountain 2023 EP bonus tracks
6. Arrival 5:01
7. Attitude of Gratitude 3:04
8. Synonymous 3:24
9. Shine 3:49
10. Ethos 3:45
11. The Hills Have Eyes 4:25

Band members
Mac Smith – vocals
Josh Steverson – guitars
Cole Daniels – bass
Jack Blackburn – drums