Metal Chick of the Month – Debora Lavagnolo

Heavy as the dark, bright as the sun… Set Your Hearts on Fire!

As the sun gets further away from the Northern Hemisphere day after day, let’s dive deep into a sun of Symphonic Metal to brighten up our daily lives with our metal lady of this month of November. Owner of a powerful and enfolding voice, which even led to her being compared to the one and only Tarja Turunen, she’s the classically trained frontwoman for the rising Swiss Symphonic Metal ensemble Deep Sun, an accomplished vocal coach, and of course, a diehard metalhead who’s always willing to bring her fans endless joy when she hits the stage with her bandmates. Her name is Debora Lavagnolo, and as you might have noticed her official website is called, “die sängerin,”  a German phrase that translates to “the female singer” or “the vocalist” in English, already giving you a very good idea about what Debora is all about. She truly loves to sing, and you’ll love to know more about such a talented artist, her career with Deep Sun, and her passion for heavy music.

Born on July 27, 1984 in Brugg, a Swiss municipality and a town in the canton of Aargau, Debora attended the Zurich Conservatory of Music for 10 years studying classical singing, and the FeMale Funk Project Vocal Performance School in Zurich for 3 years studying pop and rock singing. Furthermore, she’s been performing on stage for over 15 years, whether with a band, solo, as a duo, or as a quartet, at various events, weddings, receptions, parties, in clubs, at festivals, and other types of gatherings, and she’s constantly educating herself by attending vocal coaching sessions or (silent) retreats to continually give her voice and mind renewed energy to keep developing her skills even further.

As aforementioned, Debora is the unstoppable frontwoman for the striking Symphonic Metal outfit Deep Sun, who, together with their community called “Deep Sunlights,” offer a musical home for those seeking strength, passion, and positivity. Formed in 2006 (under the name One Hour, while also going through constant lineup changes), and currently comprised of our diva Debora alongside guitarist Erik Dummermuth, bassist Angelo Salerno, keyboardist Tom Hiebaum, and drummer Tobias Brutschi, combining epic orchestrations, powerful metal riffs, and emotional storytelling into a cinematic and unmistakable sound while bridging light and darkness, strength and vulnerability, therefore creating a sonic universe that reaches far beyond genre boundaries, the band released their debut EP Flight of the Phoenix in 2014, followed by four full-length albums, those being Race Against Time (2016), Das Erbe der Welt (2019), Dreamland – Behind the Shades (2022), and more recently Storyteller (2025), all available on Spotify, and you can also enjoy the official videos on their official YouTube channel for songs such as Journey Into the Unknown, Worlds Collide, and Eternal Love, as well as tons of live footage.

Having already performed hundreds of shows across Europe, including tours through the United Kingdom, Germany, Austria, the Czech Republic, and Switzerland, the band incorporates several elements from other music styles such as Hard Rock, Power, and Folk Metal into their core Symphonic Metal essence, while always remaining loyal to their foundations from day one. “I deliberately sought out a Symphonic Metal band where I could fully utilize and express my voice. Musically, I come from the realm of Uriah Heep, Pink Floyd, Slade, Jethro Tull etc. I grew up with this music. But classical music also fascinates me. That’s why I also pursued vocal training. When I joined Deep Sun in 2009, the basic sound we know was already established, and I knew immediately that these were the songs I wanted to sing,” mentioned the unrelenting Debora.

The band’s songwriting process, according to Debora herself, always develops a little differently. She said in an interview that she for example only starts thinking about the lyrics for a new album once the vocals for the current album are already finished. She also mentioned that her journey with Deep Sun taught her how to become more flexible and adaptable in her pursuit of perfection, saying their touring schedule showed her many things simply cannot be planned, and yet somehow it always works out. Furthermore, she also mentioned that balancing the band, her career, and her private life requires a lot of organization and structure. “Sometimes I manage it better, sometimes less so. But especially during a release phase, there’s an enormous amount of motivation and energy involved, which provides the necessary drive. And what always motivates me is the interaction with fans on social media,” she commented.

Apart from Deep Sun, and of course from her career as a vocal coach and artist, Debora recorded the lead vocals for the debut album Starwalkers, released in April 2026, by an up-and-coming German Symphonic Metal project named Withering Beauty, the brainchild of Russian guitarist Matt Plekhanov (of bands like Dragony and Red Eye Temple). You can find the official videos or lyric videos for several of their songs on YouTube, like Why Men Lie, Hold Me, and Follow Me, and of course stream their music on BandCamp, Spotify or any other streaming service. No idea if she’ll be a permanent member of the project or not, but her performance in Starwalkers is indeed fantastic.

Moreover, she also collaborated on the release of the 2014 album Das Blaue Amulett, with German Folk Metal/Classical crossover band project Fairytale and renowned musician Angelo Salerno, featuring fantasy-themed, dreamy melodies such as The Elves Land and The Enchanted Butterfly. There isn’t any additional information anywhere about the project, apart from the fact they released another album in 2015 (most probably without Debora on vocals), but their music is so compelling it would be nice to see Debora taking the vocal duties with Fairytale again for another album of sheer fantasy and sonic magic.

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When asked about her idols and influences, her answer basically reflects her vocal and music style, also in line with her songwriting where she tells stories of life, of fantasy worlds, of epic adventures and profound emotions, and also stories that perhaps should have never been told. “Through my parents I came into contact with bands like Uriah Heep, Deep Purple, Pink Floyd, but also ABBA, etc. at an early age. All the different music styles and influences have always fascinated me. But when I met Nightwish and Tarja Turunen, I knew exactly where I wanted to go with my voice. All the early symphonic metal bands were very groundbreaking for me.” She complemented by saying she truly enjoys going to concerts, in special to see Symphonic, Melodic and Power Metal bands, like for instance the great Powerwolf.

An accomplished singer and vocal coach in the Zurich, Aargau, Basel, Bern, Solothurn, Lucerne, Zug, Schwyz, St. Gallen, Thurgau, Valais, Graubünden area and, upon request, also outside of Switzerland and abroad, owning a powerful 3-Octave-range voice (which gets even more powerful through her Neumann KMS 105, Sennheiser e945 wireless microphone), and always collaborating with various professional musicians in different musical projects, Debora also helps her clients in their songwriting process, lyrics, stage performance, as well as other general coaching services including preparation for studio recordings, and tips and tricks for voice problems. Furthermore, the fact she’s a perfectionist is also very important in her line of work, and she’s proud of that. “Either perfection is in my genes, or I absorbed it during my 15 years in track and field. As a former top athlete, especially in the sprint disciplines, everything had to be precise down to the millimeter. Nothing could be left to chance, and technical sequences like the start from the starting blocks were practiced thousands of times—until they were perfect. When the seamless transition from sports to classical singing with its corresponding vocal technique began, my approach and attitude remained essentially the same, only now it was in the music room instead of on the track.”

As aforementioned, one of Debora’s biggest idols in music, if not the biggest, is the one and only Tarja Turunen, and she feels honored to have her music compared to the early days of Nightwish. However, she also likes to mention the uniqueness of her voice and music when such comparisons happen. “Being compared to Nightwish is definitely flattering, and we’re very grateful for such comparisons, especially since Tarja Turunen is one of the greatest singers of all time in my opinion. However, if you listen closely to our songs, you can clearly hear our own unique sound. I, too, am constantly evolving with my voice, for example, always incorporating screams, which Tarja doesn’t do. But what remains constant is the fundamental timbre of my voice, which is perfectly suited to this kind of music. I don’t copy anything; that’s just how my voice sounds, not least because of my classical vocal training. And I love being able to use my voice this way.”

Furthermore, Debora had some very nice words to describe her absolute admiration for Tarja. “Not just because of her voice and her power, but also because of her energy, her commitment to women in the metal scene, and her ability to constantly reinvent herself while staying true to herself.” Debora has the same opinion about Lady Gaga and her incredibly powerful voice, as well as Agnetha Fältskog from ABBA, and Sue Schell from Peter, Sue and Marc. “And in classical music, I could lose myself in the sound of the voices of Diana Damrau or Regula Mühlemann,” complemented our Swiss diva.

As already mentioned, Debora is also a former track and field athlete, a multiple Swiss champion in the 80m, 100m, 200m, and 400m over 15 years, a member of the national team, and a multiple European Championship team participant. “Over time, however, I realized that I wasn’t fully committed to sports anymore and that I had to follow the call of music. Music has been a part of my life since childhood, and I even started classical vocal training during my track and field days. So, after my last Swiss championship title, there was a smooth transition from competitive sports to music, where I also give my all,” she said. And it doesn’t matter if it’s in sports or in music, Debora always does it for the passion. “I don’t make music to get rich. I work so I can fully pursue my passion for music in my free time. And with sports, it’s the same story – it’s never been about the money for me, only about constantly striving to improve.”

A fan of the short stories by Roald Dahl and of Swiss writer Mirjam Richner, saying both have the gift of expressing their creativity and imagination in such lyrical, poetic, yet modern language, labeling their stories as unconventional and always with a twist at the end, therefore getting truly inspired to write her music, Debora has a very active life, usually related to her music career. “When I’m not working with Deep Sun, I’m preparing for other musical engagements, such as weddings, events, parties, and collaborations. My life is already very musically rich.” However, she always takes some time out for herself every day, in which she dedicates herself to Vipassana (an ancient meditation technique that means “to see things as they really are”), yoga, and strength and stability exercises, or to her two tortoises Powerwolf and Steelhammer. Those are very lucky tortoises, having the pleasure of listening to Debora singing basically every single day of their lives, but we can consider ourselves lucky metalheads as well, since we’re able to enjoy Debora’s music with Deep Sun or any other of her music projects. She’s a fantastic vocalist, and I can’t wait to see what’s next in her always evolving and thrilling career.

Debora Lavagnolo’s Official Facebook page
Debora Lavagnolo’s Official Instagram
Deep Sun’s Official Facebook page
Deep Sun’s Official Instagram
Deep Sun’s Official YouTube channel

Metal Chick of the Month – Laura Guldemond

Lock, lock, lock her in the tower!

As the fires of summer continue to burn in the Northern Hemisphere, there’s nothing better than dedicating an entire article to one of our beloved Burning Witches, more specifically the one responsible for turning the band’s lyrics into sheer power and energy through her soaring, undisputed vocals. Not only a classy vocalist and frontwoman, she’s also a diehard metalhead, always ready to show her love for old school Heavy Metal, and always ready to rock our world with her incredible voice and charisma. Her name is Laura Guldemond, a crazy wild child and frontwoman for one of the must-see names of the current metallic scene, and once you know more about her career, her personal life, and her passion for heavy music, there’s certainly no turning back, as you’ll be under the spell of one of the most talented “witches” of the worldwide metal community. Having said all that, are you ready to be locked in the tower by the phenomenal Laura Guldemond here on The Headbanging Moose?

Born on July 31, 1988 in Zoetermeer, a city in the Western Netherlands, in the province of South Holland, Laura doesn’t exactly come from a family of musicians, but there was still a lot of music surrounding her in her early days. “It’s funny, because my parents weren’t into music, but my grandparents were musicians – they played the double bass and the violin. They travelled around playing music, and I guess the next generation was fed up with that, so it had to continue with me! My mum’s half-sister still plays the flute, too.” Although she could sing a little bit and was comfortable with some notes, she had to learn the high notes by taking singing lessons, and at one point she decided she wanted to become a professional singer. Then she went to a conservatory in Eindhoven called The Metal Factory to continue with her studies. “When I was about twenty years old, I decided to take things a little more seriously, and that’s when I started taking singing lessons. Later on, I decided that I had to study music somehow. I auditioned for the Haarlem conservatory and ended up in the preparatory course for it, but then I came across the Metal Factory, and I was part of the first batch of students there.”

Laura has been immersing herself in Heavy Metal and Hard Rock for most of her life, saying it was a big discovery for her when she was younger. “My parents never really went any heavier than Queen. Which I like, but then I discovered Within Temptation, and I loved it. That was probably mainly because it sounds a little mysterious. That’s what I liked about it, at least. When the time came that I had enough allowance to buy albums, I found W.A.S.P.’s Dying for the World right next to Within Temptation. I really like W.A.S.P. as well. From then on, I started listening to more and more different things. Quite quickly after that, I decided that I wanted to play guitar. And I did have a guitar, so I did try to play it, but I had no lessons, and I ended up giving up. I did already sing, and that’s what I kept doing,” she commented.

It was in 2019 when Laura joined the amazing Burning Witches, replacing the band’s original vocalist Seraina Telli, and she fit the blank spot perfectly with her undisputed vocal potency, being immediately embraced by the band’s diehard fanbase. That same year, she released her first song with the band, the excellent Wings of Steel, following by the EP Wings of Steel, also in 2019, and her first-ever full-length opus with the girls, Dance with the Devil, in 2020. That same year, the band released an EP titled Acoustic Sessions, followed by their full-length albums The Witch of the North (2021), The Dark Tower (2023), and more recently Inquisition (2025), all available on Spotify or any other streaming platform. Furthermore, you can also check Laura and the girls kicking ass on the official videos for songs like High Priestess of the Night, The Dark Tower, The Witch of the North, and Unleash the Beast, or check their official YouTube channel for those videos, full playlists and other content including interviews and live footage of all of their tours.

When Laura joined Burning Witches, she said they were all very welcoming, helping her overcome any initial challenges as she said she’s the type of person that needs a lot of time to get used to other people. There was of course a lot of rehearsal time required in the beginning until they all got used to Laura’s vocal style and vice-versa, but as expected there’s also a lot of fun involved in the overall process. “We go out to dinner sometimes, we hang out after rehearsals, so that is nice,” she commented, also having some nice words to say about the freedom she has while writing material for the band. “When it comes to writing my melodies and lyrics, I have a fairly large amount of freedom. Sometimes they come up with something they like, but even then, I am free to try something else, or we can discuss various ideas. It’s always fairly open. It kind of depends on how attached they are to the ideas they already have. There are plenty of times when there is no idea at all yet, and I can just make up whatever I like.”

Needless to say, the band’s diehard fans were all very welcoming when Laura became a member of Burning Witches, even when you take into account they already had two very solid albums released prior to her joining the band. Laura was actually more prepared for the feedback from the audiences than her bandmates in the end. “To be completely honest, I think it had been a much more emotional process for the rest of the band than it has for me. In a way, I had kind of already prepared myself for such reactions. The stories are out there. Like Tarja and Nightwish, for example. You still hear people complaining about that these days, which makes me think: guys, seriously, still? You know it is going to happen, and you know it is going to keep happening. So I was mentally prepared for that. Some of those people have returned, others haven’t. That’s just how things go.”

Before becoming the frontwoman for the indomitable Burning Witches, Laura was the vocalist for an array of very interesting bands and projects. It looks like her first Heavy Metal band was Utrecht, Netherlands-based Progressive Metal act Synergy Protocol, having played with them from 2013 until 2015, and having recorded their 2014 debut three-track demo. Around the same time, from 2014 to 2015, she was also the vocalist for Epic Rock Choir, a Netherlands-based group of singers specialized in major rock and metal opera projects like Arjen Anthony Lucassen’s The Theater Equation, and founded an Experimental and Electronic Rock and Metal project named Generation Lost together with Marco van der Hoorn, but nothing has ever been released under that flag.

The other two bands that Laura was a member of were Dordrecht, Netherlands-based Progressive Metal/Rock project Magoria, working as one of their vocalists between 2017 and 2018, and of course her main band before she joined Burning Witches, the excellent Eindhoven, Netherlands-based Symphonic Power Metal band Shadowrise, fronting the band from their inception back in 2009 until they split up in 2019 (one of the reasons being of course her full-time commitment with Burning Witches), having recorded with them the 2016 EP Escape from Shadow Island, and their 2018 self-titled full-length, both available on BandCamp and on Spotify.

Not only that, Laura can also be found as a guest musician in several different bands and projects, showcasing her absolute energy, dynamism and versatility, allowing her to sing basically any music genre you can think of. For instance, she was a guest vocalist on the song Valkyries in the Sky, from the 2024 album Gods of Metal (Year of the Dragon), by German/Italian Heavy Metal band All for Metal; choir vocals on the official video recording of the 2016 album The Theater Equation, by Dutch Progressive Metal/Rock icons Ayreon; vocals on the song Schwestern aus Stahl, from the 2025 Damokles, by German Heavy Metal/Hard Rock band Blindgänger; vocals on the song The Path That Never Ends, from the 2026 album Sons of the Abandoned, by Spanish Melodic Death Metal outfit Bloodhunter; vocals on the song Back on the Streets, from the 2022 album Back on the Streets, by UK Power Metal band Chrysalïd; and vocals on the 2025 single Fierce, by Swiss Symphonic Metal band Deep Sun.

If you think this is it, you’ve got another thing coming, as Laura was also a guest vocalist on the song Receptor, from the 2025 album Receptor, by American Progressive Metal act Dissona; vocals on the song Poison Tears, from the 2025 album Unbreakable, by the indomitable Heavy Metal/Hard Rock duo Ellefson-Soto; vocals on the song False Faced Demon, from the 2022 album Inquisition, by Dutch Symphonic Metal band Epinikion; female vocals on the song Blind Souls, from the 2017 album The Endless River, by Jordanian Melodic Death Metal band Eternal Insomnia; vocals on the 2022 album Malleus Maleficarum, and on the Avatarium cover The Fire I Long For, from the 2023 album Ventus Metallum, by German Heavy/Power/Progressive Metal project FB1964; and vocals on the song For Blood & Glory, from the 2021 album Serpent Chariot, by Austrian Blackened Thrash Metal band Golden Blood.

Do you want some more? Well, Laura was also featured as a guest vocalist on the song Stand United, from the 2022 album Dealer of Souls, by Swiss Heavy/Power Metal band Gomorra; on the song All Women in Me, from the 2023 self-titled album by Dutch Progressive/Symphonic Metal band Heavenqueen; on the song Sleeper, from the 2025 album Gilgamesh, by Ukrainian Progressive Metal/Rock act Korypheus; vocals on the song The Great Masquerade, from the 2025 album Remnants of Rapture, by Canadian Heavy Metal outfit Lycanthro; on the song Alone, from the 2024 album Shadow Empress, by Progressive Metal warrior Nino Helfrich; backing vocals on the 2015 album Wayward Sanctuary, by the now defunct Dutch Progressive Metal/Rock project ReSolve; vocals on the song Your Time Has Come, from the 2024 album Blood of the Witches, by German Heavy Metal/Hard Rock guitarist Stephan Georg; choirs on the 2015 album The Diary, by Dutch Symphonic/Progressive Metal/Rock duo The Gentle Storm; vocals on the song Neverealm, from the 2026 album Neverealm, by Greek Heavy Metal band Valiant Sentinel; and vocals as one of the “Pirate Queens” on the song The Pirate Queens, from the 2022 album Lost, by Dutch Symphonic Power Metal project Woods of Wonders.

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As you can see, Laura is one of the best vocalist of the current Heavy Metal scene worldwide, with countless bands recruiting her as a special guest in their new albums, and of course with her career with the striking Burning Witches being the icing on the cake. However, it’s important to say that before being such an accomplished vocalist, she’s also a true metalhead, nurturing deep passion for the same rock and metal icons as any of us, as well as some of the most interesting names of the non-metal scene. “Lots of awesome metal bands have influenced me during the years. To name a few I listened to a lot as a teenager; Within Temptation, W.A.S.P., Judas Priest, Iron Maiden, Halestorm, Eluveitie, Death Angel and Kamelot. But also great contemporary singers like Sia, Christina Aguilera and Beyonce. This is reflected in the versatility of my voice,” she commented.

When asked which song she loves the most in her life, her answer was the purest, most incendiary form of Heavy Metal you can think of. “I love Painkiller by Judas Priest because the drums start playing and you immediately feel the energy.” Moreover, she considers the one and only Metal God Rob Halford as a role model, saying he’s one of the people who’ve inspired her the most in terms of how she sings with Burning Witches now, as well as the indomitable Bruce Dickinson. “What I love is that he has so many songs with a lot of vocal dynamics. So I would say both he and Bruce Dickinson inspired me. I’ve heard Bruce a few times when people are listening from a bit further away and it sounds hyper-laden. I think it’s because I have a bit of memorization there too.” Dio is also a huge influence in her life, and the fact Burning Witches recorded a cover version for the all-time classic Holy Diver also shows how much she loves his unique voice.

Speaking of cover songs, Laura also maintains a really entertaining YouTube channel as her “solo project” (which you can also find alongside all of her other links and social media by clicking HERE), recording multiple cover songs with very special guests the likes of Courtney Cox and Sara Jolís as her support band, among other interesting videos. For example, you can enjoy Laura’s soaring vocals in killer cover songs including W.A.S.P.’s Wild Child (which is by the way one of the bands she used to listen to the most when she began listening to metal music), Iron Maiden’s The Trooper, Cradle of Filth’s  Nymphetamine Fix, AC/DC’s Highway to Hell, Slayer’s Raining Blood, Pantera’s Walk, and Judas Priest’s Painkiller, among several other incredible videos where she will melt your faces with her scorching, sharp vocals.

Speaking of her vocal technique and how she prepares for the intense life on the road, Laura, who currently uses a Neumann U 87 Ai (a legendary large-diaphragm FET condenser microphone, featuring cardioid, omnidirectional, and figure-8 polar patterns), mentioned in one of her interviews how difficult it is to bring to stage what’s recorded in the studio. “Recording a song is one thing, but singing it at the same level every night is a different matter.” Owner of very versatile and dynamic vocals, as already mentioned, she said she always enjoys trying new things with her voice. “The others in Burning Witches like it when my voice sounds relatively deep, so we have been playing around with lower keys in recent years,” she commented. “These days, I have been trying to learn to use vocal fry better than I could before. So who knows? Maybe I will be doing something with that in the future. But it has to get better first. Singing clean with a bit of distortion on it is something I know I can do well at this point. If I add something that doesn’t sound quite as good, and you can actually hear that difference in quality, it will just end up sounding weird.”

She also commented about the importance of maintaining a good health, in special when your voice is your instrument of work. “I am often afraid of getting a sore throat, so my main priority is keeping nice and warm. During summers, I hardly ever have a sore throat, but once winter rears its head, I have to be careful. And to be fair, during spring and autumn as well. Also, when I work out too hard, and my body gets tired, I get a sore throat as well. That is something to watch out for.” She also mentioned it’s extremely important to build up her stamina before a headlining tour starts, alternating between singing and resting until she’s warm enough for the band’s longer-than-usual sets. “Especially if I have just been on vacation, and I haven’t sung for a while. Then it truly is important to build up my stamina, as I’m really going to feel the difference once I have to do a longer set.”

This might sound repetitive, but Laura is not only an extremely talented vocalist; she’s also a vocal coach ready to help any newcomers to the world of singing with her professional and dynamic approach. You can find more details about Laura’s services as a vocal coach (in Dutch, English or German) on her official website, including the subtypes of services available such as singing lessons, workshops, and growling. “I always try to find ways to make them practice things step by step. There are certain techniques that require you to use a little more power, which means they are potentially more dangerous, as more power is a bigger burden on your vocal cords if you do it wrong. That’s why I try to explain things step by step, so they can actually warm up to it step by step, allowing them to do things properly from the moment they start to add more power to it.”

In the end, after witnessing Laura kicking some serous ass live for the first time earlier this year in Toronto, I felt the urge to write this tribute to such a phenomenal vocalist, and after knowing more about her and her focus and hard work to keep delivering high-quality Heavy Metal for the masses, we must all agree she’s more than just another frontwoman. She’s the epitome of heavy music, a woman that puts her heart and soul into her music, delivering breathtaking vocals with endless charisma it doesn’t matter if she’s singing with Burning Witches, if it’s recording a cover song for her YouTube channel, or if it’s as a guest for another rock and metal band. Laura will most certainly hypnotize you with her stunning vocals and screams, lock you inside her tower of Heavy Metal, as I warned you in the beginning of this tribute, and throw the key away. Well, I bet you’ll be more than happy when that happens.

Laura Guldemond’s Official Facebook page
Laura Guldemond’s Official Instagram
Laura Guldemond’s Official YouTube channel
Burning Witches’ Official Facebook page
Burning Witches’ Official Instagram
Burning Witches’ Official YouTube channel

“Lots of awesome metal bands have influenced me during the years. To name a few I listened to a lot as a teenager; Within Temptation, W.A.S.P., Judas Priest, Iron Maiden, Halestorm, Eluveitie, Death Angel and Kamelot. But also great contemporary singers like Sia, Christina Aguilera and Beyonce. This is reflected in the versatility of my voice.” – Laura Guldemond