Album Review – Phenomy / Phantasmagoria (2025)

This unrelenting Lebanese outfit is back with their their distinctive fusion of Melodic Thrash, Groove, and Heavy Metal in their fourth studio album.

Formed in 2014 in Beirut, Lebanon, the unrelenting Thrash Metal squad known as Phenomy is ready to kill armed with their their distinctive fusion of Melodic Thrash, Groove, and Heavy Metal in their new offering, titled Phantasmagoria, the fourth studio album in their career, and the follow-up to their 2022 opus Syndicate of Pain. Produced, mixed and mastered by Jaroslav Celujko and Loïc El Haddad at Jaro Sound, recorded at Ontune Studio (vocals and bass), at Grotesque Productions (guitars), and at Sound Pressure Studios (drums), and displaying a modern yet dark artwork by Stefan Koidl, the new album by vocalist and guitarist Sam Felfy, guitarist Loïc El Haddad, bassist Peter Aoun, and drummer Rudy Bejjani sees the band take a solid step further in their career, positioning them as a driving force hailing from the Lebanese metal community.

The cinematic intro Prologue invites us to Phenomy’s dark and venomous realm in Hush, where they put the pedal to the metal and fire a striking fusion of Melodic Death, Thrash and Groove Metal led by the thunderous drums by Rudy. Then the bass by Peter sounds utterly metallic in Sins Of The Father, featuring vocalists Ricardo A. Haila and Léa Wardini, while Loïc keeps firing his trademark thrashing riffs. Shellshock Paradise starts in a melancholic vibe before evolving into a dark ballad by the band led by Sam’s deep, anguished vocals, whereas Gambit brings hints of the music from their homeland mixed with traditional Groove Metal, with the riffs and solos by Sam and Loïc exhaling passion. Then in Mad Man’s Waltz they tried to sound too much like Avatar, but the final result is not compelling nor vibrant at all.

Back to a much heavier, more exciting sound we face Swallow The Fear, with their riffs and beats walking hand in hand with the Machine Head-like vocals by Sam, and it’s time to jump up and down with the quartet in the Groove Metal extravaganza Sacrilège, once again showcasing nuances of the music form their own country, in special in its riffs. Phantasmagoria is another song with a cryptic intro that evolves into a progressive version of their Groove Metal, all embraced by Rudy’s classic drumming, followed by the seven-minute instrumental piece A Dream Within A Dream, and although I’m not a big fan of long instrumental songs, this one is quite entertaining. There’s still time for the sinister interlude Abel and The Frail, where the serene vocals by Sam warm up our hearts and souls before I, Witness concludes the album on a high and violent mode, undoubtedly the most thrilling song of all, with Sam’s guttural matching perfectly with the hurricane of sounds blasted by Loïc, Peter and Rudy.

Exploring themes ranging from personal struggles to societal and existential conflicts, Phenomy are on absolute fire throughout their newborn spawn, bringing their trademark heaviness, groove and melodic sounds to our avid ears in great fashion. Hence, you can get to know more about those talented metallers by following them on Facebook and on Instagram, including their live performances, stream all of their albums on any available platform such as Spotify, and of course grab a copy of the album from the Art Gates Records webstore as a CD + shirt bundle or as a CD + shirt + hoodie bundle or you can also click HERE. Phantasmagoria is undoubtedly the band’s strongest effort to date, and based on the quality of the music found in it I believe it won’t take long for such an excellent band to strike us once again with an incendiary album number five.

Best moments of the album: Sins Of The Father, Swallow The Fear and I, Witness.

Worst moments of the album: Mad Man’s Waltz.

Released in 2025 Art Gates Records

Track listing
1. Prologue 1:12
2. Hush 3:23
3. Sins Of The Father 4:20
4. Shellshock Paradise 4:57
5. Gambit 7:18
6. Mad Man’s Waltz 3:28
7. Swallow The Fear 4:42
8. Sacrilège 3:54
9. Phantasmagoria 4:46
10. A Dream Within A Dream 7:11
11. Abel and The Frail 3:55
12. I, Witness 4:35

Band members
Sam Felfy – vocals, guitar
Loïc El Haddad – guitar
Peter Aoun – bass
Rudy Bejjani – drums

Guest musicians
Ricardo A. Haila – vocals on “Sins Of The Father”
Léa Wardini – vocals on “Sins Of The Father”

Album Review – Ciemra / The Tread of Darkness (2023)

Behold the magnificent debut opus by this Belarusian Black Metal horde, based on the denial of the usual foundations of the world, on the darkest manifestations of human activity, and on energies hidden beyond the Dark Abyss.

Forged in the scorching fires of Minsk, Belarus in 2019, when five essences emerged from the abyss to the veils of night on the eve of the end times in order to reap the living, to satisfy the hunger of darkness and to nourish the wombs of the dark gods, the venomous Melodic Black Metal horde Ciemra (or Цемра, which means “darkness” in Belarusian) delivers fast-paced, cold and pure Black Metal which is looking at both the classic European sound and its more contemporary interpretations, which is exactly what you’ll find in their newborn opus titled The Tread of Darkness. Recorded at Alma Studio, mixed and mastered by Yaroslav Tseluyko at Jaro Sound, and displaying a demonic artwork by Nestor Povarnin, The Tread Of Darkness is based on the denial of the usual foundations of the world, on the darkest manifestations of human activity, and on energies hidden beyond the Dark Abyss, masterfully brought into being by the witch Malvain on vocals, Misery and Zima on the guitars, Kurz on bass, and Sønn on drums.

The acoustic guitars by Misery and Zima will mesmerize your soul accompanied by the slow and steady beast by Sønn in Ciemra, before the Belarusian sorceress Malvain begins gnarling in a dark and beautiful manner, with the music growing in intensity until becoming a sulfurous and grandiose feast of undisputed Black Metal. After such impactful start, the band continues to distill their blend of Melodic Black Metal with old school, raw Black Metal in Four Riders, with the band’s guitar duo cutting our skin deep with their evil riffage, followed by Vomiting Void, very melodious and bestial from the very first second while showcasing devilish lyrics growled by Malvain (“Burning the world / Building the temple / In the end of the night / There’s a Vomiting Void / So far material awake the gun”). And investing in a more cadenced, obscure sonority led by the classic drums by Sønn supported by the low-tuned bass by Kurz, Call of the Ancestors is an evil composition perfect for summoning evil spirits.

Then continuing to pave their path to pitch black darkness it’s time for War, again presenting the trademark roars by Malvain while Misery and Zima add elements from Death and Doom Metal to their riffs; and their piercing, strident guitars keep darkening the skies in A Night for the Death, where their Blackened Doom vein arises like a creature from the netherworld, with Kurz and Sønn once again hammering our heads with their demonic kitchen in a lecture in extreme music. The eerie vociferations by Malvain are the main ingredient in the Black Metal extravaganza Winter, where the caustic sound of their guitars will blacken your mind for all eternity, whereas in Serpent’s we face more of their infernal words (“The shaking Serpent / In the Abyss / The Raw materials / I’m on my knees…”) while the music is just as Stygian and heavy as the rest of the album, exploding into a gargantuan onrush of pure Black Metal at the end. Lastly, closing such somber album we have Where the Eyes Close, offering more of the band’s darkly melodic and grim Black Metal for our total delight, with its ethereal passages creating a stunning paradox with the band’s more visceral and violent side.

The bestial debut album by such promising Belarusian horde can be appreciated in full on YouTube and on Spotify, but of course if you consider yourself a true servant of darkness you can purchase your favorite version of the album from their own BandCamp page, from the Avantgarde Music’s BandCamp page, from Sound Cave as a digipak CD, a black vinyl or a color vinyl, from Season of Mist also as a digipak CD or a color vinyl, from Record Shop X, or from Apple Music. Furthermore, don’t forget to start following Ciemra on Facebook, on Instagram and on VKontakte for news, tour dates and so on, and to subscribe to their YouTube channel for more of their wicked music and videos. Nature, in its primordial beauty and originality, also finds a place in The Tread Of Darkness, as there is where Ciemra find themselves at peace, but the exact opposite of that peace is what the quintet will offer you throughout the entire album, relentlessly dragging you toward endless darkness.

Best moments of the album: Ciemra, Vomiting Void, A Night for the Death and Where the Eyes Close.

Worst moments of the album: None.

Released in 2023 Avantgarde Music

Track listing
1. Ciemra 7:09
2. Four Riders 4:41
3. Vomiting Void 3:52
4. Call of the Ancestors 4:59
5. War 5:49
6. A Night for the Death 5:43
7. Winter 4:48
8. Serpent’s 4:28
9. Where the Eyes Close 5:00

Band members
Malvain – vocals
Misery – guitar
Zima – guitar
Kurz – bass
Sønn – drums