Album Review – Heathen’s Eye / Port Inspiro (2025)

Inspired by the past, a new Swedish Melodic Metal entity arises with their debut offering, a tribute to the bands that led them onto the path they are on today.

A new Swedish Melodic Metal band which incorporates many different influences from the fields of AOR, Melodic Rock, Hard Rock, and Progressive Rock and Metal into their sound, Heathen’s Eye are set to release their debut album, entitled Port Inspiro, or “inspired by the past” in Esperanto, a tribute to the bands that led the band onto the path they are on today. Featuring five experienced musicians with background in several genres, the band formed of Robb Lindh on vocals, Göran Hamrin on the guitars, Ola Hellström on bass, Mikael Andersson on keyboards, and Jonas Jönsson on drums brings together all of their influences from the 80’s and 90’s to the album, being therefore recommended for fans of Masterplan, Accept, Queensryche, Firewind, and Lynch Mob, among others.

Jonas revs up the band’s rockin’ engine in One Black Lie, quickly evolving into a beyond solid feast of European Hard Rock, with Robb distilling his hypnotizing vocals for the delight of fans of the genre. The band then takes us back to the golden years of 80’s Hard Rock with Mirrorman, with Göran’s stylish riffs walking hand in hand with Mikael’s mesmerizing keys; whereas a cinematic, creepy intro explodes into another feast of Melodic Rock and Metal entitled Ghosts Of Yesterday, more cadenced and harmonious than its predecessors. Robb continues to fire his beyond melodious vocals in Still Water Runs Deep, while Mikael’s keys and Jonas’ beats add an extra Rock N’ Roll touch to the music, and the rumbling bass by Ola exhales groove and heaviness in the fast-paced Firepriest, a song perfect for hitting the highway on a hot summer day. After such a hurricane of rock music, it’s time for a cheesy but very melodic ballad titled Is It Over Now, with Robb stealing the show with his passionate vocal lines.

Just the start of Endless Lines transpires the 80’s, gradually evolving into another mid-tempo Hard Rock aria where Jonas takes the lead armed with his fierce beats, followed by Lost In The Wind, another beautiful ballad by those Swedish rockers, with the minimalist guitar lines by Göran clashing perfectly with Robb’s vocals. Shine is a very generic Melodic Rock tune that doesn’t add much to the album, despite the band’s classy musicianship being there as usual; while they get back on track in Monsters, offering a six minute voyage through the realms of classic Hard Rock, Melodic Rock and Metal, and even Rock N’ Roll, with Göran and Ola extracting sheer adrenaline from their axes until the very last second. The band keeps rockin’ our world with Blind, adding hints of old school Heavy Metal to their core Hard Rock; and lastly, we’re treated to another six-minute feast of melody and passion titled Time To Deliver, with Jonas pounding his drums while Mikael’s keys bring a pinch of modernity to the music.

Most members of Heathen’s Eye live in the beautiful north, the land of snow, aurora borealis, months of eternal darkness in the winter, and warm days when the sun never sets in the summer. These contrasts are also reflected in their music, which spans over Heavy Rock, airy ballads and Progressive Metal, exactly like what they have to offer us all in Port Inspiro. Hence, you can get to know more about this exciting new name of the Swedish rock and metal scene by following them on Facebook, and purchase a copy of their classy debut from the Pride & Joy Music shop. Inspired by the past, Heathen’s Eye is crafting the future of Melodic Rock and Metal in their new album, leaving us eager for more in the coming years.

Best moments of the album: Mirrorman, Firepriest and Monsters.

Worst moments of the album: Shine.

Released in 2025 Pride & Joy Music

Track listing
1. One Black Lie 4:57
2. Mirrorman 5:08
3. Ghosts Of Yesterday 5:07
4. Still Water Runs Deep 4:58
5. Firepriest 5:33
6. Is It Over Now 5:34
7. Endless Lines 4:37
8. Lost In The Wind 5:08
9. Shine 4:32
10. Monsters 6:14
11. Blind 5:32
12. Time To Deliver 6:07

Band members
Robb Lindh – vocals
Göran Hamrin – guitars
Ola Hellström – bass
Mikael Andersson – keyboards
Jonas Jönsson – drums

Concert Review – Visions of Atlantis (Lee’s Palace, Toronto, ON, 04/09/2025)

Sailors, comrades and buccaneers from every nook and cranny of Toronto gathered this Wednesday night for an electrifying feast of first-class Melodic and Symphonic Power Metal.

OPENING ACT: Seraina Telli

Sailors, comrades and buccaneers from every nook and cranny of Toronto gathered at the always cozy Lee’s Palace this Wednesday night for a cinematic, thrilling feast of Melodic and Symphonic Metal, plus some colorful and vibrant Hard Rock, courtesy of VISIONS OF ATLANTIS with special guest SERAINA TELLI during their Armada Over North America Tour 2025, brought to the city by the iconic Noel Peters of Inertia Entertainment. Keith Ibbitson of Metal Paparazzi and I were there to cover such a unique experience in the city, and I must say that from all Symphonic Metal bands out there these days, Visions of Atlantis are by far the most entertaining one, and the one I can listen to on a regular basis without getting bored at all. Quite the contrary, right after the show I kept listening to their music instead of switching to something else, just to give you an idea of how exciting the whole night was.

But before those Austrian pirates (seasoned with French and Italian elements) hit the stage, we were treated to the electrifying Hard Rock by Switzerland’s own SERAINA TELLI, a pleasant surprise as I’ve been following her work since she was part of Burning Witches, but I honestly had zero hope of seeing her live with her solo career in Canada. Well, it was amazing watching Seraina on the stage at Lee’s Palace, as she simply kicked ass with her beyond powerful and beautiful voice, colorful looks (which matched perfectly with her 2023 debut solo album Addicted to Color, available on Spotify), and rockin’ moves, and the crowd loved every single moment of her show. Not even the fact the bass lines were pre-recorded took away the energy of her show, with songs like Addicted to Color and Wish You Well masterfully depicting her passion for Rock N’ Roll. There was a funny moment when during one of her interactions with the crowd she asked us to sing with her some sort of “oooh-oh-oh-oh!”, and one guy screamed “what does that mean?” Seraina laughed out loud as she was caught by surprise, sayinbg no one had ever asked her that before, and that moment made the whole show even more intimate and relaxed. Hopefully we’ll see her again soon in Toronto, because at the same time she’s addicted to color, Toronto is just starting to get addicted to her music.

Setlist
Addicted to Color
Wish You Well
I’m Not Sorry
Take Care
I Dare to
Think!
All Your Tears
If No One Else Had Ever Been There Before
Modern Warrior

Band members
Seraina Telli – vocals, guitar
Mike Malloth – drums

VISIONS OF ATLANTIS

It was 9pm sharp when the Austrian pirate ship of Melodic/Symphonic Power Metal buccaneers VISIONS OF ATLANTIS docked in the “port” of Lee’s Palace for one of the most entertaining shows of the year, making everyone at the venue raise their fists, jump up and down, dance, headbang, and even row on the floor, thanks to their awesome pirate gimmick (or maybe they’re real pirates, who knows). Their latest albums Pirates (2022) and Pirates II – Armada (2024) resulted in an amazing live album titled Armada (Live Over Europe) (2025), available on Spotify, and that was basically their setlist for the night. I had no idea how they would behave during their first-ever headlining tour in Canada and in the US, after having a few opening slots like when they opened for Korpiklaani in 2024, but Visions of Atlantis were incredible from start to finish and, therefore, deserve a bigger venue when they get back to the city (as much as I love Lee’s Palace).

Songs like Monsters, Heroes of the Dawn, Where the Sky and Ocean Blend, Clocks, Tonight I’m Alive, Hellfire, and so on (and holy shit, they definitely know how to craft catchy tunes!) sounded thrilling live thanks to the perfect synchronicity between their pirate frontman Michele Guaitoli and their stunning siren Clémentine Delauney, plus their heavy artillery brought forth by Christian Douscha, Herbert Glos, and Thomas Caser. Michele and Clémentine are by far one of the best, most talented and most charismatic vocal duos in heavy music, maybe only losing to Helloween’s iconic vocalists Michael Kiske and Andi Deris (just to give you an idea of how good Michele and Clémentine are), and their clash of vocal styles kept the energy flowing majestically during their entire show. Michele brings power and fun to the stage with his crazy pirate character, while Clémentine is simply hypnotizing, driving the crowd crazy and putting huge smiles on everyone’s faces.

The last part of the show was a very entertaining and demanding one, starting with the pirate ship rowing during Pirates Will Return, the unstoppable jumping during the “jump jump” song Melancholy Angel, and of course the screaming of “HAIL JOLLY ROGER!” and “ARMADA!” during their now all-time hit Armada. I was even tired after the show was over, but a good type of exhaustion, I mean, when you’re tired but very satisfied and happy, got it? And if you ask me, not only they need to return to Toronto sooner than you can say “ARMADA!” with an even bigger headlining show, but they also deserve a spot opening for bands like Iron Maiden, Judas Priest and Helloween anywhere in the world. Visions of Atlantis are absolutely awesome, and if you don’t like them, it’s time for you to walk the plank.

Setlist
To Those Who Choose to Fight
The Land of the Free
Monsters
Heroes of the Dawn
Where the Sky and Ocean Blend
Clocks
Legion of the Seas
Tonight I’m Alive
Collide
Hellfire
The Dead of the Sea
Underwater
Magic of the Night
Pirates Will Return
Melancholy Angel

Encore:
Master the Hurricane
Armada

Band members
Clémentine Delauney – female vocals
Michele Guaitoli – male vocals
Christian Douscha – guitars
Herbert Glos – bass
Thomas Caser – drums

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Metal Chick of the Month – Maude Théberge

Come dance la valse des condamnés!

As the heat is definitely on in the Northern Hemisphere, there’s nothing like icy cold blood to cool us all down, and that’s exactly what our amazing metal lady of this month of July has to offer with her undeniable talent, charisma and passion for heavy music. Not only that, July 1 is Canada Day, which means having a metal lady hailing from Canada makes things even better here on The Headbanging Moose. Owner of a powerful yet delicate voice, she’s the vocalist and keyboardist for a Montreal, Quebec-based Melodic/Symphonic Death/Gothic Metal band known as Sanguine Glacialis, as well as a growler for Growlers Choir (the world-famous choir of metal vocalists) and a voice actress and administrative assistant for La Fabrique de Monstres (or The Monster Factory). She can play the violin too, and she’s also a teacher and a model. Her name is Maude Théberge, and I’m sure that after knowing more about her life and career, you’ll get addicted to her voice, to her music, and be more than ready to dance “la valse des condamnés.”

Born and raised in the stunning Canadian city of Montreal, Maude has been a singer for more than 15 years, having already acquired two music degrees in classical piano interpretation and music teaching. Apart for being a sensational growler, she’s a soprano singer who can sing a wide variety of styles such as classical, jazz and pop, she can write and sing in French and English, and she’s also a composer and arranger who has her own studio at home, allowing her to write, compose, record ad edit her own parts, including midi instruments and orchestrations for any project with a specialty in string sections, as she’s also a pianist, keyboardist and violinist as already mentioned.

Our metal diva started started playing the piano at the age of 12 and the violin at the age of 13, continuing her studies at Cégep de St-Laurent, where she also had the opportunity to play jazz piano, classical violin and sing in a classical choir, obtaining her DEC in classical piano interpretation in 2012. Maude continued her studies at UQAM in music education (classical piano), where she still played classical violin, jazz choir, wind instruments and percussions, obtaining her Baccalaureate and her teaching certificate in 2016. Subsequently, she did a DESS in Management at UQAM and obtained her diploma in 2019. Finally, she took an acting and dubbing course in 2020 with French-Canadian director, dubbing director and acting coach Sergine Dumais.

It was in 2011 when Maude joined Sanguine Glacialis, in which she played the keyboards and did some backing vocals, taking over the reins of the band in 2016, being the only remaining member, rebuilding the project with new musicians, and becoming the lead singer of the band. Sanguine Glacialis have become her biggest project in life for over a decade already, allowing her to develop many skills such as classical and pop singing and growling as well as studio recording at home, in addition to developing managerial skills including production of albums, music videos and over 100 shows across Canada. Having already shared the state with renowned acts the likes of Dark Tranquility, Omnium Gatherum, Delain, Necronomicon, Unexpect and Anonymus, just to name a few, the band experiments with multiple musical styles, such as Jazz, Classical, folkloric music, Latin music, and so on, while keeping a very strong Melodic Death Metal accent.

Since their inception, the band has already released three full-length albums, those being Dancing with a Hanged Man, in 2012, Hadopelagic, in 2018, and Maladaptive Daydreaming, in 2023, plus the EP Pitch Black Sight, in 2016, and from those she did keyboards and backing vocals only in their debut album and their EP, becoming their frontwoman while still playing keyboards as aforementioned starting with their 2018 album. currently formed of Maude alongside Alexandre Lépine on the guitars, Marc Gervais on bass, and Jérémy Racine on drums, the band is in great shape and form, as you can see in this footage live in Quebec in 2023, and you can also enjoy all of their creations on BandCamp, on Spotify and on YouTube, including their ass-kicking official videos for the songs KrakenWelcome, and Monsters,  and you can also click HERE for all things Sanguine Glacialis.

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Apart from her amazing years with Sanguine Glacialis, Maude has also been the vocalist for a Melodic Death Metal band from Toronto named Terminalcurse together with multi-instrumentalist Kirill Zorin (ex-Nachtmuse), having released with the project their self-titled debut EP in 2022. The EP is available on BandCamp and on Spotify, and you can also find all links and information about the duo by clicking HERE. Also, between 2017 and 2024, she was also the violinist for Montreal’s own Melodic Black/Folk Metal horde Valfreya, having recorded with them the excellent album Dawn of Reckoning, released earlier this year.

Maude can also be seen as a guest musician in distinct bands and projects; for instance, she did choir vocals for the song Dissociation, from the 2023 EP Survival Mode, by Canadian Avant-garde Death metal band Disorientation; also did vocals for the song Mordrake I – Birth, from the 2014 album Mordrake, by Canadian Symphonic/Melodic Black/Death Metal band Hollow; and recorded two albums with Canadian Symphonic Metal project Nachtmuse as their lead vocalist, backing vocalist or doing choir vocals, those being the 2022 release Solemn Songs of Nightsky & Sea, and the 2023 EP Darker Skies. Not only that, in 2018 she also released her debut album as a solo artist, titled The Simplest Expression, which is by the way an acoustic album. Furthermore, everything about Maude can be found HERE, by the way.

In March 2020, just before the COVID pandemic, Maude appeared on the show Tout le monde en parle, the biggest talk show in Quebec, to talk about the band and Le FestEvil – Quebec City Women Metal fest part 1, which was not only an important event for metal music in Quebec in 2020, but one that also provided women in metal with tons of support, with its first edition featuring the bands Your Last Wish, Valfreya, Sanguine Glacialis, Merkabah, Uriel, Within Embers and Fall Of Stasis, all amazing bands from the Quebec scene with very talented women like Maude in their lineups. Unfortunately, I don’t think the festival exists anymore, mainly due to the pandemic crushing any plans of live events anywhere in the world, but it would be amazing if we could see more festivals like that in Canada for sure, of course spearheaded by Maude and her Sanguine Glacialis.

Last but not least, Maude is also a pet lover, nurturing a deep passion for cats. In one of her interviews, she said that she had four cats, Jack (for Jack Black), Amélie (for Amélie Poulin), Vévé (because she has a V shape pattern on her forehead) and Gizmo (like the Gremlin), but unfortunately Vévé and Amélie have passed away since that, also talking a little about how she manages to take care of all of them while also continuing with her career in music, as for example saying her boyfriend or parents take care of them when she’s on tour. Also, when asked how they behave when she’s practicing at home, her answer was quite funny and curious. “All the cats, but especially the male cats, HATE my violin. They complain the whole time I’m trying to practice. I can growl all I want and they don’t care, but the violin.” Well, maybe they’re more into extreme music, right? So I believe as long as she keeps playing the awesome music by Sanguine Glacialis to them, she’ll surely keep four cats extremely happy, and of course countless happy metalheads worldwide.

Maude Théberge’s Official Facebook page
Maude Théberge’s Official Instagram
Maude Théberge’s Official YouTube channel
Sanguine Glacialis’ Official Facebook page
Sanguine Glacialis’ Official Instagram
Sanguine Glacialis’ Official YouTube channel
Sanguine Glacialis’ Official X