Metal Chick of the Month – Luana Dametto

I curse at their holy symbols… I laugh as they pray…

As we’re reaching the end of 2022, let’s all make a lot of noise together with our last metal lady of the year in the name of rock and metal music, sounds good? And when I say a lot of noise, I mean A LOT OF noise, because our metallic diva this month of December is undoubtedly one of the most talented drummers of the current Death and Thrash Metal scene, hammering her drums mercilessly for our total delight wherever she goes. I’m talking about the talented and charismatic Luana Dametto, the unrelenting drummer for Brazilian Death/Thrash Metal horde Crypta, and also known for her work with the bands Nervosa, Chaos Rising and Apophizys. Having said that, are you ready to know more about such unstoppable lady of the extreme music scene?

Born on November 22, 1996 in Tapejara, a municipality in the state of Rio Grande do Sul, Brazil, Luana started her path in the world of music at the young age of 12 when she already began to play drums, later joining her very first band, Passo Fundo, Brazil-based Death Metal act Apophizys, at the age of 16. That’s exactly when she discovered her passion for Death Metal, and from there it was just a matter of time until she joined Brazilian Thrash Metal ladies Nervosa back in 2016. However, before becoming part of Nervosa, Luana studied Graphic Design at UPF – Universidade de Passo Fundo in Brazil in order to build a career in this field while still working as a musician in her spare time until the age of 19, which turned out to be very useful for her as she actually applied her studies into her passion for heavy music, being responsible for the artwork for the first (and only) full-length album by Apophizys.

Speaking about Apophizys, our metal lady was part of the band between 2012 and 2017, when the band split up, having recorded with them the album Into the Chaos back in 2015, which included some excellent songs such as Fear of the Unknown and Carnage (and you can enjoy a nice drum cam recorded by Luana herself for this song by clicking HERE). In one of her interviews, Luana explained exactly how she made it to  Apophizys, saying that in the city of Passo Fundo there were two Death Metal bands, one formed by brothers who wouldn’t allow her to join the band, and the aforementioned Apophizys. She said Apophizys already had a drummer at that time, but Luana didn’t give up and stayed tuned to them hoping their drummer would leave the band, opening the so much needed spot for her. As you might already know, that worked, and Luana kicked some ass behind her drums with Apophizys for six years before joining Nervosa.

Luana was still in college when Nervosa’s founder and guitarist Prika Amaral added her on Facebook and contacted her for an audition (being referred by Brazilian drummer Eduardo Lane of NervoChaos, who had already toured with Apophizys before), as at that time Nervosa had just lost their previous drummer Pitchu Ferraz. She then travelled to the city of São Paulo, passed the test, and went on to start playing live with the band that same year and to record the band’s 2018 opus Downfall of Mankind. From such intense album, you can enjoy amazing songs the likes of Kill The Silence and Never Forget, Never Repeat (and there’s also a kick-ass drum cam for this song HERE). After the album release, she traveled and toured a lot around the world, playing at several big festivals and, therefore, turning music into her main occupation.  In addition, Luana also recorded with Nervosa the single Freakshow, originally released on the Adult Swim metal compilation 2 in 2019. It was in 2020 when Luana parted ways with Nervosa, saying that the main reason for her departure was the fact that the three girls at that time felt there was no more passion for doing music together. There wasn’t any type of fighting or arguing, and she said they could have even continued with the band as is, but they all agreed they had to change something to reignite that passion and love for extreme music.

The seed for what’s known today as Crypta had already been planted before she left Nervosa, more specifically in June 2019, as a new musical project by Luana together with Fernanda Lira, also from Nervosa. As the co-founder of the band, she said the focus would be on playing Death Metal in a way that could not be done with Nervosa, inviting Dutch guitarist Sonia Anubis (of Burning Witches) to the band and later also adding Brazilian guitarist Tainá Bergamaschi (of Hagbard) to their lineup. After consolidating the band members, they started working on their debut effort Echoes of the Soul, released in 2021, and you can have an absolute blast to the sound of such incendiary album to the sound of songs such as From The Ashes, Dark Night Of The Soul and Kali (check out another awesome drum cam for this song HERE). Furthermore, earlier this year the band released the single I Resign (which also has a really cool drum cam video that can be watched HERE), once again presenting the visceral and heavy elements that are characteristic of their sound. Moreover, if live concerts are your cup of tea, you can find Luana pounding her drums in great fashion in several live videos of the band including From The Ashes live at Wacken Open Air 2022, and a 30-minute performance at Espaço Som studio in São Paulo, Brazil in November 2021.

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Apart from Crypta, Nervosa and Apophizys, you can also find Luana smashing her drums since 2021 with Chaos Rising, a collaborative international project focused on different subgenres of heavy music open to every female artist interested in metal that includes members from Brazil, France, Germany, England, Sweden, Hungary, Russia, Iran and Argentina, among others. She recorded with Chaos Rising in 2021 the single Cost of Inaction alongside Swiss vocalist Alessia Mercado (Burning Flesh, Murge), French guitarist Stéphanie Nolf (Unsafe), Italian guitarist Francesca Mancini (Sudden Death), and German bassist Tina Gruschwitz (Demorphed, Cryoblood), and the final result is a bestial Death and Thrash Metal attack that will please all fans of extreme music. In addition, Luana was also a guest drummer in the 2016 EP Souls Dragged into the Abyss of Torment, by Brazilian Melodic Black/Death Metal act Isfet,  also working in the recording of the album. If you want to listen to Luana playing a more demonic, blackened style of music, you can enjoy for example what’s perhaps the best song of the album, Perennial Pain Domain.

Regarding her idols and influences, Luana mentioned that she’s a huge fan of Thrash, Black and in special Death Metal, and that she began playing drums influenced by Joey Jordison (RIP) of Slipknot and Vinnie Paul (RIP) of Pantera, learning a lot about double bass and groove by listening to and watching them. She also mentioned Kerim “Krimh” Lechner of Decapitated and Derek Roddy of Hate Eternal as influences on the way she does her blast beats, complementing by saying that playing drums was actually a random thing that happened to her, as she was only 11 years old when she got in touch with a friend who played drums who led her to get her own set and begin playing. Not sure if her setup is still the same, but a few years ago she was using a 14″ Color Sound 900 Black Heavy Hi-Hat, a 16″ Color Sound 900 Black Heavy Crash, a 17″ Color Sound 900 Black Heavy Crash, a 18″ 2002 Giga Bell Ride “Psychoctopus”, and a 16″ Color Sound 900 Black China.

Speaking about her life on the road, although Luana might still be a very young drummer, she has already been to several different parts of the world including of course most regions in Brazil, the United States, Colombia, many countries across Europe and Asia (even recommending Singaporean Grindcore act Wormrot as one of her favorite bands of the region), and even the United Arab Emirates together with Nervosa and now Crypta. She mentioned Rock in Rio in Brazil and Altavoz Fest in Colombia as the most memorable concerts so far in her career, saying that Altavoz Fest is some sort of “Rock in Rio Colombia” where she played in front of over 30,000 people. Moreover, when asked which bands she enjoyed the most to play alongside, our dauntless drummer mentioned Havok (Brazil), Warbringer (United States) and Venom Inc. (England) as her favorite bands to tour together. There are some very interesting interviews with Luana on YouTube (most of them in Portuguese, though) where she talks about not only her touring experience but also about what’s next for Crypta, their music and so on, such as this one to a podcast named TUPFS, this one to Revista Freak, and this one to Hedflow.

There’s also another excellent interview to a podcast named Music Hero where she talks about being a woman in the extreme metal scene, and that’s how we’ll conclude this humble tribute to her. As a prominent female drummer in the world of heavy music, Luana thinks the scene is still ruled by men and that there’s a lot of sexism everywhere, saying she feels extremely disappointed when people treat her as if she knows less about her instrument than guys just because she’s a woman. Her advice to other women who are starting their careers in music is to focus on your work and ignore all the negativity that might come from some people, only doing what you truly feel comfortable doing. When asked about her favorite female metal musicians, Luana listed Canadian drummer Justine Éthier (Karkaos, Blackguard), Dutch vocalist Simone “Som” Pluijmers (Your Chance to Die, Lacerated, Cerebral Bore), and American vocalist Reba Meyers (Pray for Teeth) as the best for her, and just by mentioning only names from the underground scene we can see how much Luana is passionate about it. Hence, if you also love the underground extreme scene, you must go check what Luana and the other girls from Crypta are doing and, of course, stay tuned for when the band takes your city by storm with their pulverizing live performance, with Luana proving that you don’t need to be a big guy to powerfully smash your drums in the name of extreme music.

Luana Dametto’s Official Facebook page
Luana Dametto’s Official Instagram
Luana Dametto’s Official Linktree
Luana Dametto’s Official YouTube channel
Crypta’s Official Facebook page
Crypta’s Official Instagram
Crypta’s Official YouTube channel
Crypta’s Official Linktree

Album Review – Nervosa / Agony (2016)

Brazil’s meanest power trio returns with another marvelous blast of their kick-ass high-octane Thrash Metal.

Rating3

nervosa-agony-2016Do you know what the main difference is between Brazilian Thrash Metal power trio Nervosa and iconic bands such as Slayer, Testament, Exodus and Death Angel? Instead of a bunch of big bad guys with fully grown beards and ugly faces, Nervosa are three charming and beautiful girls, but don’t think that because of that minor detail their music is less demolishing, vicious or infernal. Quite the contrary, Brazil’s meanest power trio plays a fantastic high-octane Thrash Metal that lives up to the legacy of the genre, putting the pedal to the metal in each one of their electrifying compositions and taking no prisoners on their path to stardom. Furthermore, they might be relatively new to the business, but what those three thrash metallers offer us in their brand new album, entitled Agony, has the energy and feel of an old school metal classic.

Formed in February 2010 in the metropolis of São Paulo, Brazil by guitarist Prika Amaral, who was joined in July 2011 by vocalist and bassist Fernanda Lira, Nervosa (which by the way is the female word for “nervous” in Brazilian Portuguese) have already built a respectable career in the underground of heavy music, having released their debut demo/EP named Time of Death in 2012 and their first full-length album, Victim of Yourself, in 2014, leading to their participation on some of the major European summer festivals such as Summerbreeze, Brutal Assault and Metal Days, as well as on the unique 70000 Tons Of Metal in the United States, sharing the stage with important names like Exodus, Raven and Samael through the years. All that enhanced experience, together with their always-improving technique, culminated in the release of Agony, an album that will mercilessly assault you like a rabid beast, starting by the deadly cover art designed by Godmachine, and when this gripping opus is over I dare you to not listen to it again and again.

The album starts at full speed in Arrogance, a brutal composition perfectly executed by those three talented women with drummer Pitchu Ferraz (who unfortunately has left the band recently) delivering sheer Thrash Metal beats before Fernanda begins firing her Hantu Kopek-like gnarls. And there’s no time to breathe as the second tune of the album, Theory of Conspiracy, is as visceral and fast-paced as its predecessor, with highlights to the brilliant job done once again by Fernanda with her enraged screams (especially when she barks the famous saying “what goes around comes around”). Furthermore, this song has what it takes to become a Thrash Metal classic, in special the lancinating riffs by Prika. And in Deception, a rhythmic composition with elements from Death Metal added to drums and riffs, sounding like contemporary Cannibal Corpse due to its pace and intricacy, the vocals by Fernanda get to a more Black Metal-ish level, which only makes things even better in the end.

The lyrics might sound cheesy in Intolerance Means War, but they’re spot-on with their message against our society’s cruel reality (“Different doesn’t means it’s not the way / Remove sex creed race, we are all the same / Confront ignorance with knowledge and awareness / Show respect / Dialogue is freedom / Intolerance is war”), and when Fernanda growls the word “war” it truly feels like her personal tribute to Mr. Tom Araya screaming the same word in Slayer’s all-time classic War Ensemble. Needless to say, this Thrash Metal anthem is ideal for some fun circle pits and wicked headbanging. Guerra Santa (or “Holy War” in English) is the only song in Agony entirely sung in Brazilian Portuguese, which ends up adding an extra touch of rawness to the overall result. Pitchu is a female demon on drums, as violent and demented as possible, blending the sheer heaviness of Death Metal with the groove from Thrash Metal in her beats, not to mention the cutting guitar sounds blasted by Prika throughout this phenomenal song.

nervosaFailed System reminds me of old school Exodus with hints of Black Metal, where Fernanda not only growls like a beast, but her bass guitar also emanates pure hatred; whereas Hostages, a song about how disturbing and horrible it is to be at a decaying public hospital in Brazil (and you should definitely check their official gory video for the song at the end of this review), is another straightforward chant bursting madness and anger where Prika continues to pierce our souls with her powerful riffs. More melodic and groovy, Surrounded by Serpents brings forward lyrics about the venomous effects of betrayal (“Poisonous snake / Disguised as friends / Enemies attack / Snakes stab you in the back / A beast wounds your body / A snake wounds your mind / Pretend disguise destroy / In a blink of an eye”), with Fernanda reaching some deep growls that effectively increase the song’s obscurity.

The rumbling bass by Fernanda kicks off another metallic and vile composition, titled Cyberwar, presenting an electrified Exodus-inspired Thrash Metal vibe tailored for slamming into the pit with the girls, with the awesome solo by Prika making this beautiful thrashy anthem a thousand times more adrenalized. The excellent Hypocrisy begins in a dark and atmospheric way before getting as heavy as hell, feeling as if Pitchu wanted to destroy her drums due to the strength she puts into her beats. Moreover, those unstoppable and remorseless girls yet again add elements of Death Metal to the song’s sonority, a recurrent technique they know how to use almost to perfection. And what better song to end such fulminating album than one called Devastation? That’s what Fernanda, Prika and Pitchu beautifully do, decimating every living creature that has the guts to face them in this more-modern-than-usual tune thanks to its hints of Groove Metal.

Instead of following those girls that only care about showing their asses on social media or that wear more makeup than an entire Black Metal band and live a complete superficial life, try following Nervosa through their Facebook page, Instagram, YouTube channel and SoundCloud. I’m sure you’ll have a much better and more productive time by doing that. And in case you want to purchase this high-end Thrash Metal gem, simply go to their official webstore or to the Napalm Records’ webstore and grab your copy of Agony’s Limited Edition Digipack, which includes a bonus track named Wayfarer, a 6-minute chant mixing Blues and Jazz to the band’s ruthless music by showcasing clean vocals and harsh screams together in a very creative and interesting form. After listening to Agony, the first thing that will come to your mind when you hear the world “Nervosa” is undoubtedly first-class Thrash Metal, and if you disagree with me I guess there are three mean and violent girls that will be more than happy to pay you a visit.

Best moments of the album: Theory of Conspiracy, Intolerance Means War, Guerra Santa and Cyberwar.

Worst moments of the album: None, of course.

Released in 2016 Napalm Records

Track listing
1. Arrogance 3:08
2. Theory of Conspiracy 4:17
3. Deception 3:54
4. Intolerance Means War 3:29
5. Guerra Santa 2:52
6. Failed System 3:43
7. Hostages 3:25
8. Surrounded by Serpents 4:32
9. Cyberwar 3:02
10. Hypocrisy 4:28
11. Devastation 3:32

Limited Edition Digipak bonus track
12. Wayfarer 6:17

Band members
Fernanda Lira – lead vocals, bass
Prika Amaral – guitar, backing vocals
Pitchu Ferraz – drums