Album Review – Vyrion / Nil (2020)

A fantastic concept album of bone-crushing Black Metal made in Australia, telling the stories of civilizations from the cradle to their eradication by disease.

With Black N’ Roll rotting its heart, Nil, the brand new opus by Brisbane, Australia-based Progressive Black Metal horde Vyrion, brings a relentless bone-crushing, soul-fucking, thrashing element to the otherwise intricate formula the band comprised of Dale Williams on vocals and lead guitars, Mark Boyce also on the guitars, Mitch Rogers on bass and vocals, and James Daly on drums perfected on their 2014 album Geo. A concept album telling the stories of civilizations from the cradle to their eradication by disease, Nil takes all prisoners on a vivid journey, basking in the glory of our war-mongering past and looking eagerly towards our decrepit future, all embraced by the distinctive, aggressive and progressive Extreme Metal carefully (and furiously) crafted by this four-piece Black Metal entity who has been on a constant rise since their inception in 2007, having already carved their name in the history of Australian underground metal.

The piercing riffage by Dale and Mark ignites the furious Beleaguered, leaning towards classic Black Metal with James showing no mercy at all for his drum set (and consequently for our necks), but of course presenting the band’s core progressiveness and harmony, and more of their metallic wall of sounds will hammer our cranial skulls in Squall, a lesson in Progressive Black Metal spearheaded by Dale and Mark’s Stygian guitars, with Mitch and James generating a menacing atmosphere with their infernal kitchen. Then we have Avalanche, which as the name already states is an avalanche of old school Black Metal the likes of Dark Funeral and the early days of Enslaved infused with Progressive Black and Doom Metal, with Dale sounding like a creature from the abyss with his demonic gnarls, and you better get ready for another fulminating exhibit of the band’s undisputed talent and deep passion for Extreme Metal in Erupt, a mid-tempo feast of Black and Doom Metal where James provides hellish but at the same time very detailed beats throughout the entire song.

Time for a one-way voyage to the pits of the underworld to the sound of the 8-minute aria Crave, where all band members are on fire with their razor-edged riffs, rumbling bass punches and crisp drums, therefore inspiring you to bang your head nonstop and succumb to their otherworldly, venomous music; whereas atmospheric sounds are suddenly enfolded by an incendiary riffage in Monuments, where Dale couldn’t have sounded more bestial on vocals, resulting in the the epitome of Australian Black Metal, sounding and feeling menacing and thrilling form start to finish. In the vile and grim Dethrone the band brings forward their classic sonority with James delivering sheer brutality on drums accompanied by the once again flammable riffs and solos by the band’s guitar duo, albeit a bit generic compared to the rest of the album, and last but not least Vyrion darken the skies one final time with Infect, starting in a Stygian way before morphing into a neck-breaking Black Metal hymn where James once again takes the lead with his unstoppable drumming until the song’s cryptic ending.

After all is said and done, the hellish, blackened sounds blasted by Vyrion in Nil definitely deserve our respect and appreciation, as those Australian black metallers are not only extremely talented and focused, but the way they managed to transform such interesting concept into extreme music is also beyond outstanding. Hence, keep an eye on all things Vyrion by following them on Facebook and on Instagram, and grab your copy of Nil from their own BandCamp page to show your true support to Black Metal from Down Under. As it seems like humanity will never learn with the mistakes and issues that caused civilizations to crumble into pieces throughout history, there’s nothing left for us to do but to enjoy the first-class, eye-opening Black Metal played by bands like Vyrion, pointing to a bright future for such amazing Australian horde and, unfortunately, to an even darker and more frightening destiny for our rotten and decaying world.

Best moments of the album: Squall, Erupt and Monuments.

Worst moments of the album: Dethrone.

Released in 2020 Independent

Track listing
1. Beleaguered 6:25
2. Squall 4:57
3. Avalanche 6:25
4. Erupt 3:18
5. Crave 8:01
6. Monuments 6:49
7. Dethrone 6:42
8. Infect 5:24

Band members
Dale Williams – vocals, lead guitars
Mark Boyce – guitars
Mitch Rogers – bass, vocals
James Daly – drums

Concert Review – Trivium & Arch Enemy (The Danforth Music Hall, Toronto, ON, 11/07/2017)

Over 1,500 metalheads headed over to Toronto’s Greektown for a flammable night of modern and vibrant contemporary metal music, courtesy of the iconic Arch Enemy and the unstoppable Trivium.

OPENING ACTS: Fit For An Autopsy and While She Sleeps

Although it’s getting colder and colder as the month of November begins to switch from the colors of fall to the monochromatic look of winter, I guess no one can complain about the clear and not-so-chilly weather yesterday in Toronto, turning the night into the perfect occasion to head to The Danforth Music Hall, located at the easternmost side of what’s known as “Greektown”, to watch the fulminant performances by two of the most important bands in contemporary metal music, Swedish Melodic Death Metal masters Arch Enemy and American Heavy Metal troopers Trivium, both promoting their brand new kick-ass albums. Not only that, weeks before the concert all tickets were already sold out, which means we were going to experience around 1,500 metalmaniacs screaming, jumping up and down and slamming into the pit together with the bands. It can’t get any better than this, my friends.

The two bands chosen to warm up the crowd in a night of modern and aggressive heavy music were American Deathcore act Fit For An Autopsy and British Metalcore group While She Sleeps, with FIT FOR AN AUTOPSY being the first to hit the stage at 6:30pm. Formed in 2008 in Jersey City, in the state of New Jersey, United States, the band is supporting Arch Enemy and Trivium during their fall tour by promoting their latest album, titled The Great Collapse, released earlier this year. If Deathcore is your cup of tea, go check The Great Collapse in full on YouTube as their setlist was 2/3 formed of songs from that album, and also watch their official video for Black Mammoth, the closing song of their performance.

Setlist
Hydra
Heads Will Hang
Absolute Hope Absolute Hell
Still We Destroy
Iron Moon
Black Mammoth

Band members
Joe Badolato – vocals
Will Putney – guitar
Patrick Sheridan – guitar
Tim Howley – guitar
Peter Spinazola – bass
Josean Orta – drums

After that good start it was time for WHILE SHE SLEEPS to blast their Metalcore precisely at 7:15pm to all metalheads that were already at the venue (and the ones arriving a little late). Formed in 2006, this Sheffield-based squad is currently promoting their new album You Are We, with their setlist also being almost 100% based on it. New songs like the opening tune You Are We, Silence Speaks, and the closing one Hurricane kept the audience warm enough for the main attractions of the night, with lead singer Lawrence Taylor and bassist Aaran Mckenzie being absolutely on fire from start to finish.

Setlist
You Are We
Civil Isolation
Brainwashed
Feel
Silence Speaks
Hurricane

Band members
Lawrence Taylor – vocals
Sean Long – guitar
Mat Welsh – guitar, vocals
Aaran Mckenzie – bass
Adam Savage -drums

ARCH ENEMY

Finally, after over three long years (the last time the band was in town was in 2014 together with Kreator), Toronto had the pleasure of witnessing another bestial performance by ARCH ENEMY, precisely at 8:05pm (the punctuality of the concerts in Toronto always amazes me), and let me tell you that this time the whole band was even sharper and heavier than last time. Well, let’s say that is most probably due to the fact that in their new album, the excellent Will to Power, Arch Enemy put the pedal to the metal, sounding less melodic and more ruthless, and when their new songs were transferred to the stage the result couldn’t be different than some insane mosh pits, lots of growling and fists and horns in the air.

Frontwoman Alissa White-Gluz (with her always exotic and apocalyptic attire) seemed extremely happy and excited (as expected) to be with Arch Enemy once again in her homeland Canada, saying that it might be difficult for the band to cross the ocean to play in North America, but when they’re able to finally come to Canada and the US, it’s definitely worth it. She said that although she’s originally from Montreal, Quebec, she nurtures a deep passion and respect for Toronto, and the fans responded to that statement with a lot of enthusiasm, banging their heads nonstop to each and every song played by Arch Enemy. As mentioned, the new songs worked extremely well, in special the high-octane Slayer-ish tornado titled The Race, which by the way Alissa said is her favorite of the new album (and mine too), and the classy and groovy Blood in the Water.

Sharlee D’Angelo and Daniel Erlandsson were as precise and competent as usual with their bass and drums, respectively, but I must say it’s impressive how crystal clear, blazing and tuneful the guitars by Michael Amott and Jeff Loomis sounded during their entire performance. Those guys are true BEASTS with their cutting riffs and solos, sounding so perfect to the point you couldn’t tell if they were playing live or if it was the studio version of the songs. Whoever adjusts their instruments prior to the shows is a technical genius, no doubt about that, and if you get to see Arch Enemy live anywhere during this tour simply close your eyes and let each note played by Mr. Amott during the classic instrumental piece Snow Bound penetrate deep into your soul. The only “complaint” I have about their concert was the presence of not-so-exciting songs in their setlist, like Stolen Life, You Will Know My Name and Avalanche, which worked well, I have to admit that, but imagine if they played some of their more obscure and scathing classic tunes, like what happened with Ravenous, Dead Bury Their Dead and especially Nemesis? Well, we’ll have to wait for their next Canadian tour to see what they’ll do to their setlist (and I can’t wait for that).

Setlist
Set Flame to the Night (Intro)
The World Is Yours
Ravenous
Stolen Life
War Eternal
My Apocalypse
Blood in the Water
You Will Know My Name
The Race
The Eagle Flies Alone
As the Pages Burn
Dead Bury Their Dead
We Will Rise
Avalanche
Snow Bound
Nemesis
Enter the Machine (Outro)

Band members
Alissa White-Gluz – vocals
Michael Amott – lead guitars, backing vocals
Jeff Loomis – lead guitars, backing vocals
Sharlee D’Angelo – bass
Daniel Erlandsson – drums

TRIVIUM

After a short break, where the house DJ played some all-time classics on the speakers such as Iron Maiden’s “The Prisoner” and Motörhead’s “Born to Raise Hell” to keep the momentum created by Arch Enemy going, Orlando-based metallers TRIVIUM took the stage by storm at 9:45pm sharp already with the opening track of their superb new opus, The Sin and the Sentence, the title-track The Sin and the Sentence, which made the crowd explode in awe and ignited some serious mosh pits all over the venue. Matt Heafy, Corey Beaulieu and Paolo Gregoletto were as electrified and in sync as usual, with Matt leading the fans with his “meme-generator” faces and gestures, but it was newcomer Alex Bent who stole the spotlight. Holy shit, that guy is a relentless killing machine on drums, elevating the band’s already heavy sonority to a whole new level. Needless to say, he played all songs to perfection, in special one of the best of the new album and a serious candidate to become a Trivium classic, the Black Metal-inspired tune Betrayer.

Surprisingly (at least for me), one of the songs with the strongest reaction from fans was Until the World Goes Cold, which is a pretty nice ballad but, let’s be realistic, it’s far from being as awesome as classics like Down From the Sky and Kirisute Gomen. Two of the other songs from The Sin and the Sentence, the radio-friendly The Heart From Your Hate and Thrown Into the Fire, also sounded and felt truly heavy and thrilling, proving once again that Trivium are one of the most effective bands in heavy music when composing both heavier and slower, more melodic songs. Just like what happened with Arch Enemy, I missed a few songs in their setlist, especially some of the more complex tunes from Shogun, but Matt & Co. know what they were doing when they put this setlist together, trying to encompass all of the band’s phases in a little less than one hour and a half.

Last but not least, when the intro Capsizing the Sea started playing we all knew the show was coming to an end, but not before Matt thanked Toronto for another fantastic night of metal, promising to always return to the city with another blast of Trivium music, and asking everyone present at the venue to get down or kneel before one of their biggest classics, if not the biggest of all, In Waves. If you enjoy Slipknot you’ve already seen Corey Taylor and his bandmates do the same during their concerts, and with In Waves that Slipknot-ish formula worked extremely well like a precise time bomb, with all fans jumping up and down like maniacs while bursting their lungs screaming the two words from the song’s name. I guess there wasn’t a single fan that wasn’t eager for more Trivium when the show was over, as both Arch Enemy and Trivium had shorter-than-usual time slots to play for co-headlining the tour, but again, we must learn to be patient and wait for Trivium to get back in town in a not-so-distant future, right? At least Matt promised to be back soon, and we must trust the man.

Setlist
The Sin and the Sentence
Down From the Sky
Betrayer
Until the World Goes Cold
Like Light to the Flies
Rain
Dusk Dismantled
Strife
The Heart From Your Hate
Kirisute Gomen
Thrown Into the Fire

Encore:
Capsizing the Sea (Intro)
In Waves

Band members
Matt Heafy – lead vocals, guitar
Corey Beaulieu – guitar, backing vocals
Paolo Gregoletto – bass guitar, backing vocals
Alex Bent – drums, percussion