Album Review – As Paradise Falls / Madness / Medicine EP (2022)

Let’s bang our heads to the new EP by a Deathcore duo aiming at redefining what the Australian metal scene is capable of.

“They laugh at me because I am different… I laugh at them because they are all the same…”

Aiming at redefining what the Australian metal scene is capable of, Brisbane-based Deathcore duo As Paradise Falls (also known as APF) has been on a dark rollercoaster of pure emotion in the pursuit to find where they truly fit in the world both as people and as a band. After the releases of their 2014 debut EP Save Yourself and their 2017 debut full-length album Digital Ritual, As Paradise Falls dropped off the radar and halted the progress of the band with no explanation, but it looks like they’re back on track with their 2020 single Bleed for the Crown, and more important than that, with their brand new EP titled Madness / Medicine. Produced by Shane Edwards at Studio 28 in Thailand, Madness / Medicine is a new breed of Deathcore that has raised the archetype of heavy music, proving how talented vocalist Ravi Sherwell and guitarist Danny Kenneally are while also providing music lovers with a very good reason to bang their heads nonstop to the sound of the EP’s five incendiary tracks.

BATS is simply sinister and caustic from the very first second, where Ravi’s enraged, demonic vocals will pierce your mind mercilessly while Danny hammers his guitar in great fashion, resulting in a fantastic opener for the EP. If you’re a diehard fan of Deathcore you’ll fall in love for this tune without a shadow of a doubt, whereas Captain Hero is even more demented than its predecessor, with the heaviness exhaling from the song’s bass and drums being outstanding while the duo adds elements from classic Death and Groove Metal to their core sound to make things even more violent. Then we have KFBR392, slightly more alternative as if Slipknot ventured through the realms of Deathcore, where once again Ravi barks and roars like a demented beast while Danny will haunt your damned soul with his riffage; and get ready for another round of insanity and heaviness by As Paradise Falls entitled Mechanical Hannibals, a lecture in Deathcore showcasing all elements we love in the genre such as wicked vociferations, rumbling bass lines and pulverizing riffs. Finally, closing the EP we’re treated to two minutes of dementia in the form of TR4K 1, with Danny cutting our skin deep with his sick riffs, therefore inspiring us all to succumb to the dark side of Deathcore.

As already mentioned, As Paradise Falls want to show the world the Deathcore scene in Australia is stronger than ever, with their new EP representing that evolution and, consequently, where we should expect to see the duo in the coming years. Hence, you can keep track of all things As Paradise Falls by following the band on Facebook and on Instagram and by listening to more of their wicked creations on Spotify, and don’t forget to obviously purchase a copy of Madness / Medicine sooner than you can say “Deathcore” by clicking HERE. Hopefully, Ravi and Danny will continue to deliver awesomeness in their upcoming releases without having to put the band on hold again, expanding their reach to new, unexplored lands and showing the world what Australian Deathcore is all about, just like what they have to offer us all in their entertaining new release.

Best moments of the album: BATS and Mechanical Hannibals.

Worst moments of the album: None.

Released in 2022 Eclipse Records

Track listing
1. BATS 3:08
2. Captain Hero 3:38
3. KFBR392 2:52
4. Mechanical Hannibals 3:05
5. TR4K 1 2:11

Band members
Ravi Sherwell – vocals
Danny Kenneally – guitar

Album Review – Vyrion / Nil (2020)

A fantastic concept album of bone-crushing Black Metal made in Australia, telling the stories of civilizations from the cradle to their eradication by disease.

With Black N’ Roll rotting its heart, Nil, the brand new opus by Brisbane, Australia-based Progressive Black Metal horde Vyrion, brings a relentless bone-crushing, soul-fucking, thrashing element to the otherwise intricate formula the band comprised of Dale Williams on vocals and lead guitars, Mark Boyce also on the guitars, Mitch Rogers on bass and vocals, and James Daly on drums perfected on their 2014 album Geo. A concept album telling the stories of civilizations from the cradle to their eradication by disease, Nil takes all prisoners on a vivid journey, basking in the glory of our war-mongering past and looking eagerly towards our decrepit future, all embraced by the distinctive, aggressive and progressive Extreme Metal carefully (and furiously) crafted by this four-piece Black Metal entity who has been on a constant rise since their inception in 2007, having already carved their name in the history of Australian underground metal.

The piercing riffage by Dale and Mark ignites the furious Beleaguered, leaning towards classic Black Metal with James showing no mercy at all for his drum set (and consequently for our necks), but of course presenting the band’s core progressiveness and harmony, and more of their metallic wall of sounds will hammer our cranial skulls in Squall, a lesson in Progressive Black Metal spearheaded by Dale and Mark’s Stygian guitars, with Mitch and James generating a menacing atmosphere with their infernal kitchen. Then we have Avalanche, which as the name already states is an avalanche of old school Black Metal the likes of Dark Funeral and the early days of Enslaved infused with Progressive Black and Doom Metal, with Dale sounding like a creature from the abyss with his demonic gnarls, and you better get ready for another fulminating exhibit of the band’s undisputed talent and deep passion for Extreme Metal in Erupt, a mid-tempo feast of Black and Doom Metal where James provides hellish but at the same time very detailed beats throughout the entire song.

Time for a one-way voyage to the pits of the underworld to the sound of the 8-minute aria Crave, where all band members are on fire with their razor-edged riffs, rumbling bass punches and crisp drums, therefore inspiring you to bang your head nonstop and succumb to their otherworldly, venomous music; whereas atmospheric sounds are suddenly enfolded by an incendiary riffage in Monuments, where Dale couldn’t have sounded more bestial on vocals, resulting in the the epitome of Australian Black Metal, sounding and feeling menacing and thrilling form start to finish. In the vile and grim Dethrone the band brings forward their classic sonority with James delivering sheer brutality on drums accompanied by the once again flammable riffs and solos by the band’s guitar duo, albeit a bit generic compared to the rest of the album, and last but not least Vyrion darken the skies one final time with Infect, starting in a Stygian way before morphing into a neck-breaking Black Metal hymn where James once again takes the lead with his unstoppable drumming until the song’s cryptic ending.

After all is said and done, the hellish, blackened sounds blasted by Vyrion in Nil definitely deserve our respect and appreciation, as those Australian black metallers are not only extremely talented and focused, but the way they managed to transform such interesting concept into extreme music is also beyond outstanding. Hence, keep an eye on all things Vyrion by following them on Facebook and on Instagram, and grab your copy of Nil from their own BandCamp page to show your true support to Black Metal from Down Under. As it seems like humanity will never learn with the mistakes and issues that caused civilizations to crumble into pieces throughout history, there’s nothing left for us to do but to enjoy the first-class, eye-opening Black Metal played by bands like Vyrion, pointing to a bright future for such amazing Australian horde and, unfortunately, to an even darker and more frightening destiny for our rotten and decaying world.

Best moments of the album: Squall, Erupt and Monuments.

Worst moments of the album: Dethrone.

Released in 2020 Independent

Track listing
1. Beleaguered 6:25
2. Squall 4:57
3. Avalanche 6:25
4. Erupt 3:18
5. Crave 8:01
6. Monuments 6:49
7. Dethrone 6:42
8. Infect 5:24

Band members
Dale Williams – vocals, lead guitars
Mark Boyce – guitars
Mitch Rogers – bass, vocals
James Daly – drums

Album Review – Resin Tomb / Resin Tomb EP (2020)

A newborn Australian quartet offers in their debut effort a thrilling blend of dissonant Death Metal with flesh-ripping Black Metal and visceral grind madness.

Formed just two years ago by members of the underground Australian bands Hell Sounds, Descent and Snorlax, the furious Brisbane, Australia-based Death Metal/Grindcore unity Resin Tomb is unleashing upon us their debut self-titled EP, offering a blend of dissonant, intricate and soul-crushing Death Metal with flesh-ripping Black Metal and visceral grind madness at times as their signature sound, exuding a vibe not too far removed from one of their other projects, Snorlax. Recorded and mixed at Black Blood Audio, mastered by Simon at Empty Hall Studio, and featuring an old school, cadaverous artwork by Ethan Lee McCarthy (from bands like Primitive Man and Vermin Womb), the EP will decimate your senses with its five grotesque tracks full of bestial and serpentine riffs coupled with a skull-crushing percussion and guttural vocals, showcasing how vile the Dissonant Death Grind played by vocalist Matthew Budge, guitarist Brendan Auld, bassist Mitch Long and drummer Perry Vedelago can be.

Get ready to be smashed like an insect by Resin Tomb in the eerie and acid opening track Abrogate, blending the savagery of Grindcore with the obscurity of Black Metal while Matthew gnarls rabidly and Brendan cuts your skin deep with hi riffs, whereas Penance is even more devastating, sinister and atmospheric, presenting an amazing job done by Perry with his intricate and demonic beats, while Mirch’s bass generates a thunderous background perfect for the piercing roars by Mathew, therefore resulting in a lesson in contemporary Death and Black Metal infused with Deathcore elements. Then the strident riffs by Brendan ignite the also menacing Surfacing, an infernal Black Metal extravaganza spearheaded by the crushing drums by Perry while Matthew’s gruesome gnarls penetrate deep inside your psyche; and rumbling, vicious guitars and bass lines permeate the air in the short and absolutely violent Prostrated, with Brendan once again firing sheer darkness and wrath through his riffs, accompanied by the pounding beats by Perry and the always hellish growls by Matthew. And last but not least we have Bestial, where the name of the song says it all, bringing to our avid ears a brutal and of course bestial display of extreme music displaying the most visceral elements from Black and Death Metal. Furthermore, Brendan and Mitch are on fire with their stringed weapons, providing Matthew all he needs to shine with his deranged screams and gnarls, ending the album on a truly demented note.

Not only you can show your support to this sinister, up-and-coming horde from Australia by listening to their debut EP in full on YouTube and on Spotify, but you can (and should) also purchase a copy of it from the band’s own BandCamp page, from the Brilliant Emperor Records’ BandCamp page or webstore in LP format or as an LP + longsleeve shirt bundle, or from Amazon. Also, don’t forget to give the boys a shout on Facebook and on Instagram, keeping up to date with their upcoming releases, live concerts (whenever this COVID-19 madness is over, of course) and other nice-to-know details about the band, keeping the flames of extreme music burning bright in the always prolific Australian metal scene.

Best moments of the album: Penance and Bestial.

Worst moments of the album: None.

Released in 2020 Brilliant Emperor Records

Track listing
1. Abrogate 1:53
2. Penance 3:02
3. Surfacing 3:59
4. Prostrated 1:35
5. Bestial 5:16

Band members
Matthew Budge – vocals
Brendan Auld – guitars
Mitch Long – bass
Perry Vedelago – drums