The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2019

“Those who can make you believe absurdities can make you commit atrocities.” – Voltaire

The year of 2019 might be reaching its inevitable end in the blink of an eye for most of us, but if there’s one thing we must admit is that it has been indeed a year of countless events, episodes and changes with a huge impact on how pretty much everything works in our Heavy Metal universe. For instance, 2019 was the year where we unfortunately witnessed the ultimate campaign by Thrash Metal titans Slayer, who at the same time left an undisputed and brilliant legacy to Heavy Metal and a giant hole in our hearts and in the global Thrash Metal scene. Do you think there’s any band that can fill that gap created by the end of Slayer? In my humble opinion, although I love bands like Exodus, Testament and Death Angel, I doubt anyone can claim Slayer’s throne as the meanest, most demonic and most pulverizing band of all time, but that doesn’t mean Thrash Metal is dead and gone. Quite the contrary, it’s still alive and kicking, with many of the underground bands reviewed at The Headbanging Moose contributing to keep the flame of such distinct subgenre of heavy music burning bright.

In addition, 2019 was also the year we lost many of our rock and metal icons, including André Matos (vocalist of Angra, Shaman and Viper), Larry Wallis (former guitarist of Motörhead), and Timi Hansen (former bassist of Mercyful Fate and King Diamond), as well as several talented musicians from non-metal styles like Marie Fredriksson (lead singer and keyboardist of Roxette), Keith Flint (frontman of The Prodigy), and the “King of the Surf Guitar”, Mr. Dick Dale. However, even with all those significant losses, we can say 2019 was a productive year for rock and metal music, with many iconic and underground bands delivering some fantastic albums for our total delectation, and that’s why here we are again with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2019, excluding EP’s, best of’s and live albums, to prove once and for all that heavy music will never, ever die. Having said that, enjoy our list of top metal albums for this year that’s coming to an end, and keep raising your horns high together with us in 2020!

1. Rammstein – Rammstein (REVIEW)
A magnificent lecture in Neue Deutsche Härte from the bottom of the flaming hearts of the pioneers of the genre.
Best song of the album: Deutschland

2. Necronomicon – UNUS (REVIEW)
Canadian powerhouses of Blackened Death Metal return with the heaviest, most obscure and most infernal opus of their career.
Best song of the album: Infinituum Continuum

3. Rotting Christ – The Heretics (REVIEW)
It’s time to burn in the fires of the dark and occult Black Metal crafted by the greatest Greek institution in the history of heavy music.
Best song of the album: Fire God and Fear

4. Soilwork – Verkligheten (REVIEW)
Swedish Melodic Death Metal masters return in full force with a fresh, groovy and addictive album of first-class heavy music.
Best song of the album: Stålfågel

5. The Agonist – Orphans (REVIEW)
Canadian juggernauts of Melodic Death Metal return with a brand new album that’s more extreme, more melodic and more exciting than ever.
Best song of the album: Blood as My Guide

6. Helevorn – Aamamata (REVIEW)
Embrace darkness and melancholy with the breathtaking new opus by one of the most interesting names from the current Spanish scene.
Best song of the album: Aurora

7. Slipknot – We Are Not Your Kind (REVIEW)
The world’s most famous masked metallers are back with a fantastic album that proves once again why Heavy Metal is our kind of music.
Best song of the album: Unsainted

8. Amon Amarth – Berserker (REVIEW)
Raise the shield wall, hold your hammers high, and unleash the berserker that lives inside you together with Amon Amarth.
Best song of the album: Shield Wall

9. Target – Deep Water Flames (REVIEW)
Let’s all dive into the incendiary deep waters of Technical and Progressive Death Metal ruled by this amazing band from Chile.
Best song of the album: Oceangrave

10. Singularity – Place of Chains (REVIEW)
The emotions of being wrongfully imprisoned turned into an ass-kicking hybrid of Technical Death Metal and Symphonic Black Metal.
Best song of the album: Ritual of Regret

And here we have the runner-ups, completing the top 20 for the year:

11. Grand Magus – Wolf God (REVIEW)
12. Hiss From The Moat – The Harrier (REVIEW)
13. Lucifera – La Caceria De Brujas (REVIEW)
14. Alunah – Violet Hour (REVIEW)
15. Dö – Astral Death Cult (REVIEW)
16. Rifftera – Across the Acheron (REVIEW)
17. Rage Of Light – Imploder (REVIEW)
18. Rexoria – Ice Breaker (REVIEW)
19. HerezA – Death Metal Drunks (REVIEW)
20. Aephanemer – Prokopton (REVIEW)

Also, let’s not forget about some of the best albums which, although might be short in duration, they did bring to our ears an endless amount of heaviness, speed and harmony this year, accrediting them to be part of our Top 10 EP’s of 2019. As you can see, those EP’s were recorded by the most diverse types of bands and artists from all over the world, becoming some sort of “tasting sample” of what we can expect from those metallers in a not-so-distant future.

1. Eleine – All Shall Burn (REVIEW)
2. Quilombo – Itankale (REVIEW)
3. Master’s Call – Morbid Black Trinity (REVIEW)
4. Violent Life Violent Death – Sadness Rains (REVIEW)
5. Angra Demana – Triptych Of Decay (REVIEW)
6. Vorga – Radiant Gloom (REVIEW)
7. Shuulak – Citrinitas (REVIEW)
8. Moanaa – Torches (REVIEW)
9. Exuviated – Déliquescence (REVIEW)
10. Sophist – Betrothal To The Stone: Conception of Mephisto (REVIEW)

Do you agree with our list? What are your top 10 albums of 2019? And, as usual, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show!

Metal Xmas and a Headbanging New Year! See you in 2020!

And before The Headbanging Moose takes a well-deserved break to recover our energies and return in full force in 2020, how about we enjoy what’s probably one of the best and most detailed “Christmas” songs of all time, the fantastic Valhalleluja, recently released by Italian Heavy/Power Metal outfit Nanowar of Steel? This is the perfect soundtrack for your Christmas night with your loved ones, especially if you give someone anything from IKEA as a Christmas gift. Well, simply watch the official video below and follow the lyrics to understand what I’m talking about. Having said that, let’s all pray to Odin, drink beer and sing Valhalleluja together with Nanowar of Steel, my friends!

Album Review – The Agonist / Orphans (2019)

Montreal, Quebec-based juggernauts of Melodic Death Metal return with a brand new album that’s more extreme, more melodic and more exciting than ever.

I guess one of the most important details in Orphans, the sixth full-length album in the career of Montreal, Quebec-based Melodic Death Metal/Metalcore juggernauts The Agonist, is the fact that the band took their time to write and record it without rushing things up, and the final result is truly breathtaking. Featuring a minimalist but captivating artwork by Canadian artist Mikio Murakami (Silent Q Design), Orphans is a huge step forward in the band’s musical path compared to their previous album Five, released in 2016, a bland and uninspired album that seemed to have been released way too fast as if their record label was trying to capitalize on the huge success of their 2015 opus Eye of Providence. Fortunately for all of us, the band comprised of the stunning Vicky Psarakis on vocals, Danny Marino and Pascal “Paco” Jobin on the guitars, Chris Kells on bass and Simon McKay on drums learned their lesson, putting a lot of effort, focus and time on the creation of the amazing Orphans and, consequently, getting back on track for our total delectation.

Vicky’s mesmerizing vocalizations ignite the furious and wicked opening track In Vertigo, my favorite song in Orphans showcasing lyrics clearly inspired by Alice in Wonderland (“A little too big and a little too small / The thing is that life isn’t one size fits all / So take a sip and a couple of bites / And lay back to feast with your own eyes / Down down down the rabbit hole!”). Danny and Pascal are on fire with their riffs and solos, not to mention the brutal, guttural growls blasted by Vicky during the last part of the song, resulting in a full-bodied anthem that represents what The Agonist are all about to perfection. They continue their journey to the past without sounding outdated in As One We Survive, a modern and fresh version of their classic sonority where Melodic Death Metal meets Progressive Metal, with Simon crushing our heads mercilessly with his intricate beats; and get ready to slam into the pit with Vicky and the boys in The Gift of Silence, another frantic creation by the band overflowing rage and madness where Chris and Simon generate a rumbling ambience with their bass lines and beats, also presenting very melodic pieces led by Vicky and her piercing clean vocals.

Then it’s time for the band to head into the battlefield in Blood as My Guide, a fantastic composition showcasing thrilling vocal lines, powerful drums and an absolutely inspiring vibe, resulting in what’s by far one of the best creations of the Vicky era. Moreover, it’s impressive how Danny and Pascal can sound so violent and at the same time so harmonious on the guitars, with Vicky’s gorgeous Greek words bringing an extra touch of epicness to the overall result. After such imposing tune, let’s meet Mr. Cold together with The Agonist in another solid tune where all band members deliver some of the most progressive lines of the whole album, in special the stringed trio Danny, Pascal and Chris, whereas in Dust to Dust they venture through the lands of classic Rock N’ Roll and even Soul, but always loyal to their Metalcore essence, of course. Needless to say, Vicky is flawless with both her clean and harsh vocals, enhancing even more the song’s headbanging rhythm led by Simon’s beats. And back to a more aggressive and infuriated sonority we have A Devil Made Me Do It with its straightforward, in-your-face lyrics roared by our she-wolf Vicky (“Catch me if you can / I am faster than your mind can fathom / Armed with the element of surprise / I slither through the corners of your eyes”), while the band’s guitar duo keeps blasting flammable riffs and solos from start to finish.

The Agonist Orphans Limited Deluxe Box Set

Those talented metallers continue to hammer our heads in The Killing I, bringing to our ears groovy bass punches delivered by Chris while Simon goes berserk on drums, or in other words, this song should work beautifully if played live, and I have no words to describe Vicky’s demented performance on vocals where she proves once again she can easily and seeminglessly fluctuate between gorgeous clean vocals and deep, enraged roars. The title-track Orphans is perhaps the darkest of all songs, a voyage through the realms of Melodic Death Metal and Metalcore infused with Progressive Metal, with Vicky effectively telling the story behind the music with tons of emotion while the rest of the band offers an avalanche of groovy and thunderous sounds nonstop. Then closing the album The Agonist smashes our senses one final time in Burn It All Down, where Vicky sounds as insane and violent as she can be while Simon and Chris build a solid stage perfect for Danny and Pascal to slash their stringed axes, leaving us all disoriented and eager for more of this version of the band in a not-so-distant future.

As mentioned in the beginning of this review, I’m glad The Agonist took their time to compose Orphans, which is by the way available in full on Spotify, delivering a beyond dense and potent album of metal music that will certainly please all diehard fans of the band as well as newcomers to their metallic world. You can grab your desired copy of Orphans from several different locations by clicking HERE, like for instance the limited deluxe box set containing a jewel case CD, a flag, a logo pendant, a patch and an autographed card. The investment in this box set is definitely worth it, mainly because Orphans kicks some serious ass, of course, and also due to the fact it’s been three long (but productive) years since their last installment. Orphans is undoubtedly a serious contender to feature among the best metal albums of 2019, proving once and for all great bands like The Agonist don’t need to release album after album just because their labels think it’s a good idea. We, metalheads from all over the world, are more than happy to wait for a while for new material as long as it’s as extreme, melodic and exciting as Orphans.

Best moments of the album: In Vertigo, The Gift of Silence, Blood as My Guide and The Killing I.

Worst moments of the album: None.

Released in 2019 Napalm Records

Track listing
1. In Vertigo 5:04
2. As One We Survive 3:40
3. The Gift of Silence 4:38
4. Blood as My Guide 4:27
5. Mr. Cold 4:40
6. Dust to Dust 3:17
7. A Devil Made Me Do It 3:38
8. The Killing I 4:17
9. Orphans 5:39
10. Burn It All Down 3:36

Band members
Vicky Psarakis – vocals
Danny Marino – guitar
Pascal “Paco” Jobin – guitar
Chris Kells – bass
Simon McKay – drums

Guest musician
Lefteris Germenlis – electronic and string arrangements