Album Review – Morbonoct / No One Knows We’re Dying (2025)

Let the ambience take you over in the fifth studio album by this up-and-coming Cosmic Black Metal entity from outer space.

Having started back in 2021 as a studio project by vocalist and multi-instrumentalist Aleksandr Medvediev in his hometown of Kherson, Ukraine, but currently located in Szczecin, Poland, the otherworldly Symphonic Black Metal entity known as Morbonoct evolved into a more serious and powerful beast in 2023 when vocalist and lyricist David Welnicki joined the band. Now in 2025, after the releases of Anmet (2021), Chorna bezodnya (2022), Galactic Gloom (2023), and The Highest Purpose (2024), the duo returns in full force with their fifth opus, entitled No One Knows We’re Dying. Recorded, mixed and mastered by Aleksandr himself, who also took care of the album’s cryptic artwork, the album offers more of the project’s blend of Cosmic Black Metal, continuing with their exploration of the captivating space theme while presenting dense atmospheric canvases in the background.

It doesn’t take too long for Aleksandr to go full Black Metal in The Creation, offering us all 11 minutes of visceral passages, breaks and variations, with his beats and fills sounding truly insane while Dawid barks and growls nonstop. Lost also surpasses the ten minute mark, warning the listener the album is not for the lighthearted, blending Atmospheric Black Metal moments with the undisputed, raw aggression of Black Metal; followed by Cold Wind, one of the heaviest songs of the album, if not the heaviest, showcasing an amazing job done by Aleksandr on both the guitars and drums, providing Dawid with exactly what he needs to vociferate sheer Black Metal fury. Drifting Away is more contemporary and melodic, also starting in an ethereal way led by the whimsical keys by Aleksandr, offering elements of Doom Metal to spice things up a bit while Dawid’s vocals exhale anguish, and lastly, an extraterrestrial intro slowly morphs into the Atmospheric Black Metal title-track No One Knows, We’re Dying, with Aleksandr crushing his drums majestically in a lecture in progressiveness, heaviness, intricacy and darkness.

“No One Knows We’re Dying traces the inevitable cycles of life – from the beauty of creation to the weight of existence, and finally, to a cold, inevitable silence. The project embraces raw authenticity, with the mix and master intentionally restrained to preserve the natural texture of the vocals. Minimal post-processing allows every imperfection to speak truthfully, amplifying the emotional resonance of the performance. The instrumental foundation forms a cohesive narrative that evokes deep melancholy and a quiet sense of hopelessness, guiding the listener through a hauntingly introspective experience,” commented Aleksandr, and you can be part of Morbonoct’s cosmic journey by following the project on Instagram, by streaming their unique albums on Spotify, and of course by purchasing No One Knows We’re Dying from BandCamp. Or in other words, relax, take a deep breath, and simply let the ambience take you over in the excellent new album by this up-and-coming Cosmic Black Metal entity from outer space.

Best moments of the album: Cold Wind and No One Knows, We’re Dying.

Worst moments of the album: None.

Released in 2025 Independent

Track listing
1. The Creation 10:55
2. Lost 10:43
3. Cold Wind 11:45
4. Drifting Away 11:16
5. No One Knows, We’re Dying 12:07

Band members
Dawid Wełnicki – vocals
Aleksandr Medvediev – guitars, bass, keyboards, drums

Concert Review – Beyond the Gates (Bergen, Norway, 07/31/2024-08/03/2024)

***Review and photos by Mathis Backe***

A metalhead can’t ask for a more fitting experience than four days of extreme metal in the city that is responsible for birthing one of the most notorious and exciting sub-genres, black metal. Bergen, Norway is home to some of the most relevant and awe-inspiring artists, bands and figures such as Enslaved, Gorogorth/Gaahl, Burzum/Varg Vikernes, Immortal/Abbath put this city on the map as it relates to their contributions. It makes perfect sense, then, that this same city is host to the Beyond The Gates Festival, which features many of the Nordic bands that have helped shape black metal, plus a whole selection of other artists and experiences. The 2024 edition proved to be one of the best yet.

DAY ONE

Mayhem @ Beyond the Gates 2024

The day started with Trondheim’s Whoredom Rife who are one of the most exciting bands to come out of Norway in quite some time. They hit the stage with the ferocity of a tsunami and destroyed with a raw, vicious black metal assault. Next up was Polish black metallers Manbryne. As a relatively new entry into the space (having formed in 2017) this five-piece delivered a set like a band with a few decades under their bullet-adorned belts. Next up was American black/death/thrash gods, Black Anvil. If you’ve ever been fortunate enough to catch these guys live, you’ll already know that they truly give it their all. A fantastic band that showcases both their many years of experience and utter exuberance when they hit that stage. The mighty Mayhem hit the larger of two stages at USF Verftet (the venue that hosted the first two days of the festival) with a set that celebrated the band’s 40th anniversary. There is no better place for this to happen, as Bergen is the same city that the band recorded their legendary debut album, De Mysteriis Dom Sathanas. The guys hit the stage and plowed through decades worth of material, which included a couple of tracks from their now-classic debut, Deathcrush (even inviting two former members to the stage to perform these tracks). Ending off the night was Bergen resident and legendary black metal figure, Gaahl, and his newly-revamped Trelldom. For this unfamiliar, Trelldom sprung to life in the 90s, prior to Gaahl joining Gorgorth, and released a few now-legendary albums. They were short-lived, but have recently reformed, releasing a brand new album of experimental music with some tinges of black metal. Their set tonight comprised mostly new material, but they also threw in a few goodies for longtime fans.

DAY TWO

Behemoth @ Beyond the Gates 2024

Waking to a beautiful day in Bergen, we were ready to hit the streets and make our way over to the venue to catch the first two bands of the day: Prague’s Cult Of Fire and Sweden’s Portrait. Both bands put on spectacular, albeit very different, sets. Cult Of Fire are the Buddhists of metal and, as such, their set and theatrics reflect this perfectly. Portrait’s brand of classic heavy metal was a nice change of pace from all the extremity we had witnessed thus far. Next up was the classic lineup of Venom (not to be confused with Venom Inc.) which features original member, Cronos. The larger venue, Hallen, was packed to the gills for this set which featured all the classics fans have grown to love over the last five decades. It was a highly-energized set which included many fan sing-alongs. Switzerland cosmic black metallers, Darkspace, then put on what can only be described as a trip into the outer reaches of the universe punctuated by their brand of hypnosis-inducing black metal. Incredible stuff from a band that does not often play live. Definitely a rare treat. Ending the night were Behemoth and Death SS. Having seen Nergal and crew many times, tonight was probably one of the best performances yet. The festival spared no expense with the pyro and stage props, which allowed the guys to truly capitalize on their already larger-than-life presence. The final act of the night, Death SS, are a band that have existed since the late 70s. Not being too familiar with their material, I was pleasantly surprised by their super high-energy set and the quality of songs that they delivered, which ranged from classic heavy metal all the way to stuff on the more extreme end of things. A very interesting and fun to catch on the live front, if you ever get the chance.

DAY THREE

Enslaved @ Beyond the Gates 2024

With the first two days in the history books, we move to the second of two venues, the famed Grieghallen, for the final two days. If you are familiar with Grieghallen, you would know that the venue was the very same place that many of the legendary Norwegian black metallers recorded their early work. The first band of the evening was Norwegian avant-garde black metal, Dødheimsgard. Frontman, Vicotnik, and his merry band of minstrels, carnivalized their way through an incredible set of vertigo-inducing tracks. Next up was Norway’s Djevel, the band that features one Bard Faust behind the drums (formerly of Emperor). These guys are the gatekeepers of True Norwegian Black Metal, and their set proved as much. There are no frills or gimmicks. It was just straight-up second wave-inspired black metal from start to finish. One of the best performances of the festival thus far. Hometown heroes, Enslaved, are one band that have played many of the previous editions of the festival. Each year, the band tackles one of their classic, early albums. This year, they played through the entirety of their ’95 album, Frost. As such, the stage was adorned with jutting icicles which further enhanced the overall performance. At this point, Enslaved can do no wrong. Let’s hope they are back again next year. The last band of the night, Satyricon, were the only band to play two sets. This first set, comprised material from their entire catalog, with focus on some of their more well-known songs. Satyr and crew did an excellent job of vetting songs that would appeal to fans of different eras of the band. Additionally, the festival hosted a retrospective exhibit of Satyricon’s entire career. Incredible stuff.

DAY FOUR

Blood Fire Death @ Beyond the Gates 2024

Heading into the final day, the sunshine of the previous three days gave way to more inclement, wet weather. Fittingly, the rain of the day perfectly suited the first two bands, Vemod and Vreid, respectively. Both bands delivered stunning sets of Norwegian black metal in the realm of the more atmospheric. Vreid, which features former members of the highly-regarded Windir, were definitely a fan favorite. They even invited the brother of former Windir frontman, Valfar (who tragically passed away a number of years ago), up on the stage as a guest vocalist to honor his brother with a Windir song. Satyricon then charged onto the stage for the second set of the festival with another collection of songs that spanned their entire catalog. This time, there was more focus on later era tracks, which, as a fan of this era, was a welcomed treat. Lastly, the performance that everyone was waiting for: Blood Fire Death, a tribute to Bathory. There can be no better festival to host something like this, as each and every band that performed over the last four days owes something to the legendary Bathory. Each song of the performance featured various members of bands that performed throughout the fest to give their own spin on these songs, with many of the songs featuring a different vocalist. The entire spectacle was overwhelming and will go down in history as one of the pivotal performances of Beyond The Gates.

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Album Review – Mare Cognitum / Solar Paroxysm (2021)

A Portland, Oregon-based one-man Cosmic Black Metal entity returns with his fifth full-length opus, finding a new voice for his frustrations with humankind through five aggressive, metallic songs.

From the depths of the outer rim to solid footing of green earth, Solar Paroxysm, the fifth full-lenth opus by Portland, Oregon-based one-man Cosmic Black Metal entity Mare Cognitum, finds itself moving from the impossible to the familiar, with the project’s lone wolf Jacob Buczarski occupying himself with the failures of humankind over the past epoch, finding a new voice for his frustrations through five aggressive, metallic songs. Featuring a beyond stunning artwork by Adam Burke at Nightjar Illustration, Solar Paroxysm lifts the veil and reveals the true musicianship which has fueled Mare Cognitum since its impetus a decade ago, being therefore highly recommended for fans of the Stygian creations by Spectral Lore, Dawn, Blut Aus Nord and Chaos Moon, among others.

In the beautiful opening track Αntaresian, a beyond atmospheric and enfolding start grows in intensity and darkness until exploding into visceral Black Metal where Jacob showcases all his dexterity with his fulminating beats and blazing riffs, as well as showing his deep passion for old school and modern-day extreme music, roaring with tons of anguish and despair in his blackened heart. And Jacob keeps firing unstoppable blast beats and fills, razor-edged guitar lines and rumbling bass punches, generating a massive wall of sounds that will penetrate deep inside your psyche in the 11-minute aria titled Frozen Star Divinization, a lecture in Atmospheric Black Metal infused with classic Black Metal nuances; whereas investing in a more obscure and menacing sonority by presenting elements from Blackened Doom and classic Doom Metal we have Terra Requiem, where Jacob’s riffage is absolutely mesmerizing, dragging us all into his Stygian lair forever and ever while the music flows majestically until the song’s epic finale.

The following aria, entitled Luminous Accretion, already starts in full force with Jacob hypnotizing our senses once again through his whimsical riffs and classic Black Metal drumming. Moreover, there’s not a single space left in the air, resulting in top-of-the-line Atmospheric Black Metal for lovers of the genre, or in other words, one of the most complete, detailed and therefore best extreme music songs of the past few years. And last but not least, we’re treated to Ataraxia Tunnels, sounding primeval and intense from the very first second thanks to Jacob’s thunderous drums and piercing riffs, not to mention the hints of Epic Metal added to its core musicality, and of course it’s not an Atmospheric Black Metal song if it doesn’t carry pensive, austere lyrics for our total delectation (“Visions conjure throughout / A delusion searing into memory / So vividly / Once compulsively wrought / Now imbued to confine a once-great mind / Forever”).

The sinister and obscure realms of Cosmic Black Metal ruled by Jacob and his Mare Cognitum can be further explored by following the project on Facebook and on Instagram, by streaming more of his wicked creations on Spotify and, above all that, by purchasing Solar Paroxysm from the project’s own BandCamp page, from the I, Voidhanger Records’ BandCamp page, from Metal Odissey in CD and double LP formats, or from Apple Music. Now suddenly so outwardly truculent and antagonistic, Mare Cognitum finally reveals the project’s true essence with Solar Paroxysm, inviting us all to join Jacob on a one way journey into madness and sorrow, with his Cosmic and Atmospheric Black Metal being everything we need to get lost in darkness for all eternity.

Best moments of the album: Frozen Star Divinization and Luminous Accretion.

Worst moments of the album: None.

Released in 2021 I, Voidhanger Records/Extraconscious Records

Track listing
1. Αntaresian 11:16
2. Frozen Star Divinization 10:59
3. Terra Requiem 10:35
4. Luminous Accretion 10:51
5. Ataraxia Tunnels 12:31

Band members
Jacob Buczarski – vocals, all instruments