Metal Chick of the Month – Aleksandra Stamenković

Hear what I say… There’s no time for prayer!

Lionesses are the primary hunters in a pride, working together to bring down prey, and are faster and more agile than males. And in this cold and dark month of December our lioness Aleksandra “Lioness” Stamenković, guitarist for an array of awesome metal bands including Jenner, Frozen Crown, Chaos Rising, and Sigma Epsilon, will shred her prey to pieces armed with her scorching riffs and solos, as our metal lady of the month. Having said all that, get ready for a wild ride together with Aleksandra and her unstoppable axe, bringing absolute fire to The Headbanging Moose and, therefore, leaving you completely disoriented and eager for more of her first-class music. The days might be getting shorter, and the nights are surely getting longer this time of the year but, in the end, that’s the perfect environment for Aleksandra to hunt us down and to crush our damned souls with her electrifying blend of Heavy Metal magic.

Born on August 5, 1996 in Belgrade, the capital of the southeast European country of Serbia, Aleksandra is the younger sister of Marija Dragićević, the drummer for one of her bands Jenner, showing the talent and passion for heavy music runs wild in their family’s DNA. She was first interested in music back in 2011 when she was 13 years old, saying she wanted to play bass guitar, but as she couldn’t afford one she used to borrow it from one of her sister’s friends. However, she said that “destiny” decided she was going to become primarily a guitarist in 2013, having bought her first guitar back then, therefore starting her journey in heavy music.

Although she’s a renowned musician in the world of Heavy, Power, Thrash and Speed Metal, Aleksandra also nurtures a deep passion for  medicine and graphic design, having graduated from the Faculty of Medicine from the University of Belgrade in September 2021, and becoming a certified nutrition coach, combining her artistic passion with a commitment to promoting healthier lifestyles. And yes, she’s THAT smart and intelligent. In addition, although she mainly writes original songs, she started a YouTube channel back in 2020 where she posts covers of her favorite songs, like for example Into the Lungs of Hell, by Megadeth, Abigail, by King Diamond, and Coma of Souls, by Kreator, among several others, and apart from the usual social media you can also find her on Linktree, Patreon, and Big Cartel.

It was in December 2013 when the indomitable Stamenković Sisters founded in Belgrade the ruthless Speed/Thrash Metal beast known as Jenner, from the ashes of a Glam Metal band they had named Cat O’ Nine Tailz, in which she played bass, and that disbanded after two years. Aleksandra started playing the guitar back then, and with the support of Marija they started searching for two guys to play with them to form a band in the vein of Madam X, but they ended up meeting two girls instead, vocalist Anđelina Mitić and bassist Jana Bacić, and so Jenner was born. Named by Aleksandra after Dr. Edward Jenner (1749 – 1823), an English physician and scientist known as the “father of immunology” for creating the world’s first vaccine, which was for smallpox, the girls started playing covers of their favorite bands including Warlock, Judas Priest, Grim Reaper, and Saxon, and as a year later they became more interested in Thrash Metal they started playing covers of Agent Steel, Exodus, and Anthrax, just to name a few, as well as they started writing their own songs.

After a few lineup changes, the band is now a trio formed of Aleksandra on vocals and guitar, Marija on drums, and Anja Mirković on bass. Under different lineups, but always with Aleksandra and Marija in their formation, Jenner released a demo back in 2015, their debut full-length album To Live Is to Suffer, in 2017, the EP The Test of Time, in 2020, and their sophomore opus Prove Them Wrong, in 2024, with Aleksandra becoming responsible for the band’s vocal duties starting in 2019, as you can see in their 2020 EP and their 2024 release. Not only that, she also took care of the design and logo of their 2017 debut, and of their 2020 EP, expanding her skills even further as a musician and as an artist. You can enjoy basically their entire discography in places such as YouTubeSpotify, and BandCamp, and of course have an absolute blast with their official videos for songs like Night Without DawnThe Test of TimeNever Say Die, and No Time for Prayer, among others. Moreover, don’t forget to check Beacons for all things Jenner.

Aleksandra has also been part of two other amazing bands for a few years, those being Sigma Epsilon and Chaos Rising. Regarding Belgrade-based Sigma Epsilon, the band has been delivering a more straightforward, no shenanigans blend of Thrash Metal since its inception back in 2014, when a few members of a Serbian band named Prisoner, those being her boyfriend Emil Ivošević on vocals, Stefan Tomić on the guitar, and Nikola Simonović on drums, left the band and started creating their own music. It was only after Aleksandra joined them that they released their first offering, the 2019 EP Svi putevi vode do smrti (or “all roads lead to death” in English), followed by the 2021 single Ruka koja mrda usta, or “the hand that moves the mouth.” She mentioned in one of her interviews that the band is working on a new conceptual album, but until then simply go to BandCamp or Spotify to enjoy their existing songs, and also go check the official videos for the songs Svi putevi vode do smrti, Kap, and Trofej.

The metal machine Chaos Rising is a collaborative international metal project formed back in 2019 open to every female artist interested in metal music, with the project’s participants and guests offering an amalgamation of styles from Groove and Thrash Metal to traditional Heavy Metal and also Melodic Death Metal. It’s indeed a phenomenal initiative showcasing the power of women in heavy music, and if you don’t have enough time to check all of their songs on BandCamp or Spotify, you must at least listen to the song with our dauntless diva on the guitars, the excellent Prisoner, also featuring Miss ScarRed (Germany) on vocals, Catherine Fearns (Switzerland) on the guitar, and Stéphanie Nolf (France) on bass and drum programming.

Furthermore, starting now in 2025 she has also become one of the guitarists for Italian Power Metal warriors Frozen Crown, joining the also indomitable girls Giada Etro on vocals and Alessia Lanzone on the guitar, as well as Federico Mondelli on guitars, keyboards and vocals, Francesco Zof on bass, and Niso Tomasini on drums. Having already played with Frozen Crown during the summer festivals this year, Aleksandra is already fired up to start working with the band on their future releases, and the band is also extremely excited to have her as a permanent member. “Some may question our decision to include in the band someone who was born so far away from us, in a non-EU country, even! Truth is, you don’t choose your family – you build your own. Aleksandra appeared in a pretty challenging situation, and helped us go through both the shocking realization of Jade’s health conditions and the sudden line-up shake, motivating us and gracing us with her enthusiasm. Her incredible dedication, humility, and constant positivity proved we have just found the perfect fit, and after working together for a while, it just ‘feels right’ to start this new chapter with her, and to entrust her with the Crown and the Sword,” commented the band.

If that’s not enough for you, you can also find Aleksandra as the guitarist for Slovenian Heavy Metal beasts Hellcats from 2017 to 2022. “In 2017 Hellcats needed a female guitarist to play with them in Arena Stožice where they would be supporting Slovenian punk band Pankrti on their 40-year band anniversary. They couldn’t find someone closer, so they asked me. At first I thought that it will be only for that concert, but we got along nicely, and I really liked them as people and as musicians,” commented the lioness. In addition, Aleksandra also played bass live with Serbian Melodic Death Metal band Nemesis a couple of years ago, and with the aforementioned Serbian Speed/Thrash Metal band Prisoner back in 2017.

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Not only that, you can also find Aleksandra shredding her guitar as a guest musician in the song Open Your Eyes, from the 2025 album Retribution, by Hungarian Heavy/Power/Speed Metal band Burning Sun; in the song Cimmeria, from the 2023 compilation By This Sword We Rule: A Decade of Steel, by Serbian Epic Heavy/Power/Doom Metal band Claymorean; in the songs We Fight Like Lions and Fear and Regret, from the 20187 EP II/III/IV by Serbian Stoner/Sludge/Southern Metal band Superhammer; and in the song Creatures from the Depth, from the 2019 album Monuments of Fallacy, by Croatian Thrash/Death Metal band War-Head. She has also played with other bands including Realma and Black Widow Conspiracy, has collaborated with several brands such as Harley Benton, Blackfire Pickups and Safari Pedals, and she is a proud partner with Guitar Pro, Guyker, Drop Strap, Playtronica, Ordyh, and Enya Music, aligning with companies that support her music and gear choices.

Her idols and influences are what anyone would except from an avid thrasher like Aleksandra, including some of the most important names in the history of Thrash Metal like Megadeth, Anthrax, and Testament, all playing a crucial role in her style and career, of course. Moreover, when asked which attributes a brand new Speed or Thrash Metal band should have in order to become unique and successful, her answer was exactly what we all want to hear from hardworking metal musicians like her. “People need to make music the way they feel. It doesn’t matter what genre it is, because listeners can recognize energy and sincerity, even when it comes to metal,” she said, and when asked what would be her ideal live show when performing as a band, she also focused on the importance of feeling you’re doing things right. “I’m not sure there’s an ideal performance. What is important is the feeling on stage. And for that to happen I just need to have no technical problems on stage. I’m not asking much.”

As a huge supporter of the underground, and of course as a proud Serbian, Aleksandra was asked not too long ago about the current scene in her homeland, including bands, fanzines, webzines and anything else connected with heavy music. She said that, unfortunately, the situation looks “complicated” as despite the fact there are tons of excellent bands in Serbia, very few webzines promote them, and therefore very few people attend their concerts. Well, let’s say that’s not an issue exclusive to Serbia, as everywhere you go you’ll face the same lack of proper support, with very few kids these days getting into heavy music and succumbing to to the most generic playlists shoved down their throats via all types of social media.

Aleksandra also proved to be an old school metalhead, maybe like Accept would say, an “analog woman”, as she simply loves when an album is released as a vinyl and/or cassette, supporting the revival of those formats (although she said she prefers CDs because they’re more practical). “I’m not a collector myself, but I have some old vinyl and cassettes which I inherited from my mother and I’m really happy that I had an opportunity to have my music on vinyl and tapes,” she commented. Furthermore, when asked about the impact of digital platforms on the careers of bands and artists, she said that Bandcamp for instance helps a lot, but it shouldn’t be the only way of promoting and selling music. “I still haven’t tried other platforms, but I can notice that they’re widespread. I think the ideal way I promote bands is combining all the available methods,” said our unstoppable lioness.

She was also asked in one of her interviews about the greatest satisfaction that music has brought her, and her answer was once again beyond awesome. “The fact that I achieved my goal. My goal was to have at least one physical release of my music, a CD that I’ll be able to show to my children and grandchildren one day. To have something behind me that other people will be able to see and hear and maybe find themselves in it. To inspire others.” Aleksandra also prefers working with a label instead of going full DIY because she believes there are several things she couldn’t do on her own, like a full-bodied promotion of her albums and tours, which makes sense as she can put all her focus on making music, and that’s what really matters in the end.

Lastly, when asked about what a band should sacrifice in order to be successful, and if she has ever sacrificed anything in her life for a better future of her bands, she mentioned she had to reconsider many times what she wanted with the band and whether it was worth it. “In the end, I decided to dedicate myself to education and family, and for the band to be my hobby. Because of that decision, we often have to sacrifice the time we would spend with the family or learning to have a rehearsal or a gig.” To be fair, at least it looks like she’s been able to balance everything quite well in recent years, managing multiple bands, projects and other aspects of her life, always delivering to us avid fans high quality heavy music, and may our unrelenting lioness keep roaring for many decades to come for our absolute delight.

Aleksandra Stamenković’s Official Facebook page
Aleksandra Stamenković’s Official Instagram
Aleksandra Stamenković’s Official YouTube channel
Jenner’s Official Facebook page
Jenner’s Official Instagram
Jenner’s Official YouTube channel

Album Review – Behölder / In The Temple Of The Tyrant (2025)

This American horde will attack our senses with their debut opus, a true love letter to Epic Doom Metal inspired by classic Dungeons & Dragons.

Hailing from Philadelphia, Pennsylvania, in the United States, Behölder are an Epic Doom/Dark/Power Metal band inspired by classic Dungeons & Dragons, formed in late 2021 by guitarist Carlos Alvarez. Produced by the same Carlos Alvarez, mixed and mastered by Ronnie Björnström at Björnström Ljud & Produktion, and displaying a stunning artwork by Zsofia Dankova, their debut opus, titled In The Temple Of The Tyrant, features eight tracks of monstrous proportions, a true love letter to Epic Doom Metal weaving cautionary tales from the more grim, foreboding realms of fantasy against a backdrop of colossal riffs with elegant yet powerful melodies, all carefully crafted by vocalist John Yelland, guitarists Carlos Alvarez and Matt Hodsdon, bassist Michael Sanchez, and drummer Andrew Julkowski.

A Pale Blood Sky begins in a strong doomed vibe thanks to the heavy riffs by Carlos and Matt, supported by the always thunderous bass by Michael, and let’s all headbang like beasts to the epic vocals by John because those are awesome. Then their melodious, penetrating guitar lines set the tone in Dungeon Crawl, another feast of Epic and Doom Metal with a thrilling galloping pace; and it’s time for an even heavier tune titled Into the Underdark, with the pounding drums by Andrew walking hand in hand with the deep vocals by John, not to mention how powerful the bass by Michael sounds. After that we face Eyes of the Deep (featuring guest vocalist Tomi Joutsen of Amorphis), which reminds me of some of the darkest creations by Black Sabbath with Dio, in special from when they were called Heaven & Hell, with the entire band sounding tight, epic and fierce until the very last second.

The band then fires a more introspective composition entitled For Those Who Fell, offering seven minutes of dark, sluggish passages rooted in classic Doom Metal, or in other words, it’s a beautiful dark ballad by the band. Then investing in a primeval, tribalistic sound we have Draconian (Slave or Master), as if it was part of a somber, obscure ritual, with the riffage by Carlos and Matt penetrating deep inside our skin in great fashion, followed by Summoned & Bound, which lacks the same energy and punch from the previous songs. John still delivers his share of epicness through his vocals, though. And lastly we’re treated to I Magus, an amazing blast of Epic Doom Metal led by the thunderous vocals by John while his bandmates not only craft a powerful sound, but their backing vocals are also spot-on, putting a phenomenal and obviously epic ending to the album.

As the band itself likes to say, their debut album offers us all avid listeners “magic, mayhem and riffs heavier than a storm giant’s ass,” being therefore highly recommended for fans of Candlemass, Solitude Aeturnus, Sorcerer, and Memento Mori, among others. Hence, you can join the band in their magic metal quest by following them on Facebook and on Instagram, and of course by purchasing a copy of In The Temple Of The Tyrant from the Black Lion Records’ BandCamp or webstore, from Indiemerchstore, from Season of Mist, or simply by clicking HERE or HERE. In the end, Behölder are definitely going to make a lot of noise armed with their first ever album, adding an extra dosage of sheer doom to the already heavy and thunderous world of Dungeons & Dragons.

Best moments of the album: A Pale Blood Sky, Draconian (Slave or Master) and I Magus.

Worst moments of the album: Summoned & Bound.

Released in 2025 Black Lion Records

Track listing
1. A Pale Blood Sky 6:34
2. Dungeon Crawl 5:39
3. Into the Underdark 5:20
4. Eyes of the Deep 6:25
5. For Those Who Fell 6:58
6. Draconian (Slave or Master) 5:52
7. Summoned & Bound 5:34
8. I Magus 6:44

Band members
John Yelland – lead vocals
Carlos Alvarez – guitars, backing vocals
Matt Hodsdon – guitars, backing vocals
Michael Sanchez – bass, backing vocals
Andrew Julkowski – drums, backing vocals

Guest musician
Tomi Joutsen – vocals on “Eyes of the Deep”

Album Review – Grand Magus / Sunraven (2024)

After a very long wait, Sweden’s own Heavy and Doom Metal institution is back with a new collection of battle hymns inspired by the tale of Beowulf and Grendel.

In their over 20 years of career, Stockholm, Sweden’s own Heavy/Doom Metal institution Grand Magus has been eternalized in the music history and looks back on a treasury full of all-time Heavy Metal anthems. Now in 2024 the band formed of Janne “JB” Christoffersson on vocals and guitars, Mats “Fox” Skinner on bass, and Ludwig “Ludde” Witt on drums is back with a new blast of memorable battle hymns entitled Sunraven, a concept album about Beowulf and Grendel, a worthy follow-up to their 2019 album Wolf God, and a lecture in heavy doom that will certainly feature among the best metal albums of the year on any list that worships the power of the mighty riff.

And the riffs by Janne sound beautifully heavy and doomed in Skybound, setting the tone in a lesson in Epic Doom Metal by the trio, with the deep, passionate vocals by Janne adding even more epicness to the overall result. Yes, I guess I’ll overuse the word “epic” on this review as you might have already notice. Then investing in a more direct Doom Metal sound we have The Wheel of Pain, with the pounding drums by Ludwig and the low-tuned bass by Mats bringing sheer heaviness to the music, followed by the title-track Sunraven, where the trio keeps delivering sonic awesomeness with their crisp, sharp riffs and blasting beats sounding majestic. It’s time to darken the skies with the melodic and heavy Winter Storms, as cold as it’s vibrant and grim, in line with their Swedish roots and loyal to their foundations; whereas The Black Lake is perhaps the most Black Sabbath-ish song of the entire album (and even of their entire career), to the point we can imagine the almighty Dio singing it. Needless to say, Janne is once again spot-on with his vocals and riffs.

The second half of the album begins with the utterly epic, electrifying Hour of the Wolf, with the guitars by Janne and the rumbling kitchen by Mats and Ludwig inviting us all to head into the battlefield together with Grand Magus, followed by Grendel, another blast of their classic fusion of Heavy, Epic and Doom Metal, offering more of their trademark riffs and beats as well as the low-tuned bass by Mats. To Heorot sounds utterly stunning form start to finish, inspiring us all to raise our fists in the air to the classic vocals by Janne while Ludwig hammers his drums in great fashion, sounding also perfect for some vigorous headbanging in the name of doom; and the power of the riff is also outstanding in the closing tune The End Belongs to You, putting a classy ending to the album and leaving us all more than eager for more (as the album has only 35 minutes of music in total).

I would have simply loved if the album had an extra 10 or 15 minutes of music, mainly because we’ve all been waiting for a new Grand Magus opus for quite some time, but let’s say the band kept Sunraven tight and sharp from start to finish  without sounding cheesy, tiresome or anything like that, which means it might have only 35 minutes in duration, but those are damn intense 35 minutes for our total delight. Hence, don’t forget to stream the album in full on YouTube and on Spotify, to follow the band on Facebook and on Instagram for news, tour dates and so on, and above all that, to grab a copy of the hammering Sunraven by clicking HERE. “The album is about Beowulf and Grendel. In essence, Sunraven is Beowulf, and that’s my own invention,” Janne explains. “But some of the songs are written about and from the perspective of Beowulf, and some of the songs are written about and from the perspective of Grendel, the monster he faces in Denmark. That kind of steered me and carried me through the lyrical process this time. I’ve never done anything like this before. I’ve always been fascinated by that tale. These myths and legends are about all the basic things that we sing about – life, death, glory, dishonour, love, hate, overcoming difficulties, facing impossible opposition and so on.” In other words, what can sound more Heavy Metal than such a strong tale, right? And of course, only Grand Magus could bring all that to life with so much passion, epicness and glory.

Best moments of the album: Skybound, Sunraven, Hour of the Wolf and To Heorot.

Worst moments of the album: None.

Released in 2024 Nuclear Blast

Track listing
1. Skybound 3:28
2. The Wheel of Pain 3:23
3. Sunraven 3:37
4. Winter Storms 5:15
5. The Black Lake 5:34
6. Hour of the Wolf 4:03
7. Grendel 3:32
8. To Heorot 3:00
9. The End Belongs to You 3:21

Band members
Janne “JB” Christoffersson – lead vocals, guitars
Mats “Fox” Skinner – bass, backing vocals
Ludwig “Ludde” Witt – drums

Album Review – Ecclesia / Ecclesia Militans (2024)

Chasing the heretics since 2016 anno Domini, these French Heavy and Doom Metal inquisitors are back with their fantastic sophomore album, armed with purifying fire, blessed swords, and Holy Rage.

Chasing the heretics since 2016 anno Domini, French Heavy/Doom Metal inquisitors Ecclesia are back with their sophomore black mass, entitled Ecclesia Militans (or “the church militant” from Latin, an expression traditionally ascribed to Pope Clement V, who used it in his letter to King Philip IV in 1311 to indicate all living Christians), the follow-up to their critically acclaimed 2020 opus De Ecclesiæ Universalis. Armed with purifying fire, blessed swords, and Holy Rage, the band currently formed of Frater Arnhwald on vocals, Julius Accusator and The Witchfinder General on the guitars, Frater Ignis Sacer on bass, Pater Walkelinus on organ and keyboards, and Pater Hexenhammer on drums will convert fans of Candlemass, Solstice, and especially Tony Martin-era Black Sabbath as well as anyone who can feel the righteous fervor of medieval brimstone with their new album, demanding us to confess our sins to the sound of their perfect syncretism between traditional Heavy Metal and Epic Doom Metal.

The irreligious intro Vade Retro (from the admonition “vade retro me satana” or “get behind me, Satan!”, from the Gospel of Mark, 8:33, spoken by Jesus to Peter) will invite you to join the black mass conducted by Ecclesia in the rockin’ feast titled If She Floats, where the striking riffs by Julius Accusator and The Witchfinder General will slash your ears mercilessly, setting the tone for the soaring vocals by Arnhwald, all boosted by the song’s phantasmagorical background keys. Then we have Et Cum Spiritu Tuo (or “and with your spirit” from Latin), keeping their mass-infused sound reverberating to all four corners of the earth, in line with the excellency of their 2020 album by presenting a solid fusion of Heavy and Doom Metal with poetic lyrics (“Fear not my friend / For I have come to relieve you / Wherever you hide / You shall be found out and snatched out of misery / A gang of priors is waiting for you / We’ve had enough / The chalice is broken / Are you ready for a wild holy ride?”). The howling winds will bring to our avid ears six minutes of heresy and doom in the form of Antecclesia, starting in an enfolding way to the bass by Frater Ignis Sacer and evolving into a lecture in Heavy and Doom Metal in the vein of Mercyful Fate and Candlemass; and it’s pedal to the metal in the breathtaking title-track Ecclesia Militans, showcasing the band’s trademark heaviness accompanied by their church-like background sounds, or in other words, it’s an incendiary Rock N’ Roll party led by Arnhwald’s striking vocals.

The second half of the album kicks off with the keyboard-infused aria The Exorcism, a headbanging feast spearheaded by the heavy and groovy riffage by the band’s guitar duo, always supported by the metallic bass by Frater Ignis Sacer, whereas more of the hammering drums by Pater Hexenhammer will hit you hard in Ereptor Verae Fidei (or “redeemer of the true faith” from Latin), sounding haunting yet captivating at the same time. Redden the Iron is the perfect hybrid of Heavy Rock and Doom Metal, with Arnhwald sounding flawless on vocals once again while Julius Accusator, The Witchfinder General and Frater Ignis Sacer bring the noise armed with their thunderous axes, and Ecclesia still have time for another Stygian aria entitled Harvester of Sinful Souls, with the keys by Pater Walkelinus sending shivers down our spines while Pater Hexenhammer blasts sheer obscurity from his drums in the most Doom Metal of all songs, living up to the legacy of such brilliant genre, before the otherworldly outro Quis ut Deus (a Latin sentence meaning “Who [is] like God?”) puts a stylish, grim and ethereal ending to another successful black mass by Ecclesia.

If you consider yourself a true heretic, it’s time to confess all your sins and grab a copy of Ecclesia Militans from Ecclesia’s own BandCamp page as well as from the Aural Music webstore as a CD, a black and gold LP, or a heretic blood LP, and don’t forget to also follow the band on Facebook and on Instagram for news, tour dates and other nice-to-know details about one of the rising forces of the European metal scene. Just like the Catholic church, Ecclesia are increasing their dominance all over the world with their first-class witchfinding doom, and their new album Ecclesia Militans will certainly convert more and more heretics to their cause in the coming years. Amen.

Best moments of the album: Antecclesia, Ecclesia Militans, Redden the Iron and Harvester of Sinful Souls.

Worst moments of the album: None.

Released in 2024 Aural Music

Track listing
1. Vade Retro 1:41
2. If She Floats 4:35
3. Et Cum Spiritu Tuo 3:58
4. Antecclesia 6:13
5. Ecclesia Militans 3:48
6. The Exorcism 5:19
7. Ereptor Verae Fidei 4:49
8. Redden the Iron 4:07
9. Harvester of Sinful Souls 7:02
10. Quis ut Deus 1:50

Band members
Frater Arnhwald – vocals
Julius Accusator – lead guitar
The Witchfinder General – rhythm guitar
Frater Ignis Sacer – bass
Pater Walkelinus – organ, keyboards
Pater Hexenhammer – drums

Album Review – Smoulder / Violent Creed of Vengeance (2023)

Let’s all head into the battlefield together with this must-see international Epic Heavy/Doom Metal horde armed with their breathtaking sophomore album.

Playing Epic Heavy/Doom Metal in the tradition of Tales of Medusa, Solitude Aeternus, Manilla Road, early Blind Guardian and Fates Warning, the multinational Smoulder have just unleashed their second full-length opus, titled Violent Creed of Vengeance, the follow-up to their 2019 critically acclaimed debut Times of Obscene Evil and Wild Daring and their 2020 EP Dream Quest Ends. Recorded at Soundwell Studio  by Valtteri Kallio and Jani Snellmain, mixed by Arthur Rizk, mastered by Roland Rodas at Cavern of Echoes, and displaying a beautiful cover Art by Michael Whelan, the album represents a huge step forward in the career of vocalist Sarah Ann, guitarists Shon Vincent and Collin Wolf, bassist Adam Blake and drummer Kevin Hester, featuring seven front-to-back bangers that will surely please all fans of the genre and, therefore, inviting us all to head into the battlefield together with such talented Canadian-American-Finnish metal horde.

Shon and Collin waste no time and begin their epic stringed attack in the opening tune Violent Creed of Vengeance, a battle hymn perfect for raising our horns high in the sky, not to mention the soaring vocals by Sarah add an extra touch of electricity to their music; and it’s then pedal to the metal as it’s time to head into the battlefield to the sound of The Talisman and the Blade, a lesson in Power Metal inspired by that addictive sound form the 80’s, with Kevin being fantastic behind his drums while Adam blasts his bass in the best NWOBHM style. The melodious guitar lines by Shon and Collin permeate the air in Midnight in the Mirror World, where their Doom Metal vein pulses harder than ever. Furthermore, it’s indeed a dark and sinister tune that exhales epicness through its lyrics (“Tenebrous figure / Dwelling deep, within the infinite gates / A foreboding wind blows / With the first stars / He wakes, signaling personal dawn / Gaze across pale nebulas”).

The band then offers a thrilling fusion of the music by Warlock, Iron Maiden and Manowar entitled Path of Witchery, with Sarah kicking some ass on vocals as usual while Kevin sounds bestial behind his drums; whereas the somber narration by English writer Michael Moorcock kicks off another metallic extravaganza entitled Victims of Fate, offering our ears striking riffs and solos, rumbling bass lines and of course the band’s undisputed energy. After such imposing tune, we have a Heavy and Speed Metal attack titled Spellforger, showcasing more of their classy lyrics beautifully declaimed by Sarah (“This impoverished child, distinct from the rest / Their mind contains untold fortitude / Ancient coven sensed their presence / Trained their young as a Spellforger”), and you better get ready for almost ten minutes of epic and doomed Heavy Metal in the form of Dragonslayer’s Doom, with Sarah leading her horde while Adam’s bass lines bring endless intricacy to the overall result. Needless to say, that beautiful epicness goes on until the song’s climatic finale, putting a powerful ending to the album.

You can join Smoulder in their epic quest for heavy music by streaming their fantastic new album Violent Creed of Vengeance in full on YouTube and on Spotify, and of course by purchasing a copy of it from the band’s own BandCamp page, or from the Cruz Del Sur Music webstore as a CD, a red vinyl, a beer vinyl, or a cassette, and don’t forget to also follow the band on Facebook and on Instagram for news, tour dates and other nice-to-know details about those Finland-based Canadian metal warriors. Smoulder are definitely growing in a very healthy and exciting manner in the world of heavy music, therefore becoming one of the must-see bands of the current metal scene, and the electricity flowing from Violent Creed of Vengeance will undoubtedly help them to reach new heights and keep carrying the flag of Heavy Metal wherever they go armed with their music.

Best moments of the album: The Talisman and the Blade, Path of Witchery and Spellforger.

Worst moments of the album: None.

Released in 2023 Cruz Del Sur Music

Track listing
1. Violent Creed of Vengeance 5:05
2. The Talisman and the Blade 4:47
3. Midnight in the Mirror World 6:55
4. Path of Witchery 4:26
5. Victims of Fate 7:41
6. Spellforger 3:31
7. Dragonslayer’s Doom 9:51

Band members
Sarah Ann – vocals
Shon Vincent – guitar
Collin Wolf – guitar
Adam Blake – bass
Kevin Hester – drums

Guest musician
Michael Moorcock – narration on “Victims of Fate”