Metal Chick of the Month – Vermilia

Vastaan kulkee kuu kasvot kutsuen…

Miten teillä menee, rakkaat metallipäät? If you have no idea what this means, maybe we could ask our metal lady of the month of April here on The Headbanging Moose to help us with the translation, as not only it’s in her mother tongue, but she also uses this language in one hundred percent of her lyrics. Not only that, she’s more than just a singer, being responsible for all instruments in her one-woman Black Metal project. Owner of a mesmerizing voice, she will stun us all with her undisputed fusion of Pagan Black Metal with Nordic and Scandinavian melodies, offering us all beautiful lyrics in the form of poems about life, death and nature in her native language. Her name is Julia Mattila, usually referred to as her alter-ego Vermilia, a very creative woman and a free soul from the land of ice and snow who has a vision and a deep passion for music inside her head, always ready to let everything out in the form of her unique sounds.

Born and raised in Hämeenlinna, a city in Finland and the regional capital of Kanta-Häme, located in the southern interior of the country and on the shores of Lake Vanajavesi, Vermilia has been crafting music basically since she was born, having done everything from classical music to folk singing to metal and everything between that. She grew up in a very musical family, which means making music has always been very natural to her. Moreover, she is also an audio engineer, always listening to different genres to find new ideas for her own sound and production, therefore keeping her music as fresh and unique as possible with each album released.

Her one-woman project Vermilia was founded back in 2017, blending Pagan Black Metal with Scandinavian and Nordic melodies, clean, harsh and melancholic vocal harmonies, and lyrics in the form of poems about life, death and nature, always singing in her mother tongue Finnish, and always responsible for not only all vocal duties (including some amazing harsh growls), but also for all instruments (including even shaman drums), graphics and videos, recording, producing, mixing and mastering of all of her albums, plus all the artworks and photography. Shortly after forming Vermilia, she released her debut album Kätkyt (which means “cradle” in English), in 2018, which ended up being one of the most best selling metal albums on BandCamp during the weekend of its pre-release announcement, receiving a huge amount of praise from a variety of critics, magazines and webzines, and of course from fans from all over the world.

Right after the enormous success of Kätkyt, she released on March 1, 2019 her cover version for a Finnish classic song called Täällä Pohjantähden Alla, originally released by Petri Laaksonen in 1994 (and you can check the original version HERE). Vermilia’s atmospheric version became a huge success on Spotify, jumping straight to number #1 of the most viral songs in Finland on the official Spotify charts. After such a wild feedback from music lovers from all four corners of the earth, it was more than natural for Vermilia to keep her momentum going with the 2020 four-track EP Keskeneräisiä Tarinoita, which translates as “unfinished stories”, also getting tons of positive feedback from all types of metal and non-metal fans.

Then after reaching almost two million streams on Spotify, it was time for Vermilia to unleash upon humanity her highly anticipated sophomore opus, entitled Ruska, or “autumn foliage”, the process of leaves turning to various shades of yellow, orange, red and brown as the trees get ready for winter. The evolution in her music was beyond clear in Ruska, with her always evolving blend of Atmospheric, Pagan and Black Metal getting more personal, tighter and more compelling, culminating now in 2025 with the release of her strongest album to date, the breathtaking Karsikko, an expression that represents a set of markings made on a tree somewhere between a deceased person’s home and the burial site in the Finnic religion, which was believed to prevent the individual’s spirit from coming back. Her visuals are also a crucial part of her music, and you can savor that in all of her official videos on YouTube, including Veresi, Kansojen Kaipuu, Marras, Tuonen Joki, Hautavajo, Ruska, Hauras, Kuollut, Kaunis, and Äiti Maa. All of them are definitely worth a watch, and all of her albums are certainly worth purchasing from BandCamp, and you can also click HERE for all things Vermilia, including her mesmerizing live performances.

Apart from Vermilia, you can find our she-wolf (under her name Julia Mattila) as part of the bands Duo Julia Mattila & Samuli T. Mäkelä and Seele, and as the vocalist for a now defunct project named The Passion of Our Souls. As a matter of fact, Duo Julia Mattila & Samuli T. Mäkelä and The Passion of Our Souls are basically the same band, with the main difference being the type of music they play. In Duo Julia Mattila & Samuli T. Mäkelä, it looks like Julia and Samuli play (or used to play, who knows) cover songs in a sort of folk style, while in The Passion of Our Souls the style was a fusion of Melodic Death Metal with Metalcore with nuances of symphonic and gothic music, having released back in 2015 their first and only record, the EP Soulmates, as you can see in the song Give Me Your Soul.

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Her other band, named Seele, is an Alternative Rock/Electronic Pop band from Finland with whom Vermilia released the album Jos Vain Kaiken Jättäisin (which means “If Only I Left Everything” in English), in 2016, but that was it. Furthermore, you can also find her doing backing vocals on the song Peikonmieli, from the 2017 album Saatto, and vocals on the song Ikarus, from the 2019 album Valo, both released by the now defunct Finnish Melodic Black/Gothic Metal band Mustan Kuun Lapset, another band from Finland that always used their mother tongue to keep their connection to their roots intact and always present in their music.

In regards to Vermilia’s idols and influences, she always mentions in her interviews that her biggest inspirations are nature, sadness, darkness, autumn rain and mythology. “Everything I compose or write happens without bigger plans. I just let the creativity fly and move forward with the feelings I have in that moment,” she commented, complementing by saying that musically speaking she’s influenced by Atmospheric and Pagan Black Metal, as well as by folk music, which in her opinion represents freedom of art and freedom of mind. Furthermore, although her music is sometimes compared to Myrkur, Ulver and Moonsorrow, all bands she respects and admires, she mentioned she still thinks that their music is different from Vermilia, saying that any similarities might come from her subconscious or something like that.

As mentioned before, Vermilia is a skilled singer who can do both clean and harsh vocals, and she commented already in an interview how much her vocals have evolved with time. “I have studied different vocal techniques, which has helped me find all my voices. I love using my voice in many ways, and it’s my favourite instrument.” On a side note, when playing live of course she ends up needing support from other musicians to be able to bring her creations to life. “I do every single vocal by myself. There is no other vocalists on the album. But for example in the live shows I can’t do all at the same time, so there needs to be some compromises, like someone to double the growls in some parts of the songs when I do the clean vocals.” Furthermore, she also has a very good explanation for singing pretty much all the time in Finnish. “The Finnish language is very rich and there are so many metaphors in my lyrics that it’s kind of hard to translate these songs. I have done some lyrics in English in the past before Vermilia, but I am a so much better writer in Finnish so at this point I will keep doing this in Finnish because it fits perfectly to this, but you know, never say never.”

Vermilia also has a strong opinion about all the discrimination and disrespect towards women, both in the music industry and in everyday life. “I think we are going in a better direction, but we are still very far away from a solution for this.” In addition, she also thinks the new wave of women in Black Metal and other styles of extreme music is awesome, showing a lot of respect for bands like Myrkur and Sylvaine. “I think it is awesome that women are rising and doing their own music in their own way.” And of course, as she was born in Finland, a country considered by many as the epicenter of the best heavy music on the planet, she had some nice words to say about her homeland. “I love Finnish music in many genres, not just metal. I guess it’s so cold and dark here that we have to be creative and keep our brains warm by doing metal. For me Finland is a calming place where my mind is clear and my soul is resting. We have so many forests and lakes that you really don’t have to see other people if you don’t want to. Peace of nature is inspirational. I love to write and compose here.”

There are also countless interviews and videos online with Vermilia, like this nice one for a podcast from Latvia named Metālkāsts LV, where she talks about why she decided to fly solo in her career, her songwriting ritual, the importance of writing and singing in her native Finnish language, her favorite season of the year, and more, showing she’s not just a very talented musician, but also a very down to earth woman who will keep working hard and releasing new albums for our total delight, always following her passion for music, always inspired by nature, and always remaining true to her Finnish roots. And do you know her motto? Well, that’s a very simple yet powerful one that all of us should carry inside our hearts. “Be thankful for what you have right now, and don’t take anything for granted.”

Vermilia’s Official Facebook page
Vermilia’s Official Instagram
Vermilia’s Official YouTube channel

“I love Finnish music in many genres, not just metal. I guess it’s so cold and dark here that we have to be creative and keep our brains warm by doing metal. For me Finland is a calming place where my mind is clear and my soul is resting. We have so many forests and lakes that you really don’t have to see other people if you don’t want to. Peace of nature is inspirational. I love to write and compose here.” – Vermilia

Album Review – Sata Kaskelottia / Sydän On Vuori (2018)

The most unconventional gam of sperm whales hailing from Finland strikes back with more of their flammable fusion of Stoner and Progressive Metal.

After three long years of writing and recording, the most unconventional gam of sperm whales hailing from the Finnish capital Helsinki is back with a brand new album, ready to show us all that the human heart is a mountain. If that doesn’t make any sense to you, then you should definitely take a listen at Sydän On Vuori (Finnish for “heart is a mountain”), the brand new album by Stoner/Progressive Metal act Sata Kaskelottia, following the success of the band’s 2015 debut self-titled release while experimenting with new sounds and nuances and exploring the breaking points of life, points in which difficult choices have to be made.

Sata Kaskelottia’s combination of progressive, darker tones and often catchy, lighter and strangely triumphant mood produces a unique musical blend that walks its own path, with Sydän On Vuori introducing the band’s evolved sound and songwriting. Comprised of Eetu Kauppinen on vocals and guitar, Matti Kangaskoski on the guitar, Markku Suoniemi on bass, and Ville Salonen on drums and percussion, Sata Kaskelottia, which means “one hundred sperm whales” (if you don’t know that already), are beyond sharp and electrified in Sydän On Vuori, and if you’re a fan of the music by bands such as Mastodon and Baroness I’m sure you’ll have a good time listening to the nine tracks of unrelenting rock and metal found throughout the album.

We need only a few seconds in the opening track Aamumandaatti (“the morning mandate” from Finnish) to know we’re dealing with the “Finnish Mastodon”, with the guitars by Eetu and Matti sounding as sharp as a sword, not to mention you’ll certainly feel compelled to sing along with the band even knowing nothing in Finnish. Just as psychedelic and heavy as its predecessor, Leskentekijä (“widow’s origins”) is a well-balance hybrid between Stoner and Progressive Metal, with Ville bringing an extra dosage of electricity with his intricate beats while Eetu keeps firing his wicked vocals nonstop; followed by Parantaja (“the healer”), where the whole band speeds things up a bit sounding more aggressive, rawer and denser, with the music being led by the crushing riffs by both Eetu and Matti. In addition, the bass guitar by Markku sounds thunderous and metallic, adding an extra dosage of heaviness to what’s by far one of my favorite songs of the album.

Samarkand might be known as a city in modern-day Uzbekistan and one of the oldest continuously inhabited cities in Central Asia, but from now on it should also be recognized as a lesson in Progressive and Sludge Metal, with its guitar lines and rhythmic beats inspiring you to bang your head together with the band, whereas the title-track Sydän On Vuori begins in an atmospheric, almost psychedelic way, evolving into a dark and deep Stoner Metal feast with Markku and Ville smashing their respective instruments, therefore creating a beyond obscure background of sounds. And in Ennen Kuin Sateet Alkavat (“before the rain begins”), Sata Kaskelottia deliver sheer electricity through their music weapons in a top-of-the-line fusion of Stoner Metal with old school Rock N’ Roll and modern Hard Rock, with highlights to the fantastic job done by Eetu with his demented vocal lines.

Bringing elements from traditional Heavy Metal to their musicality (which ends up giving it an epic vibe), the band offers the listener the vibrant Musta Tähti (“black star”), once again showcasing Eetu and Makki in absolute sync with their riffs; while Lumimies (“abominable snowman”) lacks the same punch and energy from the rest of the album, despite presenting melodious guitar lines and a solid performance by Markku on drums. And lastly, instead of another hard and heavy tune, Sata Kaskelottia surprise us all with a pensive ballad titled Ovet (“doors”), closing the album in a unique and very interesting manner, with Eetu leading the sonority with his introspective vocals until the song’s somber finale.

What are you waiting for to dive into the sea of Progressive and Stoner Metal ruled by Sata Kaskelottia? You can listen to their new album in full on Spotify, follow them on Facebook for new and tour dates, listen to more of their music on YouTube and on SoundCloud, and buy a copy of Sydän On Vuori from their BandCamp page, from Record Shop X, on iTunes or on Amazon. As you might already know, there’s nothing better than listening to the potent nad harmonious metal music blasted by one hundred sperm whales, and the new album by Sata Kaskelottia is here to show us that.

Best moments of the album: Aamumandaatti, Parantaja and Ennen Kuin Sateet Alkavat.

Worst moments of the album: Lumimies.

Released in 2018 Rhoska Records

Track listing
1. Aamumandaatti 5:03
2. Leskentekijä 4:54
3. Parantaja 3:30
4. Samarkand 5:19
5. Sydän On Vuori 5:16
6. Ennen Kuin Sateet Alkavat 4:01
7. Musta Tähti 5:39
8. Lumimies 5:14
9. Ovet 4:56

Band members
Eetu Kauppinen – vocals, guitar
Matti Kangaskoski – guitar, vocals
Markku Suoniemi – bass, vocals
Ville Salonen – drums, percussion

Album Review – The Passion Of Our Souls / Soulmates EP (2015)

Enjoy this first-class fusion of pop and heavy music by a promising dynamic duo from Finland.

Rating4

THE PASSION OF OUR SOULS - Soulmates cover artOne day you’re walking down the street or hanging out at the mall, and you see that guy or girl that makes your heartbeat “match the beat of the universe”, as perfectly quoted by American author Joseph Campbell. That’s the moment when you finally find your soulmate, the person you want to spend the rest of your life together, and that’s exactly what Finnish Melodic Death/Pop Metal dynamic duo The Passion Of Our Souls want to express with their excellent debut EP entitled Soulmates.

Hailing from Hämeenlinna, Finland, and formed in 2014 when lead singer Julia Mattila and multi-instrumentalist Samuli Tuomas Mäkelä met each other and began to carry out together their passion for music (which by the way was the inspiration for the name of the band), The Passion of Our Souls offer us all what can be considered a concept EP, with all four tracks talking about passion and love. Moreover, the music itself is very well-crafted and effectively illustrates the message the band is sending to the listener. Add to that the beautiful combination of the band’s logo, designed by Argentinian graphic designer Victoria Pelejero, and the album art, created by Mexican graphic artist Angat Calavera, and you have a full-bodied final result which will please all fans of heavy and melodic music.

Give Me Your Soul already explains what the band wants to say with “Melodic Death/Pop Metal” due to the dark sounding of its Doom Metal riffs blended with the voice of Julia Mattila, who travels between demonic growls and mainstream clean vocals, creating a unique pop/metal atmosphere. Besides, its lyrics could easily belong to a pop music hit so passionate they are (“Your smile and eyes are like drug to me and / This is something that the whole world will see”). Then we have the thrilling Everything, which begins somehow like the new songs by Arch Enemy, reminding me of their latest single “War Eternal”: it’s a headbanging tune with a strong melodic vein, and you will love the guttural and clean vocals together in its catchy chorus. It’s so professional it doesn’t sound the band has only two members, although I wonder how Julia will be able to do both voices at the same time live. Well, that’s just a minor detail, at least for now.

THE PASSION OF OUR SOULS band photoThe even deeper guttural vocals in What Tomorrow Brings showcase a more contemporary Melodic Death Metal side of the band, where heavy riffs and somber but smooth passages go really well together; while the blast beats in Till Death Do Us Part keep the song a million light-years away from being commercial. This track has simple but intelligent lyrics about the whole concept of marriage, plus an exciting rhythm thanks to the amazing job done by Samuli. Not only that, its chorus couldn’t be more melodic and emotional (“Please marry me / And I’ll be yours forever / I’ll love you till the end / Till death do us part”), in line with the whole concept of the EP.

When Soulmates is over you will be craving for more of The Passion Of Our Souls, so let’s hope they do not take too long to release a full-length album with more of their amazing music. In the meantime, there are several places where you can know more about the band and enjoy their work, such as BandCamp, YouTubeSoundCloud, ReverbNation and BandPage. If I had to summarize the EP in just a few words, I would say it’s a topnotch fusion of pop and heavy music highly recommended for you to enjoy with your soulmate.

Best moments of the album: Everything is in my opinion the most appealing of the four tracks.

Worst moments of the album: Let’s wait until they have a full-length album to select a bad moment, right?

Released in 2015 Independent

Track listing
1. Give Me Your Soul 3:25
2. Everything 4:57
3. What Tomorrow Brings 3:53
4. Till Death Do Us Part 5:15

Band members
Julia Mattila – growls, clean vocals (Seele, Julia)
Samuli Tuomas Mäkelä – all instrumentation (Kara Darahu, Snovonne)