Tag Archives: heavy metal

Concert Review – Blaze Bayley (On the Rocks, Helsinki, Finland, 07/12/2024)

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Blaze Bayley returned to Helsinki, Finland to celebrate his Iron Maiden’s 30th anniversary, and of course we joined the party!

***Review and photos by Giovanna Marques***

Once again, I had the chance to be at our beloved bar and concert venue, On the Rocks Helsinki, this time to see Blaze Bayley present his 30th Anniversary Iron Maiden tour.

The concert was sold out and the crowd was ready to rock even before the show began, waving Iron Maiden flags and wearing band shirts.

As a “thank you for the support” gift to the fans in Finland, Blaze held a free meet-and-greet for all the fans who bought tickets to the show. This was a very special experience for me since Blaze was one of the first concerts I ever saw in my life when I was 12 years old and I carry great memories from that day. During the meet-and-greet, he thanked everyone for their presence, signed merchandise, and posed for selfies. This is the third time I’ve had the chance to see him live and every time he has been very kind, patient, and grateful to the fans.

OPENING ACT: ABSOLVA
Absolva is a heavy metal band from Manchester, UK and consists of Martin McNee on drums, Chris Appleton on lead guitar and vocals, Karl Schramm on bass, Martin McNee on drums and Luke Appleton (ex-Iced Earth) on guitar and backing vocals. They released their first album in 2012 and play high-quality heavy metal, clearly influenced by the NWOBHM (New Wave of British Heavy Metal) with catchy choruses, melodic riffs, and speedy solos, making it easy to headbang to every song.

Since 2014, Absolva has been the support band for Blaze Bayley on both tours and recorded albums. It’s great to see such fine musicians as part of Blaze’s history after so many years of temporary and rotating touring musicians.

Absolva’s concert was technically impressive, melodious, and definitely energized the crowd. The band played songs that had fans singing from beginning to end, including tracks from their latest album, Fire in the Sky, released in 2022. It’s totally worth checking out!

BLAZE BAYLEY
After a very short break for Absolva’s musicians to reorganize the stage, Blaze Bayley was welcomed by a standing ovation as he entered.

The crowd, already pumped from Absolva’s performance, couldn’t wait to hear his Iron Maiden songs. The gig started with “Lord of the Flies,” which gave the audience goosebumps as Blaze sang the first words.

The joy and excitement of seeing Blaze back on stage after his quadruple bypass surgery following a heart attack in 2023 are beyond words. I was emotional and thrilled to see the vocalist, who has overcome so many personal setbacks, return to deliver such a stunning performance.

The next song was “Sign of the Cross,” and the songs kept coming one after another! In total, Blaze played sixteen songs, with only four from his solo era: “Rage” and “Circle of Stone” from his latest album of the same name, as well as “Warrior” and “Pull Yourself Up” from his 2021 album War Within Me.

As a Blaze fan, I confess I was hoping to hear some songs from “Silicon Messiah”, an absolutely legendary album. However, the excitement of hearing so many great songs played live overshadowed any disappointment.

The concert was enriched by moments where Blaze shared stories behind each song, such as when he was in Argentina and learned that one of his schoolmates had gone to fight as a marine in the Falklands War (Guerra de Malvinas) and died there. The memories of those times, mixed with the sadness of a war fought by ordinary people, like you and me, inspired Blaze to start writing a poem that eventually became the lyrics to “Como Estais Amigos.”

I haven’t seen On the Rocks as crowded as it was that day and Blaze delivered what the fans were expecting and more.

For those who continue to pity Blaze as a guy living off his “Iron Maiden golden years,” I challenge you to buy a ticket and see him live. As he has mentioned in interviews, this “30th Iron Maiden Anniversary tour” is a celebration of all the good that has stayed with him and his music, not just a nostalgic memory of what has passed. Blaze’s music is alive and doing very well!

Setlist
Lord of the Flies
Sign of the Cross
Judgement of Heaven
Fortunes of War
Virus
Circle of Stone
Rage
When Two Worlds Collide
Lightning Strikes Twice
The Clansman
Warrior
Pull Yourself Up
Como estais amigos
Man on the Edge
Futureal
The Angel and the Gambler

Band members
Blaze Bayley– vocals
Chris Appleton – lead and rhythm guitar, backing vocals
Luke Appleton – rhythm and lead guitar, backing vocals
Karl Schramm – bass, backing vocals

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Concert Review – Crewfest 2024 (Lion’s Gate Park, Brantford, ON, 07/19/2024 & 07/20/2024)

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***Review by Elizabeth “Liz Bathory” Anderson, with photos by Keith Ibbitson of Metal Paparazzi***

Day 1: July 19, 2024

Venue: Lion’s Gate Park, Brantford, Ontario, Canada

Performers: Sumo Cyco, Buckcherry, Big Wreck, and The Headstones

This was my first time at Crewfest, and let me tell you, driving through Toronto traffic was an adventure in itself. But as soon as I arrived, the vibrant sound of Sumo Cyco hit me. I got there a bit late but still caught “Move Mountains” and “Bystander.” Fans I spoke to were thrilled about hearing “Undefeated.” Their stage presence was electric, and their sound really stood out. The crowd was loving every minute of it.

During intermission, I wandered around and soaked in the Crewfest vibe. The air was filled with the smell of stone-baked pizza and weed. There was a Crewdama tent where people were playing with kendama toys, and a small drone flew overhead. The crowd was a mix of young and old, metalheads, country fans (probably for the side stage), boho ladies, and bikers. The organizers did a great job with the portable washrooms, including wheelchair-accessible ones and an accessible seating area. As the night went on, portable outdoor chairs started popping up near the shaded areas – a thoughtful touch by the organizers.

Next up was Buckcherry. Their stage energy was impressive. The frontman’s style was urban meets rock ‘n’ roll, and their guitarist Stevie D stood out with his funky riffs and Tokyo Drift-style jacket. They got the crowd going with “Crazy Bitch” and played some classic rock/bluesy metal tunes like Guns N’ Roses and AC/DC. They also did a cool cover of “Rollin’ on a River” by Proud Mary.

Big Wreck was the next big act. By then, the sun was setting, and the stage lights were becoming more impressive. Drummer Sekou Lumumba was highlighted on the big screen, and he looked amazing. Seeing him in action was a treat. One nostalgic moment was when one of the band members threw an Emoji beach ball into the crowd, reminding me of my first concert (The Rolling Stones in the early 90s at the CNE). Big Wreck’s set had some heavy-sounding songs paired with classic metal vocals, including their 90s hit “That Song” and a cover of Thornley’s “Come Again.”

During the next intermission, I explored the venue more. There was an area dedicated to local vendors selling rolling papers, bongs, candies, cannabis, and more. There were even shirts being sold to fundraise for mental health support. The food section near the VIP area was a delight, with trucks serving wood-fired pizza, decked-out perogies, BBQ sandwiches, poutine, and Greek food. The VIP area had lit-up tents and seats sponsored by local businesses, Vanessa Mortgage Broker and Lanca, offering drinks and charcuterie boards. I did get asked to leave the Lanca tent since they didn’t accept my media pass.

Finally, The Headstones took the stage. Their lighting was spectacular, lighting up the whole area to the point that it could be seen from blocks away. They had the biggest crowd of the day, and their sound mixed classic funk with punk elements. Frontman Hugh Dillion made a few jokes, including a funny pizza delivery joke aimed at someone by the stage.

Day 2: July 20, 2024

Venue: Lion’s Gate Park, Brantford, Ontario, Canada

Performers: Otherwives, Junkhouse, Sloan, The Trews, and Goo Goo Dolls

Day 2 started off mellow with a soft opening from the side stage, giving an old-school rock and roll vibe. The crowd was a mix of Tragically Hip and Red Hot Chili Peppers fans, many rocking cowboy hats and boots. The side stage featured local country artists playing covers like Kings of Leon’s “Use Somebody,” and they threw shirts into the crowd at the end of their set.

I tried Crewfest’s own branded lager by Farm League Brewing. As a beer lover, I had to give it a shot, and it was pretty good – a mild, crisp taste similar to a Belgian ale. As I enjoyed my beer, Otherwives, a local band from Welland, Ontario, hit the main stage. Their stage presence was great, and they reminded me a bit of Billy Talent. The crowd was really into their 00s-style punk pop riffs.

During the next intermission, 50 Mission played Tragically Hip covers on the side stage, and the audience grew. Then Junkhouse took the main stage, opening with “Jesus Sings the Blues.” Frontman Tom Wilson shared stories about their days in Hamilton and various shenanigans, making their set feel personal and engaging. The T-rex in the crowd really jammed out during “Be Someone.”

The side stage was closed for the next intermission, so I checked out more vendors, including AE3D Printing and Collectables. They had cool 3D-printed fidget toys, dice rollers, game controller holders, and more. Time flew by, and before I knew it, Sloan was on stage. The crowd, now even larger, went crazy for their 90s hits like “The Other Man,” “Money City Maniacs,” “The Rest of My Life,” and “The Good in Everyone.”

The Trews followed, opening with “Tired of Waiting.” The crowd sang along enthusiastically. As they performed “Fleeting Trust,” the sun set, and the stage lights became more vibrant. Their set ended with “Hold Me In Your Arms,” leaving the crowd buzzing.

Finally, the Goo Goo Dolls took the stage. Their lighting was the most impressive, with beams visible from a distance. They opened with “Dizzy” and played hits like “Long Way Down,” but the crowd went wild when they started “Iris.” It was the perfect ending to a fantastic festival.

Crewfest 2024 was an unforgettable experience filled with diverse music, vibrant energy, and thoughtful organization. From the lively performances and nostalgic moments to the well-planned amenities and variety of vendors, Crewfest had something for everyone. It was a celebration of music and community that brought people together for two days of pure enjoyment. If you haven’t been to Crewfest yet, mark your calendars for next year – it’s an event you won’t want to miss!

Note: Unfortunately, due to the high temperatures that hit the festival area on Saturday, our buddy Keith Ibbitson of Metal Paparazzi wasn’t able to stay at Crewfest during that day, which is why there are no photos from day 2 of the festival.

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Album Review – Bad Marilyn / Eye of the Snake (2024)

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The debut album by this talented Swiss Heavy Metal outfit will take you on a journey to a magical world to the sound of its eleven incendiary tracks.

Founded in the summer of 2023 in Wangen an der Aare, Bern, a municipality in the Oberaargau administrative district in the canton of Bern in Switzerland, Heavy/Power Metal warriors Bad Marilyn have just unleashed upon us their debut album, titled Eye of the Snake, an album that will transport the listener into a magical metal world. Recorded at Kangaroo Studios, The TrakShak Studio and The Hämst Studio, produced, mixed and mastered by Dennis Ward, co-Produced by Sammy Lasagni and Andri Leonardo, and displaying a classic artwork by Stan-W Decker, Eye of the Snake offers eleven powerful songs thoroughly crafted by the Helvetic formation of Andrea Raffaela on vocals, Sammy Lasagni on guitars, David Craffonara on bass, Andri Leonardo on keyboards, and Armin Schöpfer on drums.

An epic intro quickly evolves into the Power Metal feast I Die Inside, where the whimsical keys by Andri walk hand in hand with the she-wolf roars and soaring vocals by Andrea, whereas Middle-Eastern sounds ignite the also very melodic and headbanging Eye Of The Snake, where Armin pounds his drums nonstop supported by the solid bass lines by David; and leaning towards Melodic Rock and AOR we have Perfect Moment, but of course without forgetting their classic Heavy Metal essence, with the guitars by Sammy sounding striking and harmonious. Retribution is not as exciting as the previous songs and quite confusing at times, albeit the vocals by Andrea are spot-on as usual, but fortunately back to a more direct sonority the band offers our ears the upbeat, melodic Heavy Metal tune Children Of Tomorrow, with Armin dictating the pace with his classic beats and fills. Sammy then takes the lead with his Iron Maiden-inspired riffs in When She’s Gone, a song that blends melody and heaviness in a well-balanced manner.

Their Rock N’ Roll party continues with an overdose of metallic riffs and blast beats titled Revolution, where Andrea delivers a striking vocal performance supported by the fast and thrilling music by her bandmates; and it’s time for a charming power ballad titled Legend Of Salvation, where the power of Armin’s drums is boosted by Andri’s stylish keys. Queen Of Thunder carries an old school name for a song with a strong 80’s Hard Rock and Heavy Metal vibe, keeping the adrenaline flowing in the album while also showcasing more of Andrea’s beautiful vocals, with Andri also kicking some ass with a nice keyboard solo; and they take their heaviness to new heights in Eternal Pain, led by the pounding drums by Armin and the slashing riffage by Sammy, resulting in a thrilling Heavy Metal attack tailored for fans of 80’s heavy music. Last but not least, we’re treated to one final strike of soaring vocals and classic riffs in We Will Rise, putting an incendiary ending to the album.

Eye of the Snake can be appreciated in full on Spotify, but of course you can show your utmost support to Andrea and the boys by purchasing the album from their BandCamp page or webstore, or by cliking HERE, and don’t forget to also give the band a shout on Facebook and on Instagram. This Swiss band definitely knows how to craft fun and vibrant Heavy Metal, taking you as mentioned to a magical world to the sound of their flammable music, and just like a snake I’m sure they’ll strike again soon with another album just as good as their debut offering.

Best moments of the album: I Die Inside, Revolution and Eternal Pain.

Worst moments of the album: Retribution.

Released in 2024 Independent

Track listing
1. I Die Inside 4:42
2. Eye Of The Snake 4:18
3. Perfect Moment 4:55
4. Retribution 4:22
5. Children Of Tomorrow 3:45
6. When She’s Gone 4:15
7. Revolution 4:00
8. Legend Of Salvation 4:30
9. Queen Of Thunder 4:34
10. Eternal Pain 4:16
11. We Will Rise 5:15

Spotify bonus track
12. Stay Awake 4:34

Band members
Andrea Raffaela – vocals
Sammy Lasagni – guitars
David Craffonara – bass
Andri Leonardo – keyboards, backing vocals
Armin Schöpfer – drums

Concert Review – Hyperia (Rivoli, Toronto, ON, 07/07/2024)

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A fantastic heat wave of Canadian underground metal hit the city of Toronto this Sunday night with three of the most must-see bands of the current scene.

OPENING ACTS: Invicta and Thunderor

The heat is on in Toronto, and together with it comes an overdose of the Canadian underground like what happened last night at Rivoli when TUNDEROR, INVICTA and HYPERIA kicked off Hyperia’s sensational Constricting Canada/Europe Tour 2024, and I believe it’s the first time ever this thrilling band from Vancouver, British Columbia is touring not only Eastern Canada, but also venturing through European lands. Needless to say, Keith Ibbitson of Metal Paparazzi and I were there to celebrate the music and professional growth of Hyperia, proving Canadian metal is alive and kicking, with band’s like Hyperia, Invicta and Thunderor being more than ready to take over the world.

I must confess it was a little late for the doors at Rivoli to open, only at 8:30pm on a Sunday, but nobody seemed to care about that late start, and a little after 9pm Kitchener, Ontario-based Melodic Death/Thrash Metal outfit INVICTA kicked off the metallic ceremony with a fast-paced, heavy-as-hell performance, inviting all concert goers for some vigorous headbanging. The band spearheaded by the talented vocalist and guitarist Kyle Edissi, who also plays the guitar for Heathen on their live shows, delivered the goods, playing songs from their two album Halls of Extinction and Triumph and Torment (both available on BandCamp and on Spotify, by the way) for the delight of the small but excited crowd that attended the show. Those guys should definitely be opening for renowned acts like At The Gates, Sylosis, Arch Enemy and so on during their future tours in Canada, and I’m sure once more people get exposed to Invicta’s first-class heavy music, they will go places.

Band members
Kyle Edissi – vocals, guitars
Jonah Kay – guitars, backing vocals
Steven Rowlands – bass, backing vocals
Reef Hassanien – drums, percussion

The show must go on, and after a short break where everyone could enjoy good quality beer for a very decent price (which doesn’t happen very often at concerts, as you might know), Toronto’s own Heavy Metal trio THUNDEROR began their melodic and incendiary concert based on their 2022 debut Fire It Up, available on BandCamp and on Spotify, including Fire It Up, Dangerous Times, Thunderor and On the Run, putting everyone to dance and have a very good time in the name of Rock N’ Roll. Guitarist Johnny Nesta and bassist Brycen Gunn were obviously amazing, but it was the band’s mastermind JJ Tartaglia (of bands like Skull Fist and Final Trigger) who truly impressed me the most. How can he sing and play drums at the same time, and sound so good in both? He has indeed become a staple of the Canadian underground scene, and if you have a chance to see him playing live, please go for it, because he’s a great person and a superb musician that deserves all our recognition.

Band members
JJ Tartaglia – vocals, drums, keyboards
Johnny Nesta – guitars
Brycen Gunn – bass

HYPERIA

I’ve been a fan of Melodic Thrash/Death Metal machine HYPERIA since day one, having already reviewed all of their albums, those being Insanitorium (2020), Silhouettes of Horror (2022) and The Serpent’s Cycle (2023), but I honestly had no idea if I would ever be able to see them live as touring from one coast of Canada to the other is extremely pricey these days. Well, to my total surprise and sheer happiness, yesterday I had a fantastic time witnessing frontwoman Marlee Ryley, guitarists Colin Ryley and Skyler Mills, bassist Jon Power, and drummer Aaron Bell kicking some serious ass on stage in preparation for their more-than-deserved debut European tour starting on July 14 at Masters of rock in the Czech Republic. It was wild, intense, and above all that, as metal as it could be, putting a huge smile on everyone who was brave enough to stay at the venue until (very) late on a Sunday night, completely ignoring the fact the next day would be an always boring Monday.

Most of their setlist was based on their newest album The Serpent’s Cycle, with songs like The Serpent’s Cycle, Trapped in Time and my favorite of the night, Automatic Thrash Machine, sounding killer live, and the band was so relaxed and having a good time that Marlee herself went down to the floor/pit to have a good time with the fans more than once, with Jon also joining the crowd during the last song of their set, the excellent Pleonexia, and that translated into a very warm and vibrant reaction form the crowd. All of their wicked creations are available on BandCamp and on Spotify, and if you’re in Europe and have a chance to catch Hyperia live in the coming weeks, don’t miss the chance to see one of the coolest names of the current Canadian scene. I would love to see them on July 21 at the famous Carts & Horses, the birthplace of Iron Maiden, because they definitely deserve to reach new heights with their undisputed thrash, and hopefully when they return from Europe I’ll have another chance to see them here in Toronto in a not-so-distant future.

Band members
Marlee Ryley – vocals
Colin Ryley – guitars
Skyler Mills – guitars
Jon Power – bass
Aaron Bell – drums

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Album Review – Orden Ogan / The Order Of Fear (2024)

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One of the torchbearers of German Power Metal is back with their seventh album, continuing their saga with a particularly triumphant lesson in dark metal music.

A standout in the Power Metal genre and a crucial part of the international metal scene since their 2008 debut album Vale, Arnsberg, North Rhine-Westphalia, Germany’s own Power Metal warriors Orden Ogan are back with their latest epic The Order of Fear, their seventh studio opus, continuing their saga with a particularly triumphant lesson in dark metal music in a Hollywood-style story. Recorded, mixed and mastered by the band’s frontman Sebastian “Seeb” Levermann at Greenman Studios, and displaying a classy artwork by Dan Goldsworthy (Aborted, Corpsegrinder, Accept, Alestorm, Cradle of Filth, Gloryhammer, and many more), The Order of Fear seamlessly fits into the band’s impressive catalog, showcasing all the dexterity and passion for heavy music by the aforementioned Seeb on vocals alongside Niels Löffler and Patrick Sperling on the guitars, Steven Wussow on bass, and Dirk Meyer-Berhorn on drums.

In the opener Kings of the Underworld there’s no intro, nor any moments of peace; it’s a fast-paced, no-shenanigans Power Metal attack right from the beginning led by the classic drums by Dirk while their guitars sound absolutely striking and vibrant. Then the title-track The Order of Fear offers an overdose of whimsical lyrics declaimed by Seeb (“I heard the king is dead / Now others reign instead / Pulling the strings in the dark of the day / Abel, my good old friend / Through shadows we descend / He’ll follow me to the end of the way”) while the music is a well-balanced mix of Heavy and Power Metal, followed by Moon Fire, another solid and entertaining creation by the band bringing forward traditional Power Metal with some additional background elements, adding a more epic vibe to it. Then an acoustic, gentle start gradually morphs into a galloping sound in Conquest, with once again Dirk pounding his drums accompanied by the metallic bass by Steven, whereas the fast riffage by Niels and Patrick set the tone in Blind Man, a fun and thrilling Power Metal extravaganza that should work really well if played live.

The second half of the album offers more of their metal hymns, starting with Prince of Sorrow, with Seeb kicking some ass on vocals as usual while the riffs by the band’s guitar duo sound striking, followed by Dread Lord, which tries to be epic but ends up being cheesy and generic, although the riffs and solos by Niels and Patrick are once again very pleasant. It’s then time for a stunning power ballad titled My Worst Enemy, led by the passionate vocals by Seeb, bringing a touch of finesse to the album; and speeding things up again the band delivers the electrifying Anthem to the Darkside, alternating between heavier moments and more melodic passages, with Dirk kicking some serious ass behind his drums. Finally, the interlude The Journey Thus Far offers a dark narration that will take you on a wild musical journey titled The Long Darkness, with Seeb leading his henchmen in a melodious, epic and charming song where all backing vocals enhance the power of his own vocals, offering over eight minutes of classic Orden Ogan by bringing forward their trademark riffs and bass lines, pounding drums and soaring vocals, also ending in a climatic and epic way.

“The album is much more stripped down,” commented Seeb. “It is to the point, more metallic, direct, and perhaps ‘authentic’. The guitars are more in the foreground, but of course, it didn’t work entirely without orchestral elements,” he complemented, and if you want to experience that more metallic side of the band you can grab a copy of the album by clicking HERE, also keeping in mind that soon this ten-song cinematic story will be available in a reading version through the official Orden Ogan fan club. You can also find more information about the band and the album, and of course more of their music, on Facebook, Instagram, YouTube and Spotify, joining the band in their quest for Power Metal. In a nutshell, the saga goes on in The Order Of Fear, an album that will surely please all fans of the band, therefore leaving everyone eager for the next chapter in the metallic book by one of the torchbearers of German Power Metal.

Best moments of the album: Kings of the Underworld, Blind Man and Anthem to the Darkside.

Worst moments of the album: Dread Lord.

Released in 2024 Reigning Phoenix Music

Track listing
1. Kings of the Underworld 3:58
2. The Order of Fear 4:26
3. Moon Fire 4:14
4. Conquest 4:12
5. Blind Man 3:52
6. Prince of Sorrow 4:02
7. Dread Lord 3:33
8. My Worst Enemy 3:28
9. Anthem to the Darkside 7:09
10. The Journey Thus Far 0:54
11. The Long Darkness 8:21

Band members
Sebastian “Seeb” Levermann – vocals
Niels Löffler – guitars
Patrick Sperling – guitars
Steven Wussow – bass
Dirk Meyer-Berhorn – drums

Concert Review – Sonic Rites Festival 2024 (Ääniwalli, Helsinki, Finland, 05/17-05/18/2024)

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Sonic Rites is quickly becoming one of the biggest names of independent festivals in the Nordics dedicated to underground heavy music. What started as an event in a restaurant venue in Helsinki five years later is now presented in a two-day indoor festival, featuring two stages dedicated to, as they mention themselves, ”the darkest and heaviest elements of music”.

***Review and photos by Giovanna Marques***

Sonic Rites has provided a platform for avant-garde, experimental, and alternative music genres, fostering community among artists and fans. The festival has been instrumental in showcasing diverse talent, from local Finnish acts to international underground artists and its importance lies not only in promoting musical innovation but also in challenging mainstream music norms and nurturing a subculture that thrives on artistic freedom and expression.

This year, the festival, which was almost sold out before the start of the event, took place once again at Ääniwalli, a venue housed in an industrial building, which gives it a raw and authentic ambiance that perfectly complements the underground music scene. The venue features multiple rooms, allowing for intimate performances as well as larger, more energetic shows, and it’s equipped with high-quality sound systems and lighting, ensuring an immersive experience for both performers and audiences. Ääniwalli’s industrial aesthetic, characterized by exposed brick, metalwork, and minimalist decor, provides a gritty yet welcoming environment that fosters creative expression and community.

DAY 1: 17.05.2024

Unfortunately, due to work schedule, I was not able to attend the beginning of the event, so the first band I was able to watch was SUM OF R (SUI/FIN). They started their activities in 2008 and since then have been through different phases of their sound, and today we can witness an experimental and synth-based dark ambient that creates a unique and delirious experience that I have definitely enjoyed.

The next on the schedule was PELKKÄ POUTANEN, a solo project delivering an interesting mixture of vocals, Finnish folk, and electronic music. Although the show was on a smaller stage, it felt like an already big stage star.

Also on the smaller stage, SUR-RUR (FIN) played an energetic gig, making the crowd jump and sing. The Finnish band, founded in 1996, plays a mixture of hardcore, prog, alternative, and punk rock.

Next, on the big stage, it was time for the English masters of GODFLESH to show their heavy power. Their performance was full of energy, making the night even hotter with all the intensity of their show. They were responsible for the venue to get absolutely crowded and proved that, as pioneers of industrial metal, they really know how to make a good show. Their music matched perfectly with the surroundings, giving the impression that the venue was picked to match their music.

During the interval for the gears exchange in the mainstage, JOLEA, the Finnish artist and music producer, was showing all the beauty of her other-worldly ambient music on the smaller stage.

The first night of Sonic Rites 2024 ended with a rocket performance by DISCHARGE (UK). If you think that after 6 hours of music the audience would be tired and ready to go home, you are wrong. The minute the band entered the stage, it was like we all had a shot of energy in our veins. From the first to the last song, there was no one standing still, either banging their heads, mosh-pitting, stage diving or simply moving their body to the rhythm of hardcore punk madness. Even after the last song we could feel the electricity in the air, and we left Ääniwalli in joyful sweat, ready for another day full of heavy music.

DAY 2: 18.05.2024

The second day was the most anticipated for me. Again, unfortunately, due to work reasons I was not able to attend the event from its beginning. Luckily I was able to be present for the opening act of the bigger stage, the performance of THE DEVIL’S TRADE from Hungary. Their show was melancholic, political, and bewitching from the start to the end. Even when I couldn’t understand the lyrics in Hungarian, I could feel the heaviness of the words sung, and together with the doom, folk, and heavy melodies, the band created a beautiful and unforgettable show.

Next, LOKA (FIN) was filling the smaller stage with its sludge, doom, and heavy songs. LOKA is a local band created by members from bands such as Unkind and Radien and they released their debut album in April this year. The album is a must-listen if you are into machine drumming doom!

On the bigger stage, it was time for Polish act DOPELORD to show their charm. It was definitely one of the loudest and heaviest performances of the festival, literally making the structures of the venue shake. Their psychedelic stoner doom songs combine heavy riffs, horror, and occultism lyrics with a sarcastic attitude. It made me extremely happy that I finally had the chance to see them live since I am a follower of the band from their first album, “Magick Rites”, to their last release, “Songs for Satan”. They proved it doesn’t matter if you are listening to their albums or watching their gig, a good trip is guaranteed. Definitely a show to remember!

On the smaller stage, NERO KANE (ITA) was performing simultaneously with DOPELORD on the bigger stage and therefore I did not have the chance to watch the Italian duo. That was, in my opinion, the only downside of the festival: concurrent gigs.

Luckily, I had the chance to watch part of the KOLLAPS show. The trio, originally from Melbourne, Australia but now based in Europe, makes an extremely violent-noisy performance. Combining heavy sound with live performative arts such as scraping and banging metal objects, the Post-Industrialists delivered a chaotic and artistic presentation.

On the bigger stage, it was time for the German duo MANTAR to show their sludge metal. Although they were extremely sick, as mentioned by the singer and guitarist Hanno Klänhardt, they decided to perform the show anyway. The concert was heavy and furious and as a gift to their fans, they played songs from their first album, material not always played in their gigs. The audience happily welcomed the set list and headbanged until the last song.

On the smaller stage, HERO DISHONEST (FIN) was kicking the audience’s ears with some good hardcore punk music. The space was absolutely crowded and as a small woman, it was just impossible for me to watch the gig, so I could only hear the last songs from the entrance of the space.

On the bigger stage, it was finally time for the New Orleans sludge metal pioneers of EYEHATEGOD to bring Sonic Rites 2024 to a perfect end. Their soundcheck was already a show and the fans were already enjoying themselves and vibing without the concert having even officially started. When vocalist Mike IX Williams entered the stage, the crowd began to cheer and prepare the mosh pit. The gig was a delicious heavy slap in our ears with a closing that could not be more perfect: EYEHATEGOD playing Black Sabbath’s Hand of Doom.

The 2024 edition of Sonic Rites ended and left the fans like myself eager for next year’s edition. Next year’s dates have been announced already. Follow them for more updates!

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Album Review – Axel Rudi Pell / Risen Symbol (2024)

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Bochum, Germany’s own metal institution strikes again with their twenty second studio album, flying the Melodic Hard Rock flag without watering down their style.

Following up on their 2022 album Lost XXIII, and continuing their streak of one album every two years, Bochum, Germany’s own Heavy Metal/Hard Rock institution Axel Rudi Pell will attack our senses once again with their twenty second opus, entitled Risen Symbol, flying the Melodic Hard Rock flag without watering down their style with pseudo-modern stylistic variations or expendable studio gimmicks. Displaying a fiery artwork taking up where their 1996 album Black Moon Pyramid left off, the band formed of the unstoppable guitarist Axel Rudi Pell and his henchmen Johnny Gioeli on vocals, Volker Krawczak on bass, Ferdy Doernberg on keyboards, and Bobby Rondinelli on drums offers a well-balanced and thrilling mix of catchy rhythms and powerful riffs, resulting in one of their strongest albums of the past decade.

The Resurrection, one of those characteristic intros by Axel Rudi Pell, sounds atmospheric, magical and whimsical, revving up their engines for Forever Strong, where Axel already begins slashing his guitars in great fashion supported by the always pounding drums by Bobby in a lecture in old school Heavy Metal and Hard Rock without sounding outdated, almost feeling like a Power Metal attack. Then we’re treated to Guardian Angel, one of the two singles released before the official album saw the light of day, which couldn’t have sounded more Axel Rudi Pell than this, where Johnny as usual steals the spotlight with his soaring, striking vocal lines; followed by their incendiary cover for Led Zeppelin’s all-time classic Immigrant Song, and Axel and his crew made sure they delivered a stunning rendition of the original one, with Johnny being simply flawless on vocals. And Darkest Hour, the first single of the album, is an amazing Hard Rock tune with Volker, Ferdy and Bobby crafting a rumbling ambience for Axel to slash his stringed axe, delivering incendiary riffs and solos nonstop.

Then you better get ready for ten minutes of undisputed, beautiful Heavy Metal and Hard Rock in the form of Ankhaia, bringing to our ears another explosion of soaring vocals, striking riffs and classic beats, resulting in an imposing aria that presents everything we love in the music by Axel Rudi Pell and more; whereas Hell’s On Fire is another classic tune by the quintet where the keys by Ferdy walk hand in hand with the magical riffage by Axel. Of course there had to be a stylish ballad by the band, in this case titled Crying In Pain, where the crying guitar by Axel embellishes the airwaves while Johnny proves why he’s one of the best Hard Rock vocalists of the current scene, all embraced by Ferdy’s charming keys. Volker hammers his thunderous bass nonstop in Right On Track, offering more of the band’s trademark sounds, with Axel once again kicking some ass with his strident riffs and solos in a Rock N’ Roll party perfect for raising our glasses and horns together with the boys; and the melancholic guitar lines by Axel ignite the closing song Taken By Storm alongside Johnny’s passionate vocals, flowing in a classy way until the very end while bringing to our ears more of their stylish riffs, rumbling bass lines, ass-kicking vocals and crushing drums.

In summary, Mr. Axel Rudi Pell and the boys did it again, delivering another solid album of heavy music in a relatively short period of time, which is not only good for us fans as it gives us more music for our daily activities, but it also expands the options for their live concerts, and if you want to catch one of the most hardworking and focused bands of the current European scene live you can see what they’re up to on Facebook and on Instagram, stream their beyond vast catalogue on Spotify, and of course grab a copy of Risen Symbol by clicking HERE, including the more than special Risen Symbol box set, including two exclusive red and white splatter vinyl in gatefold, two neon orange vinyl in gatefold, a jewel case CD, a shirt, an exclusive flacon with perfume (created by Axel Rudi Pell), a guitar pick, an A1 poster, a sticker, and an A5 photo card. It won’t take long for Mr. Axel Rudi Pell to release a new album, as I like to say every time I review his music, and that’s a very good thing for the metal community because as long as he keeps delivering great albums like Risen Symbol, we can rest assured Heavy Metal and Hard Rock will never die.

Best moments of the album: Forever Strong, Ankhaia and Right On Track.

Worst moments of the album: None.

Released in 2024 SPV/Steamhammer

Track listing
1. The Resurrection (Intro) 1:42
2. Forever Strong 4:42
3. Guardian Angel 5:27
4. Immigrant Song (Led Zeppelin cover) 5:47
5. Darkest Hour 5:32
6. Ankhaia 10:09
7. Hell’s On Fire 4:46
8. Crying In Pain 6:49
9. Right On Track 4:45
10. Taken By Storm 7:35

Band members
Johnny Gioeli – vocals
Axel Rudi Pell – guitar
Volker Krawczak – bass
Ferdy Doernberg – keyboards
Bobby Rondinelli – drums

Metal Chick of the Month – Miss ScarRed

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Hear me, I’m here inside… Take a breath… Bring me to life!

It’s time to make things red, and I mean REALLY RED, here on The Headbanging Moose thanks to our metal lady of this always hot and sunny month of June, but before I say anything about her I have a very easy question for you. Do you know what The Headbanging Moose and Nuking Moose have in common, apart from two badass names and an endless passion for heavy music? The answer is quite obvious, it’s our total admiration for the breathtaking frontwoman Miss ScarRed, also known as Liz, a multi-talented singer, songwriter and vocal coach known for fronting the aforementioned Nuking Moose, as well as another project named Chaos Rising and her own solo band, and a woman who will set fire to whatever stage she steps on with her undeniable talent. In other words, I’m sure you’ll love to see everything “red” after our humble tribute to her.

Hailing from Hamburg, a major port city in northern Germany, Miss ScarRed is a rising force in the Melodic Death Metal, Metalcore and Deathcore scenes, delivering soaring vocals that walk hand in hand with the heaviness, melody and rage flowing from the music played by her bandmates. Her first official release in the metal world was back in September 2021, when Chaos Rising, a collaborative international Groove/Thrash/Heavy/Melodic Death Metal project formed in 2019 open to every female artist interested in metal music, released the single Prisoner, featuring our beloved diva on vocals (and songwriting) alongside French multi-instrumentalist Stéphanie Nolf (of Syrinx and Unsafe, who’s also by the way the founder and manager of Chaos Rising) on bass and drum programming, British multi-instrumentalist Catherine Fearns on the guitars, and Serbian guitarist Aleksandra Stamenković (aka Alexandra Lioness, of Jenner and Sigma Epsilon) also on the guitars. All releases by Chaos Rising, featuring an array of talented women, can be found on BandCamp and on Spotify under an album titled The Singles, including of course the song with Miss ScarRed on vocals, and I’m sure we’ll soon see another striking song fronted by her under such an amazing and important project for all women who love heavy music.

Apart from her involvement with Chaos Rising, Miss ScarRed was also the vocalist for a Lübeck, Schleswig-Holstein, Germany-based Symphonic Metal band named Aeternitas between 2021 and 2022, until they disbanded in 2022 after decades of existence, as the band was originally formed back in 1999. Miss ScarRed ended up being their very last female vocalist, having released with them the single Shadows back in November 2021, the band’s last song before calling it quits. I wish we could have more of Aeternitas with her on vocals because the final result in Shadows is really compelling, but of course I understand there are things that happen inside countless bands out there that are out of anyone’s control.

Finally, let’s talk a little about Miss ScarRed’s main band, the ruthless Nuking Moose. Formed in 2013 in Bremen, a city straddling the Weser River in northwest Germany, Nuking Moose play a thrilling fusion of Melodic Death and Groove Metal highly recommended for fans of bands like Jinjer and The Agonist, having released the EP Into the Abyss back in 2018, and the full-length album Ritual, in 2023, this one already featuring Miss ScarRed on vocals. After the pandemic hit, their previous vocalist Lars Michalsky (who had been with the band since 2017) left Nuking Moose in 2022, vacating the position for our red-haired growler to join guitarists Lennart Godt and Lennart Jabben, bassist Kevin “Moshi” Schmidt, and drummer Arne Godt in their quest for heavy music.

“Our old singer moved away for professional reasons and we were forced to look for a replacement. We were lucky that Liz was looking for a new band herself at the same time we were looking for a singer. The internet brought us together and Liz won us over straight away. It was always important to us to have someone on the microphone who could shout/grow but also sing cleanly and melodically. We found Liz to be the right person,” commented the band about their new vocalist, complementing by saying that “the fact that she drove from her home near Hamburg to Bremen for rehearsals every week left no doubt that she was serious about the band. Luckily, she now lives closer to Bremen. In addition to her musical ability, Liz also brought a lot of experience from the professional music business with her. That was a great stroke of luck for us, because the rest of us only got into music as a hobby.”

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After being joined by Miss ScarRed (or in the case of Nuking Moose, they prefer calling her just as Liz), the band was able to reach the desired shape and form of their sound, sounding modern without sounding too polished at the same time, as well as hard and rough but with the melodic touch of Liz on vocals. As already mentioned, Nuking Moose released last year the album Ritual, featuring Liz on vocals, and let me tell you that it’s one hell of an album with no fillers, only killers. In case you’re curious to listen to it, you can find the album in full on different streaming services like Spotify and Apple Music, and also watch on YouTube the official video for the title-track Ritual, the lyric video for the song Values, and a “making of” for the entire album.

One name that might eventually pop up whenever you search for information about Nuking Moose is the one of Martin Kesici, and that’s because he’s nothing more, nothing less than Liz’s partner, apart of course for being a rock musician and radio host who became known in 2003 as one of the winners of the casting show Star Search. He’s become a friend of the guys from Nuking Moose, being involved in their day-to-day activities as for example being responsible for the mixing of the live recordings of one of their concerts. And speaking about live recordings, you can enjoy Liz and the boys kicking some ass with the songs Message To The Dead and Rusty Giant, both rehearsal room recordings. “The rehearsal room recordings were not part of a larger release, but we simply wanted to show people out there as quickly as possible after the singer change what we sound like now with Liz. These recordings were not intended to be studio quality – for the sake of simplicity, the drums were programmed on the computer, for example, and the distorted sound of the guitars came from a digital amplifier and not from the tube amps that we actually play,” commented the band.

There’s a lot more information, tour dates, news and other nice-to-know details about Miss ScarRed and Nuking Moose on their official social media channels, including her Facebook, Instagram and Linktree, and the band’s official website, Facebook, Instagram and YouTube channel, leaving you updated with all things surrounding one of the most promising bands of the contemporary German scene, with of course Miss ScarRed proving why she was chosen by the band to be their new frontwoman and scream for them like there’s no tomorrow. Having said all that, what are you waiting for to dive into a sea of red together with such an amazing vocalist like her?

Miss ScarRed’s Official Facebook page
Miss ScarRed’s Official Instagram
Nuking Moose’s Official Facebook page
Nuking Moose’s Official Instagram
Nuking Moose’s Official YouTube channel

Album Review – Accept / Humanoid (2024)

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A sonic assault of blistering riffs, powerhouse vocals, and adrenaline-fueled melodies dealing with topical themes like AI, aging and death, brought into being by the Teutonic masters of Heavy Metal.

A sonic assault of blistering riffs, powerhouse vocals, and adrenaline-fueled melodies dealing with topical themes like AI, aging and death, the heavy and vibrant Humanoid is nothing more, nothing less than the seventeenth studio album by Teutonic Heavy Metal masters Accept, and a more-than-worthy follow-up to their 2021 album Too Mean to Die. Once again recorded, mixed and mastered by Andy Sneap at Backstage Recording Studios, and displaying a metallic artwork by Gyula Havancsák, the new album by Mark Tornillo on vocals, Wolf Hoffmann and Uwe Lulis on the guitars, Martin Motnik on bass, and Christopher Williams on drums is a metal missile that targets the head, heart, gut and balls, inspiring the band to continue stepping forward and bringing us the Heavy Metal we know and love from one of the most important bands in the history of heavy music.

Sinister guitar tones ignite the opening tune Diving into Sin, exploding into a metallic feast with Mark and Wolf leading their bandmates in a pure display of modern-day Accept, and they put the pedal to the metal in the title-track Humanoid, offering our ears an overdose of pounding drums, blazing riffs and a mechanized vibe in line with the song’s theme. Frankenstein presents cheesy but catchy lyrics declaimed by Mark (“Got the strangest feeling, something isn’t right / I hear peculiar sounds amidst the eerie light / Can someone tell me, who I’m supposed to be / I was at peace but now something’s awakened me”) while the rest of the band delivers pure Heavy Metal for the masses; whereas more classic Accept is offered to us all in Man Up, with Wolf and Uwe taking the lead with their 80’s-infused riffs while Mark receives a solid support by his bandmates on the backing vocals. And The Reckoning is an absolute banger by those Teutonic metallers where everything sounds incendiary, from Mark’s vocals to all riffs, bass and drums blasted by his crew.

The band continues to feed our minds and souls with the purest form of Heavy Metal in Nobody Gets Out Alive, where Wolf and Uwe, accompanied by the rumbling bass by Martin, sound utterly classy and thrilling armed with their axes; whereas in Ravages of Time, Mark delivers Blues-infused words (“I’ve been to many places, I’ve drank a lot of wine / I’ve loved a lot of women in my time / I took what I was given, too much was not enough / And now I’m here to tell the tale”) amidst a gentle, melancholic sound, or in other words, it’s a nice ballad by those veterans. It’s then pedal to the metal spearheaded by Wolf’s blazing guitar in Unbreakable, with Martin once again hammering his bass nonstop, therefore enhancing the song’s punch considerably, and there’s still more to go in Humanoid, starting with Mind Games, another old school, solid composition by Accept, albeit a bit generic compared to the rest of the album, while there’s nothing better than a song about some quality drinking in a Heavy Metal album like Humanoid, titled Straight Up Jack, and of course Mark’s vocals match perfectly with the topic “discussed”, resulting in a song with a strong AC/DC vibe. Lastly, let’s slam into the circle pit one final time to the sound of Southside of Hell, bringing forward more of their trademark riffs and beats and, consequently, closing the album on a metallic note.

Accept Humanoid Limited Edition Deluxe Boxset

Mark, Wolf & Co. are waiting for you on Facebook and Instagram with news, more of their music, tour dates (and they’ve just announced a co-headlining tour across North American with KK’s Priest, which is definitely going to be a celebration of pure Heavy Metal that you don’t want to miss), and don’t forget to experience Humanoid by clicking HERE and to buy a copy of their newborn metal beast from Napalm Records (including the more-than-special Limited Edition Deluxe Boxset containing a mediabook CD, a flag, a lighter, a keytool in a guitar shape, a textile sticker and a photo card) or by clicking HERE or HERE. Accept are one of those bands that despite always looking forward and embracing new technologies, at the same time they stay loyal to their foundations, and Humanoid is the perfect depiction of that healthy clash of the past, present and future of the band. We’re all humanoids, but of course with Accept kicking our asses with their undisputed metal music like what they have to offer in their new album, we can call ourselves headbanging humanoids.

Best moments of the album: Frankenstein, The Reckoning, Nobody Gets Out Alive and Unbreakable.

Worst moments of the album: Mind Games.

Released in 2024 Napalm Records

Track listing
1. Diving into Sin 4:00
2. Humanoid 4:35
3. Frankenstein 4:14
4. Man Up 5:08
5. The Reckoning 4:34
6. Nobody Gets Out Alive 4:06
7. Ravages of Time 4:15
8. Unbreakable 4:53
9. Mind Games 4:05
10. Straight Up Jack 3:27
11. Southside of Hell 4:56

Limited Edition/Mediabook/Boxset bonus track
12. Hard Times 3:41

Band members
Mark Tornillo – vocals
Wolf Hoffmann – guitar
Uwe Lulis – guitar
Martin Motnik – bass
Christopher Williams – drums