A ruthless Death Metal entity from Portugal will attack us all with their debut opus, illustrating soundscapes of disastrous, catastrophic, and annihilating volcanic and natural events.
Based on the outskirts of Lisbon, Portugal, the infuriated Death Metal beast Phenocryst is releasing their highly anticipated debut album, titled Cremation Pyre, a worthy follow-up to their 2021 debut EP Explosions. Produced, mixed and mastered by Fernando Matias at The Pentagon Audio Manufacturers, and displaying a front cover oil painting by English artist James Campbell (with artwork concept by the band’s own vocalist and guitarist D.S., inspired by Polish painter and photographer Zdzisław Beksiński), the new opus by D.S. on vocals and guitars, Santana also on the guitars, V.M. on bass, and Artur on drums showcases the foundation of a Death Metal act crossing other influences like Doom Metal and some psychedelic vibes, beautifully illustrating soundscapes of disastrous, catastrophic, and annihilating volcanic and natural events.
Absolute darkness and despair flows from all instruments in the opening tune Pinnacle Of Death, with Artur crushing his drums while D.S. vociferates like a creature arising from the abyss, resulting in a demolishing Death Metal feast to kick off the album, whereas sinister notes explode into a putrid Death Metal onrush titled Astonishing Devastation, where the guitars by D.S. and Santana sound evil and grim until the very end. Then featuring guest vocals by Jorge Santos, Belathauzer and Fernando Matias, their evil invocations continue to burn our damned souls in Pyres Of The Altar, offering almost five minutes of caustic riffs and blast beats not recommended for the lighthearted; while Incandescent Debris is a devilish instrumental aria by Phenocryst that has all elements form classic Death Metal, except of course for the guttural vocal lines.
The second half of the album begins in full force with Embers Of An Ancient Fire, a song that couldn’t have sounded more infernal nor heavier, presenting another great job done by D.S. and Santana on the guitars supported by the Doom Metal-inspired drums by Artur, followed by Volcanic Winter, a song perfect for headbanging like an evil entity to the massive beats by Artur while D.S., Santana and V.M. show no mercy for their stringed axes, exhaling endless sulfur and hatred. Fogo Nas Entranhas, or “fire in the entrails”, is one of the most pulverizing songs of the album where D.S.’s infernal roars walk hand in hand with the crushing drums by Artur in a lecture in Death Metal made in Portugal, not to mention the cryptic riffs blasted by D.S. and Santana, flowing into the atmospheric outro Burial Swamps, darkening the skies and dragging us to burn in scorching lava together with the band for all eternity.
Forward-thinking traditionalism? Perhaps, but the real beauty of Cremation Pyre is that it’s open to myriad interpretations; with just one single step needed into its lava. After all is said and done, Phenocryst prove, once again, that “Only Death is Realer!”, and if you agree with the band and want to feel their Death Metal fires burning your soul until the end of times you can find them on Facebook and on Instagram, where you can stay updated with all things Phenocryst including their tour dates, and grab your copy of their incendiary new album from their own BandCamp page, or from Blood Harvest’s BandCamp page or webstore as a CD, LP, or cassette. Phenocryst are among us to spread fire and evil, and may their flammable Death Metal sounds continue to incinerate our avid ears with all of their upcoming releases, hopefully all just as great as Cremation Pyre.
Best moments of the album:Astonishing Devastation, Pyres Of The Altar and Fogo Nas Entranhas.
Worst moments of the album:Incandescent Debris.
Released in 2024 Blood Harvest
Track listing 1. Pinnacle Of Death 4:58
2. Astonishing Devastation 6:05
3. Pyres Of The Altar 4:48
4. Incandescent Debris 3:51
5. Embers Of An Ancient Fire 6:31
6. Volcanic Winter 6:05
7. Fogo Nas Entranhas 4:41
8. Burial Swamps 2:05
Band members D.S. – vocals, guitars
Santana – guitars
V.M. – bass
Artur – drums
Guest musicians Belathauzer – additional vocals on “Pyres Of The Altar”
Fernando Matias – additional vocals on “Pyres Of The Altar”, fx and synthesizers on “Fogo Nas Entranhas”
Jorge Santos – additional vocals on “Pyres Of The Altar” and “Fogo Nas Entranhas”
Join this talented Polish musician and his excellent new album of Atmospheric Doom and Post-Metal on a journey through the dark waters of the inner self.
If the ocean could sing, what would it say? That’s the question asked by Polish guitarist Damian Kinowski in If The Ocean Could Sing, the new album by his Atmospheric Folk/Doom/Post-Metal project Against the Seasons. Mixed, mastered and recorded at Versus Records, displaying a beautiful artwork by Aghy Purakusuma, and featuring guests Michał Miluśki (Aether) on vocals and Łukasz Tomczak (Immalum) on bass and drums, the album is a journey through the dark waters of the inner self, portraying a mix of emotions and reflections that haunted Damian during a melancholic period, while also inspired by the music by Woods of Ypres, Forest Stream, Thrawsunblat, Alice in Chains, and many others.
A massive riff by Damian kicks off the album on a high note in Exile, accompanied by the pounding drums by Łukasz and with Michał bringing his share of melancholy and darkness to the music with his devilish roars. Then we’re treated to an amazing rendition by Damian and his henchmen of The Astral Dialogue, by Agalloch (check the original version HERE), presenting the heaviness of the original with the band’s own modern and vibrant twist, followed by Ode, a detailed song with a nice balance between Doom and Folk Metal by the trio, with the guitars by Damian setting the tone while Łukasz delivers sluggish yet fierce beats, all boosted of course by Michał’s anguished roars. Reflection On The Pond brings to our avid ears another round of their Atmospheric Black Metal overflowing pain, melancholy and obscurity, with the acoustic and electric guitars by Damian once again penetrating deep inside our souls; and it’s then time for the second cover of the album, The Sun Was In My Eyes: Part One by Woods of Ypres (also check the original version HERE), sounding even more imposing and epic. Finally, an acoustic intro by Damian kicks off the closing aria Elegy Of The Stars, offering over ten minutes of serene passages intertwined with atmospheric and somber blasts of Black Metal, with the vocal lines by Michał overflowing anger supported by the ominous drums by Łukasz.
If The Ocean Could Sing can be appreciated in full on YouTube and on Spotify, but of course in order to truly support the underground you can grab a copy of the album from the project’s BandCamp page, and don’t forget to also subscribe to their official YouTube channel. Damian and his Against the Seasons are definitely making the ocean sing in their enfolding and melancholic new album, offering a feast of Atmospheric Black and Doom Metal with Post-Metal nuances for admirers of the genre that will certainly fuel Damian to keep embellishing the airwaves with his dark and extremely melodic music for many years to come.
Best moments of the album:Exile and Elegy Of The Stars.
Worst moments of the album: None.
Released in 2024 Independent
Track listing 1. Exile 4:56
2. The Astral Dialogue (Agalloch Cover) 5:18
3. Ode 4:43
4. Reflection On The Pond 4:24
5. The Sun Was In My Eyes: Part One (Woods of Ypres Cover) 6:31
6. Elegy Of The Stars 10:18
Kittie’s first show in Toronto in ten years was an amazing celebration of the legacy of the band, of diversity, and obviously of our good old heavy music.
I really want to understand what the hell is going on with traffic in the city of Toronto and surroundings. I left my place yesterday with plenty of time to get to History to see DEAR EVANGELINE, VILE CREATURE and KITTIE kick off their Fire Tour 2024, but due to all construction, rain and whatever else, it took me over two hours to get to the venue. Due to that driving nightmare, I missed the entire performance by Brampton, Ontario’s own Hardcore/Sludge Metal newcomers DEAR EVANGELINE, which was a real bummer as I was eager to see those girls live. At least we can all enjoy their self-titled EP on Spotify, and also click HERE to know more about such a promising Canadian band.
Another bummer was the fact that my buddy Keith Ibbitson of Metal Paparazzi didn’t get a photo pass due to some bullshit about “high demand for passes”, or something like that, but I was there as I had a ticket and I think I saw only ONE photographer apart from the band’s own, so I guess either the organizers didn’t want any external photographers taking pictures of the event (which makes no sense at all, as you want people to see those photos and get inspired to attend future shows, right?), or all of the ones who got the limited passes “didn’t attend the show”, if you know what I mean. Anyway, the photos in this review are a piece of shit because of that reason, and I almost though about not reviewing the show; however, I think Kittie still deserve a nice review because they kicked ass on stage on Friday.
At least I was there in time for St. Catharines, Ontario’s Sludge/Drone/Doom Metal beast VILE CREATURE, a non-binary duo who explores themes of veganism, LGBTQ, animal rights, and anti-oppression in their music, and let me tell you it was a dark and extremely heavy performance by vocalist Vic, vocalist and guitarist KW, and a special guest drummer who I knew nothing about. I have no idea about their setlist, but I’m pretty sure they played a few songs from their latest albums Cast of Static and Smoke (2018) and Glory, Glory! Apathy Took Helm! (2020), both available on BandCamp and on Spotify, and all songs sounded insane. One of the best moments of the show was when KW took a few minutes to talk about how much he loves Kittie, that it was Kittie who inspired him to play heavy music after years not knowing where he belonged as a gay guy, and that he sports his Kittie shirt from the very first Vile Creature live concert. It was a very emotional moment for sure, and seeing KW and his Vile Creature kicking ass right before his favorite band of all time was truly inspirational.
The fact that both opening bands had short setlists allowed London, Ontario’s Alternative/Groove Metal powerhouse KITTIEto kick off their musical extravaganza relatively early, at around 9pm, giving a feeling of a matinee to the whole event as they wouldn’t play past 11pm for sure. That would have been a good thing if traffic back home wasn’t another nightmare, but I won’t complain about it again. Let’s focus on the show, and what a show it was! Morgan Lander, Tara McLeod, Ivana “Ivy” Jenkins (holy shit, Ivy was insane during the whole show!) and Mercedes Lander were on absolute fire throughout their entire set, which makes total sense as their new album Fire in indeed an incendiary one. Needless to say, their 22-song setlist inspired everyone at the venue to slam into the circle pit and to have a wild time with all crowd surfing going on, making the girls from Kittie really proud of their local fans in their first show in Toronto in ten years.
Blending some of the most electrifying songs of their new album the likes of Fire, We Are Shadows and Eyes Wide Open with classic including Cut Throat, Spit, Funeral for Yesterday and Brackish, the quartet sounded tight, focused and mesmerizing, and when we thought the show was over after the heavy-as-hell We Are the Lamb, the band got back and kicked us hard in the head with a special encore with the songs One Foot in the Grave and Do You Think I’m a Whore, a nice surprise that caught everyone off guard and that turned up the heat inside the venue through the roof. Having said all that, keep an eye on their tour dates by clicking HERE, stream all of their amazing albums, including their new beast Fire, on Spotify or on any other streaming service, and don’t miss the chance to see those four Canadian girls live whenever they take your city by storm. I just wish I had better photos of the band to show you, of course, but you can’t win ’em all, right?
Setlist Fire
I’ve Failed You
Cut Throat
No Name
Spit
What I Always Wanted
Sorrow I Know
Look So Pretty
Ugly
We Are Shadows
Into the Darkness
Eyes Wide Open
Severed
Funeral for Yesterday
In Winter
Vultures
Charlotte
Mouthful of Poison
Brackish
We Are the Lamb
Encore:
One Foot in the Grave
Do You Think I’m a Whore
Band members Morgan Lander – lead vocals, rhythm guitar, piano
Tara McLeod – lead guitar
Ivana “Ivy” Jenkins – bass
Mercedes Lander – drums, backing vocals
This Bulgarian doom trio will darken your senses with their fifth full-length album, a monumental work of sadness and despair taking the listener on a soul reaping journey through afterlife and purgatory.
Formed in the already distant year of 2000 in the city of Varna, Bulgaria, crafting a hybrid of Blackened Doom with fantasy-influenced lyrics, the unyielding Atmospheric Black/Doom Metal entity Darkflight has just unelashed upon mankind their fifth full-length opus, titled Entropy, following up on their 2017 album The Hereafter. Stronger than ever, and showcasing a melodic brilliance, the album proves that the band has matured and created a monumental work of sadness and despair, taking the listener on a soul reaping journey through afterlife and purgatory, all carefully brought into being by Milen Todorov on vocals and bass, Ivo Iliev on the guitars and synths, and Valentin Deskov on drums, being therefore perfect for admirers of the music by My Dying Bride, Anathema, and Katatonia.
The band’s obscure, old school Doom Metal feast begins with the lugubrious A Sad Place to Call Home, with Valentin delivering those traditional sluggish beats, darkening the skies while Milen declaims the song’s deep lyrics with tons of passion. Second Genesis is even more melodic, whimsical and atmospheric, blending the finesse of Atmospheric Black Metal with nuances of Progressive Rock while Ivo sounds fantastic on the guitars, delivering an amazing solo halfway through it; and a mysterious female guest vocalist bring an extra touch of finesse to So Much to Tell, a beautiful ballad by Darkflight that brings melancholy and hope to our blackened hearts, whereas more of their fusion of rock and metal sounds is offered to us all in Vague Echoes, with the soothing guitars and synths by Ivo sounding very comforting and enfolding.
Then a pensive, deep start to the passionate vocals by Milen kick off the also embracing tune Buried Together, a beautiful ballad led by the intense vocals by Milen, while Rebirth follows a similar pattern, being at the same time dark, atmospheric and mesmerizing, with Ivo having an amazing performance with his piano and synths, or in other words, it’s definitely a song to listen to together with your loved ones. Your Time Has Passed is a more straightforward tune by Darkflight, bringing forward their trademark dark sounds infused with Gothic Rock and Metal elements, also offering another blast of Milen’s ethereal vocal lines while Valentin dictate’s the song’s gorgeous pace behind his drums. They keep embellishing the airwaves with their Atmospheric Black, Doom and Gothic Metal in Towards the Ruins, where once again Ivo and Valentin generate the perfect ambience for Milen to shine on vocals; and closing the album the trio offers more of their soothing, penetrating sounds in the form of Be Well, not as amazing as the rest of the album but still a solid ballad by those Bulgarian rockers.
In a nutshell, Entropy is a very well-crafted and detailed journey through the realms of Atmospheric Black and Doom Metal that truly deserves a full listen by any fan of good heavy music, and if you also want to know more about Darkflight, their tour dates and plans for the future, you can start following the band on Facebook, stream their music on Spotify or any other streaming service, and above all that, grab a copy of their striking new album from Symbol of Domination’s BandCamp page. The dark, pensive and mournful musical journey crafted by Darkflight in their new album will simply crush your hearts and souls, positioning them as one of the must-see names of the Bulgarian scene, and adding an extra layer of doom to the metal community worldwide.
Best moments of the album:Second Genesis, Vague Echoes and Your Time Has Passed.
Worst moments of the album:Be Well.
Released in 2024 Symbol Of Domination/Australis Records
Track listing 1. A Sad Place to Call Home 6:02
2. Second Genesis 6:40
3. So Much to Tell 4:40
4. Vague Echoes 5:40
5. Buried Together 4:45
6. Rebirth 4:52
7. Your Time Has Passed 3:38
8. Towards the Ruins 5:36
9. Be Well 5:00
Band members Milen Todorov – vocals, bass
Ivo Iliev – guitars, synths
Valentin Deskov – drums
Ruling the night of women’s rites with their dark lullabies!
I think the month of May needs an extra kick, and there’s nothing better than some first-class Mexican spices to turn up the heat considerably, right? That’s exactly why we’re not going to have only one metal lady this month, nor even two. We’re going to feast your eyes and ears with nothing more, nothing less that THREE metal ladies hailing from Mexico, a country known for the passion their metalheads nurture for all types of heavy music. Our three breathtaking metal divas are vocalist Marlene Muñoz, bassist Elizabeth Castillo, and guitarist Caro Saturni, who together with drummer Nicolás Garza form the ruthless Death Metal squad known as Spit On Your Grave, and I’m sure you’ll have a very good time knowing a bit about this triumvirate of absolute female power in Heavy Metal.
Before talking about each one of our chosen metal ladies, let’s do a quick introduction on their amazing band Spit On Your Grave. Formed in 2012 in Monterrey, the capital and largest city of the northeastern state of Nuevo León, Mexico, Spit on Your Grave are a no shenanigans, visceral Death Metal entity with three full-length albums and one EP released to date, always dealing with topics such as madness, serial killers, death and isolation, among others, having already shared the stage with metal titans the likes of Carcass, Sepultura, Nervosa, Cattle Decapitation, Cannibal Corpse, Brujeria and Dark Tranquility, just to name a few. All the information you need about the band is available HERE, and don’t forget to also stream their creations on Spotify, on YouTube, and other streaming services.
Furthermore, although we’re paying our humble tribute to the three girls that are currently part of the band (there are other women who are former members of Spit On Your Grave, but those might be our metal ladies in the future as part of their current bands), only Elizabeth is featured in all of their albums. As a matter of fact, she’s the only remaining member of the original formation of the band, and therefore she deserves to be the first one we’re going to talk about here on The Headbanging Moose. It’s all about seniority, right? But before that, how about a short and sweet overview of each of the albums released by Spit On Your Grave?
Released in 2014, their debut full-length album Existential Murderer consists of ten tracks that refer to raw old school Death Metal, basing its lyrics on situations of revenge, perversions, death, and only Elizabeth from our three metal ladies played in that album as aforementioned, while vocals and guitars were done by two other great female musicians, Zitlalic Gómez and Cecilia Cárdenas, respectively. Then in 2015 the band introduced a more melodic sound to their core essence with the EP Unblessed, the watershed that led the band to a variety of events and concerts making their way to the big stages with international bands, showcasing the same lineup from their 2014 album.
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In 2018, after a few lineup changes, those being newcomers Kharen Guardiola on vocals, Aldo Guerra on drums, and one of our metal ladies Caro Saturni (aka Carolina Ampersand) on the guitar, the band released their sophomore opus The Night Of The Women’s Rites, incorporating a more melodic sound where guitar solos stand out, while the album’s lyrics talk about goddesses and female deities from different cultures that somehow changed the course of history, including for example The Whore Queen (Cleopatra), Aphrodite and Cihuacóatl (these three song also released in 2018 as a single named Cihuacóatl), showing the courage, personality, attitude and the leadership of those women.
In between The Night Of The Women’s Rites and their newest opus Arkanum, the band released the single Ixik Uh in June 2022, which actually serves as a connection link between The Night Of The Women’s Rites and Arkanum, talking about an ancient Mayan ritual to Ixchel, a Mayan deity known as the Goddess of the Moon, in addition to fertility, childbirth, pregnancy, medicine, rain, womanly crafts, and war. The single was already recorded by the current lineup, including not only Elizabeth but also Marlene and Caro, making it the first ever song to feature all of our three metal ladies of the month.
And lastly, on the second week of April, Spit On Your Grave returned with their third studio album, the pulverizing Arkanum, a conceptual album that tells the process of a mental detox, which draws thematically on mystical elements, and with each track inspired by a different tarot card.“It talks about an internal struggle to restore your inner self,” the band said, “where your demons surface, and everything you believed in is questioned. That moment when you realize that for years you have followed someone else’s lead. You’ve had enough and decide to leave everything behind. It’s about losing yourself by being influenced by someone else and the struggle to wake up from that reality. Centering the lyrics in this inner fight with yourself, involving depression, anxiety, mistrust, feeling unfairly judged by everyone and having no help around.” Moreover, there’s a nice interview (in Spanish) to a YouTube channel called The Chill Dude On A Couch, where they talk about the album.
Elizabeth Castillo
Having said all that about the band’s discography, it’s time to focus on each of their amazing women, starting with the remaining founding member of the band, Elizabeth Castillo. Born and raised in Mexico, she’s not only the bassist for Spit On Your Grave, having recorded all of their albums, EP and singles, as already mentioned, but she’s also responsible for the bass duties with Mexican Black/Doom Metal band Hagel since their reactivation in 2014, having recorded with them the album Veneration of the Black Light back in 2021, featuring some insane songs such as Decalogue of Misery. Not only that, you can also find Elizabeth in a distinct folk band named Sandunga, playing traditional Mexican and Latin American music while also dealing with the Mexican folklore; however, Elizabeth is not the bassist for Sandunga, but their guitarist, and she also plays an instrument called “requinto jarocho” or “guitarra de son”, a four- or five-stringed instrument that has originated from Veracruz, Mexico, played usually with a special pick. If you want to know more about the band, simply click HERE, and don’t forget to also enjoy their official video for the song Maclovia, as it’s an amazing song outside of the metal realm. and how about watching her blast her bass in great fashion in the official YouTube channel for Spit On Your Grave, playing the classic Hammer Smashed Face, by the almighty Cannibal Corpse? That’s a really cool video, my friends!
Caro Saturni
The next metal lady of this month of May is the band’s guitarist Caro Saturni. Born on January 18, 1996 in Mexico, she joined Spit On Your Grave back in 2016 and released with the band so far their 2018 album The Night of Women’s Rites (as Caro Ampersand) and their 2024 album Arkanum (already as Caro Saturni), becoming the lead guitarist of the band, and you can check all her dexterity in a video from the band’s official YouTube channel where she plays the song Adjusting the Sun, by Hypocrisy. She’s also the guitarist for an all-female rock and metal band from Monterrey named Sister Sinyster, and although there isn’t much online about the band (as they just started in November 2023), you can enjoy this recent interview to Metalhead Inter Radio, and keep an eye on their Instagram for news as I’m sure we’ll hear a lot about those girls soon.
Marlene Muñoz
And last but definitely not least, we get to the she-wolf Marlene Muñoz, who joined Spit On Your Grave back in 2020 and has recorded with them so far their breathtaking new album Arkanum. Her harsh screams and guttural gnarls are fantastic, adding an insane dosage of brutality to the band’s core Death Metal, therefore elevating the band’s status in the local Mexican scene as well as worldwide. Apart from Spit On Your Grave, you can find Marlene as the vocalist for a Monterrey-based Melodic/Progressive Thrash Metal band called Judgment since 2019, having released with them a self-titled three-track single back in 2019, plus a standalone song named All I Have, in 2022, and let me tell you that all four songs released so far are amazing, leaving us eager for a full-length album by those Mexican metallers in the near future.
In summary, fi you’re looking for some fresh metal music with a powerful feminine touch, you must check the creations by all bands featuring Marlene Muñoz, Elizabeth Castillo and Caro Saturni, because those three multi-talented women definitely put their hearts and souls into making high quality music for us fans, and if you’re near them in Monterrey keep an eye on their social media because you don’t want to miss the metal attack provided by their bands live, in special the fulminating Spit On Your Grave. Hopefully the band will keep growing and reaching new horizons, playing all across the US and Canada, participating in multiple European festivals, bringing their music to places like Brazil, Japan, Australia and so on, because they play ass-kicking Death Metal, and we always need ass-kicking Death Metal with a feminine touch to make our lives way better, right?
Chasing the heretics since 2016 anno Domini, these French Heavy and Doom Metal inquisitors are back with their fantastic sophomore album, armed with purifying fire, blessed swords, and Holy Rage.
Chasing the heretics since 2016 anno Domini, French Heavy/Doom Metal inquisitors Ecclesia are back with their sophomore black mass, entitled Ecclesia Militans (or “the church militant” from Latin, an expression traditionally ascribed to Pope Clement V, who used it in his letter to King Philip IV in 1311 to indicate all living Christians), the follow-up to their critically acclaimed 2020 opus De Ecclesiæ Universalis. Armed with purifying fire, blessed swords, and Holy Rage, the band currently formed of Frater Arnhwald on vocals, Julius Accusator and The Witchfinder General on the guitars, Frater Ignis Sacer on bass, Pater Walkelinus on organ and keyboards, and Pater Hexenhammer on drums will convert fans of Candlemass, Solstice, and especially Tony Martin-era Black Sabbath as well as anyone who can feel the righteous fervor of medieval brimstone with their new album, demanding us to confess our sins to the sound of their perfect syncretism between traditional Heavy Metal and Epic Doom Metal.
The irreligious intro Vade Retro (from the admonition “vade retro me satana” or “get behind me, Satan!”, from the Gospel of Mark, 8:33, spoken by Jesus to Peter) will invite you to join the black mass conducted by Ecclesia in the rockin’ feast titled If She Floats, where the striking riffs by Julius Accusator and The Witchfinder General will slash your ears mercilessly, setting the tone for the soaring vocals by Arnhwald, all boosted by the song’s phantasmagorical background keys. Then we have Et Cum Spiritu Tuo (or “and with your spirit” from Latin), keeping their mass-infused sound reverberating to all four corners of the earth, in line with the excellency of their 2020 album by presenting a solid fusion of Heavy and Doom Metal with poetic lyrics (“Fear not my friend / For I have come to relieve you / Wherever you hide / You shall be found out and snatched out of misery / A gang of priors is waiting for you / We’ve had enough / The chalice is broken / Are you ready for a wild holy ride?”). The howling winds will bring to our avid ears six minutes of heresy and doom in the form of Antecclesia, starting in an enfolding way to the bass by Frater Ignis Sacer and evolving into a lecture in Heavy and Doom Metal in the vein of Mercyful Fate and Candlemass; and it’s pedal to the metal in the breathtaking title-track Ecclesia Militans, showcasing the band’s trademark heaviness accompanied by their church-like background sounds, or in other words, it’s an incendiary Rock N’ Roll party led by Arnhwald’s striking vocals.
The second half of the album kicks off with the keyboard-infused aria The Exorcism, a headbanging feast spearheaded by the heavy and groovy riffage by the band’s guitar duo, always supported by the metallic bass by Frater Ignis Sacer, whereas more of the hammering drums by Pater Hexenhammer will hit you hard in Ereptor Verae Fidei (or “redeemer of the true faith” from Latin), sounding haunting yet captivating at the same time. Redden the Iron is the perfect hybrid of Heavy Rock and Doom Metal, with Arnhwald sounding flawless on vocals once again while Julius Accusator, The Witchfinder General and Frater Ignis Sacer bring the noise armed with their thunderous axes, and Ecclesia still have time for another Stygian aria entitled Harvester of Sinful Souls, with the keys by Pater Walkelinus sending shivers down our spines while Pater Hexenhammer blasts sheer obscurity from his drums in the most Doom Metal of all songs, living up to the legacy of such brilliant genre, before the otherworldly outro Quis ut Deus (a Latin sentence meaning “Who [is] like God?”) puts a stylish, grim and ethereal ending to another successful black mass by Ecclesia.
If you consider yourself a true heretic, it’s time to confess all your sins and grab a copy of Ecclesia Militans from Ecclesia’s own BandCamp page as well as from the Aural Music webstore as a CD, a black and gold LP, or a heretic blood LP, and don’t forget to also follow the band on Facebook and on Instagram for news, tour dates and other nice-to-know details about one of the rising forces of the European metal scene. Just like the Catholic church, Ecclesia are increasing their dominance all over the world with their first-class witchfinding doom, and their new album Ecclesia Militans will certainly convert more and more heretics to their cause in the coming years. Amen.
Best moments of the album:Antecclesia, Ecclesia Militans, Redden the Iron and Harvester of Sinful Souls.
Worst moments of the album: None.
Released in 2024 Aural Music
Track listing 1. Vade Retro 1:41
2. If She Floats 4:35
3. Et Cum Spiritu Tuo 3:58
4. Antecclesia 6:13
5. Ecclesia Militans 3:48
6. The Exorcism 5:19
7. Ereptor Verae Fidei 4:49
8. Redden the Iron 4:07
9. Harvester of Sinful Souls 7:02
10. Quis ut Deus 1:50
Band members Frater Arnhwald – vocals
Julius Accusator – lead guitar
The Witchfinder General – rhythm guitar
Frater Ignis Sacer – bass
Pater Walkelinus – organ, keyboards
Pater Hexenhammer – drums
Dedicated to the one whose name is three hundred and thirty three, the eighth studio opus by this unstoppable one-man army offers us all raw and cold Black Metal that throws the grit right in your face.
“This album is dedicated to He, whose name is three hundred and thirty three, and that thrice one.”
Poisonous and true Black Metal to the bones, the Stygian, irreligious one-man Black Metal entity Funeral Winds is the true essence of Black Metal music, staying loyal to to the original values of Black Metal, hateful and relentlessly contemptuous in sound and vision, since the project’s inception in Rotterdam, in the Netherlands, in the now distant year of 1991. Now in 2024 the unstoppable vocalist and multi-instrumentalist Hellchrist Xul (aka Maurits Jansen) returns from the pits of the underworld with his devilish eighth studio opus, titled 333, which refers to the Dweller in the Abyss, the Demon of Dispersion, also known as Choronzon. Seen as the last great obstacle between the adept and enlightenment, Choronzon needs to be faced to be able to move beyond the Abyss. Stylistically, 333 is raw and cold Black Metal that throws the grit right in your face, a worthy follow-up to all of the previous efforts brought into being by Hellchrist Xul and his Funeral Winds.
The winds of Black Metal bring to our putrid ears the venomous opening tune Sovereign of Shadows, where Hellchrist Xul doesn’t waste a single second and begin to roar manically while also offering his usual infernal riffage, exploding into the vile and obscure Eternal Nightmare, an overdose of Black Metal insanity hitting us hard with its demonic guitars and bass, pounding drums, and a strong sense that all hope is lost and that we must all succumb to the void. Cast the Gauntlet of Doom sounds even darker than its predecessors, a haunting chant where Hellchrist Xul delivers Doom Metal-inspired sluggish beats while he keeps vociferating in the name of pure evil; followed by Ancient Wrath Unleashed, a brutal Black Metal attack that exhales heaviness and sulfur, with the strident riffs by Hellchrist Xul walking hand in hand with his classic blast beats.
In The Damned Ones Shall Rise we face nonstop savagery and sulfur flowing from all instruments, another classic Funeral Winds composition that lives up to the legacy of old school Black Metal; whereas Forever Cursed and Bound brings forward four minutes of absolute evil where the project’s core Black Metal is complemented by a grim Blackened Doom vibe, perfect for banging your head in total darkness. Then get ready to be dragged into the Stygian realm ruled by Funeral Winds in Birthed By Pure Malevolence, a nonstop, visceral Black Metal onrush with Hellchrist Xul enhancing the animosity of his harsh gnarls to a whole new level. And last but not least, Hellchrist Xul will darken the skies for all eternity with the seven-minute aria Conjuration of the Blind One, with the howling winds once again opening the gates of the underworld for Hellchrist Xul’s diabolical vociferations, flowing in a vile and somber manner while also bringing forward bursts of old school Black Metal, ending in a beyond phantasmagorical vibe.
Hellchrist Xul is undoubtedly an unstoppable force of the Black Metal scene, with 333 being an amazing depiction of al his passion for the style, his talent and his hard work. Hence, don’t forget to give him and his Funeral Winds a shout on Facebook and on Instagram, to subscribe to his YouTube channel and to stream his wicked creations on Spotify, and obviously to purchase a copy of the sulfurous 333 from his own BandCamp page, from the Osmose Productions’ BandCamp page, or simply by clicking HERE. Dedicated to the one whose name is three hundred and thirty three, the new album by Funeral Winds is a continuation of Hellchrist Xul’s descent into the underworld, cementing his name as one of the driving forces of the underground scene and setting the stage for a new chapter in the coming years, remaining always true to the foundations of our beloved Black Metal.
Best moments of the album:Eternal Nightmare, Ancient Wrath Unleashed and Birthed By Pure Malevolence.
Worst moments of the album:Cast the Gauntlet of Doom.
Released in 2024 Osmose Productions
Track listing 1. Sovereign of Shadows 4:01
2. Eternal Nightmare 6:02
3. Cast the Gauntlet of Doom 4:01
4. Ancient Wrath Unleashed 4:53
5. The Damned Ones Shall Rise 3:52
6. Forever Cursed and Bound 4:07
7. Birthed By Pure Malevolence 4:23
8. Conjuration of the Blind One 7:11
Band members Hellchrist Xul – vocals, all instruments
A ruthless Death Metal entity from Poland will demolish your damned souls with their heavy-as-hell sophomore full-length opus.
Formed in 2019 in the always pleasant city of Warsaw, Poland, the ruthless Death Metal duo comprised of Michał on rhythm guitars and bass and Greg on lead guitars, known as Soulcarrion, will demolish your damned souls with their sophomore full-length opus, titled Enthrone Death. Mixed and mastered by Darek Młody at PanzerStudio, and displaying a sick cover art and layout by Maciej Kamuda Art and an evil logo by Paweł Pawłowski Illustration, the follow-up to their 2023 self-titled EP and their 2022 debut album Infernal Agony offers the listener 30 minutes of intense, undisputed Death Metal for the masses, with the support of session musicians Mateusz Sibila (Imperial Sin) on vocals and Darek Młody (Hellfuck, Embrional, Stillborn) on drums adding an extra touch of heaviness and insanity to the whole album.
Starting in a sinister, doomed manner, the opening tune Cage of Nothingness already invades our minds with a demonic onrush of Death Metal boosted by tons of Brutal Death Metal elements thanks to the inhumane gnarls by Mateusz and the boisterous drums by Darek, whereas Night Ceremony keeps the album at a Stygian, venomous vibe with the riffage by both Greg and Michał sounding utterly infernal, albeit a bit repetitive at times. Then featuring guest vocalist Vesper Locust (Dammnatorum), the title-track Enthrone Death offers pure hatred and darkness to our putrid ears, with the ripping sound of the guitars matching perfectly with the blast beats by Darek, and there’s no sign of peace or hope, as Infernal Agony is an overdose of old school Death Metal tailored for fans of the genre, with Mateusz once again roaring and barking like a beast for our total delight.
Oblivion will hit us hard with its two and a half minutes of brutality blasted by those talented Polish metallers, with Greg and Michał once again demolishing our senses and adding endless heaviness to the music armed with their stringed axes; and enhancing the album’s obscurity and malignancy, the Doom Metal-infused aria Revenge is Mine brings forward another round of Darek’s massive beats accompanied by the sick riffage by the band’s guitar duo. After that we have Deathoskullum, following a similar pattern as the previous song, with the deep, hellish riffs and beats blasted by the band penetrating deep inside our rotten corpses, being therefore perfect for some intense headbanging; and lastly, World of Putridity carries a beautiful name and puts a beyond vicious ending to the album, with Mateusz vociferating rabidly in the name of classic Death Metal until the very last second.
The Polish underground has always been one of the most exciting of all, in special if you’re a fan of extreme music, and of course Soulcarrion offer in their new opus a high dosage of all that sonic awesomeness that’s found in Poland. Hence, don’t forget to show the guys from Soulcarrion your utmost support and admiration by purchasing a copy of the sulfurous and infernal Enthrone Death from the Godz ov War Productions’ BandCamp page or webstore as a CD or as an ass-kicking CD + shirt bundle, keeping the flames of Polish Death Metal burning for many years to come. Soulcarrion are on fire throughout the entire Enthrone Death, and they’re more than eager to burn your soul armed with the caustic compositions from such insane album.
Best moments of the album:Enthrone Death, Oblivion and World of Putridity.
Worst moments of the album:Night Ceremony.
Released in 2024 Godz ov War Productions
Track listing 1. Cage of Nothingness 4:08
2. Night Ceremony 4:17
3. Enthrone Death 5:03
4. Infernal Agony 3:38
5. Oblivion 2:29
6. Revenge is Mine 3:02
7. Deathoskullum 4:56
8. World of Putridity 2:50
Band members
Michał – rhythm guitars, bass
Greg – lead guitars
Sweden’s own Heavy and Doom Metal coven will drag you to their Stygian lair to the sound of their breathtaking fifth full-length offering.
Three years after the release of their critically acclaimed album Lucifer IV, Stockholm, Sweden’s own Heavy/Doom Metal/Rock coven Lucifer returns from the depths of the underworld with a new and breathtaking offering, simply titled Lucifer V, blasting our ears with their characteristic doomed sounds in the name of darkness and evil. Highly recommended for fans of Ghost, Black Sabbath, Blue Öyster Cult, Witch Mountain, Coven, Kadavar and Fleetwood Mac, among others, the new album by the talented witch Johanna Platow Andersson on vocals, Linus Björklund and Martin Nordin on the guitars, Harald Göthblad on bass and Nicke Andersson on drums will put you in a fantastic trance with its sharp and enfolding fusion of Heavy and Doom Metal with Rock N’ Roll, proving why the band has become a reference in the genre worldwide.
The Black Sabbath-inspired riffs by Linus and Martin ignite the thrilling opening tune Fallen Angel, showcasing the band’s trademark groove and darkness, with Johanna stealing the spotlight already with her mesmerizing vocals; whereas a Doom Metal start gradually morphs into the rockin’ extravaganza At the Mortuary, where once again Nicke showcases all his talent behind his drums dictating the song’s charming pace in great fashion. Then investing in a more direct Rock N’ Roll sound, get ready to dance in the dark together with Lucifer in Riding Reaper, with the riffs by the band’s guitar duo exhaling electricity and feeling, and the cabaret-inspired sound of the piano sets the tone for Johanna to deliver her passionate, devilish vocals in Slow Dance in a Crypt, a beautiful ballad that should sound amazing if played live, not to mention the song’s fiery guitar solos. Right after that we have A Coffin Has No Silver Lining, a true Rock N’ Roll anthem played to perfection by Johanna and the boys, bringing to our ears an addictive chorus and the striking riffs and solos by Linus and Martin.
It’s then time for another ass-kicking creation by Lucifer titled Maculate Heart, starting in an introspective way before exploding into a feast of Heavy Metal and Hard Rock led by the hammering drums by Nicke, followed by The Dead Don’t Speak, bringing forward four minutes of the band’s classic sonority with hints of Blues Rock added to their core essence, in special to the awesome guitar solo by Linus. Let’s now hit the road with Lucifer to the sound of Strange Sister, with Johanna having another soaring, sensational vocal performance supported by the rumbling bass by Harald and the classy beats by Nicke; followed by the straightforward tune Nothing Left to Lose but My Life, which despite being a solid song and having its dark charm it’s below the rest of the album in terms of energy and creativity. And lastly, there’s still time for two alternate versions of At the Mortuary (Halloween edit) and Maculate Heart (radio edit) as bonus tracks, and both are just as incendiary as the original ones.
Johanna and her henchmen are waiting for you on Facebook and on Instagram with more of their music, news, and their tour dates (and you should never miss a Lucifer concert as it’s simply brilliant, like the one I had the pleasure to witness in Toronto in November), and don’t forget to also subscribe to their official YouTube channel and stream all of their stylish compositions on Spotify. And above all that, go grab a copy of the incendiary Lucifer V by clicking HERE or HERE, adding to your grim album collection one of the coolest albums of another dark and sinister year ahead of us.
Best moments of the album:Fallen Angel, Slow Dance in a Crypt, A Coffin Has No Silver Lining and Maculate Heart.
Worst moments of the album:Nothing Left to Lose but My Life.
Released in 2024 Nuclear Blast
Track listing 1. Fallen Angel 3:15
2. At the Mortuary 6:07
3. Riding Reaper 4:19
4. Slow Dance in a Crypt 4:28
5. A Coffin Has No Silver Lining 4:25
6. Maculate Heart 4:09
7. The Dead Don’t Speak 3:58
8. Strange Sister 4:20
9. Nothing Left to Lose but My Life 4:40
Bonus tracks 10. At the Mortuary (Halloween edit) 4:56
11. Maculate Heart (radio edit) 3:37
Band members Johanna Platow Andersson – vocals
Linus Björklund – lead guitars
Martin Nordin – rhythm guitars
Harald Göthblad – bass
Nicke Andersson – drums
This Norway-based Technical Death and Thrash Metal unit will attack our senses with their first full-length offering, a monstrous masterwork of old school extreme music ecstasy.
Formed in Oslo, Norway in 2018, the ruthless yet very technical unit Sovereign is ready to unleash their lethal blend of evil Death and Thrash Metal in their first full-length album, titled Altered Realities, the follow-up to their 2020 debut EP Neurotic. Three years in the making, “Altered Realities is a product of an ever-evolving journey we have taken as a band, from our start in 2018 and culminating in the album’s recording in early 2022,” reflects lead guitarist Tommy Jacobsen, joined in the band by former Nocturnal Breed band-mate Vidar Fineidet also on the guitar alongside drummer Cato Syversrud, and vocalist and bassist Simen “Gravskjender” Grong. “We strive to push ourselves, both in terms of speed and technicality, whilst still keeping a groove and dynamic. Our approach to death/thrash is an interplay between fast-paced aggression and a slower, more groove-oriented feel. The lyrical themes of the album mirror events and unrest that happened during the time of writing and is in itself a journey,” complemented Tommy about the band’s monstrous masterwork of old school extreme music ecstasy, being recommended for fans of Nekromantheon, Sepultura, Pestilence, Dark Angel, Demolition Hammer, and many others.
Atmospheric noises grow in intensity until an avalanche of violence and progressiveness hits us hard in Altered Reality, led by the harsh gnarls by Simen while Cato delivers a fusion of Death, Thrash and Doom Metal through his obscure beats and fills; and Tommy and Vidar dictate the pace with their flammable riffage in Futile Dreams, supported by the always rumbling kitchen by Simen and Cato, being therefore highly recommended for fans of Immolation, flowing into the disruptive, massive Nebular Waves, with its caustic riffs slashing our ears mercilessly while Simen continues to roar in the darkest and most demented way possible. And Counter Tech is another breathtaking hybrid of Death and Thrash Metal exhaling aggression and intricacy where Cato pounds our cranial skulls nonstop with his damned beats.
There’s no time to breathe as the quartet will bring hell on earth with the frantic, insane and demonic The Enigma of Intelligence, a six-minute lecture in both old school and modern-day Thrash Metal perfect for some action inside the circle pit, whereas their second to last onrush of thrashing sounds comes in the form of Synthetic Life, blasting our putrid minds once again to the infernal riffs and striking solos by the band’s guitar duo and the always hammering drums by Cato. Lastly, get ready for ten minutes of top-of-the-line Thrash and Death Metal in Absence of Unity, starting in a rhythmic, groovy manner spearheaded by Cato’s classic beats, offering us all an amalgamation of blackened sounds, cryptic passages and the ruthless growls by Simen, getting darker and darker as the music progresses, and with its climatic ending putting the perfect conclusion to the album as a whole.
In summary, if you love the violence of Death and Thrash Metal, but at the same time you nurture a deep passion for the more technical and intricate side of music, you’ll have an absolute blast listening to Altered Realities, which is available for purchase from the Dark Descent Records’ BandCamp page or webstore as a CD (in the US and Europe), an LP (in the US and Europe) and a pro tape (also in the US and in Europe). In addition, don’t forget to start following the band on Facebook and on Instagram for news, tour dates and so on, and to stream all of their wicked creations on Spotify or any other streaming service. Sovereign are among us to fill all empty spaces in the air with their technical aggression, and I’m sure once you start listening to their new offering you’ll instantly become addicted to their pulverizing music.
Best moments of the album:Futile Dreams, The Enigma of Intelligence and Absence of Unity.
Worst moments of the album: None.
Released in 2024 Dark Descent Records
Track listing 1. Altered Reality 7:01
2. Futile Dreams 4:29
3. Nebular Waves 3:46
4. Counter Tech 5:40
5. The Enigma of Intelligence 6:05
6. Synthetic Life 4:17
7. Absence of Unity 10:16
Band members
Simen “Gravskjender” Grong – vocals, bass
Tommy Jacobsen – lead & rhythm guitars
Vidar Fineidet – rhythm guitars
Cato Syversrud – drums
Based on the outskirts of Lisbon, Portugal, the infuriated Death Metal beast Phenocryst is releasing their highly anticipated debut album, titled Cremation Pyre, a worthy follow-up to their 2021 debut EP Explosions. Produced, mixed and mastered by Fernando Matias at The Pentagon Audio Manufacturers, and displaying a front cover oil painting by English artist James Campbell (with artwork concept by the band’s own vocalist and guitarist D.S., inspired by Polish painter and photographer Zdzisław Beksiński), the new opus by D.S. on vocals and guitars, Santana also on the guitars, V.M. on bass, and Artur on drums showcases the foundation of a Death Metal act crossing other influences like Doom Metal and some psychedelic vibes, beautifully illustrating soundscapes of disastrous, catastrophic, and annihilating volcanic and natural events.
Forward-thinking traditionalism? Perhaps, but the real beauty of Cremation Pyre is that it’s open to myriad interpretations; with just one single step needed into its lava. After all is said and done, Phenocryst prove, once again, that “Only Death is Realer!”, and if you agree with the band and want to feel their Death Metal fires burning your soul until the end of times you can find them on Facebook and on Instagram, where you can stay updated with all things Phenocryst including their tour dates, and grab your copy of their incendiary new album from their own BandCamp page, or from Blood Harvest’s BandCamp page or webstore as a CD, LP, or cassette. Phenocryst are among us to spread fire and evil, and may their flammable Death Metal sounds continue to incinerate our avid ears with all of their upcoming releases, hopefully all just as great as Cremation Pyre.
THE HEADBANGING MOOSE 