Metal Chick of the Month – Helle Bohdanova

Strong voice and airy lungs… Three lives are not enough… To sing of all the wonders I’ve seen!

Slava Ukraini! As the temperatures are rising in this month of July, there’s nothing better than celebrating the summer heat with the ass-kicking heavy music crafted by our metal lady of the month here on The Headbanging Moose. The name Olha Ihorivna Bohdanova, or Ольга Ігорівна Богданова in her mother tongue, might not mean much to you, but once you associate it with Helle Bohdanova (or Helle Bogdanova), the unstoppable frontwoman for Ukrainian Melodic/Progressive Metal band Ignea, then all will make a lot more sense to you and you’ll start headbanging like a true metalmaniac to the sound of her incredible vocals. There’s no escape from her hypnotizing voice, but I’m sure that’s exactly what you want, as you dive deep into her realm of heaviness, melody and endless fire. Because there will most definitely be fire, no doubt about that, which means you better get ready to be burned alive while Helle penetrates deep inside your mind with her flammable vocals.

Born on October 22, 1991 in Kyiv, the capital and most populous city of Ukraine, Helle is a vinyl lover, a dark style enthusiast, and a proud Kyivan who’s been making a name for herself as the voice of Ignea, blending Melodic, Symphonic and Progressive Metal with Middle-Eastern Folk influences for a unique sonic experience for any fan of good music. It was back in 2011 when keyboardist Evgeny Zhytnyuk and guitarist Dmitry Volovnenko formed the band that would later become Ignea, Progressive Metal band Parallax, as the first Ukrainian band to play what they would label as “Oriental Metal”, singing about topics such as life on Mars, Sputnik-1, war, The John Carter movie, and the Pioneer One series. In 2012, the band was joined by bassist Xander Kamyshin, guitarist Max Khmelevsky and our ruthless vocalist Helle Bohdanova, and started rehearsals. Dmitry decided to pursue his life and career interests outside Parallax and left the band, and in 2013 the band released their debut EP, titled Sputnik, followed by a 2014 single named Petrichor.

The band then announced their name change to Ignea on November 22, 2015, already releasing a new single named Alga (named after a war call of Crimean Tatar people who were defending their land) less than a week later. Playing a mix of heavy riffs with symphonic, electronic and folk elements, and of course strong story-telling, therefore creating a powerful OST-like experience while staying true to the melodic essence of their music, the band then released a rebranded version of their EP Sputnik back in 2016, followed by their 2017 first full-length opus The Sign of Faith (showcasing a heavier sound, both clean and extreme vocals, and authentic Middle-Eastern melodies), their 2020 sophomore effort The Realms of Fire and Death (a concept album with powerful story-telling, metaphors, and symbols, accompanied by a book of short tales incorporating the lyrics of each song), the 2021 split EP Bestia (a concept EP about the human nature of Slavic mythological creatures and the world’s duality) alongside Ukrainian Symphonic Metal band Ersedu, and more recently the 2023 album Dreams of Lands Unseen (a concept album that reflects the life of Ukrainian photographer and documentarian Sofia Yablonska, known for traveling to very distant corners of the world while documenting the lives of tribes and natives, which was especially dangerous and uncommon for a woman of her time), which had its release date postponed to 2023 because of the Russia-Ukraine full-scale war. Also, don’t forget to check the band’s official videos for the songs Jinnslammer, Queen Dies, Seytanu AkbarNomad’s Luck, Dunes, and many more on their official YouTube channel, including live performances of some of their best creations.

The high quality of their music not only led them to tour across several countries, including Germany, Austria, the Netherlands, Slovakia, Czech Republic, France, Lithuania, Spain, Portugal, and of course, Ukraine, but The Realms of Fire and Death was also selected as the metal album of the year and the band as the best Ukrainian metal band of 2020, according to the Ukrainian national awards named The Best Ukrainian Metal Act. Also, despite the Russia-Ukraine war, the band managed to play multiple charity shows in Ukraine, and embark on an Europe and UK tour with Industrial Metal legends Fear Factory, playing 43 shows within a span of only two months. Needless to say, you should definitely buy and/or stream their entire discography on BandCamp or on Spotify for a very good time alongside Helle and the boys.

Currently formed of our beloved Helle Bohdanova on vocals alongside Dmytro Vinnichenko on the guitars, Oleksandr Kamyshin on bass, Yevhenii Zhytniuk on keyboards, and Ivan Kholmohorov on drums, the band proudly serves as cultural ambassadors for Ukraine, diligently raising awareness about the country’s ongoing situation among their international fanbase, as well as solidifying their status with appearances in several major European festivals including Wacken Open Air, Summer Breeze, Bloodstock, and Leyendas del Rock. Not only that, nine songs by Ignea have been featured in the highly anticipated video game S.T.A.L.K.E.R. 2: Heart of Chornobyl, a collaboration that brings the Ukrainian band’s powerful and atmospheric music to the immersive post-apocalyptic world of the game, enhancing its dark and gritty ambiance.

One curious fact about Helle and her contribution to the success of Ignea was her adventure through Faroese lands with their cover version of Í Tokuni, featured on their 2020 album The Realms of Fire and Death, and originally released by Syðrugøta, Faroe Islands-based Nordic Folk Rock/Pop artist  Eivør in her 2015 album Slør (check the original version HERE). Helle was learning Norwegian when it was time to record her vocals, and her experience ended up being weird as the song’s language, Faroese, is close but not that much to Norwegian. “I’m learning Norwegian indeed, and it actually didn’t help, even made it worse. Because lots of words are similar in written form but they’re pronounced absolutely differently, so I had to force myself to get away from Norwegian. But I enjoyed singing it so much, it’s almost like a mantra for me. And there’s also some kind of throat extreme vocals which I’ve never done before and it came out naturally for me from the first take. It’s like I’ve always done that.”

Apart from her already solid career with Ignea, Helle can also be found as a guest vocalist for Brazilian/Polish Symphonic Death Metal band Itself, singing in the song Voices of the Unheard, from their 2023 album The Absence, and in the song Untimeliness, from the 2024 album Shadow Empress, by German Progressive Metal project Nino Helfrich. Unfortunately for now those are the only two songs featuring Helle as a guest musician, but I’m sure we’ll see a lot more of her alongside some of the biggest names of the underground as well as mainstream artists in the near future, as her voice is fantastic and deserves to be featured in an array of songs and albums from all types of music, not only heavy music.

Regarding her idols, interests and influences, Helle mentioned already that she has been interested in mythology since her very early childhood, resulting in for example mentions of the Egyptian goddess Sekhmet, the Japanese goddess Fuji, the Norwegian god Logi and the Slavic god Svarog in the excellent song Gods Of Fire. “For me, it’s more about the vibe and different worlds, not about science or history. In my belief, each person has its god/gods, just like each country has a president or monarchy. I cannot explain that, but so far, this is how I see it. If I could, I would include much more gods in the song but it would be too long!” Another one of her idols is travel photographer and reporter Sofia Yablonska, with their album Dreams of Lands Unseen revolving around her life and philosophy. “I think the most amazing thing is that she felt very contemporary to me. We’re nearly a century apart and yet, her philosophy and thoughts are very modern and applicable for today. She was definitely ahead of her time in all aspects. Moreover, she always took her life in her hands and overcame all the obstacles she faced, no matter what dangers and discomforts appeared,” commented Helle.

It was back in 2023 when Helle, after winning Best Vocals, received 36% of the votes in the category Best Brutal Vocals and won another award for Ignea at the very competitive and fun FemMetal Awards that year, adding to the band’s previously won awards for Best Metal Act, Best Music Video, and Best Album. Just to give you an idea of how competitive the Best Brutal Vocals category was that year, the other nominees were Carla Harvey (Butcher Babies), Fernanda Lira (Crypta), Liv Jagrell (Liv Sin), Obscura (Asagraum), Prika Amaral (Nervosa), and Sofia Frasz (Exiled Hope), all phenomenal vocalists from excellent bands of the current metal scene worldwide who I’m sure you’ve already heard of, and who keep making the world of heavy music a much better place when they take the global stages by storm.

Helle was also asked in one of her interviews about her thoughts on playing live with an orchestra, to which she replied that although it’s a beautiful idea, it’s at the same time very hard and expensive to bring together 40 or more people on tour. “Even huge bands are sometimes not able to play with an orchestra,” said Hellen. Having been touring internationally since 2018, Hellen said she believes it’s very positive to tour with bands that have quite a different audience, helping them in gaining more new fans on tour. “I think some bands we’d like to tour with someday are Amorphis, Moonspell, Cellar Darling, Delain, and Lacuna Coil, to name a few,” commented Helle, also saying that all can change depending on their musical direction. Moreover, Ignea toured with Fear Factory, Butcher Babies, and Ghosts of Atlantis not too long ago, saying it was a huge honor for them to join that amazing lineup, proving how dynamic their music can be, as well as a three-week tour across nine countries within the Female Metal Voices Tour 2018 headlined by Butcher Babies and Kobra and the Lotus.

This slideshow requires JavaScript.

In their 2020 album The Realms of Fire and Death, Helle recorded the song Чорне Полум’я in their native language Ukrainian for the first time ever in the band’s history (although the band had been playing it live together with Queen Dies since 2018). “To be honest, I’m a global citizen and I’m not that connected to certain geographic location. This planet is my home and I feel good on the road. Singing in Ukrainian seemed very suitable for this particular song, and I’m glad we did it. It was also perceived very well by our listeners, so maybe we’ll do such experiments in the future, if we feel that a certain song should be recorded in Ukrainian. It’s not an intentional thing, it comes from our inspiration,” said Helle, who also commented if the band will record more songs in Ukrainian in the future. “I think that we’ll stick to English as our primary language but we’ll definitely create more songs in Ukrainian, because sometimes you listen to the instrumentals and you just hear Ukrainian there, you know. Also, we were very pleasantly surprised that lots of our listeners are particularly waiting for this song and we’re very flattered that they want to hear Ignea music in our mother tongue.”

Having been impacted directly by the Russia-Ukraine full-scale war, Helle said that the band has been very active with informing their audience abroad about everything happening in her homeland, mentioning that there have been very difficult times for them not just as a band, but as Ukrainian citizens. “We used to share updates on Patreon but the platform approached us, just like it approached other Ukrainian creators, and forced us to remove all info about the war and stop ‘financing the war.’ We did as they said because we’ve grown a big community on Patreon and it’s the band’s main source of income at this point. All I’m saying is we sometimes feel that the world is turning its back on us, no matter what atrocities Russia commits. Interviews have become one of the few places to freely talk about it. As for predictions, we won’t do any. Everyone’s tired of this war but we’ve got no other way but win it, be it near future, or not. Occupation by Russia is the worst that can ever happen.”

By the way, Helle mentioned that there’s one Ukrainian saying that’s screamed by all artists and fans at every show in her homeland, and will certainly still be screamed at least until the war is over, which is “Слава Україні – Героям Слава!” (“Glory to Ukraine – Glory to Heroes!”). In addition, when asked which Ukrainian bands she would recommend to any metalhead across the globe, she listed the bands Hell:on (Death Metal), 1914 (Blackened Death/Doom Metal), Fleshgore (Brutal Death Metal), Pušča (Post-Black Metal), Vidmershiy Shmat (Black Metal), Angered Crowd (Death/Groove Metal), and Death Pill (Hardcore), among others, saying the Ukrainian scene has been growing in recent years with more bands, more shows, and more support to the local metal acts.

Our unstoppable diva also has a very cool view of concept albums. “I can tell that perhaps concept albums are easier to present and promote, so it can be a reason why the bands tend to do it nowadays. But what I loved most about doing the concept album is that you create a world and you’re surfing it while writing music, words… It’s more than just putting together songs that are not connected to each other. My day job is also related to texts and I’ve been writing as long as I remember myself. So, story-telling is something that captivates me and the listeners as well.” As you might have just noticed, Helle is also a writer, having already published a book of poems and often shared her creations with her supporters on Patreon. “Words were always easy for me to put together. I started reading and writing at a very early age, and, for some reason, it’s always been easier for me to write rhymed pieces, poems, or lyrics,” she said. “I’d say that whatever I’m trying to do – write music, paint, do some hand-made stuff, I’m just best with words. And maybe I should really master it more and more. As for inspiration, I get inspired most by travelling and seeing new places, new people.”

In 2021, Helle also released a podcast available on all major streaming platforms like Spotify named The Bandsment, which is about everything bands are doing to get out of the basement. These band to band talks and videos dedicated to certain aspect of music business are for independent bands who want to be more efficient in their growth and day-to-day operations, rock and metal artists who want to share their experience of running the band and cross-promote, people willing to start a band and don’t know where to begin with, and everyone who is interested in the backstage life of bands and how they function. Among the bands and artists interviewed we can find some very interesting names like Baest and Diva Satanica (Bloodhunter, Nervosa), and although there aren’t any new episodes after March 2021, the content of the thirteen episodes available are more than interesting and useful already.

In a nutshell, the indomitable Helle Bohdanova is much more than just a singer. She’s a true frontwoman, a talented, focused and very professional musician, a writer, a traveler, a businesswoman, a music lover, a proud Ukrainian, and so on (and you can get more details about all of her endeavors by clicking HERE). Just like her own moniker and the name of her band state, she will burn your soul like the fires of hell, always in the name of heavy music, and always showcasing endless passion for what she does. Helle might be one of the most precious gems of the current Ukrainian scene, and if you consider yourself a true admirer and supporter of the underground, simply go check her music and her art, as I’m sure you’ll get addicted to all of her incendiary creations.

Helle Bohdanova’s Official Facebook page
Helle Bohdanova’s Official Instagram
Helle Bohdanova’s Official YouTube channel
Ignea’s Official Facebook page
Ignea’s Official Instagram
Ignea’s Official YouTube channel

Album Review – Dying Grotesque / Celestial (2024)

Depicting the violent absurdity and the grim futility of human existence, the sophomore opus by this Ukrainian band will crush you like an insect in the name of Death Metal.

Depicting the violent absurdity and the grim futility of human existence, which appears to be completely insignificant comparing to the endless darkness of cosmic void and all the undiscovered mysteries it conceals, the pulverizing Celestial, the sophomore album by Ukrainian Death Metal band Dying Grotesque, is highly inspired by bands the likes of Bloodbath, The Black Dahlia Murder, Entombed, Dismember, Edge of Sanity, Gorefest, and Suffocation, among others, being the perfect follow-up to their 2020 debut Sunflower Tide. Mixed and mastered by Vadym ‘Silvan’ Tsymbaliuk at Intermodulation Studio, and with a sinister artwork by Yevhen ‘Gxreparty’ Konovalov (Shinagawalove), the new album by Vadym ‘Silvan’ Tsymbaliuk on vocals and guitars, Volodymyr ‘Liquidator’ Degtyarenko on guitars and bass, and Andriy ‘Nordwind’ Butok on drums perfectly represents the band’s trademark mixture of various genres and styles including Death, Doom and Thrash Metal, and even some synth and folk elements, proving how talented and dynamic the band can sound.

The metallic, vibrant sounds of their guitars and bass ignite the metal machine titled Nuclear Meadows, with Vadym roaring deeply like a demonic entity, exhaling pure Death Metal with a Slavic twist, whereas Satellites is an infuriated blend of Death Metal by the trio with Vadym and Volodymyr firing sheer aggression through their axes, supported by the massive beats by Andriy. And let’s keep banging our heads frantically in Burial Fields, where Andriy sounds even more demonic behind his drums, inviting us all to also head into the circle pit like true metalmaniacs. They definitely don’t care at all about trying to sound mellow or more commercial, as Purification is in-your-face, brutal Death Metal played from their blackened hearts, led by the cadaverous guttural by Vadym.

Point Of View brings forward another four minutes of insanity, fury and violence crafted by this talented Ukrainian horde, with the caustic riffs by Vadym and Volodymyr penetrating deep inside our skins in great Death Metal fashion, and investing in a more 90’s inspired sound the likes of Unleashed, the band offers a decent tune titled Pneuma, showcasing their love for the riff and all extreme things. Their second to last feast of violent and ruthless Death Metal is offered to us all in the form of Lilith, where Andriy keeps hammering his drums supported by the scorching riffage by Vadym and Volodymyr, while also showcasing their undeniable dexterity and hatred. There’s still time for one last visit to the circle pit to the sound of the venomous Mortality, where their 90’s Death Metal vein pulses stronger than ever spearheaded by the always crushing drums by Andriy.

After all is said and done, I bet you’ll go back to the start of Celestial and listen to it again and again, as those Ukrainian metallers know how to blast our ears with tons of rage with their harsh yet very melodious sounds. You can also start following them on Facebook and on Instagram for news, tour dates and so on, listen to their crushing music on Spotify, and above all that, grab a copy of Celestial on BandCamp or by clicking HERE. Those Ukrainians will crush you like an insect in the name of Death Metal armed with their new album, and not only you’ll enjoy that, but you’ll also keep asking for more without a shadow of a doubt.

Best moments of the album: Nuclear Meadows, Purification and Lilith.

Worst moments of the album: Pneuma.

Released in 2024 Archivist Records

Track listing
1. Nuclear Meadows 5:34
2. Satellites 4:04
3. Burial Fields 5:11
4. Purification 3:53
5. Point Of View 3:58
6. Pneuma 5:22
7. Lilith 3:39
8. Mortality 4:36

Band members
Vadym ‘Silvan’ Tsymbaliuk – vocals, guitars
Volodymyr ‘Liquidator’ Degtyarenko – guitars, bass
Andriy ‘Nordwind’ Butok – drums

Guest musician
Oleksandr ‘Archon’ Kharechko – bass

Album Review – Arhat / Secrets of Ancient Gods (2024)

Crafted in the style of ethnic Extreme Metal, the newborn spawn by this Ukrainian horde will take you on a journey into the world of ancient gods and mysterious rituals, reflecting the depths of wisdom of ancient civilizations.

Crafted in the style of ethnic Extreme Metal, blending Death, Groove, and Thrash Metal, the breathtaking Secrets of Ancient Gods, the sophomore album by Kyiv, Ukraine’s own Groove/Death Metal beast Arhat, will take you on a journey into the world of ancient gods and mysterious rituals, reflecting the depths of wisdom of ancient civilizations. Mixed and mastered by Dmitry Kim, re-amped by Oleksandr Chernikov, and displaying a badass artwork by Viktor Gudkov, the new album by Alex Sitkoff on vocals, Anton Skrebov on the guitar, Anton Inov on bass, and Ivan Semenchuk on drums offers ten striking songs imbued with the spirit of mystery and magic, embodied in sophisticated melodies and epic arrangements, with the band also utilizing the Turkish ney, sitar, percussion, and cinematic sound design throughout the entire album, blending symphonic orchestrations with ethnic elements.

Get ready to be dragged to the mystical world ruled by Arhat to the sound of the album’s Intro, a mesmerizing, enfolding wall of sounds that will captivate your senses before we face Abyss Of Flame, a full-bodied, whimsical Groove Metal attack by the band showcasing darkly poetic lyrics (“Out of your body, / Your mind is free / You see the things, / As they should be / Power and energy / Of purity / The waves of life, / Vitality”) amidst sheer devastation blasted by Anton Skrebov, Anton Inov and Ivan. Their fusion of Groove and Death Metal with ancient, ritualistic sounds gets even more striking in Karnak, with Ivan dictating the pace while Alex roars nonstop in the name of the ancient gods; and Ivan leads his bandmates in the also embracing and obscure Arcana XVI, offering more of the band’s incendiary hybrid of extreme music styles. Moreover, the bass by Anton Inov sounds absolutely metallic, hitting us hard in the head mercilessly. And after that, the visceral riffage by Anton Skrebov will pierce our minds in Nasha Khoda Nevpynna, which is Ukrainian for “our walk is unceasing”, keeping the adrenaline flowing in the album to the devilish roars by Alex.

Then featuring Oleksii Syrota of Voracity, Symbols is a demonic song where the quartet will crush our souls with their groovy and infuriated sounds, with the deep Brutal Death Metal-style guttural by Oleksii sounding simply amazing; and let’s keep raising our horns and banging our heads while worshiping the ancient gods in Path Eternal, where Ivan sets the pace with his heavy and vile beats and fills. The band puts the pedal to the metal in the faster tune Wheel Of Fate, an excellent choice for some sick circle pit action, with Anton Skrebov extracting strident sounds from his guitar supported by the rumbling bass by Anton Inov, followed by The Great Unknown, featuring Dmytro Moskalenko of Violateress, offering us all another round of their otherworldly words (“You are alone in dungeons / Sharp stones are cutting your skin / Uncanny voices from darkness, / Are filling you with doubts and fear / The Great Unknown!”) boosted by a massive, detailed sonority. Finally, Shlyakh Do Prozrinnya, or “the path to enlightenment”, is an amazing closure to one of the most powerful albums of the year, with Alex once again stealing the show with his demonic roars supported by the crushing drums by Ivan.

Allow yourself to immerse in the captivating world of mythology from past epochs and feel the sounds of antiquity that remain relevant even today in Secrets of Ancient Gods by streaming the album in full on YouTube and on Spotify, and even better, by purchasing a copy of it from Arhat’s own BandCamp page, and remember you can also keep an eye on all things Arhat by following the band on Facebook, Instagram and YouTube. Despite all adversities the country is facing, Ukrainian extreme music is blooming and getting stronger than ever, and we must thank Arhat not only for being part of that beautiful scene, but also for offering us in their newborn spawn exactly what we need to unveil the darkest secrets of ancient gods.

Best moments of the album: Abyss Of Flame, Arcana XVI, Symbols and Wheel Of Fate.

Worst moments of the album: None.

Released in 2024 Independent

Track listing
1. Intro 1:44
2. Abyss Of Flame 5:36
3. Karnak 4:48
4. Arcana XVI 4:58
5. Nasha Khoda Nevpynna 4:18
6. Symbols 3:31
7. Path Eternal 5:27
8. Wheel Of Fate 5:12
9. The Great Unknown 4:40
10. Shlyakh Do Prozrinnya 3:26

Band members
Alex Sitkoff – vocals
Anton Skrebov – guitar
Anton Inov – bass
Ivan Semenchuk – drums

Guest musicians
Oleksii Syrota – vocals on “Symbols”
Dmytro Moskalenko – vocals on “The Great Unknown”

Album Review – Fleshgore / Carnival of Flesh (2022)

A ruthless Brutal Death Metal brigade from Ukraine is ready to attack our senses with their pulverizing sixth full-length album.

Formed in 2000 in the Ukrainian capital of Kyiv, the ruthless Brutal Death Metal brigade known as Fleshgore is ready to attack our senses with their sixth full-length album, entitled Carnival of Flesh, following up on their 2016 opus Denial of the Scriptures. Comprised of Michele Borniotto on vocals, Igor Lystopad and Sad on the guitars, Ruslan Drozd on bass and vocals, and Eduard Litvyakov on drums, this Ukrainian entity sounds absolutely furious throughout the entire album, offering us all pure Brutal Death Metal of the highest caliber for lovers of Suffocation, Dying Fetus, Severe Torture, Pyrexia and Pyaemia, among others, proving the band made the right decision to get back to their visceral, demolishing roots after taking on a modern Thrash Metal and Deathcore sound around a decade ago, placing them among the most exciting names of the current Ukrainian extreme music scene.

Igor and Sad waste no time and begin slashing their stringed axes in Distorted Lights, an in-your-face Death Metal onrush that will invite you to crush your damned skull into the circle pit; and Michele roars deeply like a savage beast in the title-track Carnival of Flesh, another Brutal Death Metal creation by the quintet showcasing the heavy artillery brought forth by Eduard behind his drums. Then we have Inhuman Existence, even more demented and vile than its predecessors, with the gruesome vociferations and screeches by Michele being spot-on supported by the sick riffage by the band’s guitar duo, whereas Buried Truth sounds truly obscure with a demonic twist, with Ruslan’s metallic bass and Eduard’s hammering drums adding tons of heaviness to the overall result. And the band puts the pedal to the metal and invites us all to slam into the pit like true metalmaniacs in Modern Arts of Slavery, with Michele barking manically and deeply while his bandmates generate a menacing wall of sounds in the name of sheer brutality.

Get ready to break your neck in half to the sound of Hive of Insanity, another solid display of Brutal Death Metal with Igor and Sad kicking some serious ass with their riffs accompanied by the metallic bass by Ruslan; and those Ukranian metallers keep breathing fire, groove and rage in the infernal Invisible Reality, presenting more of their wicked Death Metal spearheaded by another pulverizing performance by Eduard on drums, morphing into the hellish Frail Utopia, keeping the album at a humongous level of violence and gore with Michele’s guttural roars haunting our souls for all eternity. The second to last explosion of pure death by Fleshgore comes in the form of War is an Amusement, highly recommended for fans of bands like Cannibal Corpse and Immolation, whereas Ad Astra puts a fulminating ending to the album, with the guitars by Igor and Sad sounding infernal together with the blast beats by Eduard, reminding us all that if this song is played live one day, there will be blood.

The unrelenting metallers from Fleshgore are waiting for you on Facebook, on Instagram and on VKontakte, and of course you can stream all of their sick creations, including Carnival of Flesh sooner than you can say “brutality”, on Spotify. Moreover, above all that, you should definitely purchase a copy of Carnival of Flesh from the Xtreem Music’s BandCamp page, adding an extra dosage of violence and gore to your private (and evil) album collection while showing all your support to the Ukrainian underground. As aforementioned, Brutal Death Metal is where Fleshgore truly belong and thrive, and if they keep crafting the same level of brutality found in Carnival of Flesh in their future releases, we can rest assured they’ll continue to be one of the references in the current Ukrainian extreme scene.

Best moments of the album: Inhuman Existence, Modern Arts of Slavery and Frail Utopia.

Worst moments of the album: Buried Truth.

Released in 2022 Xtreem Music

Track listing
1. Distorted Lights 5:39
2. Carnival of Flesh 3:12
3. Inhuman Existence 3:22
4. Buried Truth 4:58
5. Modern Arts of Slavery 3:25
6. Hive of Insanity 4:44
7. Invisible Reality 3:39
8. Frail Utopia 2:53
9. War is an Amusement 3:11
10. Ad Astra 3:34

Band members
Michele Borniotto – vocals
Igor Lystopad – guitars
Sad – guitars
Ruslan Drozd – bass, vocals
Eduard Litvyakov – drums

Album Review – Raventale / Planetarium II (2020)

A deep and profound journey through the black wastelands of extraneous cosmos offered by a Ukrainian one-man army in the form of first-class atmospheric and extreme music.

Playing what he likes to call “Atmospheric Blackened Metal” since the project’s inception in 2005 in Kyiv, Ukraine, the talented vocalist and mutli-instrumentalist Astaroth Merc, from bands like Balfor, Chapter V:F10 and P’hevda Phenomenon, returns in 2020 with his Atmospheric Black Metal alter ego Raventale armed with his eleventh (and grandiose) full-length album titled Planetarium II, the conceptual follow-up to his 2017 album Planetarium. Recorded at Miasma Studio between 2017 and 2020, featuring a celestial artwork by Belarusian artist Olga Kann and guest female vocals by Ukrainian singer Alina Belova (Helengard, Kauan), as well as a linguistic adaptation by Nataliia GrimMe, Planetarium II extends the analysis of extrapolation of cosmic mysteries, clandestine dimensions and extramundane weirdness, or in other words, it’s a deep and profound journey through the black wastelands of extraneous cosmos offered by Astaroth in the form of first-class atmospheric and extreme music.

Sheen Of Urania works as some sort of  wicked intro led by the crushing, razor-edged guitar lines by Astaroth, dragging us all to the doomed and atmospheric world of Raventale in Extra Terrestrial Arcana, where the imposing sounds blasted by Astaroth generate a menacing and epic ambience perfect for his demonic roars, resulting in a beautiful Atmospheric Black Metal creation bringing to our ears crisp solos, whimsical keys and endless epicness while also overflowing rage and insanity. Not only Drinking Sulfur, Devouring The Sun carries a beautiful name for a song just like what Cradle of Filth would offer us, but musically speaking it’s beyond sensational, with Astaroth and his Raventale continuing to blend classic Black Metal with the Symphonic Black Metal played by Dimmu Borgir and nuances of Doom Metal and Blackened Doom for our total delight; whereas a damned rhythm intertwined with stylish background keys and a futuristic vibe are the main ingredients in the breathtaking Route To Andromeda, with our lone wolf growling in the darkest way possible in perfect sync with his scorching, venomous riffs.

The Moon In The Seventh House, perhaps the most Stygian of all songs, is a lecture in atmospheric and grim music, with guest Alina Belova adding a touch of finesse to the overall result while Astaroth’s vicious riffage walks hand in hand with his blast beats and phantasmagorical keys; and as atmospheric as it can be from the very first second, Let The Fire Burn! is another imposing composition that paves Raventale’s cosmic path to the bold and multi-layered Earth (Alpha & Omega), sounding at the same time very fresh and modern while living up to the legacy of classic Symphonic Black Metal. Furthermore, Astaroth’s infernal growling makes a fantastic paradox with his classy keyboards, while the drums keep the song’s pace vibrant and heavy-as-hell. And finally, the Doom Metal-infused aria A Temple Of My Choice puts a melancholic and climatic ending to the album, showcasing Astaroth’s anguished gnarls, sluggish beats and a feeling that all hope is lost, with the music marching on stunningly while our one-man army simply kicks ass with all instruments from start to finish.

You can show your support to such skillful and hardworking black metaller by following Raventale on Facebook and on VKontakte, and by purchasing your copy of Planetarium II in just a few days from his own BandCamp page, as well as from Ashen Dominion’s BandCamp page or webstore. In the end, we must all admit Astaroth has definitely outdone himself with his newborn spawn, elevating his music to the same level as some of the biggest names of the genre including Cradle of Filth, Dimmu Borgir, Emperor and Septicflesh, to name a few, showing all his hard work through the years is truly paying off, positioning Raventale as one of the most prominent names of the Ukrainian scene and, above all that, offering us fans of atmospheric music the perfect soundtrack for exploring the vastness and obscurity of the cosmos.

Best moments of the album: Drinking Sulfur, Devouring The Sun, The Moon In The Seventh House and Earth (Alpha & Omega).

Worst moments of the album: None.

Released in 2020 Ashen Dominion

Track listing
1. Sheen Of Urania 1:53
2. Extra Terrestrial Arcana 6:38
3. Drinking Sulfur, Devouring The Sun 6:24
4. Route To Andromeda 5:48
5. The Moon In The Seventh House 7:06
6. Let The Fire Burn! 3:27
7. Earth (Alpha & Omega) 6:03
8. A Temple Of My Choice 5:30

Band members
Astaroth Merc – vocals, all instruments

Guest musicians
Alina Belova – female vocals

Album Review – Chasing Embers / Beckoning Call (2019)

The debut album by this up-and-coming Ukrainian outfit is a fresh and exciting feast of modern-day Alternative Metal revolving around our inner world, our thoughts, desires and aspirations.

Founded in 2016 in Kyiv, Ukraine by drummer Vladyslav Pospolitak, who quit all his previous projects back then to focus on the creation of his own band, the story of Alternative Metal outfit Chasing Embers actually began when vocalist July Tallina joined the band as their frontwoman after numerous unsuccessful attempts to find a suitable candidate to be their male vocalist. Comprised of the aforementioned Vladyslav and July, guitarist and co-founder Alexey Hrankyn, and newcomers Oleksandr Zahorulia also on the guitar and Vladyslav Kachanovskyi on bass, Chasing Embers are strongly influenced by a wide range of styles, from old school rock and metal music to Alternative and Nu Metal from the 2000’s, and that full-bodied amalgamation of sounds can be appreciated in detail in their debut album titled Beckoning Call.

Featuring a dark and pensive cover art conceptualized by July herself, Beckoning Call deals with the issues of industrialization and human separation from nature, with its lyrics revolving around our inner world, our thoughts, desires and aspirations. Aiming at writing about things they experienced in their own lives in order to achieve the utmost honesty in their songs, Chasing Embers deliver a fresh and exciting feast of modern metal music in their debut album, being recommended for fans of female-fronted bands like Evanescence, Lacuna Coil and Within Temptation as well as more alternative acts such as Korn and Linkin Park. Not only that, the crystal clear production of Beckoning Call is also way above average, enhancing the impact of each instrument and, therefore, making the whole experience of listening to the album a lot more detailed and enjoyable.

A captivating intro led by Vladyslav Kachanovskyi’s metallic bass sets fire to the album in the opening track Beckoning Call, one of those songs perfect for headbanging vigorously while enjoying July’s fiery vocals all at once, resulting in a beautiful welcome card by the band that flows smoothly into Desires And Fears, bringing forward a well-balanced fusion of Alternative Rock and Metal with Alexey and Oleksandr being on fire with their unstoppable riffs, while its lyrics will penetrate deep inside your psyche (“Let’s try to make something better / Than reality / Just stop and show me / What you’ve got / I want to fill it forever / Room deep inside / I want to find out what is a lie”). And an atmospheric, ethereal start grows in intensity until all hell breaks loose in Spiritual, feeling like a hybrid of the music by Evanescence and Lacuna Coil and with Vladyslav Pospolitak dictating the song’s rhythm while Vladyslav Kachanovskyi keeps blasting his bass chords in great fashion.

The band’s skillful bassist keeps bringing thunder and groove to the band’s music in High Stakes, providing July all she needs to shine on vocals in another melodic display of modern rock music showcasing a catchy rhythm and endless electricity; whereas in Carnage it’s time for a more serene and charming moment inspired by the music by Evanescence, with the spotlight being of course on July and her passionate vocals, all enhanced by a soulful guitar solo and some gentle piano notes. Then the excellent Silent House starts in a wicked way and evolves into an absolute madhouse of Alternative Metal, a lot heavier and more austere than all previous songs, which means it will work amazingly when played live especially due to the adrenaline blasted by Vladyslav Pospolitak on drums and July’s darkened vocals.

Once again dealing with mental issues (“Turn off the light / I’m falling into my mind / This room is quite / Where real me waits a sign / Just draw the crack / And water will come in / Just draw the crack / And water will come in”), Drown With Me offers the listener a good dosage of heaviness albeit sounding very smooth at the same time, with the passion coming from July’s words being truly captivating while Alexey and Oleksandr extract piercing and touching riffs from their axes; and Chasing Embers do not stop smashing their instruments, bringing to our ears the also solid and well-crafted Last Night Tonight, speeding things up a bit and incorporating elements from Progressive Metal to their sonority. Lastly, the quintet fires more of their alternative music in The Moonman, a good rockin’ tune that’s a little generic if compared to the rest of the album, with its guitars and bass sounding as vibrant as usual.

If you’re a fan of this more alternative side of music like what Chasing Embers deliver in Beckoning Call, you can take a detailed listen at the entire album on Spotify, and obviously purchase it from the band’s BandCamp page or webstore, or simply click HERE for all places where you can listen to or put your hands on such distinct album. Also, keep an eye on their Facebook page, VKontakte and YouTube channel for more of their music, tour dates, news and other nice-to-know details about their career, and may those talented Ukrainian metallers keep embellishing the airwaves with their stylish musical creations for many decades to come for our total delectation.

Best moments of the album: Beckoning Call, High Stakes and Silent House.

Worst moments of the album: The Moonman.

Released in 2019 Independent

Track listing
1. Beckoning Call 6:15
2. Desires And Fears 4:39
3. Spiritual 5:19
4. High Stakes 4:09
5. Carnage 3:31
6. Silent House 4:51
7. Drown With Me 5:27
8. Last Night Tonight 4:41
9. The Moonman 5:09

Band members
July Tallina – vocals
Alexey Hrankyn – guitar
Oleksandr Zahorulia – guitar
Vladyslav Kachanovskyi – bass
Vladyslav Pospolitak – drums

Metal Chick of the Month – Mariia “Masha” Dementieva

Raise some hell, our true Lady Evil!

Are you ready to scream and roar together with our metal chick of the month of April in the name of darkness and evil, here on The Headbanging Moose webzine? If you’re a fan of the blasphemous, obscure and absolutely awesome music played by renowned acts like Behemoth, Septicflesh and Kaoteon, among many others, you’ll fall in love with the talent and beauty of Mariia “Masha” Dementieva, also known as simply Masha (or even  Mary Crematorium in a not-so-distant past, and if you prefer, Мария Дементьева in her mother tongue), the unrelenting frontwoman for Ukrainian Blackened Death Metal horde Nordwitch. That, of course, if you come from another galaxy or dimension and haven’t listened to Nordwitch’s sulfurous music yet, because if you’re from this planet I’m sure you’re already addicted to Masha’s demonic growling.

Although there’s isn’t much available online about Masha’s personal life (apart from many awesome photos from her career as a model, photo model and alternative tattoo model), you can still enjoy a good amount of information from her ass-kicking Kyiv-based band Nordwitch, formed in 2015. Singing about some very interesting topics such as satanism, occultism and ancient Scandinavian mythology, Nordwitch bring forth a flammable fusion of Black and Death Metal in their music, offering tons of melody amidst a brutal sonic devastation. The name Nordwitch, according to Masha herself, is the band’s representation of the mysticism and mystery of Scandinavian witches with a hint of female sexuality, which by the way matches perfectly with her diabolical vocal style. As a matter of fact, before becoming Nordwitch, Masha and the rest of the band, guitarists Max and Leo and bassist Max Senchilo, were all part of a Symphonic/Progressive Metal band named Crystalnight, where Masha was not their vocalist, but their keyboardist. If you’re curious to know how Masha and her bandmates used to sound before morphing into the dark beast known as Nordwitch, you can take a listen at some of their songs from their ReverbNation profile, such as Dark Angel and the original version of Nordwitch’s crushing tune Lady Evil.

In addition, not only Masha spearheads her horde of Blackened Death Metal in Nordwitch, but she was also one of the producers of their 2016 opus Mørk Profeti together with the other members of the band. You can listen to their pulverizing album in full on YouTube, and raise your horns to amazing songs like the aforementioned Lady Evil and Messiah of Death, or search for some live footage online like this one where the band is playing Lady Evil live at MHM – Metal Head’s Mission Festival in 2018. Furthermore, don’t forget to buy your copy of the album at the Satanath Records BandCamp, to subscribe to the band’s YouTube channel (where you can find for example a fun and raw version of the song No Regret live in Kyiv, Ukraine in 2016), follow them on VKontakte, and listen to more of their music through their ReverbNation and SoundCloud profiles. Who doesn’t enjoy listening to some brutal metal music like this remastered live version of Messiah of Death, right?

This slideshow requires JavaScript.

In regards to her idols and main influences in music and in life in general, Masha said in one of her interviews that not only herself but all of her bandmates are inspired by mysticism, occultism and several other eccentric topics when writing their music, always trying to make their sound as unique as possible. As the main founder and central figure of Nordwitch, a project that was originated inside her pagan mind, Masha is obviously influenced by all classic Black Metal bands, such as Mayhem, Watain and Bathory, which she’s been a fan since she was a teenager, and you can see how much she’s passionate about such controversial but fantastic subgenre of heavy music by visiting her official Instagram account and searching for her personal videos playing several Black Metal classics on the piano and keyboard. For instance, take a very good listen at her delicate but at the same time piercing piano versions for Burzum’s Dunkelheit and Han Som Reiste, Dark Funeral’s Stigmata, Dissection’s Where Dead Angels Lie and Thorns Of Crimson Death, and Shining’s Tillsammans Är Vi Allt, among others, as well as non-Black Metal hymns like Type O Negative’s Love You To Death. In addition, she mentioned in an interview that she’s also influenced by classical music and Scandinavian folk music, which kind of explains her passion for the piano, and that Runhild Gammelsæter, a Norwegian musician notable for being the vocalist for the American bands Thorr’s Hammer and Khlyst, is her favorite female metal singer of all time, complementing by saying that she cannot choose only one male singer as her favorite, though, as there are too many.

When asked about her hobbies outside of music, Masha listed a few very interesting and healthy activities, like working out and practicing sports, modeling and photography, also mentioning her interest in satanism, occultism and the mythology of ancient Scandinavia, which as aforementioned are the main topics covered in the music by Nordwitch. In addition, Masha said in one of her interviews she’s an apolitical person, as in her opinion true Black Metal has always been and will continue to be away from politics or anything related to it, being focused on religion and other more obscure topics. She also said that she had always dreamed about being in an Extreme Metal band like Nordwitch, but she wasn’t sure if that was going to actually happen one day, also saying she understands being a woman in a Black and Death Metal band from the underground scene is not easy at all, but that she won’t give up and keep on rockin’, always counting on the support form her family, friends and fans, aiming as high as possible with Nordwitch in the years to come. And we, true metalheads, will be ready to hail darkness and raise our horns together with the unstoppable Masha and her henchmen, no doubt about that.

Masha’s Official Instagram
NordWitch’s Official Facebook page
NordWitch’s Official VKontakte
NordWitch’s Official YouTube channel