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Album Review – Testament / Para Bellum (2025)

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Let’s prepare for war to the sound of the breathtaking fourteenth studio album by Oakland, California’s own masters of old school, crushing Thrash Metal.

“Parabellum” is the second half of the Latin phrase “si vis pacem, para bellum”, which translates to “if you want peace, prepare for war”. That’s exactly what Oakland, California’s own Thrash Metal masters Testament are offering us all now in 2025 with their infernal fourteenth studio album, titled Para Bellum, a worthy follow-up to their 2020 beast Titans of Creation. Produced by Chuck Billy and Eric Peterson alongside Juan Urteaga at Trident Studios, who also recorded vocals, bass, drums, and acoustic guitars, with guitars recorded at Dragon Lair Studio and Skol Productions Studio, mixed by Jens Bogren and mastered by Tony Lindgren at Fascination Street Studios, and showcasing an apocalyptic artwork by the majestic Eliran Kantor, the new opus by the iconic  frontman Chuck Billy, the unparalleled guitarists Eric Peterson and Alex Skolnick, the ruthless bassist Steve Di Giorgio, and the beyond talented newcomer Chris Dovas (Evulsion, Unflesh, Aversed) on drums is a lecture in both old school and modern-day Thrash Metal, sounding as heavy, infuriated, intricate and explosive as a real war, leaving us absolutely disoriented after all is said and done.

Chris already showcases his welcome card in the opening beast titled For the Love of Pain while Eric and Alex hypnotized us all as expected with their undisputed riff attack, with Chuck’s ruthless roars being the icing on their thrashing cake. Their sonic devastation goes on in full force in Infanticide A.I., where Chuck’s deep, enraged gnarls walk hand in hand with the striking riffs and solos by the band’s guitar duo in a lesson in Thrash Metal, followed by Shadow People, utterly tribal, dark and heavy, a more melodic display of the band’s core sonority led once again by Eric’s and Alex’s flawless guitar work. Meant to Be follows a similar pattern as their own song “Dark Roots of Earth”, a somber, pensive ballad including some acoustic moments; whereas back to a much more ferocious, progressive and ruthless sonority we have High Noon, perfect for breaking our necks headbanging to Chris’ intricate beats and fills.

It’s time to go hunt some witches in the name of old school Thrash Metal with Witch Hunt, another avalanche of metallic riffs and blast beats for our total delight where Chuck sounds inhumane as usual on vocals; and I also love when he sounds less demented like in Nature of the Beast, delivering those raspy, deep and almost “clean” vocal lines that give the whole song an even edgier vibe, as melodic as it is groovy. Room 117 offers the band’s more contemporary sonority from their latest decade, with Steve hammering his bass mercilessly accompanied by the pounding drums by Chris; whereas Eric and Alex will crush your damned minds and souls with their electrifying axes in Havana Syndrome, an explosion of first-class Testament for the masses. Finally, ending the album we face the Stygian, imposing title-track Para Bellum, one of their most detailed, multi-layered songs of the past few years, with Chuck’s demonic growls sounding phenomenal from start to finish in an ode to war before all fades into the void.

Readiness to fight is necessary to maintain peace and defend oneself or one’s country, and the undisputed Thrash Metal blasted by Testament in Para Bellum is also necessary in the life of any decent human being. You can follow the band on Facebook and on Instagram for news, tour dates and other nice-to-know details about one of the torchbearers of classic thrash, stream their demonic creations on Spotify, and above all that, grab a copy of their incendiary newborn spawn from Nuclear Blast or by clicking HERE. In other words, it’s time to prepare for war, and there’s nothing better than Testament’s new album to inspire us all to head into the battlefield alongside one of the most important bands in the history of heavy music.

Best moments of the album: For the Love of Pain, Infanticide A.I., Witch Hunt, Nature of the Beast and Para Bellum.

Worst moments of the album: Meant to Be.

Released in 2020 Nuclear Blast

Track listing
1. For the Love of Pain 5:35
2. Infanticide A.I. 3:27
3. Shadow People 5:45
4. Meant to Be 7:33
5. High Noon 3:52
6. Witch Hunt 4:16
7. Nature of the Beast 4:28
8. Room 117 4:18
9. Havana Syndrome 4:40
10. Para Bellum 6:30

Band members
Chuck Billy – vocals
Eric Peterson – guitar
Alex Skolnick – guitar
Steve Di Giorgio – bass
Chris Dovas – drums

Guest musicians
Dave Eggar – cello, violin, viola, orchestrations, strings arrangements
Chuck Palmer – orchestrations, strings arrangements
Xavi Morató – violin

Album Review – The Halo Effect / March Of The Unheard (2025)

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Let’s join this Swedish melodeath juggernaut in their march of the unheard to the sound of their incendiary sophomore album.

Gothenburg, Sweden’s own Melodic Death Metal outfit The Halo Effect may have begun as five old friends just making music for fun, but they’re now one of the most beloved new bands in Heavy Metal. Now in 2025 fans of bands like Dark Tranquility, Insomnium and Soilwork have a lot to celebrate with March Of The Unheard, a triumphant successor brimming with everything that made their 2022 debut Days of the Lost an instant breakthrough, showcasing all the talent and passion for heavy music by frontman Mikael Stanne (Dark Tranquillity, Grand Cadaver, Cemetery Skyline), guitarists Jesper Strömblad (Ceremonial Oath, Cyhra, Dimension Zero) and Niclas Engelin (We Sell The Dead, In Flames), bassist Peter Iwers (Fleetburner, In Flames), and drummer Daniel Svensson (In Flames, Diabolique).

Their Swedish melodeath vein pulses harder than ever in the opener Conspire To Deceive, with Jesper and Niclas slashing their axes in the best Scandinavian style, followed by Detonate, which will work majestically if played live, a pedal-to-the-metal creation by the band where Mikael’s roars and Daniel’s beats match flawlessly; and there’s no sign of slowing down at all, as the quintet continues to distill their Melodic Death Metal attack in great fashion in Our Channel To The Darkness. Then investing in a more cadenced, traditional sound, it’s time for Cruel Perception, led by the classic drums by Daniel, followed by What We Become, one of those songs perfect for some sick headbanging thanks to the pounding drums by Daniel, supported by the metallic bass lines by Peter.

After that, we face the epic, imposing interlude This Curse Of Silence, working as an intro to the title-track March Of The Unheard, offering our avid years an overdose of first-class Melodic Death Metal with nuances of classic Heavy and Power Metal. Needless to say, Mikael is once again bestial on vocals, which is also the case in Forever Astray, another great option for banging our heads while the band’s guitar duo continues to deliver sheer electricity form their sonic weapons. A grim start then evolves into another massive feast of hammering drums and sharp riffs in Between Directions, albeit not as powerful as the other songs; whereas in A Death That Becomes Us the band gets back to a more ferocious yet very melodic sonority, with Mikael leading his horde in another strong candidate for their live performances. There’s more classic Swedish metal music for the masses with Mikael roaring to the riffage by Jesper and Niclas in The Burning Point, before the album ends with the stunning Coda, an atmospheric and epic outro that puts a climatic conclusion to the entire record.

After all is said and done, March Of The Unheard isn’t just another opus of Gothenburg melodeath; it announces that The Halo Effect still have fresh ideas for the genre, 30 years after their members helped catapult it to international acclaim. Now united under one banner, they are gunning for global success once again, and you can know more about the band and enjoy their classy music by following them on Facebook and on Instagram, by subscribing to their YouTube channel, by streaming their music on Spotify, and of course by purchasing their new album by clicking HERE, joining The Halo Effect on their exciting and metallic march of the unheard.

Best moments of the album: Detonate, What We Become, March Of The Unheard and A Death That Becomes Us.

Worst moments of the album: Cruel Perception and Between Directions.

Released in 2025 Nuclear Blast

Track listing
1. Conspire To Deceive 3:57
2. Detonate 3:58
3. Our Channel To The Darkness 3:29
4. Cruel Perception 4:04
5. What We Become 3:47
6. This Curse Of Silence 2:01
7. March Of The Unheard 2:59
8. Forever Astray 3:41
9. Between Directions 4:29
10. A Death That Becomes Us 4:07
11. The Burning Point 3:48
12. Coda 3:54

Band members
Mikael Stanne – vocals
Jesper Strömblad – guitars
Niclas Engelin – guitars
Peter Iwers – bass
Daniel Svensson – drums

Album Review – Grand Magus / Sunraven (2024)

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After a very long wait, Sweden’s own Heavy and Doom Metal institution is back with a new collection of battle hymns inspired by the tale of Beowulf and Grendel.

In their over 20 years of career, Stockholm, Sweden’s own Heavy/Doom Metal institution Grand Magus has been eternalized in the music history and looks back on a treasury full of all-time Heavy Metal anthems. Now in 2024 the band formed of Janne “JB” Christoffersson on vocals and guitars, Mats “Fox” Skinner on bass, and Ludwig “Ludde” Witt on drums is back with a new blast of memorable battle hymns entitled Sunraven, a concept album about Beowulf and Grendel, a worthy follow-up to their 2019 album Wolf God, and a lecture in heavy doom that will certainly feature among the best metal albums of the year on any list that worships the power of the mighty riff.

And the riffs by Janne sound beautifully heavy and doomed in Skybound, setting the tone in a lesson in Epic Doom Metal by the trio, with the deep, passionate vocals by Janne adding even more epicness to the overall result. Yes, I guess I’ll overuse the word “epic” on this review as you might have already notice. Then investing in a more direct Doom Metal sound we have The Wheel of Pain, with the pounding drums by Ludwig and the low-tuned bass by Mats bringing sheer heaviness to the music, followed by the title-track Sunraven, where the trio keeps delivering sonic awesomeness with their crisp, sharp riffs and blasting beats sounding majestic. It’s time to darken the skies with the melodic and heavy Winter Storms, as cold as it’s vibrant and grim, in line with their Swedish roots and loyal to their foundations; whereas The Black Lake is perhaps the most Black Sabbath-ish song of the entire album (and even of their entire career), to the point we can imagine the almighty Dio singing it. Needless to say, Janne is once again spot-on with his vocals and riffs.

The second half of the album begins with the utterly epic, electrifying Hour of the Wolf, with the guitars by Janne and the rumbling kitchen by Mats and Ludwig inviting us all to head into the battlefield together with Grand Magus, followed by Grendel, another blast of their classic fusion of Heavy, Epic and Doom Metal, offering more of their trademark riffs and beats as well as the low-tuned bass by Mats. To Heorot sounds utterly stunning form start to finish, inspiring us all to raise our fists in the air to the classic vocals by Janne while Ludwig hammers his drums in great fashion, sounding also perfect for some vigorous headbanging in the name of doom; and the power of the riff is also outstanding in the closing tune The End Belongs to You, putting a classy ending to the album and leaving us all more than eager for more (as the album has only 35 minutes of music in total).

I would have simply loved if the album had an extra 10 or 15 minutes of music, mainly because we’ve all been waiting for a new Grand Magus opus for quite some time, but let’s say the band kept Sunraven tight and sharp from start to finish  without sounding cheesy, tiresome or anything like that, which means it might have only 35 minutes in duration, but those are damn intense 35 minutes for our total delight. Hence, don’t forget to stream the album in full on YouTube and on Spotify, to follow the band on Facebook and on Instagram for news, tour dates and so on, and above all that, to grab a copy of the hammering Sunraven by clicking HERE. “The album is about Beowulf and Grendel. In essence, Sunraven is Beowulf, and that’s my own invention,” Janne explains. “But some of the songs are written about and from the perspective of Beowulf, and some of the songs are written about and from the perspective of Grendel, the monster he faces in Denmark. That kind of steered me and carried me through the lyrical process this time. I’ve never done anything like this before. I’ve always been fascinated by that tale. These myths and legends are about all the basic things that we sing about – life, death, glory, dishonour, love, hate, overcoming difficulties, facing impossible opposition and so on.” In other words, what can sound more Heavy Metal than such a strong tale, right? And of course, only Grand Magus could bring all that to life with so much passion, epicness and glory.

Best moments of the album: Skybound, Sunraven, Hour of the Wolf and To Heorot.

Worst moments of the album: None.

Released in 2024 Nuclear Blast

Track listing
1. Skybound 3:28
2. The Wheel of Pain 3:23
3. Sunraven 3:37
4. Winter Storms 5:15
5. The Black Lake 5:34
6. Hour of the Wolf 4:03
7. Grendel 3:32
8. To Heorot 3:00
9. The End Belongs to You 3:21

Band members
Janne “JB” Christoffersson – lead vocals, guitars
Mats “Fox” Skinner – bass, backing vocals
Ludwig “Ludde” Witt – drums

Album Review – Fleshgod Apocalypse / Opera (2024)

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After emerging back in full force in 2023, one of the torchbearers of Symphonic Death Metal worldwide returns with their strongest opus to date.

Mixed and mastered by Jacob Hansen at Hansen Studios, produced by Francesco Paoli and Francesco Ferrini, and displaying a striking artwork by Felicita Fiorini and Francesco Esposito, the breathtaking Opera, the brand new album by Italian Symphonic/Technical Death Metal masters Fleshgod Apocalypse, is much more than just the follow-up to their 2019 album Veleno. Opera is their first album after the band’s frontman and mastermind Francesco Paoli was involved in a near death climbing accident, resulting in years of recovery and the band’s temporary hiatus; however, after emerging back in full force in 2023, commanding audiences on tours throughout Europe, the band formed of Francesco Paoli alongside Veronica Bordacchini on vocals, Fabio Bartoletti on lead guitars, Francesco Ferrini on the piano and orchestrations, and Eugene Ryabchenko on drums is on absolute fire during their entire new album, a life affirming release that will surely please all fans of the band and feature among the best albums of the year worldwide.

Ode to Art (De’ sepolcri) feels like the opening scenes of a classic movie, with the operatic elements in the background spiraling inside our minds until all hell breaks loose in I Can Never Die, with Francesco Paoli roaring its poetic lyrics (“This life is mine forever / Who free from fears I smile at death / As I become immortal / Writing with my blood on this wall, words that you’ll never forget / My story engraved with these bones and no regret / I burned my nerves / I ripped my heart out to feel alive / I made a pact with my own devils / Thus, I can never die”) amidst a lecture in Symphonic Death Metal. Pendulum sounds even heavier and more neck-breaking than the previous tune, with Eugene hammering his drums like a demented Death Metal beast, whereas the heaviness flowing form the guitars by Francesco Paoli and Fabio in Bloodclock is insane, boosted by the whimsical, cinematic keys by Francesco Ferrini. And the mesmerizing vocals by Veronica add a touch of finesse to At War with My Soul, a demented aria of Symphonic Death Metal with Eugene’s beats and fills sounding yet again inhumane.

Despite the heaviness and speed in Morphine Waltz, the music sounds out of place compared to the epicness of the other songs of the album, albeit Fabio’s guitar solo is amazing; and his guitar work is also superb in Matricide 8.21, redefining the meaning of Metal Opera, where Francesco Paoli and Veronica make a darkly hypnotizing vocal duo embraced by the classy piano and orchestrations by Francesco Ferrini. Per Aspera ad Astra, a Latin saying going back 2000 years which translated means “through adversity to the stars”, is another vicious Symphonic Black and Death Metal onrush by Fleshgod Apocalypse with all instruments sounding in absolute sync, setting total fire to the atmosphere. There’s still time for more symphonic madness in Till Death Do Us Part, starting in a serene manner to the passionate vocals by Veronica, evolving into a touching, obscure ballad before the album ends with Opera, a cinematic, cryptic outro led by the classic piano by Francesco Ferrini.

The guys (and girl) from Fleshgod Apocalypse are more than eager to know what you have to say about their new album (which you can purchase by clicking HERE, and also stream in its entirety on Spotify and on YouTube) on Facebook and on Instagram, where you can also stay updated with all of their amazing concerts and tours, and don’t forget to also stream more of their music on YouTube and on Spotify. Opera is an absolute beast of an album, and after his near death experience I’m sure Francesco Paoli will keep bringing that terrifying yet stunning darkness to the music by Fleshgod Apocalypse just like what he did in the band’s newborn opus, by far one of the strongest of the genre from the past few years.

Best moments of the album: I Can Never Die, At War with My Soul, Matricide 8.21 and Per Aspera ad Astra.

Worst moments of the album: Morphine Waltz.

Released in 2024 Nuclear Blast

Track listing
1. Ode to Art (De’ sepolcri) 2:18
2. I Can Never Die 4:30
3. Pendulum 3:58
4. Bloodclock 5:14
5. At War with My Soul 5:06
6. Morphine Waltz 3:36
7. Matricide 8.21 5:35
8. Per Aspera ad Astra 4:48
9. Till Death Do Us Part 5:31
10. Opera 2:44

Band members
Francesco Paoli – lead vocals, guitars, bass
Veronica Bordacchini – vocals (soprano)
Fabio Bartoletti – lead guitars
Francesco Ferrini – piano, orchestrations
Eugene Ryabchenko – drums

Album Review – Korpiklaani / Rankarumpu (2024)

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Can you hear the striking Folk Metal sound of the ragged drum played by one of the most iconic Finnish bands of all time?

A highly revered and massively popular Folk Metal ensemble known for their signature style of Finnish Folk and Heavy Metal that runs the gamut of emotions for one of the most honest, unique and enthralling sounds in heavy music, Lahti, Päijät-Häme-based outfit Korpiklaani has just unleashed upon us their twelfth studio album, titled Rankarumpu (or “ragged drum” from Finnish), the follow-up to their 2021 release Jylhä. Once again produced, mixed and engineered by Janne Saksa at Sound Supreme Studio, mastered by Svante Forsbäck at Chartmakers, and displaying a beautiful artwork by Jan “Örkki” Yrlund of Darkgrove Design, the new album by the shaman at heart Jonne Järvelä on vocals and acoustic guitar, Kalle “Cane” Savijärvi on the guitar, Jarkko Aaltonen on bass, Sami Perttula on the  accordion, Olli Vänskä on the violin, and Samuli Mikkonen on drums and percussion showcases a band revisiting their older sound with faster tempos for one of their catchiest albums to date, putting every single person alive to dance together with those Finnish rockers.

The opener Kotomaa (“homeland”) already invites us all for a fun and dancing Folk Metal party, with Samuli sounding amazing on drums while Sami and Olli kick some as with their respective accordion and violin, followed by Tapa sen kun kerkeet (“kill while you can”), sounding thrashier thanks to the riffs by Cane, with Jonne delivering his inebriate, raspy vocals nonstop; and there’s more of Sami’s accordion madness in Aita (“fence”), leading his horde of vodka drinkers while inspiring us all to prance around the firepit. The breathtaking Saunaan (“sauna”) is a song that will ignite some ruthless mosh pits, therefore turning the floor section into a real sauna, with Jonne roaring in great fashion supported by the electrifying sounds blasted by his bandmates, and the blazing guitar by Cane kicks off the also fast-paced Mettään (“into the woods”), which seems to be the norm throughout the entire album, and of course Samuli benefits a lot from that; whereas Kalmisto (“march to the grave”) is a groovier tune by Korpiklaani with the low-tuned, metallic bass by Jarkko adding thunder to their already classy sound.

The title-track Rankarumpu brings to our avid ears an overdose of Finnish Folk Metal led by the rhythmic beats by Samuli while Jonne keeps declaiming the song’s Finnish lyrics with tons of passion, followed by No perkele (“damn it”), and of course with that name the song was going to be a banger. Needless to say, I would love to see them playing it live, with the accordion by Sami sounding even more incendiary during the song’s headbanging four minutes. It’s then time for a melancholic tune titled Viikatelintu (“reaper bird”) which, despite being a good song, is not at the same level as all others, sounding very generic at times. Back to a more vivid and vibrant sonority we have Nouse (“rise”), where once again Samuli hammers his drums nonstop, creating a healthy paradox with Olli’s charming violin. Oraakkelit (“oracles”) is another firepit prancing hymn by Korpiklaani, with Olli and Sami stealing the spotlight with their beyond folky sounds, while lastly we have Harhainen höyhen (“lost feather”), closing the album on a high Folk Metal note thanks to the amazing vocals by Jonne and all the wicked sounds blasted by his crew.

You can enjoy Rankarumpu in all of its glory on YouTube and on Spotify, check what the band is up to on Facebook and on Instagram, including their tour dates (and if you check what they did here in Toronto a few weeks ago by clicking HERE you’ll certainly want to see them live), subscribe to their YouTube channel, and above all that, grab a copy of their fun new album by clicking HERE or HERE. Can you hear the striking Folk Metal sound of the ragged drum played by one of the most iconic Finnish bands of all time? If your answer is yes, then Rankarumpu will certainly bring a lot of joy to your shamanic heart, no doubt about that.

Best moments of the album: Kotomaa, Saunaan and No perkele.

Worst moments of the album: Viikatelintu.

Released in 2024 Nuclear Blast

Track listing
1. Kotomaa 3:10
2. Tapa sen kun kerkeet 2:26
3. Aita 3:47
4. Saunaan 3:18
5. Mettään 4:19
6. Kalmisto 4:22
7. Rankarumpu 2:43
8. No perkele 3:58
9. Viikatelintu 3:21
10. Nouse 3:23
11. Oraakkelit 3:12
12. Harhainen höyhen 5:16

Band members
Jonne Järvelä  – vocals, acoustic guitar
Kalle “Cane” Savijärvi – guitar
Jarkko Aaltonen – bass
Sami Perttula – accordion
Olli Vänskä – violin
Samuli Mikkonen – drums, percussion

Album Review – Aborted / Vault of Horrors (2024)

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One of the must-see bands of the current Death Metal and Deathcore scene worldwide opens their demonic vault of horrors to bring brutality, gore and evil to our damned souls.

Since their unholy inception in 1995, Belgian Death Metal/Grindcore miscreants Aborted have been one of the pioneers of the genre and have annihilated friend and foe with relentless intensity and an uncompromising mix of flawless technicality and raw emotion. Now in 2024 the band currently formed of frontman Sven De Caluwé, guitarists Daníel Máni Konráðsson and Ian Jekelis, and drummer Ken Bedene, plus bassist Stefano Franceschini (who left the band in 2023) and guest musician Spencer Creaghan on synthesizers, returns with a worthy follow-up to their 2021 album ManiaCult, a sonic beast entitled Vault of Horrors. Produced, mixed and mastered by Dave Otero at Flatline Audio Studio, and displaying a sick artwork by Dan Goldsworthy (who has already worked with titans the likes of Corpsegrinder, Accept, Alestorm, Cradle of Filth, Gloryhammer, and many more), Aborted’s twelfth studio album dives deep into the vaults of VHS cassettes and stories that have been haunting us all for decades, with each song paying tribute to a horror cult classic ranging from obligatory cuts such as The Texas Chainsaw Massacre (to be found on Death Cult) or Halloween (The Shape Of Hate) to the more recent The Mist (to be discovered on Malevolent Haze), and with each one of its ten ferocious, gut-wrenching Death Metal slashers featuring a very special guest vocalist to add an extra touch of brutality and gore to Aborted’s trademark sound.

Featuring guest vocalist Ben Duerr (of Shadow Of Intent), the opener Dreadbringer offers our putrid ears sick lyrics (“Awake, bringing forth this disease / Multiply to dominate, your soul I’ll penetrate / Corrupt, contaminate, and imitate, eradicate / Your path leads right through us with no way to circumvent it”) and endless savagery in a beautiful fusion of Death Metal and Deathcore, followed by Condemned to Rot, with guest vocalist Francesco Paoli (of Fleshgod Apocalypse) barking like a beast, another lesson in brutality by Aborted with the insane drums by Ken bringing sheer aggression to the music; and featuring guest vocalist Johnny Ciardullo (of AngelMaker), Brotherhood of Sleep leans towards modern-day Deathcore, where Sven and Johnny make a demented vocal duet while Daníel and Ian keep slashing their axes in the name of violence. Then get ready to break your neck headbanging like a maniac to Death Cult, where Sven and guest vocalist Alex Erian (of Despised Icon) roar manically while the rest of the band doesn’t leave a single space left in the air with their first-class, inhumane instrumental parts; whereas Hellbound is another explosion of violence where the band’s Technical Death Metal side is boosted by the sick vocals by guest Matt McGachy (of Cryptopsy).

The pulverizing Insect Politics, featuring guest vocalist Jason Evans (of Ingested), might have less than two minutes in duration, but the music is as infernal and intense as its predecessors, resulting in a fantastic tune for hammering our skulls into the circle pit; and Aborted show no mercy for our putrid souls in The Golgothan, offering more of their trademark violence and dexterity, with Sven once again leading his horde with his deep, visceral growls supported this time by guest vocalist Hal Microutsicos (of Blasphemous and Engulf). There’s no time to breathe as The Shape of Hate is another blast of dementia and Death Metal by the band, where guest vocalist Oliver Rae Aleron (of Archspire) offers his trademark rap-like guttural, making the whole song even more insane and vibrant; and there’s still time for another thunderous, inhumane tune titled Naturom Demonto, featuring guest vocalist David Simonich (of Signs of the Swarm), with the rumbling bass by Stefano and the blast beats by Ken making the earth tremble. Of course the album wasn’t going to be complete without a massive dosage of sulfur, courtesy of guest vocalist Ricky Hoover (of Ov Sulfur) in Malevolent Haze, another feast of slashing riffs, crazy drums and demonic vociferations to end the album on a beyond violent and Stygian note.

In a nutshell, with this deadly alliance, Vault of Horrors is an epic journey where listeners are thrust into a world of intense brutality, characterized by lightning-fast guitar riffs, intricate, pummeling drum patterns and monstrous vocals that leave no room for respite. “As usual, the guest vocalists were all chosen out of friends, people we’ve known for years or got to know in the last years, toured with, or have a connection with. Hal from Engulf was also picked since I did a guest spot on their record and loved his vocals. The guys from Ingested, Carcosa, Ov Sulfur were people that we toured with last year. We also go way back with Archspire, Despised Icon, Fleshgod Apocalypse and Cryptopsy. Being able to collaborate with all these great artists is such a privilege and made the process all the more exhilarating since each of them bring their own flavour to the mix. The enthusiasm of everyone involved definitely shines through to the final product and adds yet another layer of depth to the listening experience of the album,” commented Sven, and if you want to show Aborted your utmost support and admiration you can check out what the band is up to on Facebook and on Instagram, subscribe to their YouTube channel, stream more of their music on Spotify, and of course purchase the imposing Vault of Horrors by clicking HERE or HERE. In other words, let’s see if you have what it takes to face the brutality, gore and evil found inside the vault of horrors by one of the leaders of the current extreme music scene worldwide.

Best moments of the album: Brotherhood of Sleep, Death Cult, Insect Politics and The Shape of Hate.

Worst moments of the album: None.

Released in 2024 Nuclear Blast

Track listing
1. Dreadbringer 5:30
2. Condemned to Rot 2:56
3. Brotherhood of Sleep 3:55
4. Death Cult 3:40
5. Hellbound 4:47
6. Insect Politics 1:44
7. The Golgothan 4:19
8. The Shape of Hate 4:17
9. Naturom Demonto 4:03
10. Malevolent Haze 4:53

Band members
Sven De Caluwé – vocals
Daníel Máni Konráðsson – guitar
Ian Jekelis – guitar
Stefano Franceschini – bass
Ken Bedene – drums

Guest musicians
Ben Duerr – vocals on “Dreadbringer”
Francesco Paoli – vocals on “Condemned to Rot”
Johnny Ciardullo – vocals on “Brotherhood of Sleep”
Matt McGachy – vocals on “Hellbound”
Jason Evans – vocals on “Insect Politics”
Hal Microutsicos – vocals on “The Golgothan”
Oliver Rae Aleron – vocals on “The Shape of Hate”
David Simonich – vocals on “Naturom Demonto”
Ricky Hoover – vocals on “Malevolent Haze”
Alex Erian – vocals on “Death Cult”
Spencer Creaghan – synthesizers

Album Review – Exhorder / Defectum Omnium (2024)

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Putting a foot back into the roots of the band’s inception, these American veterans return to the battlefield with their striking fourth full-length opus, turning the failure of all into first-class Thrash and Groove Metal.

Putting a foot back into the roots of the band’s inception, New Orleans, Louisiana’s own Thrash Metal veterans Exhorder return to the battlefield with their striking fourth full-length opus, titled Defectum Omnium, the Latin phrase for “the failure of all”. Produced by the band itself, mixed by Jens Bogren at Fascination Street Studios, and displaying a sinister artwork by Travis Smith of Seempieces Design Studio, the album is highly recommended for fans of Dark Angel, Nuclear Assault, Exodus, Death Angel, Testament, Machine Head, and Pantera, among others, with the band currently formed of Kyle Thomas on vocals and guitars, Jason Viebrooks on bass, and Sasha Horn on drums now being joined by former Cannibal Corpse heavyweight guitarist Pat O’Brien, just to give their sound an even edgier and more austere taste.

Let’s slam into the pit like true metalmaniacs to the sound of Wrath of Prophecies, a Pantera-infused onrush of thrashing sounds led by the piercing riffs by Kyle and Pat, kicking things off in an amazing way, followed by Under the Gaslight, a more cadenced, Groove Metal-ish tune by Exhorder recommend for some vigorous headbanging to the massive beats by Sasha and the always visceral roars by Kyle. Forever and Beyond Despair offers us then absolutely acid lyrics (“Designs of murder ending all  / Last call, then curfew comes / Take your meds and go / The gods bring on the wars / Send the troops, let ’em burn / The girls will work butter churns, all pregnant with babes”) amidst a fusion of Thrash Metal, Hardcore and Punk Rock, whereas letting their Southern Metal vein pulse harder than ever we face The Tale of Unsound Minds, with Jason and Sasha delivering sheer heaviness and groove through their devilish kitchen. After that we have Divide and Conquer, another Thrash and Groove Metal feast by the quartet where their riffs and solos sound striking, meaning it should work really well if played live; and an eerie intro quickly explodes into the venomous Year of the Goat, a slamming tune that will invite us all into the circle pit to the rumbling bass by Jason.

After a slower yet still heavy-as-hell start, the band will will hammer your heads mercilessly in Taken by Flames, offering modern-day Thrash Metal overflowing rage and insanity, all led by the boisterous beats by Sasha; and get ready for over seven minutes of darkness in the form of Defectum Omnium / Stolen Hope, starting in a hypnotic way before the band comes ripping with a venomous mid-tempo attack, with the riffage by Kyle and Pat penetrating deep inside our damned souls. It’s then time for some pure American hatred flowing from all instruments in Three Stages of Truth / Lacing the Well, with their riffs, bass jabs and blast beats generating the perfect ambience for some wild circle pits and crowd surfing; followed by Sedition, bringing forward three minutes of savagery and brutality blasted by the quartet, once again offering our avid ears an overdose of dirty riffs, raspy vocals and demolishing drums, and they keep destroying our cranial skulls with their visceral Thrash Metal in Desensitized, where the enraged growls by Kyle walk hand I hand with the unstoppable beats by Sasha. Last but not least, they present another shot of their hybrid of Southern Rock with Thrash and Groove Metal in Your Six, feeling sluggish, dirty and inebriate until the very last second.

Exhorder are not in a good mood throughout the entire Defectum Omnium, and of course that’s an amazing thing when it comes to violent and frantic Thrash Metal. Hence, don’t forget to start following those American thrashers on Facebook and on Instagram for news, tour dates and so on, to stream more of their wicked music on YouTube and on Spotify, and above all that, to purchase a copy of the incendiary Defectum Omnium by clinking HERE or HERE. The entire world as we know it has failed miserably, and that’s exactly what Exhorder needed as fuel for their fulminating new album, keeping the fires of heavy music burning bright while our rotten society comes to its inevitable end.

Best moments of the album: Wrath of Prophecies, Year of the Goat and Three Stages of Truth / Lacing the Well.

Worst moments of the album: Under the Gaslight.

Released in 2024 Nuclear Blast

Track listing
1. Wrath of Prophecies 4:14
2. Under the Gaslight 4:21
3. Forever and Beyond Despair 3:03
4. The Tale of Unsound Minds 5:01
5. Divide and Conquer 2:38
6. Year of the Goat 3:27
7. Taken by Flames 5:19
8. Defectum Omnium / Stolen Hope 7:13
9. Three Stages of Truth / Lacing the Well 6:46
10. Sedition 2:56
11. Desensitized 4:59
12. Your Six 4:28

Band members
Kyle Thomas – vocals, guitars
Pat O’Brien – guitars
Jason Viebrooks – bass
Sasha Horn – drums

Guest musicians
Rick Wartell – guitars
Bruce Franklin – guitars

Album Review – Lucifer / Lucifer V (2024)

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Sweden’s own Heavy and Doom Metal coven will drag you to their Stygian lair to the sound of their breathtaking fifth full-length offering.

Three years after the release of their critically acclaimed album Lucifer IV, Stockholm, Sweden’s own Heavy/Doom Metal/Rock coven Lucifer returns from the depths of the underworld with a new and breathtaking offering, simply titled Lucifer V, blasting our ears with their characteristic doomed sounds in the name of darkness and evil. Highly recommended for fans of Ghost, Black Sabbath, Blue Öyster Cult, Witch Mountain, Coven, Kadavar and Fleetwood Mac, among others, the new album by the talented witch Johanna Platow Andersson on vocals, Linus Björklund and Martin Nordin on the guitars, Harald Göthblad on bass and Nicke Andersson on drums will put you in a fantastic trance with its sharp and enfolding fusion of Heavy and Doom Metal with Rock N’ Roll, proving why the band has become a reference in the genre worldwide.

The Black Sabbath-inspired riffs by Linus and Martin ignite the thrilling opening tune Fallen Angel, showcasing the band’s trademark groove and darkness, with Johanna stealing the spotlight already with her mesmerizing vocals; whereas a Doom Metal start gradually morphs into the rockin’ extravaganza At the Mortuary, where once again Nicke showcases all his talent behind his drums dictating the song’s charming pace in great fashion. Then investing in a more direct Rock N’ Roll sound, get ready to dance in the dark together with Lucifer in Riding Reaper, with the riffs by the band’s guitar duo exhaling electricity and feeling, and the cabaret-inspired sound of the piano sets the tone for Johanna to deliver her passionate, devilish vocals in Slow Dance in a Crypt, a beautiful ballad that should sound amazing if played live, not to mention the song’s fiery guitar solos. Right after that we have A Coffin Has No Silver Lining, a true Rock N’ Roll anthem played to perfection by Johanna and the boys, bringing to our ears an addictive chorus and the striking riffs and solos by Linus and Martin.

It’s then time for another ass-kicking creation by Lucifer titled Maculate Heart, starting in an introspective way before exploding into a feast of Heavy Metal and Hard Rock led by the hammering drums by Nicke, followed by The Dead Don’t Speak, bringing forward four minutes of the band’s classic sonority with hints of Blues Rock added to their core essence, in special to the awesome guitar solo by Linus. Let’s now hit the road with Lucifer to the sound of Strange Sister, with Johanna having another soaring, sensational vocal performance supported by the rumbling bass by Harald and the classy beats by Nicke; followed by the straightforward tune Nothing Left to Lose but My Life, which despite being a solid song and having its dark charm it’s below the rest of the album in terms of energy and creativity. And lastly, there’s still time for two alternate versions of At the Mortuary (Halloween edit) and Maculate Heart (radio edit) as bonus tracks, and both are just as incendiary as the original ones.

Johanna and her henchmen are waiting for you on Facebook and on Instagram with more of their music, news, and their tour dates (and you should never miss a Lucifer concert as it’s simply brilliant, like the one I had the pleasure to witness in Toronto in November), and don’t forget to also subscribe to their official YouTube channel and stream all of their stylish compositions on Spotify. And above all that, go grab a copy of the incendiary Lucifer V by clicking HERE or HERE, adding to your grim album collection one of the coolest albums of another dark and sinister year ahead of us.

Best moments of the album: Fallen Angel, Slow Dance in a Crypt, A Coffin Has No Silver Lining and Maculate Heart.

Worst moments of the album: Nothing Left to Lose but My Life.

Released in 2024 Nuclear Blast

Track listing
1. Fallen Angel 3:15
2. At the Mortuary 6:07
3. Riding Reaper 4:19
4. Slow Dance in a Crypt 4:28
5. A Coffin Has No Silver Lining 4:25
6. Maculate Heart 4:09
7. The Dead Don’t Speak 3:58
8. Strange Sister 4:20
9. Nothing Left to Lose but My Life 4:40

Bonus tracks
10. At the Mortuary (Halloween edit) 4:56
11. Maculate Heart (radio edit) 3:37

Band members
Johanna Platow Andersson – vocals
Linus Björklund – lead guitars
Martin Nordin – rhythm guitars
Harald Göthblad – bass
Nicke Andersson – drums

Album Review – Ringworm / Seeing Through Fire (2023)

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Cleveland’s own Hardcore, Death and Thrash Metal masters are ready to kill armed with their ninth studio album, pushing the band up into the frontrunners of modern metallic talent.

Ever since emerging from the Cleveland underground, the unrelenting American Death/Thrash Metal/Hardcore horde Ringworm has garnered the immediate attention of all types of heavy music fans, always displaying endless ferocity and, consequently, always fascinating metalheads with their unorthodox melodies for over 30 years. Now in 2023 the band formed of James ‘Human Furnace’ Bulloch on vocals, Matt Sorg and Mike Lare on the guitars, and Ed Stephens on bass has just unleashed their ninth studio album, titled Seeing Through Fire, the follow-up to their 2019 installment Death Becomes My Voice. Recorded, mixed and mastered by Noah Buchanan at Mercinary Studios, Seeing Through Fire showcases the abundant complexities in the music by Ringworm and pushes the band up into the frontrunners of modern metallic talent, being highly recommended for fans of Integrity, Earth Crisis, Converge and American Nightmare, among others.

The title-track Seeing Through Fire is utterly harsh and infuriated from the very first second, with James’ vocals exhaling despair and aggressiveness amidst a hurricane of Thrash Metal and Hardcore crafted by his bandmates, resulting in the perfect way to start such sick album. There’s no time to breathe as their feast of pulverizing sounds goes on in Carved in Stone, where the guitars by Matt and Mike will penetrate deep inside your skin and burn your muscle tissue mercilessly in the name of the darkest form of Hardcore you can think of. Then let’s all slam into the circle pit together with ringworm to the sound of the high-octane No Solace, No Quarter, No Mercy, a lecture in modern-day Thrash Metal with Hardcore elements spearheaded by the brutal vocals by James, followed by Death Hoax, sounding like some of the most insane creations by Slayer from their Divine Intervention and Undisputed Attitude albums, with the song’s fierce blast beats matching perfectly with the rabid roars by James. And the band continues their path of destruction in Thought Crimes, another frantic, sharp and caustic tune showcasing more of the scorching riffs by Matt and Mike.

The second half of the album begins in full force with Unavoidable Truth, bringing to our avid ears more of the band’s infernal fusion of Thrash Metal and Hardcore while Ed keeps hammering his bass nonstop, bringing an extra touch of groove and heaviness to the music; and if you think those American metallers would slow down anytime, you’re absolutely wrong, as they keep speeding things up and inviting us into the pit in House of Flies, with James growling rabidly supported by the wicked riffs and solos by the band’s guitar duo. You Want It To is another feast of Death and Thrash Metal infused with Hardcore nuances where Ed’s bass sounds thunderous, not to mention the song’s demented drums; and let’s keep banging our heads in the name of evil in Mental Decontrol, with James bursting his lungs screaming while Matt, Mike and Ed are ruthless armed with their axes. There’s no mercy for our souls in the demonic Power and Blood, an incendiary lecture in Thrash Metal and Hardcore by Ringworm that will smash you like an insect, with James once again stealing the spotlight with his sick, visceral growls; whereas closing Seeing Through Fire we have the outro Playing God, which is not bad but another ferocious tune would have added more taste to the album.

“We wanted to go with a slightly different approach and look than the previous records, it’s a new era for us,” explained James. “It’s a little bit of a return to our roots, you have those moments every so often where you wanna get back to your comfort zone, but at the same time you want to expand that comfort zone. On the production side, we definitely wanted something that was raw, more in your face, and way more sonically abrasive than the last several albums. Vocally it’s the same approach on every record, my voice is just a hammer, and every song looks like a nail to me.” Hence, if you want to experience all that raw, massive violence blasted by Ringworm in Seeing Through Fire, you can stream the album in full on YouTube and on Spotify, and of course grab a copy of it by clicking HERE or HERE. Don’t forget to also follow the band on Facebook and on Instagram, and to subscribe to their YouTube channel for more of their insane music. As aforementioned, Seeing Through fire is at the same time modern and old school, showing how the band knows what they do, staying loyal to their foundations without forgetting to always move forward in their career, and to always invite us for some action inside the circle pit.

Best moments of the album: No Solace, No Quarter, No Mercy, House of Flies and Power and Blood.

Worst moments of the album: Playing God.

Released in 2023 Nuclear Blast

Track listing
1. Seeing Through Fire 3:17
2. Carved in Stone 2:49
3. No Solace, No Quarter, No Mercy 3:09
4. Death Hoax 2:51
5. Thought Crimes 2:53
6. Unavoidable Truth 2:41
7. House of Flies 2:56
8. You Want It To 2:02
9. Mental Decontrol 2:29
10. Power and Blood 2:39
11. Playing God 3:09

Band members
James ‘Human Furnace’ Bulloch – vocals
Matt Sorg – guitar
Mike Lare – guitar
Ed Stephens – bass

Guest musician
Daniel Mongrain – guitar solo on “Death Hoax”

Album Review – Cryptopsy / As Gomorrah Burns (2023)

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And Gomorrah will burn to the sound of the incendiary new album by one of the fiercest Death Metal bands to ever rise from the Canadian scene.

Known as one of the fiercest Death Metal squads to ever rise from the Canadian scene since the band’s inception in the distant year of 1992, Montreal, Quebec-based Technical Death Metal juggernauts Cryptopsy are back to pummel our collective senses anew with their eighth studio album, the infernal As Gomorrah Burns, their first record in over 10 years. Produced, mixed and mastered by the band’s own by guitarist Christian Donaldson, with additional mixing by Dominic Grimard (who’s also their touring bassist), and displaying a stunning artwork by Italian painter Paolo Girardi, As Gomorrah Burns pits the Biblical story of Sodom and Gomorrah against the modern-day Internet, with its stories based on real-life incidences such as online stalkers, cults, misinformation, isolation and intimidation showing how it’s both the birthplace of invention and a cesspool of exploitation, therefore proving why the band formed of vocalist Matt McGachy, guitarist Christian Donaldson, bassist Olivier Pinard and drummer Flo Mounier will forever be one of the references in the history of Canadian Death Metal.

The massive, ruthless drum attack by Flo sets the tone in Lascivious Undivine while Matt roars like a true beast in the name of Technical and Brutal Death Metal. It’s a bit generic, though, but a decent start to the album; and they keep destroying their instruments in In Abeyance, with Matt barking the song’s wicked lyrics nonstop (“Boom / I was promised a utopia / I’ve been silenced and isolated / Cast aside human garbage / Tortured monotonous futile existence / Another day, yet another pointless trip”), whereas Godless Deceiver sounds very technical yet violent and frantic just the way we like it in Death Metal. Furthermore, Christian’s riffage sounds absolutely mental accompanied by the metallic slabs by Olivier armed with his bass, followed by Ill Ender, a fantastic creation by the quartet presenting an amazing job by Christian and Olivier with their stringed axes, consequently adding a lot of groove and insanity to the overall result (not to mention how demented Flo is behind his drums once again).

Flayed the Swine showcases a band that’s once again extremely technical and vile, with the song exhaling madness through its lyrics (“Blasted little rotting pick / Egotistical asshole / This puny little mongrel / I will put an end to this / This simple-minded shit”), whereas their grim and thunderous metal attack continues in full force in The Righteous Lost, with Olivier stealing the spotlight with his menacing, in-your-face bass jabs, keeping the album at an insane level of aggressiveness and intricacy. Obeisant is another hellish hurricane of Death Metal sounds spearheaded by the unstoppable blast beast by Flo and the deep, inhumane growls by Matt, a song beyond perfect for heading into the circle pit for some high-quality action, flowing into the closing tune Praise the Filth, offering us all almost six minutes of total darkness and rage where Christian and Olivier are once again flawless with their stringed weapons. Put differently, we face nonstop adrenaline flowing from all instruments, putting a heavy and pulverizing ending to As Gomorrah Burns.

“We are back,” said frontman Matt McGachy. “I want our fans to know we’re more than a legacy band. Yes, we have had massive cult favorite albums – like None So Vile – but we are creating modern and relevant extreme music 30 years later. We’re so proud of As Gomorrah Burns, and we can’t wait for you to hear it!” Hence, if you want to stay updated with all things Cryptopsy and let the guys know how much you love their music, you can get in touch with them on Facebook and on Instagram, subscribe to their YouTube channel and stream more of their music on Spotify, and of course purchase a copy of the breathtaking As Gomorrah Burns from their BandCamp page or by clicking HERE. Having said all that, let Gomorrah burn to the incendiary new album by one of the torchbearers of Canadian death!

Best moments of the album: In Abeyance, Ill Ender and Obeisant.

Worst moments of the album: Lascivious Undivine.

Released in 2023 Nuclear Blast

Track listing
1. Lascivious Undivine 3:50
2. In Abeyance 2:56
3. Godless Deceiver 3:40
4. Ill Ender 4:19
5. Flayed the Swine 4:25
6. The Righteous Lost 4:16
7. Obeisant 3:52
8. Praise the Filth 5:50

Band members
Matt McGachy – vocals
Christian Donaldson – guitars
Olivier Pinard – bass
Flo Mounier – drums