Concert Review – Amon Amarth (Sound Academy, Toronto, ON, 10/10/2014)

The most powerful Swedish Viking horde in the world attacks Toronto once again, setting the city on fire on a chilly night.

OPENING ACTS: Skeletonwitch and Sabaton

Amon-Amarth-PosterAs the fans of Game Of Thrones like to say, “Winter is coming” pretty soon, which means it’s getting colder and colder here in Toronto and, of course, in the entire Canada. So why not turning up the heat with some brutality, Viking music and good beer on a Friday night at the Sound Academy? The bands chosen to make our lives a lot warmer were American Thrash/Death Metal band Skeletonwitch, Swedish Power Metal band Sabaton and the main attraction of the night, Swedish Melodic Death Metal icons Amon Amarth.

Opening the night with the same energy of a stampede of raging bulls and still promoting their latest album, the insane Serpents Unleashed, the ‘Witch were absolutely awesome from start to finish, even with very limited time to deliver all their havoc. Chance Garnette’s unique devilish vocals and Dustin Boltjes killing everything on drums were the highlights of their wicked performance, with songs like I Am of Death (Hell Has Arrived), Serpents Unleashed and Within My Blood being so brutal I’m pretty sure most of the people who were already at the venue during Skeletonwitch might have an “interesting” pain in their necks and bodies until today. Chance said they’re returning to Toronto in the Spring, so I guess we have enough time to recover until we break our fuckin’ necks once again with more of their demonic metal.

Setlist
1. More Cruel Than Weak
2. I Am of Death (Hell Has Arrived)
3. From a Cloudless Sky
4. Burned from Bone
5. Beyond the Permafrost
6. Unending, Everliving
7. Stand Fight and Die
8. Serpents Unleashed
9. Within My Blood

Band members
Chance Garnette – lead vocals
Nate “N8 Feet Under” Garnette – guitars
Scott “Scunty D.” Hedrick – guitars
Evan “Loosh” Linger – bass
Dustin Boltjes – drums

IMG_2975Having recently released their seventh studio album, entitled Heroes, Sabaton had the tough mission of entertaining a crowd extremely avid for Amon Amarth. Well, although I myself consider their music somewhat generic, they did a pretty good job and got a great reaction from the audience, especially during songs such as 40:1, Swedish Pagans and Metal Crüe. Frontman Joakim Brodén has a very limited vocal range if compared to many other Power Metal singers, but his interaction with the fans, in special his jokes about Canada always beating Sweden in ice hockey, were sufficient to avoid any negativity from the crowd and to keep everyone awake and pumped up for the main attraction. The only problem is, as aforementioned, their generic lyrics and musicality: how many other bands, and you can limit your analysis only to Sweden if you prefer, have songs with the words “pagan”, “warrior”, “fight” or “metal” in their names, and those more-than-generic galloping riffs? If they fix that, they can go a lot further in their career.

Setlist
1. Intro (The March To War)
2. Ghost Division
3. To Hell and Back
4. Carolus Rex
5. 40:1
6. Swedish Pagans
7. Resist and Bite
8. The Art of War
9. Primo Victoria
10. Metal Crüe
11. Outro (Dead Soldiers Waltz)

Band members
Joakim Brodén – vocals, keyboards
Pär Sundström – bass, backing vocals
Chris Rörland – guitar, backing vocals
Thobbe Englund – guitar, backing vocals
Hannes van Dahl – drums

AMON AMARTH

IMG_2983Perhaps one of the most stable band formations in the history of heavy music, with the same band members being together since 1998 (and three out of five since their beginnings in 1992), Swedish Viking horde Amon Amarth delivered almost everything their fans were asking for, except for their Viking ship and fireworks, which couldn’t be part of their performance due to venue limitations.

However, the absence of fireworks and other theatrical items was completely forgiven and forgotten when the band started playing their unique epic metal. It was pure brutal headbanging, fists and horns in the air, beer drinking and lots of singing throughout their whole concert, with everything getting even heavier and more fun during classics like Death in FireGuardians of Asgaard, Cry of the Black Birds, and of course the highly anticipated Viking hymns Twilight of the Thunder God (where frontman Johan Hegg entered wearing a Viking helmet and holding the Hammer of the Gods as usual) and The Pursuit of Vikings, with all fans screaming as loud as possible its famous epic chorus nonstop, for the band’s total delight. The sincere smile on Johan’s face was priceless.

IMG_2984In addition, their newer songs from their latest albums, Surtur Rising (2011) and Deceiver of the Gods (2013), also worked really well, with highlights to For Victory or Death, Father of the Wolf, Destroyer of the Universe and War of the Gods. I love metal music when it’s played as fast as the band is capable of, which was the case for all those songs. I just thought there were very few mosh pits, maybe because it was getting really late and all fans were exhausted after a long day at school or work, and after so many hours of energetic heavy music. Being a headbanger demands a lot of our bodies, especially when you have such electrifying bands like Skeletonwitch and Amon Amarth playing live in front of you, don’t you agree?

Anyway, during one of his many fun interactions with the crowd (while drinking beer from his horn), Johan Hegg also spoke about ice hockey and the NHL, which makes me wonder if this is the biggest connection between Canada and Sweden, or if Heavy Metal is indeed what makes these two cold but totally amazing countries be so close to each other. Based on the happiness and level of energy spread among all fans that attended the concert at the Sound Academy, and as a true heavy music lover, I have to go with the second option without a shadow of a doubt. And now, all that’s left for us fans is the never-ending wait for another Viking invasion of Canada.

Setlist
1. Deceiver of the Gods
2. Runes to My Memory
3. Death in Fire
4. Free Will Sacrifice
5. As Loke Falls
6. We Shall Destroy
7. For Victory or Death
8. Varyags of Miklagaard
9. The Fate of Norns
10. Father of the Wolf
11. Guardians of Asgaard
12. Warriors of the North
13. Destroyer of the Universe
14. Cry of the Black Birds
15. War of the Gods

Encore:
16. Twilight of the Thunder God
17. The Pursuit of Vikings 

Band members
Johan Hegg – lead vocals
Olavi Mikkonen – guitar
Ted Lundström – bass
Johan Söderberg – guitar
Fredrik Andersson – drums

Album Review – Second To Sun / Three Fairy Tales EP (2014)

Dark instrumental metal for people who love fast and furious music, recommended especially for the ones that cannot stand harsh vocals.

Rating5

Album artI know a lot of people that really enjoy the vigorous instrumental parts played by most Thrash, Death and Black Metal bands and artists. However, because of the aggressiveness of the guttural or harsh vocals that go along with those types of extreme music, they end up running away from those bands. If you find yourself in a similar situation, I have a very decent alternative for you: Russian Blackened Experimental Metal band Second To Sun and their new EP, entitled Three Fairy Tales, provides you modern and avant-garde heavy metal music, with elements of Black Metal and ethnic Finno-Ugric music, without those vocals that usually give you some undesired shivers.

Second To Sun was formed in Russia in 2012 by guitarist Vladimir Klimov, having released an EP entitled The God’s Favourite Whore (when the band suffered some lineup changes) and their first full-length album named Based On A True Story in 2013, before releasing now in 2014 their new EP. Bassist Anton Danilevski and drummer Theodor Borovski truly help Vladimir in his journey to create instrumental music that doesn’t sound annoyingly technical and consequently too snobbish, neither so basic to the point it becomes stale or uninspired. And they actually succeed in their proposal as we can see in this good (but short) album.

Based on the name of the EP, each one of the three tracks represents a different fairy tale, and they even have a specific image created for them, but as there are absolutely no vocal lines in any of them you’ll have to figure out their meaning by yourself. Starting the EP we have The Trapper, which focus on a more Symphonic Black Metal sonority blended with some modern and progressive music elements, as if Dream Theater joined the “dark side” of music. In addition, its heavy bass lines follow the pounding drums really well, plus a weird Russian voice giving the song an extra touch of creepiness.

second to sunIn Merämaa, the best of the three songs in my opinion, their progressiveness reaches its limit, intensified by some Nu Metal riffs and electronic elements, with its guitar lines being a mix of traditional Black Metal and video game-ish music. It’s almost as if the guitar is “trying” to actually speak! And finally Second To Sun offer us the more traditional song Barmaley, with highlights to its amazing double bass generating a more apocalyptic sounding. They prove with this song why they don’t need a singer to create captivating music, with kudos to bassist Anton Danilevski for his extremely strong bass lines throughout the whole song.

You can find Three Fairy Tales available for purchase at Second To Sun’s official BandCamp page, where you can also check the exclusive artwork for each of the three songs (just click on their info link). If one day they’ll add a singer to the band no one really knows, but so far they have been doing an excellent job letting their instruments speak on their behalf, crafting music highly recommended for fans of extreme metal that are not really fond of guttural vocals.

Best moments of the album: Merämaa.

Worst moments of the album: As I always mention when I review an EP, let’s wait for a full-length album to choose one or more bad moments.

Released in 2014 Independent

Track listing
1. The Trapper 4:02
2. Merämaa 3:01
3. Barmaley 3:59

Band members
Vladimir Klimov – guitars
Anton Danilevski – bass
Theodor Borovski – drums

Concert Review – Judas Priest (Casino Rama, Rama, ON, 10/07/2014)

The Metal Gods descended from the sky to assault all of us with their magnificent Heavy Metal in a land far, far away.

INTRODUCTION: The Lost Civilization of Casino Rama

Judas-Priest-Redeemer-of-Souls-Tour-2014If you want to stay away from any type of civilization in this world, I suggest you go to a place called Casino Rama, located around two and a half ENDLESS hours from Toronto. In theory it should be a lot faster than that, but if you take into account the 5pm traffic to leave the city on a Tuesday (right in the middle of the week, by the way) and an annoying dose of heavy rain, the hassle of getting there is horribly extended and becomes a real torture. Who the hell decided Casino Rama on a tuesday night were the best venue and date for Judas Priest to perform in Ontario? I swear to God, Odin, Buddha and any other deity that I’ll NEVER return to that place again if not for Iron Maiden or Judas Priest. No other band can make me go there again, not even Slayer or Megadeth.

Not only that, I truly hate Heavy Metal concerts with pre-assigned seats. Why not leaving the floor section without those fuckin’ chairs? Just create a general floor area, and whoever wants to sit down while Judas Priest are playing Hell Bent For Leather (if that’s humanly possible), simply take one of the seats at the back. As simple as that, but it seems the very “knowledgeable” organizers were expecting Judas Priest to be as smooth as Kenny G or any other shit like that. Anyway, let’s try to always look on the bright side of life: at least the venue was nice and clean, parking was free, and the sound quality was beyond perfect. And of course, if you’re addicted to gambling, that’s also a good place to be.

OPENING ACT: Steel Panther

IMG_2955When the opening act are Hard Rock/Glam Metal jesters STEEL PANTHER, you know it’s going to be a memorable night. Although they’re truly funny even with 99.9% of their sexist jokes being really stupid, I believe their superb skills as musicians are what make them so awesome to watch, especially vocalist Michael Starr. In my opinion, he’s a much better singer than all hard rockers from the 80’s. Well, maybe only singer Ralph Saenz (ex-L.A. Guns) can be compared to him. Got it?

Their setlist might have been a little shorter than usual, but still full of classics such as Asian Hooker, Gold-Digging Whore, and Death To All But Metal, plus some songs from their new album All You Can Eat like the good Gloryhole, all perfectly complemented by their jokes about the age of the attendees (especially those screaming ladies in their 40’s and 50’s), their debate about Michael Starr being a fat version of Bret Michaels or a skinny version of Vince Neil, among many other “pearls of wisdom”. There couldn’t have been a better warm-up than that for the Metal Gods.

Before I talk about the Priest, I just wanted to say that it might be really cool and a huge honour for Russ Parrish to be on the road with the Metal God Rob Halford once again, even if they’re in different bands now. If you don’t get it, click HERE and you’ll understand why I mentioned that.

Band members
Michael Starr – lead vocals
Satchel – lead, rhythm and acoustic guitars
Lexxi Foxxx – bass guitar
Stix Zadinia – drums, percussion, piano

JUDAS PRIEST

IMG_2973It was around 9:30pm when Rob Halford, Glenn Tipton & Co. hit the Casino Rama stage for another flawless performance. Right after Black Sabbath’s War Pigs and the intro for Priest’s own new song Battle Cry, thunders roared, the curtain was dropped and there they were with the excellent new song Dragonaut assaulting our bodies and souls with the purest Heavy Metal in the whole universe. What can I say about those guys that hasn’t been said yet? Rob Halford is not human: he is and will always be the METAL GOD, with his unique voice being absolutely perfect for both heavy stuff and smoother ballads; Scott and Glenn were as precise and heavy as usual; Richie injected some new oxygen to the band and proves with each concert why he was an amazing choice to replace K. K. Downing; and for the first time in my life, due to the sound quality of the venue, I could listen to Ian Hill’s bass lines.

Perhaps the most curious detail of their performance at Casino Rama (and during this whole tour so far) is the total absence of any songs from the masterpiece Painkiller, including its title-track, as well as other classics like “Electric Eye” and “Rapid Fire”, from the setlist. Instead, they opted for other types of classics, a little bit more underground but just as great as any of those songs, such as Devil’s Child, Jawbreaker, Love Bites, and Defenders of the Faith (which could have been complemented with “Heavy Duty” right before it like in the studio album, but that was awesome anyway), kind of celebrating 30 years of their classic album Defenders of the Faith.

And as we’re talking about the mighty Judas Priest, there’s a lot more to enjoy than “just” their unparalleled Heavy Metal: each and every song had a different background, with highlights to the fun and exciting images of the cult movie Nosferatu (1922) during Love Bites; Halford’s famous “robot walk” during Metal Gods; their badass Harley-Davidson in Hell Bent For Leather; and Halford letting the crowd sing Breaking the Law on their own, just like he did with his solo band during his Rock In Rio III concert in 1999.

IMG_2967One thing I truly loved during this concert was the fact that all new songs from Redeemer Of Souls sounded awesome live and were perfectly blended with their old classics, especially the magnificent Halls Of Valhalla. What an outstanding performance by the whole band during this powerful song, especially, of course, Mr. Rob Halford. Just as I mentioned in my review of the new album in regards to this song, “… which I’m sure will become a fan-favourite especially due to its lyrics and chorus and will also sound superb when played live”, and I was totally right!

The encore, with anthems like You’ve Got Another Thing Comin’ and Living After Midnight, was a sonic orgasm to all Heavy Metal lovers that attended the show, but in my opinion the most memorable moment of their entire performance happened a little before that, when they played the all-time classic Beyond The Realms Of Death. Honestly, Rob Halford almost made me cry so beautiful and emotive his performance was. It was one of those moments you know why you love heavy music so much, and fully understand why he is entitled the Metal God.

I must admit the long and boring journey back from Casino Rama to Toronto on the same night (I got home at around 2am) was a lot easier thanks to the adrenaline running through my veins after such a stunning concert by the Priest. Although the band members are visibly aging (Rob, Glenn and Ian are all in their mid-60’s already), does that mean it’s the “beginning of the end” for the band? I don’t think so. As far as I could see, they’re better than ever, very excited to craft new powerful music, and playing their old classics with so much passion they look like they’re just starting their careers. And, of course, I cannot wait to see the Metal Gods kicking some serious ass live again with their unique jaw-dropping Heavy Metal. JUDAS FUCKIN’ PRIEST!

Band members
Rob Halford – vocals
Glenn Tipton – guitar
Richie Faulkner – guitar
Ian Hill – bass guitar
Scott Travis – drums

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The Metal Moose Show – Episode 2014-10-07

MMR_logoIf you want to get more information about any of the bands featured at The Metal Moose Show, simply Google the band and/or the song name to find their official website and Facebook page and, more important than that, attend their live concerts and buy their music. Here at The Headbanging Moose you can find detailed reviews of two of this week’s bands: Israeli Hardcore/Metalcore band WhiteNoise and South African Metalcore band Octainium (just click on the links below to read those reviews). Support your local bands… AND FOLLOW THE MOOSE!

On The Metal Moose Show this week (not necessarily in this order):

1. Stabbingback – Burn
2. Everdying – The Journey Ahead
3. We Were Lions – Evey Hero Needs Saving
4. Black Magik – Emerald Green
5. Artifas – Break
6. Artifas – Crawl
7. Atisa – Mind Driving
8. Severed Receptors – Blood Decendants
9. Force Of Rage – Battle
10. Incised – Beyond The Veil
11. Scarlet Gypsy – Dont Play With Love
12. Boyce – Dead To Me
13. Octainium – The Writing’s On The Wall
14. The Venomous Pinks – Can We Go
15. WhiteNoise – 4 AM
16. City Of The Weak – Just Another Eulogy
17. Wolf Blood – Black Moon
18. Gravyard Shifters – Play The Victim

Click HERE to listen to this week’s episode on Spreaker.

Metal Moose Radio YouTube | Spreaker

Album Review – Temple Of Void / Of Terror And The Supernatural (2014)

If the Devil had a band, it would sound pretty much like this one.

Rating4

TEMPLE OF VOID - Of Terror and the Supernatural cover artWhen you put together the obscurity of early British Doom Metal and the sheer brutality of old school American Death Metal, the final result is usually very interesting. From Detroit, Michigan, United States, comes a band that was able to blend those subgenres of heavy music in a more-than-entertaining way, adding to their music their own touch of creativity and ferocity. I’m talking about American Death/Doom Metal band Temple Of Void, who have just released their debut album entitled Of Terror And The Supernatural. Are you ready for some sonic carnage?

Although they’re a relatively new band, having self-released only a demo in May 2013 prior to Of Terror And The Supernatural, those five Detroiters are so precise with their instruments that they sound like an already classic extreme metal band that has been playing together for decades. Besides, the overall production of the album is also very professional and polished, without abandoning that crude sonority necessary for a good extreme metal album but also without sounding awfully raw to the point it looks like an amateur demo, favoring the type of music crafted by the band.

The opening track, The Embalmer’s Art, begins the album on a high note by creating a truly eccentric atmosphere with its low tune riffs, demoniacal vocals and pure Doom Metal drumming, fortified by its morbid lyrics (“Potter’s bluff / The embalmer’s art / Master work of the wicked”). This song is already some kind of message from the band to the listener, like if they wanted to say “our music is not for the faint-hearted”, so eerie it is. The following track, Savage Howl, begins with a cool galloping intro before hell breaks loose: its guitar and bass lines, mixed with its intense drums, are perfect for some headbanging, with the last minute of it being as heavy as it can be. In addition, I wonder if singer Mike Erdody can do those deep growling vocals live, that must be really impressive.

TEMPLE OF VOID band photoBeyond the Ultimate showcases the most obscure Doom Metal riffs you can think of, nicely enhanced by some hints of Stoner Metal and its truly hideous lyrics (“Feed me / I must dine a feast of blood / Once, I too paid these / Sacrificial dues”), followed by Invocation of Demise, with some of the darkest riffs of the whole album and some extra guitar effects that provide it an extra dose of occultism, ideal to be part of the soundtrack for a Black Magic ritual. Not only that, after five minutes it sounds like a brand new song as it gets a lot more melodic, with drummer Jason Pearce dictating the rhythm.

To Carry this Corpse Evermore is just a melancholic semi-acoustic instrumental track (maybe to give Mr. Erdody’s throat a short break) that works like a bridge for the next song, Rot in Solitude, with its Death Metal riffs and a very somber rhythm; while Exanimate Gaze offers us an interesting mix of Paradise Lost and Black Sabbath, especially its guitar lines. By the way, the awesome instrumental boosts the overall quality of this song, with its last part reminding me of some good contemporary Black Metal songs. And as the final track in Of Terror And The Supernatural we have the 10-minute epic Doom Metal song Bargain in Death, with highlights to its disturbing lyrics about being buried alive (“Waking – You grasp and you claw / But there is no escape / Scratching – The slivers of pine / Stabbing under your nails”). The second half of the song is like a funeral march, as slow, perverse and eerie as possible, with some amazing guitar solos at the end elevating this tenebrous masterpiece to a whole new magnitude.

Lastly, the cover painting by renowned fantasy artist Bruce Pennington is also a very good indicator of how evil this album is and how perturbed you might feel after listening to it, obviously in a very good way. So if you enjoy the devilish music this band plays, simply support them by visiting their Facebook page, by asking them to play live in your city, and also by going to their official Bandcamp page to purchase Of Terror And The Supernatural, an album that sounds like if it was recorded by the Devil’s own heavy music band.

Best moments of the album: The Embalmer’s Art, Savage Howl and Bargain in Death.

Worst moments of the album: Rot in Solitude.

Released in 2014 Rain Without Records / Saw Her Ghost Records

Track listing
1. The Embalmer’s Art 6:25
2. Savage Howl 5:19
3. Beyond the Ultimate 6:14
4. Invocation of Demise 7:32
5. To Carry this Corpse Evermore 3:17
6. Rot in Solitude 5:34
7. Exanimate Gaze 5:29
8. Bargain in Death 10:41

Band members
Mike Erdody – vocals
Eric Blanchard – guitar
Alex Awn – guitar
Brent Satterly – bass
Jason Pearce – drums

Album Review – Isenblåst / Unleashing The Demon Scourge EP (2014)

Forget the usual corpse painting and church burnings: this talented American band is here to offer us pure Black Metal music.

Rating5

ISENBLAST - Unleashing the Demon Scourge cover artLet’s talk about Black Metal, but not about those groups that care more about maintaining an impeccable corpse painting or setting fire to churches than actually playing their instruments to generate entertaining extreme music. The focus here is on the good Black Metal band Isenblåst, from Detroit, Michigan, United States, and their recently released EP Unleashing The Demon Scourge, and you’ll see you don’t need any black-and-white makeup or blazing torches to be a badass band.

Formed in 2009 by singer/guitarist Chronolith and guitarist Lord Kaiser, Isenblåst display a huge influence from the beginnings of the rich Scandinavian Black Metal, with bands like Burzum, Enslaved and Satyricon being among their main influences, but also incorporating lots of early Death Metal elements to their musicality in order to sound at the same time more chaotic and melodic. If you listen to their 2010 demo Isenblåst and to their 2013 cassette Forest of Frost, it will be really easy to notice the evolution in their music in Unleashing the Demon Scourge.

As soon as you hit “play”, you’ll be assaulted by the very raw and brutal Black Metal in the opening track A Fire of Knowledge and Power, a song with insane blast beats conducted by drummer Abominater, lots of guitar shredding and, of course, vocals as desperate as possible by Chronolith. And you know what? It sounds really cool, far from being annoying or cheesy like many “true” Black Metal bands.

ISENBLAST live photoThe title-track, Unleashing the Demon Scourge, has a very satanic instrumental, especially its excellent Black and Death Metal riffs, which together with some hints of Hardcore and Punk Rock give it a more melodic aspect than usual Black Metal. In addition, The Latin (or whatever language that is) used in the lyrics (“Ati me peta babka / Ea, usmi nuru / Usmi la atzu / Lu daku me”) ends up being an extra touch of darkness to the song.

Nocturnal Offering, with its musicality similar to Emperor, Immortal and other classic bands, offers the listener a good guitar solo nicely blended with the sick rhythm imposed by drummer Abominater, with its “thrashy” second part reminding me of some old Slayer songs such as “Criminally Insane” and “Reborn”, which in my opinion helps this song sound extremely enjoyable and consequently become the best of the EP. The fourth and last track of the EP is called Seven Gates, and although it’s more violent than the other tracks, with its vocal lines being as beastly as possible, it’s not just noise: all musicians make sure their music is audible and solid, as you can see by the excellent guitar solo by the end of the song.

In summary, forget about corpse painting, church burning and all other of those “traditional” things: if you’re a fan of good-quality extreme music, the Black Metal by Isenblåst might be a very interesting addition to your music collection. So go to their official BandCamp page, take a listen at some of their songs, purchase the EP and embrace the wickedness of Black Metal music.

Best moments of the album: Nocturnal Offering.

Worst moments of the album: Let’s wait for their full-length album to do so.

Released in 2014 In Satan’s Custody / Demon Breath Productions

Track listing
1. A Fire of Knowledge and Power 4:38
2. Unleashing the Demon Scourge 6:02
3. Nocturnal Offering 5:36
4. Seven Gates 4:33

Band members
Chronolith – vocals, guitar
Lord Kaiser – guitar
Mars – bass
Abominater – drums

Album Review – Escapetor / Fear (2014)

A serious contender for “Thrash Metal Album of the Year”, as heavy, invigorating and awesome as it can be.

Rating3

ESCAPETOR - Fear cover artWhen you think of that insane Thrash Metal from the 80’s, your head automatically turns to North America, more specifically to the San Francisco Bay Area and to South Florida, where monsters such as Slayer, Megadeth, Metallica, Anthrax, Exodus, Testament and many other great bands simply made history with their never-before-seen heavy music. But what if I tell you there’s also excellent Thrash Metal music in the “Land of the Midnight Sun”, the stunning Kingdom of Norway? And what if I tell you it’s the most awesome Thrash Metal music you can find anywhere today?

That’s exactly the case with Norwegian Thrash Metal band Escapetor, who after a few demos, EP’s and a debut album, are about to release their second full-length album, entitled Fear. Not only that, this Rogaland-based group also adds lots of elements from more contemporary bands like Pantera and Slipknot to their songs, which ends up elevating the overall fierceness of their musicality to a level all Thrash Metallers from anywhere in the world will love from the bottom of their hearts. In other words, if you do not like the Thrash Metal by Escapetor, you’re not a good person.

The initial riffs and fast drums of the opening track, The Queen, say it all: it’s fuckin’ brilliant Thrash Metal, so good I bet no one can stand still while tis song is played. In addition to the flawless instrumental, with highlights to the aforementioned powerful guitar riffs, the performance by German singer Claudius Bormuth is beyond superb, turning this song into a unique heavy music delight. What a great voice, perfect for Escapetor’s musicality! If only Metallica were doing something as enjoyable as this. Anyway, that was just the beginning of Fear: the melodic mid-tempo song Dark Past, with its more modern sonority perfect for headbanging and for some crazy air guitar, has some excellent guitar solos accompanied by a strong and catchy chorus (“Can you feel it, burning inside / I can’t take it anymore. / All these feelings tearing me apart, / Cause I know it is my dark past.”); while Unknown Thoughts, a pretty decent song with an interesting job done by drummer Leif-Ove Haugstad, reminds me of a more contemporary Metallica.

Dealing with Fate is pure riffs and heaviness where you can sense the influence from the band’s biggest idols in terms of harmony and rhythmic breaks. Besides that, its backing vocals are an amazing addition to the already great vocals by Claudius, and everything gets even better due to an outstanding guitar solo at the end. The following track, Mr. Hyde, showcases a refined mix of Thrash Metal and Southern Rock, something I’ve seen only Testament doing properly. It’s direct and powerful, straight to your face, with its lyrics inspired by the “Strange Case of Dr Jekyll and Mr Hyde” being an extra ingredient to this great recipe (“Last night, I woke up, I had the same old nightmare / What have I done, Mr. Hyde has taken over”).

ESCAPETOR band photoThe title-track, Fear, is truly kick-ass, with its deeper growls in the chorus and all variations from a faster rhythm (perfect for mosh pits) to a heavier and slower tune (tailored for intense headbanging) perfectly exemplifying the total synergy among all band members. The mighty bass lines by Dan Gundersen set the tone for another badass ferocious track, Shadow, where guitarists Ragnar Nord-Varhaug and Axel Feller keep up with the tradition of dynamic and technical guitar duos in Thrash Metal, followed by Escapetor, with its epic intro and an astonishing atmosphere created by the guitar riffs. Not only this is one of the best songs of the album without a shadow of a doubt, but its pure old school musicality and lyrics (“We are Escapetor, here in your town / Delivering metal to you our crows / We travel the wastelands, we sail over seas / To bring you our music, to make you feel free”) make me feel like I’m listening to a classic band from the 80’s.

Then it’s time to bang our fuckin’ heads with Suicide, an evil version of A7X (which is indeed something very positive), with highlights to its great vocals and to drummer Leif-Ove Haugstad simply smashing his drum set. It can’t get any heavier than this! The next track, Time, reminds me a little of Iced Earth and although it might not be as brilliant as the rest of the album, it’s a pretty decent song anyway; while the Testament-ish tune Creatures of the Night offers us some very dark and solid guitar lines, with the final part of the song being so damn heavy it’s impossible not to love it. And finally, Escapetor offer all fans of good music an incredible gift, with their impeccable cover version of Johnny Cash’s Folsom Prison Blues. I have to say this is more than just a cover version, it’s a superb tribute to one of the biggest music icons of all time, and seriously, this song made my day a lot better.

Call it the “New Wave of Norwegian Thrash Metal”, “Boknafjord Area Thrash Metal” (the largest bay in the county of Rogaland), or create your own definition of it, but one thing is certain: Fear is surely the “Thrash Metal Album of the Year” so far, and there’s a huge chance it will remain in the top spot when 2014 is over. If you cannot wait to listen to more of Escapetor’s crazy Thrash Metal, a preview of the entire Fear is available HERE, and you can already pre-order it at the official Crime Records webshop. Let’s say that only Thrash Metal behemoths Exodus can beat them, but it would be an honour anyway to be second place just behind Gary Holt, Zetro & Co., right?

Best moments of the album: The Queen, Fear, Escapetor, Suicide and Folsom Prison Blues.

Worst moments of the album: Unknown Thoughts and Time.

Released in 2014 Crime Records

Track listing
1. The Queen 5:52
2. Dark Past 5:05
3. Unknown Thoughts 4:33
4. Dealing with Fate 6:42
5. Mr. Hyde 5:03
6. Fear 3:56
7. Shadow 3:45
8. Escapetor 4:52
9. Suicide 4:24
10. Time 5:46
11. Creatures of the Night 5:53
12. Folsom Prison Blues (Johnny Cash cover) 2:30

Band members
Claudius Bormuth – vocals
Ragnar Nord-Varhaug – guitar
Axel Feller – guitar
Dan Gundersen – bass
Leif-Ove Haugstad – drums

Metal Chick of the Month – Alissa White-Gluz

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This is War Eternal, Alissa!

In order to properly celebrate the first awesome year of The Headbanging Moose, no one would have been a better choice for our Metal Chick of the Month than this Canadian girl. She’s at the same time the Beauty AND the Beast, an inspiration to many women all around the world, and her convictions and talent are truly taking her to stardom. From the beautiful city of Montreal, Quebec, here comes Alissa White-Gluz, founder and former lead singer of Canadian Metalcore band The Agonist, and currently the frontwoman of Swedish Melodic Death Metal icons Arch Enemy.

This vegan straight-edge kick-ass Québécois was born on July 31, 1985, and although she claims she has never taken any singing lessons her voice has become really powerful and versatile throughout the years, elevating her status as one of the most influential Heavy Metal female singers of the past decade, even leading to some comparisons with the one and only Angela Gossow. Well, those comparisons don’t seem to have been in vain, because on March 17, 2014, she was chosen to be the replacement for Angela herself and became the voice of Arch Enemy. In Alissa’s own words, “I am very honored and happy to announce a new chapter in my life and musical career beginning now; I have joined forces with one of my all-time favorite and globally respected bands, ARCH ENEMY. ‘Wages of Sin’ was the first metal album I ever bought, and it was love at first listen. It is not often that you get a phone call from your favorite band asking you to join! I am thrilled to have the opportunity to work with such amazingly talented musicians whom I also consider great friends. I look forward to being able to write and perform at a whole new level now with ARCH ENEMY! Music is forever, metal is limitless and this is only the beginning!”

Arch Enemy have recently released their first album with Alissa on vocals, entitled War Eternal, but there was a lot more of our Heavy Metal diva prior to that. She founded The Agonist back in 2004 with guitarist Danny Marino and bassist Chris Kells (when the band was still known as The Tempest), and recorded three excellent full-length albums and one EP with them: Once Only Imagined (2007), Lullabies for the Dormant Mind (2009), The Escape EP (2011), and Prisoners (2012), with Lullabies for the Dormant Mind being in my opinion their best album in terms of musicality, lyrics and creativity. In regards to Alissa’s performance in all The Agonist albums, she was always so electrifying and full of energy that it’s impossible to not get completely mesmerized by her voice and moves, as you can easily see in their official videos for Thank You, Pain, …And Their Eulogies Sang Me to Sleep, and Panophobia. By the way, I consider the video for Thank You, Pain, with its outstanding production, good storyline and, of course, Alissa kickin’ ass, one of the most professional and beautiful videos I’ve seen in a long time.

Besides her work with The Agonist, Alissa has also been featured as a guest musician in the following albums: Canadian Folk/Melodic Death Metal band Blackguard’s Profugus Mortis,  Canadian Melodic Black/Death Metal band Erimha’s Irkalla, Canadian Industrial Death Metal band Synastry’s Blind Eyes Bleed, American Melodic Power Metal band Kamelot’s Silverthorn and also in the single Sacrimony (which the amazing official video can be seen here), and more recently in Dutch Symphonic Metal band Delain’s The Human Contradiction. She was also a live guest singer during Kamelot’s recent 2011/2012 tours, as well as, along with Swedish singer Elize Ryd (Amaranth), replaced Anette Olzon while she was sick for a one-time Nightwish concert in Denver on September 28, 2012. An interview with both artists talking about that experience can be seen here and on Nightwish’s Showtime, Storytime (DVD), on the documentary footage section.

Also, in 2006 Alissa appeared on Canadian Idol singing a cover of Queen’s Bohemian Rhapsody, and in January 2012 she was featured as a coach on an episode of MTV’s Made. I don’t know if these can be considered part of her music career, as those TV shows are useless and do not bring any real benefits to real musicians, but anyway she was there and it was an alternative way for her to be exposed to different audiences that are not really into Heavy Metal.

While Alissa was with The Agonist, she toured the world with many different famous bands such as Epica, Kamelot, Sonata Arctica and Danzig, which is very demanding and time consuming, and now with Arch Enemy the frequency and intensity of world tours have just increased, making her eating habits and exercising more than essential for a professional and powerful onstage performance. That’s one of the reasons why she maintains a strong exercise routine, working out between 5 and 6 times a week, especially to strengthen her muscles. Alissa mentioned she loves working out, which is in her opinion the best remedy for anxiety, depression, self-esteem issues etc., and it’s one of the things that make her feel a happier and healthier person. I agree with her 100%, as I also love working out and feel the same results as she does, and also because The Agonist and Arch Enemy are always in my workout playlist.

Another important part of her life is her veganism, which according to Alissa herself is her most powerful source of energy and health. Although she was a vegetarian all her life, she decided to become a vegan when she was a teenager and carry that flag forever more, always mentioning that her family has been a huge inspiration for her. “My parents, along with my brother and sister, are vegetarians. I wasn’t raised in any way where I was forced to be a vegetarian too. I always had the choice. My mom would say, ‘I don’t eat the stuff, so I won’t cook it, but if you want to eat it, you can. Let me tell you why I don’t eat it.’ So she was open about it.”, she said. “From a young age, I learned what a non-vegetarian diet entails. I made the decision early on that I was going to stick to the lifestyle. It’s easier to stick with something like that than change it, if you’ve always done it. I’m grateful that my parents were open-minded with me.”

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In regards to her personal life, Alissa has mentioned during some interviews that among her favorite bands and musicians are Devin Townsend, Gwen Stefani, Muse, and, of course, Arch Enemy. Hence, it’s always interesting to see non-Metal bands or artists among the playlists of Heavy Metal icons (see other examples here and here), which makes us feel less “guilty” when singing any songs that are currently part of the top 40 list. Among her favorite places she has already traveled to, we have Japan, Peru and Austria, and in terms of movies she said her favorite one is still The Little Mermaid, which is by the way the reason why she started singing. I just don’t remember Ariel or Sebastian doing any guttural during the movie, but that’s just a minor detail, right? Moreover, our Heavy Metal goddess has been selected multiple times as one of “the hottest chicks in metal” by Revolver Magazine. Why am I not surprised at all with that?

Last but not least, Alissa is not only an animal lover (I believe she has two rescued kitties at home), but beyond that she’s an important animal rights activist just as her idol Angela Gossow, having already received an award from peta2 for her work in an international campaign advocating against the hunting of Canadian seals. Honestly, that’s for me her biggest achievement in life, even more important than her contribution to heavy music, and something she’s probably very proud of.

She mentioned in some interviews that she’s been active with a lot of different organizations helping kids, third world countries and animals, but that her true passion is in animal rights. She also said she started doing fundraising for peta2 and WWF when she was still in high school, and that the partnership between peta2 and her started when they used some stock footage in The Agonist’s first music video, Business Suits and Combat Boots. Since then the organization and Alissa have been working together to promote veganism and fight against animal cruelty as much as possible through different campaigns, protests, lectures, and many other activities. So don’t waste your time, go support peta2, get involved, do something good for this fuckin’ world, and you might end up meeting Alissa somewhere, an amazing person and one of the best frontwoman of the recent history of Heavy Metal. How about that?

Alissa White-Gluz’s Official Facebook page
Alissa White-Gluz’s Official Twitter

““The biggest thing for me is animal rights. That’s the number one factor that sort of means everything in my life, more than music or anything else. I think it’s a huge problem, and I think it’s refreshing to meet people, now and then, that actually do care about their impact on the planet, and not just care about themselves.” – Alissa White-Gluz

The Metal Moose Show – Episode 2014-09-30

MMR_logoStarting today, The Headbanging Moose will be providing you the online episodes of The Metal Moose Show, a 2-hour indie show that features all genres and subgenres of Heavy Metal aired every week by Metal Moose Radio, a radio show/website based in Oklahoma City, Oklahoma, United States.

You will find more information about some of the bands and artists featured on the show here at The Headbanging Moose, like for example British Hard Rock band BlackWolf and Algerian Death Metal band Lelahell on this week’s episode. So support your local bands… AND FOLLOW THE MOOSE!

On The Metal Moose Show this week (not necessarily in this order):

1. BlackWolf – Trouble
2. Lelahell – Al Intissar
3. Far Away Stables – Understanding The Depths
4. Mongrel – Best Revenge
5. The Kodiax – Driven
6. Hell Came Home – Dead To Me
7. Gravel Hitch – Transformed
8. Fusskalt – When The Devil Comes
9. When Giants Collide – Failure To Ressatate
10. Sylvatica – Winds Of Decay
11. Seiber – She The Apathetic
12. Black Tora – Never Enough
13. Axe Of Hate – The Cause
14. Aftermath Excursion – Its All Gone
15. Aeons Of Hour – Resolve
16. Windfarer – In The Shadow Of Giants
17. Message To Venus – Hollow
18. Black Soul Seraphim – Alms And Aravice
19. Twelve Years Driven – Red
20. Twelve Years Driven – Stiches

Click HERE to listen to this week’s episode on Spreaker.

Metal Moose Radio YouTube | Spreaker

Album Review – Necropoli / I (2014)

Unique and avant-garde Funeral Doom Metal from Italy, recommended for lovers of the darkest side of music.

Rating5

Forged by musicians Rodolfo Baroni and Dario Fabiani in the wonderful city of Rome, Italy, the music by Funeral Doom / Avantgarde Metal band Necropoli might not be an easy listening for people who usually stick to basic radio stuff, including even the most badass Rock N’ Roll radio stations. However, it’s indeed a delectable experimental voyage with lots of Dhrone, Death, Black and Downtempo influences, going way beyond the average Doom Metal most of us are used to, taking your senses to a whole new freakish level.

Their debut album, symbolically named I, can be considered an epitome of darkness in heavy music, with its truly long and devilish songs taking you down to a world where things like happiness, beauty and love do not exist at all. Just by looking at the album art you know this is not going to be just another commercial album full of cheesy content.

When you listen to the baby crying during the ominous intro in Ashes of my Soul, you can get a taste of how grim Necropoli can be. But it’s when their slow and dark Doom Metal really begins, with the deepest growls you can think of and its double bass and eerie synths giving the whole song a totally lugubrious atmosphere, that you’ll feel you’re like taking part of a ritual. In addition, its obscure lyrics (“This restless circle is complete / This maze will never set me free / The winds of eternity shall take away / The ashes of my soul…”) and its more than frightful ending complement the song very effectively.

Inner Space starts with some kind of weird electric or industrial sounds, and its intro goes on for almost three minutes before turning into ferocious Black Metal with sick guitar riffs and guttural vocals. It goes back to pure atmospheric music with sounds of ocean, seagulls and an acoustic guitar after seven minutes, finally becoming a Doom Metal tune to finish this dark sonic journey. A Step doesn’t make things happier or lighter, focusing on interesting piano keys blended with evil vocals and heavy riffs, all enhanced by depressive lyrics (“Opening his eyes and looking at the world around me, one single step / I got lost in it and maybe found myself many times in my path”) and an ending that is a fuckin’ massacre.

NECROPOLI band photoHowever, things get even more interesting in Silence Awaits Me, another ghostly tune filled by symphonic elements, getting closer to Death Metal in some moments and with so many rhythmic breaks it could easily be divided into three or four distinct songs.  Very epic and full of feeling, it encompasses 17 minutes of occultism and mystery that will please anyone that enjoys this type of music. And closing the album we have Curriculum Vitae (I have no idea why they chose this song name), the only track with less than 10 minutes of duration: it’s such a weird outro, consisting of demonic voices accompanied only by some persistent low synths, that I don’t know what to say about it. You’ll have to listen to it and take your own conclusions.

In summary, Necropoli’s debut album I, available at the band’s official Bandcamp page, is as unique and avant-garde as it can be, always focusing on a more unhappy and wicked side of life, of course, which doesn’t mean you’ll regret listening to it. Quite the contrary, I bet you’ll keep going back to it again and again to savor its complexity, heaviness and malice.

Best moments of the album: Silence Awaits Me.

Worst moments of the album: Curriculum Vitae.

Released in 2014 Independent

Track listing
1. Ashes of my Soul 10:37
2. Inner Space 11:47
3. A Step 12:13
4. Silence Awaits Me 17:06
5. Curriculum Vitae 4:04

Band members (Recording line up)
David Unsaved – voice
Dario Fabiani – guitar, bass, synth, vocals, programming
Rodolfo Baroni – guitar

Current line up
David Unsaved – voice
Dario Fabiani – guitar, bass, synth, vocals, programming
Francesco Romano – drums