Concert Review – Judas Priest (Prudential Center, Newark, NJ, 04/19/2024)

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The one and only Metal Gods raised the invincible shield in Newark this Friday night in a celebration of pure Heavy Metal magic.

OPENING ACT: Sabaton

Exactly 546 days after seeing Iron Maiden at Prudential Centre, I had the utmost pleasure of visiting the city of Newark, New Jersey again this past Friday to see one of the other pillars of my personal “metal triumvirate”, the almighty Heavy Metal institution JUDAS PRIEST (by the way, the other pillars are the aforementioned Iron Maiden, and Slayer, in case you’re curious about that), supported by the good SABATON, during their undisputed, visceral and absolutely hypnotizing Invincible Shield Tour USA 2024. And just like what happened in 2022, I met with one of my good friends from the IMFC before the show at Bello’s Pub & Grill for some quality chat and drinks. Well, that’s becoming a tradition for me, so maybe next it will be Slayer there?

Anyway, after getting to the venue and grabbing some merch (and let me tell you, the Metal Gods are offering some amazing shirts this tour), we got to our seats to enjoy the warlike performance by Falun, Dalarna, Sweden’s own Power Metal brigade SABATON as the more-than-special openers of the night. Although I’m not a huge fan of their music, I must admit they sound amazing live, and Friday night in Newark was no exception to that. Spearheaded by the charismatic frontman Joakim Brodén, Sabaton killed it with a solid and very entertaining show, each song having its own special war-inspired background story, with their setlist encompassing songs from their 2022 album The Symphony to End All Wars, like Stormtroopers and Soldier of Heaven, plus some classic bangers such as Shiroyama (my favorite of their setlist) and To Hell and Back. Everyone who was already at the venue loved their show, and I bet Sabaton will return to Newark soon headlining their own tour based on the warm reaction from all concert goes this Friday night.

Setlist
The March to War
Ghost Division
The Last Stand
Swedish Pagans
The Red Baron
Bismarck
Stormtroopers
Carolus Rex (Swedish)
Shiroyama
The Attack of the Dead Men
Primo Victoria
Soldier of Heaven
To Hell and Back
Dead Soldier’s Waltz

Band members
Joakim Brodén – lead vocals, keyboards
Thobbe Englund – guitars, backing vocals
Chris Rörland – guitars, backing vocals
Pär Sundström – bass, backing vocals
Hannes Van Dahl – drums, backing vocals 

JUDAS PRIEST

It was only 9pm when the main attraction of the night, my beloved, unparalleled, undisputed Metal Gods JUDAS PRIEST took the city of Newark by storm with one of the most metallic, headbanging and intense concerts I’ve ever witnessed. I’m not kidding, it was one hour and forty five minutes of nonstop Heavy Metal magic, courtesy of Rob Halford, Richie Faulkner, Andy Sneap, Ian Hill and Scott Travis, who was by the way phenomenal on drums as usual, taking their heaviness and power to a whole new level Friday night. From the moment the giant banner with the Invincible Shield tour “poem” went up, plus the awesome Invincible Shield tour anthem, until the very last second of the show, it was pure heavy music for the delight of a jam packed Prudential Centre, proving the Metal Gods still got it and that “they’re gonna rock us all ’til our metal hunger’s fed” (if you know what I mean, of course).

Having recently released the majestic opus Invincible Shield, the Metal Gods delivered an ass-kicking mix of timeless classics the likes of Rapid Fire, Love Bites and Sinner, with the brand new songs (which by the way sound like classics too) Panic Attack, Crown of Horns, and my favorite song of the night, the title-track Invincible Shield. Moreover, let’s say that the 72-year old Metal God Rob Halford didn’t want to waste too much time talking, focusing on a stellar vocal performance that made me (and most concert goers) wonder if he’s actually 72, because he sounded decades younger when blasting his soaring, high-pitched vocal lines. Seriously, Halford was flawless, sensational, and so on, making it hard to describe his performance in just a few words. Hence, don’t miss the chance to see him kicking some serious ass on stage this tour, as it’s worth every penny.

One thing I gotta say about the fact that the floor section had seats instead of general admission is that, if you’re going to have seats, make sure people will respect their seats. The crowd was simply rowdy and wild during the entire concert, no one was respecting the seating map, people were standing anywhere they wanted, beer was flying all over people, security was absolutely useless, plus a few minor incidents. That’s why I hate seats. Why not giving everyone the pleasure of standing wherever they want, instead of charging high prices for upfront tickets if no one was going to obey that, right? It was the purest form of “breaking the law, breaking the law” you can think of, so maybe next time in places like Newark the band could avoid offering the seated floor section and just let the crowd go wild.

Anyway, back to the concert, after the band smashed our damned souls with the pulverizing Painkiller, where once again Scott Travis sounded monstrous, I was really hoping for Glenn Tipton to show up during the encore for a couple of songs, which unfortunately didn’t happen. Well, if Glenn was not feeling well enough to do so, that’s more than fine, as long as one of the most important guitarists in the history of heavy music stays strong and keeps fighting against his disease with all his power. No surrender, Glenn! Also, that doesn’t mean the encore wasn’t a real banger, as everyone had the time of their lives enjoying Electric Eye, Hell Bent for Leather, and Living After Midnight, three songs that transpire Heavy Metal, plus of course Richie and Andy made sure they brought Glenn’s energy and passion to the stage during the entire show.

As I mentioned before, there wasn’t a lot of talking during their performance, apart from Halford reminding everyone that the band was celebrating 50 years of Heavy Metal as they released the cult album Rocka Rolla back in 1974, and five decades later here they are still rockin’ hard with Invincible Shield. Damn, time flies, and so did I back to Toronto (pun intended) after an amazing visit to New York and Newark, with my only regret being not having bought tickets for more Judas Priest shows during this awesome tour. Hopefully they’ll announce a new leg soon including Toronto and other Canadian cities, then I’ll make sure I’ll attend multiple concerts to worship the one and only, headbanging, unstoppable Metal Gods. This metalmaniac loves you, guys! Thank you once again for an unforgettable show, and see you on the road!

Setlist
War Pigs (Black Sabbath song)
Invincible Shield Tour Anthem
Panic Attack
You’ve Got Another Thing Comin’
Rapid Fire
Breaking the Law
Lightning Strike
Love Bites
Devil’s Child
Saints in Hell
Crown of Horns
Sinner
Turbo Lover
Invincible Shield
Victim of Changes
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Painkiller

Encore:
The Hellion
Electric Eye
Hell Bent for Leather
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

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Concert Review – Wind Rose (The Concert Hall, Toronto, ON, 04/18/2024)

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The Concert Hall hosted one of the most melodic, symphonic and fun nights of heavy music of the year in Toronto so far this past Thursday.

OPENING ACT: Xandria

Due to my trip to New York to see them mighty Judas Priest on Friday April 19, I wasn’t able to join my buddy Keith Ibbitson of Metal Paparazzi at The Concert Hall (the whole thing moved from Lee’s Palace to The Concert Hall due to the high demand for tickets) on Thursday night to enjoy XANDRIA and WIND ROSE during the Toronto stop of their North American Warfront Tour 2024, another classy event brought to the city by Noel Peters of Inertia Entertainment. It’s getting to a point where I need a clone (or two) to be able to attend all concerts that I would like to, because I also had to miss Raven and Artillery on Saturday, but let’s leave this one for another review and focus now on the amazing performances by Xandria and Wind Rose, because as Keith said both kicked some serious ass on stage.

The opener was a band that’s becoming a fan-favorite to everyone who enjoys some classic European Symphonic Metal in the city of Toronto, Bielefeld, North Rhine-Westphalia, Germany-based act XANDRIA. Keith said they put on a solid performance a usual, and I’m more than certain that was exactly what the Greek goddess Ambre Vourvahis, guitarists Marco Heubaum and Rob Klawonn, bassist Tim Schwarz, and drummer Dimitrio Gatsios brought to their avid Torontonian fans Thursday night, as they were superb when they opened for Kamelot in the summer of 2023 in the city. Blending songs from their excellent 2023 album The Wonders Still Awaiting with older tunes, plus their brand new single Universal, the band didn’t disappoint their fans at all, delivering a more-than-proper warmup for the main attraction of the night, and who knows, maybe we’ll see Xandria headlining a tour in Canada soon, right?

Setlist
You Will Never Be Our God
Death to the Holy
Reborn
Forevermore
Universal
Your Stories I’ll Remember
Two Worlds
Nightfall

Band members
Ambre Vourvahis – vocals
Marco Heubaum – guitars
Rob Klawonn – guitars
Tim Schwarz – bass
Dimitrio Gatsios – drums

WIND ROSE

After a short break, it was time for the main attraction of the night, Pisa, Tuscany, Italy-based Folk/Power Metal horde WIND ROSE, to hit the stage at The Concert Hall for the delight of all fans at the venue eager to witness their always fun performances, promoting their 2022 album Warfront. Keith said it was his first time seeing those guys live and that he was truly impressed with their show. Their energy was huge, and had him “digging a hole through The Concert Hall floor” (whatever he means by that, most probably something that happened during the song Diggy Diggy Hole). Keith mentioned he will definitely see them again whenever they return to Toronto, and if you’re curious to know more about the band you can find all of their creations on BandCamp and on Spotify (or on any other streaming service). I’m definitely eager to also see them live for the first time ever, so hopefully they’ll get back to Toronto sooner than later, and without any other pre-booked concert to block me from attending their show.

Setlist
Army of Stone
Fellows of the Hammer
Drunken Dwarves
Mine Mine Mine!
Gates of Ekrund
The King Under the Mountain
The Battle of the Five Armies
The Art of War
Tales of War
Together We Rise
Diggy Diggy Hole (The Yogscast cover)
Diggy Diggy Hole (Dance Remix)
Tomorrow Has Come
I Am the Mountain

Band members
Francesco Cavalieri – lead vocals
Claudio Falconcini – guitars, backing vocals
Federico Meranda – keyboards
Cristiano Bertocchi – bass
Federico Gatti – drums

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Album Review – Waves Idle Symmetry / Ametron (2024)

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This talented Black Metal duo hailing form Greece will take you on a stunning and grim journey to the sound of their first full-length album.

Formed in 2021 Chalcis, also called Chalkida or Halkida, the chief city of the island of Euboea or Evia in Greece, the talented Black Metal duo Waves Idle Symmetry is ready to unleash upon humanity their first full-length opus, titled Ametron, following up on their 2022 debut EP Thalassa. Recorded, mixed and mastered by David Prudent at Made in Hell Studio, and displaying a classy artwork by Alexandra Kyritsi, the album presents a much stronger and focused duo comprised of G.K. on vocals, guitars and bass, and C.D. on drums, expanding their music to further horizons by including progressive and technical elements to their sound while always remaining loyal to their core Black Metal essence, turning the journey through the nine tracks of the album into a truly engaging one for all admirers of the genre.

The Middle-Eastern acoustic guitar by G.K. kicks off the Black Metal feast Adrift In Aegean, quickly morphing into an overdose of sharp riffs and blast beats while G.K.’s both clean vocals and demonic roars exhale madness, followed by Waves Aligned, again presenting the duo’s pensive lyrics (“Deserted eyes / Sparking hate and sorrow / Reflecting the uncertainty / That grows inside me / A monster becoming / Fed in a nest of apathy / Egoism reacts in order / To defeat the misery”) amidst a bold, piercing and extreme onrush of old school Black Metal magic. C.D. then delivers intricate yet visceral beats in the headbanging tune Resilient, accompanied by the always incendiary riffage by G.K., whereas the title-track Ametron offers our putrid ears another overdose of hatred, obscurity and fire led by the crushing beats by C.D., flowing into a melancholic, grim sound in All These That Ends, where the gnarls by G.K. exhale endless evil, therefore offering us all pure Black Metal until the very last second.

Then leaning towards contemporary Melodic Black Metal the duo crushes our souls in Mindweaver, bringing forward more of their harsh gnarling, blast beats and incendiary riffs, as well as interesting switches between their more old school sound and their more melodic passages; and it’s time to break our necks headbanging in the name of evil in The Sun Of Despair, with G.K. and C.D. generating a beautiful Black Metal atmosphere with their guitars and drums while G.K. keeps vociferating manically nonstop. The Pillars Of Dignity presents more of their poetic words (“The innocence ends / As reality of failure strikes / Taste how it feels / To reach rock bottom / And trying to stand on your feet / Saviors drift apart / Numbness buried deep inside”) while the music remains imposing and cryptic during the song’s four minutes; whereas lastly the duo offers a climatic, epic tune titled Άπνοια, which is Greek for “apnea” or “shortness of breath”, alternating between demonic, harsh moments and more serene passages, with G.K. sounding evil with his roars and riffs.

While Waves Idle Symmetry are a Black Metal band, after listening to Ametron you’ll realize they’re not your regular Black Metal band, offering an array of styles in their sound to make things bolder and more interesting in the end. Hence, don’t forget to give them a shout on Facebook and stay updated with all things Waves Idle Symmetry, to subscribe to their YouTube channel for more of their music, and of course to grab a copy of their newborn beast Ametron from their own BandCamp page. I think I don’t need to say how awesome the Greek Black Metal scene has always been, and we must thank bands like Waves Idle Symmetry for keeping the spirit alive and for embellishing the airwaves with their fusion of darkness and melody like what they have to offer in their new album, while us fans will have another reason to keep praising the Hellenic gods of metal for always offering us such amazing bands.

Best moments of the album: Waves Aligned, Ametron and The Sun Of Despair.

Worst moments of the album: Resilient.

Released in 2024 Independent

Track listing
1. Adrift In Aegean 5:26
2. Waves Aligned 5:02
3. Resilient 4:52
4. Ametron 4:46
5. All These That Ends 6:03
6. Mindweaver 4:48
7. The Sun Of Despair 4:15
8. The Pillars Of Dignity 3:46
9. Άπνοια 5:46

Band members
G.K. – vocals, guitars, bass
C.D. – drums

Album Review – Dark Horizon / Darkness Falls Upon Mankind (2024)

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As darkness falls upon mankind, this devilish horde from Germany attacks with their sophomore album, exhaling their obsession for mid-90’s Scandinavian and German Black Metal.

Spreading the dark arts all over the world since their inception in 2007 in Kassel, a city in central Germany, the heavy-as-hell Melodic Black Metal horde Dark Horizon has finally unleashed upon us their sophomore black mass, entitled Darkness Falls Upon Mankind, the follow-up to their 2012 debut Diabolic Agreement and their 2017 EP Odyssey. Recorded, mixed and mastered by Andy Classen at Stage One Studio, the new album by Mike on vocals, Adrian on the guitars, Colin on bass, and Daniel on drums exhales their obsession for mid-90’s Scandinavian and German Black Metal, uniting melancholy and disharmony with their passion for absolute darkness, being therefore recommended for admirers of the music by Dark Funeral, Naglfar, Dissection, and Watain, just to name a few.

Secrets Of The Nightmare Prophecies already sounds utterly sharp and melodic, with Mike leading his horde with his demonic screams and gnarls, resulting in a beyond solid start to the album and morphing into the bestial title-track Darkness Falls Upon Mankind, where the song’s blast beats and razor-edged riffs turn it into a must-listen for admirers of 90’s Black Metal. Adrian continues to deliver fire and evil from his axe in The Awakening, a song perfect for some devilish headbanging while Daniel’s drums will decimate your cranial skull. Old Gods offers more of the band’s undisputed Melodic Black Metal, again showcasing the hellish roars by Mike while Colin adds his share of heaviness to the sound with his menacing bass, whereas Tempest Of Ancient Screams is an imposing, heavy-as-hell and absolutely dark composition that lives up to the legacy of the genre, with Adrian doing a superb job with his old school Black Metal riffs.

And Adrian’s strident, visceral riffs continue to darken the skies in In The Hall Of Bloodstreams, where Mike takes his demonic gnarls to a whole new level of obscurity; then get ready for a seven-minute onrush of sulfur and evil titled Am Tag Meines Todes (which is German for “on the day of my death”), bringing to our ears an overdose of caustic riffs and blast beats while Colin hammers his bass mercilessly, with all breaks and variations making it feel like two amazing songs in one. After that we have Funeral, offering us all three minutes of straight-to-the-point Black Metal with no shenanigans nor any artificial elements, followed by Ekpyrosis, another seven-minute song but this time sounding a bit confusing compared to the rest of the album, albeit still showcasing the band’s passion for darkness and evil. And closing the album we’re treated to two very special covers showcasing their influences in music, starting with Naglfar’s The Brimstone Gate (check the original version HERE, from their 1998 cult album Diabolical), and followed by Mithotyn’s King Of The Distant Forest (check the original version HERE, from their 1998 opus King of the Distant Forest), both exhaling the same Black Metal essence from the original versions but of course with Dark Horizon’s own twist.

The guys from Dark Horizon are waiting for you on Facebook, on Instagram and on YouTube with news, tour dates, and more of their caustic Black Metal, and you can obviously add the excellent Darkness Falls Upon Mankind to your devilish collection by purchasing it from their own BandCamp page, as well as from Apple Music or Amazon Music. As darkness falls upon mankind, Dark Horizon will strike us hard with their furious new album, adding another solid stone to the impenetrable Black Metal castle that exists in their homeland, therefore fueling them for more in the coming years for the delight of fans of 90’s Black Metal.

Best moments of the album: Darkness Falls Upon Mankind, Tempest Of Ancient Screams and Am Tag Meines Todes.

Worst moments of the album: Ekpyrosis.

Released in 2024 Independent

Track listing
1. Secrets Of The Nightmare Prophecies 4:25
2. Darkness Falls Upon Mankind 5:23
3. The Awakening 3:21
4. Old Gods 4:53
5. Tempest Of Ancient Screams 3:45
6. In The Hall Of Bloodstreams 3:17
7. Am Tag Meines Todes 7:13
8. Funeral 3:15
9. Ekpyrosis 7:40
10. The Brimstone Gate (Naglfar cover) 4:54
11. King Of The Distant Forest (Mithotyn cover) 5:26

Band members
Mike – vocals
Adrian – guitars
Colin – bass
Daniel – drums

Concert Review – Insomnium (The Phoenix Concert Theatre, Toronto, ON, 04/14/2024)

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The third night in a row of first-class heavy music in Toronto was a feast of melody and darkness, courtesy of one of the pillars of Nordic Melodic Death Metal.

OPENING ACTS: Wilderun and Omnium Gatherum

Last but not least, Sunday night was the final round of one of the most metallic weekends in the past few years in Toronto, once again at The Phoenix Concert Theatre, and this time with WILDERUN, OMNIUM GATHERUM and INSOMNIUM during their North American Tour 2024. For the third night in a row, Keith Ibbitson of Metal Paparazzi and I were there to cover another awesome event organized by Noel Peters of Inertia Entertainment, and with much better traffic conditions than Friday and Saturday, basically everyone was able to get to the venue way ahead to enjoy some chat with friends. have a few drinks, buy some merch, and obviously have a good time already with the opening act of the night, even with the doors opening earlier than the previous two days.

And the opening act this time was Boston, Massachusetts-based Symphonic Progressive/Folk Metal band WILDERUN, a band that I highly recommend for fans of Opeth. To be honest, I actually prefer Wilderun’s music to Opeth’s, as I’m not sure why exactly but they do sound heavier to me. Still promoting their 2022 album Epigone, the band formed of Evan Anderson Berry, Wayne Ingram, Daniel Müller and Jonathan Teachey put on a solid performance to the point there were even mosh pits when it’s not normal to see that type of reaction when the music played is a lot more progressive and smoother like theirs. The band even acknowledged that, saying it was the first mosh pit of the tour for them, proving how much Toronto enjoyed their show. Hence, if you want to enjoy their detailed, intricate creations, you can stream all of their albums on Spotify, and I honestly can’t wait to see Wilderun live again in the near future.

Setlist
Distraction II
Identifier
The Tyranny of Imagination
Far From Where Dreams Unfurl

Band members
Evan Anderson Berry – vocals, rhythm & acoustic guitars, mandolin, keyboards
Wayne Ingram – lead & acoustic guitars, backing vocals, keyboards, orchestrations
Daniel Müller – bass, hammered dulcimer, backing vocals
Jonathan Teachey – drums, backing vocals

The second band of the night needs no introduction. Hailing from the always beautiful Finland, Melodic Death Metal squad OMNIUM GATHERUM turned up the heat considerably Sunday night with their undisputed fusion of melody and violence, with their setlist encompassing songs from their whole career (all available on Spotify), including their 2021 album Origin, and their 2023 EP Slasher, with the opener Slasher already igniting some action on the floor section. The entire band sounded amazing during their set, but of course their forntman Jukka Pelkonen stole the show with his deep roars and his amazing interaction with the crowd, which obviously led to a warm and vibrant reaction from the fans. Also, their guitarists Markus Vanhala and Nick Cordle kicked some serious ass on stage, making each song even heavier and more striking, and please keep those names in mind as there was more of the duo right after Omnium Gatherum finalized their show.

Setlist
Slasher
Paragon
Reckoning
Sacred
Soul Journeys
Gods Go First
Planet Scale
Frontiers
White Palace
New Dynamic

Band members
Jukka Pelkonen – vocals
Markus Vanhala – guitars
Nick Cordle – guitars
Mikko Kivistö – bass
Aapo Koivisto – keyboards
Atte Pesonen – drums 

INSOMNIUM

It was just a little past 9pm when Finland’s own Melodic Death Metal masters INSOMNIUM hit the stage at The Phoenix Concert Theatre for another powerful performance, just as great as when they played in the city alongside Enslaved last year, with their setlist being very similar to that, obviously focusing on their 2023 album Anno 1696. The opener 1696, followed by Ephemeral and White Christ (and we do need an Insomnium/Rotting Christ co-headlining tour just so Mr. Sakis Tolis finally joins the stage with Insomnium to sing this beautiful song), were extremely intense, enfolding and dark, and the reaction of their avid fans was fantastic as well. Also, I must say that although Lilian and The Rapids are new songs, they already sound like classics live so good they are.

Now remember when I asked you to keep the names of Nick Cordle and Markus Vanhala in mind? Well, those two guy are on double duty this entire tour, being the guitarists for both Omnium Gatherum AND Insomnium. Markus has already been playing with Insomnium for quite some time, so nothing new about that, but Nick had to take the guitars duties last minute due to a very weird reason. Guitarist Jani Liimatainen simply “disappeared” from the map a few weeks ago (well, rumor has it that he’s spending some time with a girl in Brazil, and I feel like a reporter from TMZ by writing this here) and was therefore kicked out of the band, plus the fact I have no idea why Ville Friman is not touring with Insomnium this year, so it was up to Nick and Markus to be responsible for all riffs and solos during this entire tour. They’re doing a fantastic job, by the way.

After lots and lots of horns in the air, mosh pits, and a killer encore with The Primeval Dark, While We Sleep (and I might sound repetitive, but this song always sounds superb to my ears when I see the band live or when I listen to its studio version) and Heart Like a Grave, it was time for Insomnium to say goodbye to Toronto, but of course promising they’ll be back soon for another captivating show. You can stay up to date with all things Insomnium by clicking HERE, including their tour dates, and I don’t think you’ll want to miss one of the pillars of Nordic Melodic Death Metal when those beyond talented musicians pay your city a visit, right? And for me, after a wild weekend full of first-class metal music, I’ll have only a few days of break before I fly in the direction of the Metal Gods. Oh yeah.

Setlist
1696
Ephemeral
White Christ
Change of Heart
Lilian
And Bells They Toll
The Rapids
The Gale
Mortal Share
Song of the Dusk

Encore:
The Primeval Dark
While We Sleep
Heart Like a Grave

Band members
Niilo Sevänen – lead vocals, bass
Markus Vanhala – guitars, clean vocals
Nick Cordle – guitars, clean vocals
Markus Hirvonen – drums

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Concert Review – Korpiklaani (The Phoenix Concert Theatre, Toronto, ON, 04/13/2024)

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A night full of melody, pirates, sauna, beer, vodka, dancing and circle pits to warm up the hearts of all fans of good heavy music in Toronto.

OPENING ACTS: Illumishade and Visions Of Atlantis

Round 2 of a very metal weekend in Toronto started with “round 2 of very bad traffic”, taking me over an hour to reach once again The Phoenix Concert Theatre when it should have taken me only about 35 or 40 minutes in total this Saturday night. Well, at least this time I was able to see all bands, those being ILLUMISHADE, VISIONS OF ATLANTIS and KORPIKLAANI, during their party-like Rankarumpu North American Tour 2024, one more unforgettable event organized by the unstoppable Noel Peters of Inertia Entertainment. My friend Keith Ibbitson of Metal Paparazzi and I were a bit tired from the previosu night of brutality by Thy Art Is Murder, but as soon as the first band hit the stage the adrenaline started to flow and our batteries charged up quickly.

That first band was Switzerland’s Symphonic/Progressive Metal/Rock outfit ILLUMISHADE, and let’s say they won the hearts of every single person at the venue instantly with their talent, charisma, and passion for what they do. Of course all band members were great, but it was their frontwoman Fabienne Erni who stole the show with a hypnotizing performance, with her soaring vocals and beautiful moves captivating the eyes and ears of everyone at the venue. The band has recently released the album Another Side of You, available on BandCamp and on Spotify, with their setlist being almost entirely based on that album, and with songs like Here We Are and Cloudreader sounding awesome live. I really hope they return to the city sooner than later for another great show, because they’re an amazing new band from the Swiss scene and they’re definitely going places based on the quality of their music.

Setlist
Elegy
Enemy
Here We Are
Riptide
In the Darkness
Cloudreader
Tales of Time
World’s End

Band members
Fabienne Erni – vocals, piano
Jonas Wolf – guitars
Mirjam Skal – synths, orchestration
Yannick Urbanczik – bass
Marc Friedrich – drums

After a quick break, the venue was taken by storm by the most beloved pirates to ever arise from Austria. Yes, you read that correctly, as I’m talking about Melodic/Symphonic Power Metal privateers VISIONS OF ATLANTIS, who put on a fantastic show for our total delight. Spearheaded by one of the most charismatic, talented and charming duos of the entire Power Metal scene, the stunning Clémentine Delauney (what a voice, my friends… what a voice!) and the electrifying Michele Guaitoli, the band brought a storm of heavy music to all fans at the venue, blending songs form their most recent album Pirates, like Master the Hurricane and the extremely catchy Clocks, with new tunes like the cheesy but awesomely fun Armada, from their upcoming album Pirates II – Armada, to be released on July 5. Their show was so full of energy to the point there were several mosh pits going on during some of their faster songs, all of course led by Michele who had all fans on the palm of his pirate hand the whole time. You can enjoy their music on BandCamp and on Spotify, as usual, and board their pirate ship when they invade your city for a sweet live concert. HAIL JOLLY ROGER!

Setlist
Master the Hurricane
Clocks
Mercy
Tonight I’m Alive
Heroes of the Dawn
Monsters
Armada
Melancholy Angel
Pirates Will Return
Legion of the Seas

Band members
Clémentine Delauney – female vocals
Michele Guaitoli – male vocals
Christian Douscha – guitars
Herbert Glos – bass
Thomas Caser – drums

KORPIKLAANI

If you have never seen the incendiary Finnish Folk Metal crew KORPIKLAANI live in your life, you have no idea what you’re missing. Let’s say that from the very first notes of the song Kotomaa, from their brand new opus Rankarumpu (to be reviewed here at The Headbanging Moose soon), it was a wild party with lots of dancing, beer, vodka, the heat of a real sauna, and so on, driving all fans crazy inside the venue. The last time I saw the band live was way back in 2014 during Paganfest America Part V (yes, that festival existed one day in Toronto), but I must say this Saturday the band was a lot tighter, more professional, more vibrant and heavier than ever, with of course frontman Jonne Järvelä stealing the spotlight with his inebriate vocals and classy dance moves.

Their setlist was a thing of beauty, blending old school songs like Wooden Pints and Happy Little Boozer with several new ones including Aita, the title-track Rankarumpu, and the breathtaking Saunaan, proving the band is in great shape and form in their new album. Also, it’s always fun to witness Sami Perttula on the accordion and Olli Vänskä on violin live, as their instruments bring an amazing vibe to all of the band’s songs, and of course that translates into endless dancing and jumping inside the circle pit (which was VERY intense, by the way). Well, let’s say things got even faster and rowdier inside the pit during the encore when they played the classics Beer Beer and Vodka, proving booze will always be the best fuel for any heavy music party, leaving all fans eager for more Korpiklaani the second their wild show was over. You can keep up to date with all things Korpiklaani by clicking HERE, and DO NOT miss their live concerts in your city or wherever you are, alright? VITTU, PERKELE, SAATANA!

Setlist
Kotomaa
Wooden Pints
A Man With a Plan
Happy Little Boozer
Journey Man
Ievan polkka
Gotta Go Home (Boney M. cover)
Aita
Tuli kokko
Pidot
Leväluhta
Sanaton maa
Rankarumpu
Pixies Dance
Juokse sinä humma
Tapa sen kun kerkeet

Encore:
Viima
Metsämies
Saunaan
Beer Beer
Vodka
Outro (Mother Earth)

Band members
Jonne Järvelä – vocals, acoustic guitar
Kalle “Cane” Savijärvi – guitar
Jarkko Aaltonen – bass
Sami Perttula – accordion
Olli Vänskä – violin
Samuli Mikkonen – drums, percussion

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Concert Review – Thy Art Is Murder (The Phoenix Concert Theatre, Toronto, ON, 04/12/2024)

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If you love mosh pits from the bottom of your blackened heart, then Friday night in Toronto was the place to be, courtesy of four insane bands in a feast of pure, brutal Deathcore.

OPENING ACTS: Snuffed on Sight, Signs of the Swarm and Angelmaker

I have no idea what’s happening with the traffic to get to Toronto. I mean, it has always been bad, but this weekend it seems that things got even worse, which delayed my arrival at The Phoenix Concert Theatre to see SNUFFED ON SIGHT, SIGNS OF THE SWARM, ANGELMAKER and THY ART IS MURDER kill everything and everyone during the Toronto stop of their Godlike North America Tour 2024, another fantastic event brought to the city by Noel Peters of Inertia Entertainment, and “day 1” of my more-than-awesome “metal weekend” with three days of shows in a row. Besides the heavy traffic to get in and out of the city, there was also a lot of wind and rain, but nothing that could stop a horde of avid Deathcore and Death Metal fans to invade the venue and generate some of the wildest mosh pits I’ve ever seen live. Holy shit, the kids were mental inside the pit, with the action flowing nonstop until the very last second.

Due to traffic, I couldn’t make it in time to see San Francisco, California-based Brutal Death Metal/Hardcore act SNUFFED ON SIGHT, but fortunately my buddy Keith Ibbitson of Metal Paparazzi was there to take some wild pictures of the band, and to confirm what I suspected after listening to their 2023 album Smoke, that they’re extremely heavy and really fun to see live. If you want to experience their fury, you can stream their sick creations on BandCamp, Spotify, or any other streaming service, as well as get to know more about the band by clicking HERE, and as soon as you realize how brutally amazing this band is, you’ll be smarter than me and plan your trip ahead of time to be able to see them kicking some serious ass on stage.

Setlist
Intro
Blunt Cough
Time 2 Dip
Dummy
(smoke break)
Smoke
All Talk
Slippin

Band members
Seven Kane – vocals
Walid Gad – guitars
Spencer Metala – bass
Kendric DiStefano – drums

Although I had to miss Snuffed on Sight, I was lucky enough to witness live one of the heaviest, most insane concerts ever, courtesy of Pittsburgh, Pennsylvania’s own Deathcore beast SIGNS OF THE SWARM. Led by the amazing frontman David Simonich, the band delivered sheer violence, groove and fire during their short but extremely destructive set, playing songs form their most recent album Amongst the Low & Empty such as the title-track Amongst the Low & Empty, Tower of Torsos and Pray for Death. The circle pits, walls of death and crowd surfing were freakin’ insane during their whole concert, showing how electrifying their music is (and you can check it out yourself on Spotify or by clicking HERE). I can’t wait to see those guys again live, but I’ll be sure I have some sort of body armor to endure their sick mosh pits, no doubt about that.

Setlist
Amongst the Low & Empty
Tower of Torsos
Pray for Death
Borrowed Time
Between Fire & Stone
Dreamkiller
Malady

Band members
David Simonich – vocals
Carl Schulz – guitars
Michael Cassese – bass
Bobby Crow – drums

Next on the bill was North Vancouver, British Columbia, Canada-based Deathcore infantry ANGELMAKER, and yet again The Phoenix Concert Theatre became a hurricane of mosh pits thanks to their incendiary performance on stage. It’s interesting that they were able to fit all seven members of the band on stage, because not only they have three guitarists, but they also have two demented vocalists, Casey Tyson-Pearce and Mike Greenwood, and oh boy, their double vocal attack is beyond infernal. Playing songs the likes of Godless, Hollow Heart and Leech, it was a wild ride together with those Canadians, keeping the action in the mosh pit moving as fast as a shark hunting for food. Go check their crazy creations on BandCamp and on Spotify, and don’t miss the chance to see those seven wicked musicians live whenever they hit your city, as it’s absolutely worth it.

Setlist
Radiance in the Light of a Dying Sun
The Bridge Between
Suffer Forever
Day/Day
Godless
Gutless
Shia LaBeouf
Vengeance
A Dark Omen
Hollow Heart
Leech

Band members
Casey Tyson-Pearce – vocals
Mike Greenwood – vocals
Colton Bennett – guitars
Matt Perrin – guitars
Johnny Ciardullo – guitars
Cole Rideout – bass
Steven Sanchez – drums

THY ART IS MURDER

After three insane openers, it was then time for the main attraction of the night, Blacktown, New South Wales, Australia’s own Deathcore institution THY ART IS MURDER, to crush the souls of all concert goers with their visceral, harsh and furious performance. Promoting their 2023 album Godlike, the band now fronted by the talented Tyler Miller, of Australian Technical Deathcore band Aversions Crown (as the iconic Chris “CJ” McMahon has recently quit music for good, starting a career in real estate) kicked some ass during their solid performance (just as good as the last time I saw them opening for Cannibal Corpse back in 2019), with songs like Slaves Beyond Death, Death Squad Anthem, Make America Hate Again, Godlike, and of course Puppet Master, driving all fans crazy inside the wild mosh pits that kept moving frantically in the middle of the floor section. Leaving concerts earlier than the end seems to be the new norm in Toronto, maybe due to public transportation hours, maybe due to the increase in violence at night, but I would say more than 90% of the crowd stayed at the venue until the very last second, and hopefully it won’t take long for the band to return to the city for another demented concert like Friday night.

Setlist
We Like to Party (Vengaboys song)
Destroyer of Dreams
Slaves Beyond Death
Death Squad Anthem
Make America Hate Again
Blood Throne
Join Me in Armageddon
Holy War
The Purest Strain of Hate
Godlike
Keres
Everything Unwanted
Reign of Darkness
Puppet Master

Band members
Tyler Miller – vocals
Andy Marsh – lead guitar
Sean Delander – rhythm guitar
Kevin Butler – bass
Jesse Beahler – drums

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Album Review – Hellwalker / Coldblooded EP (2024)

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A raw album of Portuguese Death Metal presenting a downward spiral into madness, a vision of our post pandemic society that’s slowly collapsing due to its many emerging social problems and near outbreaks of a world war.

A one-man Death Metal band formed in 2022 in Lisbon, Portugal out of the post-COVID pandemic by vocalist and multi-instrumentalist B.R. (aka Bruno Rodrigues), of bands like Rotem and Savager, the venomous beast named Hellwalker has just unleashed a raw and dirty EP titled Coldblooded, following up on the project’s 2023 self-titled debut full-length album. Continuing to worship the old school way and its sound while trying to push the threshold of the extreme by using lower guitar tunings with a more gruesome and dirtier chainsaw sound, low guttural vocals and a more polished production, Coldblooded is a downward spiral into madness, a vision of our post pandemic society that’s slowly collapsing due to its many emerging social problems and near outbreaks of a world war, showcasing B.R.’s talent and passion for the extreme during the album’s 27 minutes of visceral, raw Death Metal sounds while also enfolded by a sick artwork designed by our lone wolf himself.

The title-track Coldblooded starts in a dirty, obscure way with B.R. showcasing his most demented side through his wicked vociferations, or in other words, it couldn’t have sounded rawer than it already does, and he keeps extracting sharp and visceral sounds form his guitars and bass in Decimation while his deep gnarls will darken the skies in the name of primeval Death Metal. Love Turns into Hate is a mid-tempo tune where his riffs and drums walk hand in hand, sounding a little weird, in special the slower, darker moments, but overall it’s an interesting song; whereas Them Crooked Vultures is another eerie, cadaverous creation by our Portuguese lone wolf where his devilish vocals match perfectly the song’s somber rhythm, and with the utterly metallic sound of his bass reverberating inside our cranial skulls mercilessly.

In the thrilling Breath In Breath Out the multi-talented B.R. adds an amazing dosage of the Rock N’ Roll played by The Misfits to his wicked sonority, inviting us all to hit the dance floor and raise our horns by bringing to our avid ears an endless dosage of rebelliousness through his raspy vocals and caustic riffs. Then offering another round of old school extreme sounds blended with industrialized elements we have My Name Is Hate, with the song’s beats sounding like an evil assembly line while B.R. keeps growling in the name of darkness. And last but not least, the rhythmic Fantasmas (a Portuguese word that means “ghosts”) closes the album by presenting B.R.’s trademark fusion of Death Metal with rock and industrial sounds, sounding and feeling again absolutely dark and grim until the very end.

If you want to listen to Coldblooded in full to feel the fury and rawness emanating from B.R.’s vocals, riffs, bass and drums, you can find it on YouTube, on BandCamp, and on Spotify (where by the way you can also enjoy his 2023 self-titled debut album if you’re curious to listen to the evolution in his sound from that album to Coldblooded), as well as on Amazon Music and on Apple Music. Also, Hellwalker is not on any social media, showing how underground and primeval B.R. wants the project to be, proudly raising the flag of old school Death Metal in his homeland Portugal, and hoping for his vile noises to reach the four corners of the earth. Hellwalker is the absolute opposite of mainstream, and if that’s your cup of tea, go for Coldblooded as you won’t get disappointed at all.

Best moments of the album: Decimation and Breath In Breath Out.

Worst moments of the album: Love Turns into Hate.

Released in 2024 Rot’em Records

Track listing
1.Coldblooded 4:20
2.Decimation 3:32
3.Love Turns into Hate 1:57
4.Them Crooked Vultures 4:49
5.Breath In Breath Out 3:46
6.My Name Is Hate 5:28
7.Fantasmas 3:15

Band members
B.R. – vocals, all instruments

Concert Review – Brother Firetribe (Logomo, Turku, Finland, 04/06/2024)

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The Headbanging Moose goes to Finland! A night of party and amazing hard rock anthems with Brother Firetribe in the lovely city of Turku kicked off the Spring season in the Land of Ice and Snow.

OPENING ACT: Trust No One

That’s right! The Headbanging Moose is now partially in Finland. Many moons ago, I, Renata Santos, helped Gustavo with some concerts and albums reviews all the way from Brazil. Now living in Finland, I get the chance to see great bands every now and then and I’ll try my best to bring these reviews to you, The Headbanging Moose audience. And to celebrate this restart here, nothing better than an evening with BROTHER FIRETRIBE, one of the most admired hard rock bands of the country. In the vibrant city of Turku, the concert room of Logomo was ignited by their electrifying performance as part of the Band on a Mission tour.

To start the evening, the crowd was treated to a great performance by TRUST NO ONE, an Electronic Rock/New Romantic Finnish duo formed by Samuli Erkkilä and Joni Suhonen. They combine elements of 80s-influenced synth-pop and vibrant guitar rock, captivating with their charisma. The band took the audience on a journey to the rhythm of virtuosic synth riffs and guitar solos. Among their original compositions, they played a new song called Let Them Fall and also delighted the audience with a mesmerizing cover of Enjoy the Silence by Depeche Mode, showcasing their versatility and musical prowess. It was the first time I saw this band and I am really sorry I don’t know the songs, but Trust No One’s performance provided a perfect prelude to the night’s festivities. You can listen to their songs on Spotify and check on their updates on Instagram.

Band members
Samuli Erkkilä – vocals, guitars
Joni Suhonen – keyboards and synthesizers
Jaro Väisänen – touring drummer

BROTHER FIRETRIBE

After a break to prepare the stage, BROTHER FIRETRIBE emerged under the spotlight. Frontman Pekka Heino commanded the stage with his captivating vocals, while Jason Flinck, Tommi Nikulainen, Hannes Pirilä and Roope Riihijärvi complete a formidable musical force. The setlist was a journey through the band’s illustrious career, showcasing their signature blend of hard rock and melodic hooks. Kicking off with the adrenaline-fueled Break Out, they seamlessly transitioned into songs I Am Rock and Man on a Mission, igniting a frenzy among the crowd.

Hard Rock anthems like Chariot of Fire and Indelible Heroes showcased the band’s full potential, just like the new single Are You Ready?, an instant success. Pekka said a couple of times that that was a “juhlapäivä” (a party day, in Finnish) and the fans definitely partied with them. Brother Firetribe’s ability to engage and connect with their audience was evident throughout the night, especially with the charisma of the vocalist that sings looking into the fans’ eyes and ask them to sing along in every song, creating an atmosphere of unity and celebration. As the main set drew to a close, the band hit the stage with For Better or for Worse and Heart Full of Fire.

Brother Firetribe’s performance at Logomo was nothing short of spectacular, cementing their status as one of Finland’s premier rock acts. They delivered a show filled with passion, energy, and infectious melodies, leaving fans exhilarated and wanting more. As the Band on a Mission tour continues to captivate audiences in Finland, they proved once again why they are a force to be reckoned with in the world of rock music.

Setlist
Break Out
I Am Rock
Man on a Mission
Chariot of Fire
Indelible Heroes
Are You Ready?
Arianne
Shock
Bring on the Rain
Rock in the City
Taste of a Champion
Battle Ground
I Salute You
Night Drive
Just Another Night
For Better or for Worse
Heart Full of Fire

Band members
Pekka A. Heino – vocals
Roope Riihijärvi – guitars
Tomi Nikulainen – keyboards
Jason Flinck – bass
Hannes Pirilä – drums

Album Review – Chainsword / Born Triumphant (2024)

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This ruthless Polish brigade returns with their sophomore album crafted as a revival of the old school Death Metal sound, bringing the horrors of war while also inspired by the vast, dystopian universe of Warhammer 40k.

Three years after the release of the excellent Blightmarch, Warsaw, Poland-based Death Metal brigade Chainsword returns to the front with their sophomore opus, titled Born Triumphant. Recorded at Primate 666 Studio (vocals, guitars and bass) and by by Mikołaj Kiciak at Santa Studio (drums), mixed, mastered and reamped by Haldor Grunberg at Satanic Audio, and displaying a warlike artwork by Paweł Charkowski, Born Triumphant was crafted as a revival of the old school Death Metal sound, wit its lyrics being based on horrors of war and/or inspired by the vast, dystopian universe of Warhammer 40k, all brought into being by vocalist Herr Brummbär, guitarists Sarin Spreizer and Herr Hoffman, bassist Wutender Ente, and drummer Herr Feldgrau.

Like a ruthless brigade form hell the band begins their Death Metal onrush with Nekrodermis, where the riffs by Sarin Spreizer and Herr Hoffman will inspire you to bang your head nonstop in the name of war and evil, whereas the devilish, deep vociferations by Herr Brummbär will haunt your damned souls in Sinistramanus Tenebrae, while Herr Feldgrau keeps hammering his drums in a classic Death Metal extravaganza. After that we have Wrapped in Barbed Wire and Yellow Fog, another pulverizing display of Death Metal where Wutender Ente hammers his bass mercilessly while the bands guitar duo cuts our skin deep with their sick riffs, meaning it should work extremely well if played live; and there’s no time to breathe as they keep delivering sheer aggression and gore in Abominable Intelligence, a beyond heavy and infuriated tuned where Herr Brummbär’s roars sound visceral. And in Grand Funeral Pyre we face guest vocals by GÄMBIT, who bursts his lungs screaming (therefore adding a extra rebellious vibe to the music) while the band puts the pedal to the metal in the most thrashing way imaginable.

Switching gears to a more cadenced rhythm and vibe while still sounding demonic and heavy, Herr Feldgrau smashes his drums in an ode to 90’s Death Metal titled Ov Flesh and Steel, setting the stage for the band’s guitars to shine; then featuring guest vocalist Janek Kulinicz, Trident, Rise! is a headbanging composition by Chainsword that sounds a bit like a random Metallica song (except for the guttural vocals of course), followed by Death to the Enemies ov Man, a merciless Death Metal attack by those Polish marauders where Herr Feldgrau obviously sounds inhumane on drums, leading his bandmates to total annihilation. The second to last song of the album, entitled Mankind’s Last War, offers us all six minutes of no shenanigans, straightforward Death Metal that’s true to the foundations of the genre, with their guitars, bass and drums sounding tight and sharp until the very last second, and there’s still time for one final blast of brutality titled L-G P, again showcasing the guttural roars by Herr Brummbär amidst an endless amount of heaviness and rage.

The imposing Born Triumphant is available for a full and detailed listen on YouTube and on Spotify, but if you consider yourself a true trooper of Death Metal you should support the band by buying a copy of the album from their own BandCamp or by clicking HERE, and don’t forget to also follow the band on Facebook and on Instagram for news, tour dates and all other things surrounding the most ruthless brigade to ever arise from Poland. In a nutshell, Chainsword once again bring the horrors of war in the form of top-of-the-line Death Metal in their newborn opus, a highly recommended soundtrack to dive deep into the muddy trenches of the warfield as the battle rages on.

Best moments of the album: Sinistramanus Tenebrae, Wrapped in Barbed Wire and Yellow Fog and Death to the Enemies ov Man.

Worst moments of the album: Trident, Rise!.

Released in 2024 Independent

Track listing
1. Nekrodermis 3:36
2. Sinistramanus Tenebrae 4:20
3. Wrapped in Barbed Wire and Yellow Fog 3:10
4. Abominable Intelligence 2:59
5. Grand Funeral Pyre 3:55
6. Ov Flesh and Steel 4:22
7. Trident, Rise! 5:16
8. Death to the Enemies ov Man 5:03
9. Mankind’s Last War 6:00
10. L-G P 6:30

Band members
Herr Brummbär – vocals
Sarin Spreizer – guitar
Herr Hoffman – guitar
Wutender Ente – bass
Herr Feldgrau – drums, backing vocals

Guest musicians
GÄMBIT – vocals on “Grand Funeral Pyre”
Janek Kulinicz – vocals on “Trident, Rise!”