Album Review – Sepulchral Curse / Crimson Moon Evocations (2025)

This ruthless Finnish horde demonstrates their unmatched ferocity and craftmanship in their third studio album, cementing their place at the very zenith of the global Blackened Death Metal scene.

Arriving merely two years after their bold leap forward with Abhorrent Dimensions, Crimson Moon Evocations, the third full-length opus by Turku, Finland-based Death Metal creature Sepulchral Curse, paints a vivid portrait of a band at their creative and productive peak. Recorded and mixed by Tomi Uusitupa at Oxroad Studios, mastered by Are Kangus, and displaying a dark and sinister artwork by Mark Erskine, the new album by vocalist Kari Kankaanpää, guitarists Jaakko Riihimäki and Aleksi Luukka, bassist Niilas Nissilä, and drummer Johannes Rantala demonstrates their unmatched ferocity and craftmanship, cementing their place at the very zenith of the global Blackened Death Metal scene.

The guitars by Jaakko and Aleksi rev up the band’s deadly engine in Wildfires, quickly morphing into a bestial Death Metal extravaganza to the crushing drums by Johannes, who sounds even more infernal in House of The Black Moon, with Kari’s utterly deep guttural adding an extra touch of heaviness to the band’s core Blackened Death Metal. Then the band goes full Death Metal in The Locust Scar, with the guitars by the band’s axed duo exhaling heaviness and hatred, whereas a sluggish, Doom Metal-infused start gradually evolves into another demented beast by Sepulchral Curse entitled Beneath The Dismal Tides, with Niilas and Johannes building the heaviest ambience of all songs armed with their demonic kitchen.

Then investing in a more melodic sonority it’s time for Empress of The Dead, without of course forgetting the band’s trademark bludgeoning sounds; whereas their second to last sonic attack comes in the form of The Currents of Chaos, with Kari roaring deeply like a demonic creature supported by the vile riffs by Jaakko and Aleksi. Finally, the band brings forward Crimson Passages, again blasting our damned souls with their Doom Metal-infused blackened sounds, showcasing crisp, piercing guitar lines in paradox with the inhumane, gruesome gnarls by Kari, resulting in not only one hell of a bestial song, but also putting a beyond phantasmagorical and haunting conclusion to one of the heaviest albums of the year.

“The backbone is death metal,” states vocalist Kari Kankaanpää about their newborn beast, “but we’ve never shied away from exploring new inspirations and influences, which shape the unique edge synonymous with Sepulchral Curse. Music needs to be dark, heavy and furious!” Crimson Moon Evocations indeed takes an even deeper dive into who Sepulchral Curse are and crystallizes the essence of their sound, helping the band to ascend to the pinnacle of Blackened Death Metal. Hence, if you want to “stay cursed” as the band’s frontman likes to say, you can find the band on Facebook and on Instagram, stream their wicked creations on Spotify or any other streaming service, and obviously grab a copy of their new album from the Dark Descent Records’ BandCamp or webstore in the US and the EU, or simply click HERE for all things Sepulchral Curse. In a nutshell, Crimson Moon Evocations is utterly dark, evil and, more important than that, extremely heavy, paving a fantastic path ahead of those Finnish beasts in the years to come.

Best moments of the album: House of The Black Moon, Beneath The Dismal Tides and Crimson Passages.

Worst moments of the album: None.

Released in 2025 Dark Descent Records

Track listing
1. Wildfires 4:58
2. House of The Black Moon 6:09
3. The Locust Scar 5:06
4. Beneath The Dismal Tides 5:29
5. Empress of The Dead 6:39
6. The Currents of Chaos 5:09
7. Crimson Passages 6:11

Band members
Kari Kankaanpää – vocals
Jaakko Riihimäki – guitar
Aleksi Luukka – guitar
Niilas Nissilä – bass, backing vocals
Johannes Rantala – drums

Album Review – Greyember / Blooming in Antarctica EP (2025)

This talented Australian freelance music and video creator strikes with a three-track extreme music EP that explores some of life’s harshest realities.

Hailing from the beautiful city of Melbourne, the coastal capital of the southeastern Australian state of Victoria, Greyember is the Progressive/Blackened Death Metal alter-ego of metal and dark alternative themes freelance music and video creator Richard Grimm, also known for his contributions to the bands Dracorex, Bentham’s Head, and Dreamworm. Produced, mixed and mastered at Big Vibe CreativeBlooming in Antarctica is the debut EP by Richard and his Greyember, a three-track offering that explores some of life’s harshest realities, from existential fears about climate change to his personal struggles with mental health and identity, all through the lens of metal, while also featuring incredible guest contributions from Richard White (Grim Demise) and Nikki Harrison aka Luna Starchild (With Witch).

Featuring guest vocalist Luna Starchild, Richard delivers an overdose of harsh riffs, deep guttural roars in paradox with Luna’s melodic clean vocals in Reflections, resulting in a killer Blackened Death Metal beast. Then we have the massive title-track Blooming in Antarctica, with guest vocals by Richard White, drawing inspiration from the stark reality of flowers now growing in Antarctica, a harbinger of the climate crisis and its devastating implications (“There is a debt, that we’ve burned through the century / the carbon reaper set free / Consuming all, driving life to extinction / a thriving land now devoid / it will consume, arctic surfaces break down / transforming glaciers to brine / Our heaving lungs choking down poison fumigation / 1 million tonnes to exhaust”). Musically speaking, it reminds me of some of the most recent tunes by Behemoth, which is obviously a good thing. And lastly, Richard transpires darkness and insanity in madness., transforming his inner demons into a fusion of Black and Death Metal through his classic beats, caustic riffs and a beyond grim atmosphere.

Blooming in Antarctica is already available in full on all streaming platforms including YouTube and Spotify, but of course if you want to show Richard your utmost support you can purchase a copy of the album from BandCamp, and don’t forget to also give Richard a shout on Facebook and on Instagram, or simply click HERE for more details on all of his bands and projects. As mentioned by Richard himself in the description of his official video for the title-track, our world is dying and a small handful of people are responsible for it, people with names and addresses, and we must do something to avoid the terrible fate that lurks in the shadows and waits for us all in a not-so-distant future. Let’s spread the music by Greyember all over the world, inspiring other musicians like Richard to fight for our planet, and metalheads like us to use our powerful music to make a positive change in our decaying society.

Best moments of the album: Blooming in Antarctica.

Worst moments of the album: None.

Released in 2025 Independent

Track listing
1. Reflections 4:08
2. Blooming in Antarctica 5:40
3. madness. 4:20

Band members
Richard Grimm – vocals, all instruments

Guest musicians
Nikki Harrison – vocals on “Reflections”
Richard White – vocals on “Blooming in Antarctica”

Concert Review – Wacken Metal Battle Toronto Round #1 (Hard Luck Bar, Toronto, ON, 01/25/2025)

The iconic Hard Luck Bar in Toronto became a “metal ring” where four brave bands started wrestling for the undisputed prize of playing at the greatest metal festival in the world this summer.

INTRODUCTION: ARE YOU READY TO RUMBLE?

It was time to set this bitterly cold winter on fire in Toronto this Saturday with this year’s edition of Wacken Metal Battle Canada, starting with Wacken Metal Battle Toronto Round #1 with the bands PURVEYOR OF CHAOS, UNKLE SKURVEY, ISCHEMIC and PILLARS OF AUTUMN at Hard Luck Bar, the first step for each one of those four bands to win the coveted slot at Wacken Open Air taking place from July 30 to August 2 this year in Wacken, Germany, plus $1,000 CAD towards expenses, and VIP camping at the festival. Not only that, they also have the opportunity to win monetary and gear prizes at the international Wacken Metal Battle. Keith Ibbitson of Metal Paparazzi and I were there to cover such an important night for the underground metal scene in Toronto, and of course enjoy the music by those four amazing bands.

As a matter of fact, this year I was invited by the one and only JJ Tartaglia, responsible for Wacken Metal Battle Canada, and the vocalist and drummer for Heavy Metal/Hard Rock band Thunderor, to be one of the guest judges alongside Claus Nader (Futhark Records), Andrew Craig (Zombitrol Productions) and Ryan Hofing (Crimson Shadows). It was a true honor being chosen to evaluate the future of heavy music in Toronto, and I hope I did a good job to the point I get invited to this unique event more times this year and in all future editions of Wacken Metal Battle Canada. Having said all that, are you ready to rumble?

PURVEYOR OF CHAOS

The first band of the night was Heavy Metal/Hard Rock quartet PURVEYOR OF CHAOS, who hit the stage at 9pm armed with their heavy riffs and the soaring vocals by frontman Maxel Black. Playing songs form their 2022 self-titled album, which is by the way available on BandCamp and on Spotify, the band did a good job onstage and put everyone to bang their heads and raise their horns in the name of classic heavy music, and I’m sure if they refine their sound a bit, maybe by adding a second guitarist to their lineup and making the sound of their drums clearer, they’ll have a much better overall performance during their future live shows.

Band members
Maxel Black – vocals
Bulldog Bess Ross – guitars
Tenbears – bass
Fast Eddie – drums

UNKLE SKURVEY

Right after a quick break, Heavy Metal/Hardcore outfit UNKLE SKURVEY delivered a fun and vibrant performance to a very decent crowd at Hard Luck Bar, sometimes sounding like a Thrash Metal band, sometimes like a System of a Down cover band, which was a bit confusing but in the end worked relatively well. The songs Covid Mosh, World War 3, and Next Generation, all available on Spotify, sounded great live, with frontman Ché Cleland’s energy and facial expressions adding an extra touch of insanity to their show. I personally think if they focus on the sound from the song Next Generation in their future releases, and add a second guitarist to the band, they’ll definitely go places.

Band members
Ché Cleland – vocals
Doug Noel – guitars
Stephen ‘Stiv’ Scott – bass
Sean Mollison – drums

ISCHEMIC

The third band of the night was most definitely the heaviest of all, blasting a dark and deep fusion of Blackened Death and Doom Metal not recommended for the lighthearted. I’m talking about the five-headed beast known by the name of ISCHEMIC, spearheaded by the talented growler Isabelle Tazbir, who melted our faces with their undisputed heaviness and obscurity. Having released the album Condemned to the Breaking Wheel in 2024, which you can purchase or stream on BandCamp and on Spotify, their performance was beyond fantastic, proving Isabelle and her henchmen are more than ready for bigger stages worldwide.

Band members
Isabelle Tazbir – vocals
Adam Korchok – guitars
Jon Radic – guitars
Lyndon Quadros – bass
Mrudul Kamble – drums

PILLARS OF AUTUMN

Last but certainly not least, it was time for Technical/Symphonic Deathcore act PILLARS OF AUTUMN to deliver a massive, electrifying, technical and very professional performance to the crowd at Hard Luck Bar, with all songs, in special their new single Crestfallen Emissary, sounding amazing live. I highly recommend you go check their music out on BandCamp and on Spotify, paying very good attention to the demented fry screams by Nick Young and the insane bass lines by Kevin Chan Kin Fung, as those two guys sounded brilliant during their set this Saturday night in Toronto.

Band members
Nick Young – vocals
Devon Groat – guitars
Carl Pike – guitars
Kevin Chan Kin Fung – bass
Doug Noel – drums

AND THE WINNER IS…

…the Blackened Death and Doom Metal creature ISCHEMIC! Congratulations for the win! They now move on to the Ontario Final on March 21 at Rivoli in Toronto, and if you want to know more about the whole competition, the next rounds across Canada and so on go to the official Facebook page of Wacken Metal Battle Canada. Also, thanks to all media partners and promoters, including Bravewords.com, Metal-Rules.com, Metal Devastation Radio, Boonsdale Records, Asher Media Relations, and many others, for keeping the fires of underground music in Canada burning brighter than a thousand suns. I’m sure Ischemic will have another killer performance during the Ontario Final in March, and who knows, maybe they’ll be the ones to “rule them all” and venture through the sacred lands of Wacken Open Air in Germany this summer, proudly representing Canada at the greatest stage of all.

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Album Review – Greh / Dysphoric Devotion (2025)

A beyond talented German trio will take you on a Blackened Death Metal journey through a dark universe in which light and shadow constantly alternate.

A musical journey through a dark universe in which light and shadow constantly alternate, Dysphoric Devotion, the first full-length album by Karlsruhe, Germany-based Blackened Death Metal outfit Greh,  is a “world of sound” that is characterized by both raw violence and intense rage. Recorded and produced by Greh, mixed and mastered by Hard Drive Sounds, and displaying a sinister artwork by Aaron Bonogofsky, the new opus by Martin Kocula (Grau, Lethes Fluten) on vocals, Gjero Krsteski (Hellgreaser) on the guitar, and Maurice Monne (Act of Rage, Hard Strike) on drums is highly recommended for fans of Hexis, Konvent, Triptykon, and Primitive Man, among others, representing a reflection of human existence, full of contradictions, abysses and an irrepressible longing for redemption.

Maurice slams his drums mercilessly in the opening tune Chained Thoughts, generating a reverberating atmosphere boosted by the Stygian riffage by Gjero; whereas the title-track Dysphoric Devotion brings more of the trio’s hammering hybrid of Doom and Death Metal, with Martin’s brutal vocals spreading hatred and fear majestically. Illusional Cenotaph brings forward another three and a half minutes of heaviness and sluggish sounds perfect for some sick headbanging, followed by Thy Breath Not Mine, based on a true story about a near-death experience caused by a blood clot in the lungs during sleep, exploring the painful struggle between life and death and the eventual realization and fascination of nothingness; musically speaking, they blast our faces with one more round of demented Death Metal for our total delight.

The trio goes full Doom Metal in All Flesh Decays, with Gjero leading the pace with his damned riffage, not to mention how visceral the roars and gnarls by Martin sound from start to finish, and there’s no sign of the band slowing down or sounding any softer in Growth In Pain, with Maurice pounding his drums nonstop. The second to last song of the album, titled Through The Eye, will darken your minds and thoughts to the venomous growls by Martin in a slow, steady and evil celebration of darkness; whereas they conclude the album on a very high note with the pulverizing Enter My Oblivion, again showcasing their passion for all things heavy and grim, with Martin once again sounding infernal with his guttural roars.

Immerse yourself in powerful Death Metal riffs that collide with Atmospheric Doom Metal passages in Dysphoric Devotion, while distorted walls of guitars, booming drums and dark vocals create an oppressive atmosphere that will stay with you for a long time, and you can do so by following the band on Facebook and on Instagram, by subscribing to their YouTube channel, by streaming their hard hitting creations on Spotify, and obviously by purchasing their new album from BandCamp (or simply click HERE for all things Greh). Light and shadow, rage and violence, and a humongous dosage of heaviness in the form of blackened music. This is exactly what you’ll get in Dysphoric Devotion, and I can’t wait to see what’s next for this talented trio hailing from Germany.

Best moments of the album: Dysphoric Devotion, Thy Breath Not Mine and Enter My Oblivion.

Worst moments of the album: Growth In Pain.

Released in 2025 Fetzner Death Records

Track listing
1. Chained Thoughts 3:03
2. Dysphoric Devotion 3:52
3. Illusional Cenotaph 3:36
4. Thy Breath Not Mine 3:28
5. All Flesh Decays 3:46
6. Growth In Pain 3:16
7. Through The Eye 2:54
8. Enter My Oblivion 5:07

Band members
Martin Kocula – vocals
Gjero Krsteski – guitar
Maurice Monne – drums

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2024

“Fans still compare me to Bruce Dickinson. I have people coming up to me and saying, Don’t you know that could’ve been you? And I tell them, That was me! I just didn’t want it..” – Paul Di’Anno

It’s hard to put into words the loss of our beloved Paul Andrews (17 May 1958 – 21 October 2024), better known by his stage name Paul Di’Anno, one of the most iconic musicians in the history of heavy music, helping Iron Maiden be what they’re today by giving that edgier vibe to the albums Iron Maiden and Killers, therefore influencing all future generations of musicians not only in Heavy Metal, but also in Punk Rock and Rock N’ Roll. He was a legend and will be sorely missed by anyone who loves good music. There’s not much we can do at The Headbanging Moose to honor his life and work, but we’ll keep celebrating heavy music in his name for as long as we can. I wish he could have played one final show in Toronto so Keith Ibbitson of Metal Paparazzi and I could have registered such a unique moment in the city, but unfortunately time is not always in our favor. Anyway, it might be a very sad year to the metal community worldwide with an irreplaceable loss like that, but heavy music lives on, and that’s why here we have once again The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2024, excluding EP’s, best of’s and live albums, to keep the spirit alive and keep raising our horns to countless metal musicians like our great Paul Di’Anno.

1. Judas Priest – Invincible Shield (REVIEW)
Nothing can stand in the way of the Metal Gods as they raise the invincible shield of Heavy Metal.
Best song of the album: The Serpent and the King

2. Werewolves – Die For Us (REVIEW)
Australia’s most savage beast is back with their fifth studio opus, a lecture in Death Metal perfect for beating anyone back to life.
Best song of the album: Spittle-Flecked Rant

3. Aborted – Vault of Horrors (REVIEW)
These Death Metal and Deathcore beasts open their demonic vault of horrors to bring brutality, gore and evil to our damned souls.
Best song of the album: Death Cult

4. Necrowretch – Swords of Dajjal (REVIEW)
This French Blackened Death Metal horde returns blacker than ever with a magnificent opus dedicated to the Islamic Antichrist.
Best song of the album: Vae Victis

5. Gaerea – Coma (REVIEW)
The torchbearers of present-day Black Metal arise again, erupting with intensity, casting forth black ashes over the world.
Best song of the album: Coma

6. Blood Incantation – Absolute Elsewhere (REVIEW)
Blood Incantation offer us all two sensational compositions that are as confounding as they are engaging in their scope.
Best song of the album: The Stargate [Tablet I]

7. Benighted – Ekbom (REVIEW)
Let’s dive into the auditory abyss with this Brutal Death Metal and Grindcore entity armed with their newborn beast.
Best song of the album: Fame of the Grotesque

8. Fleshgod Apocalypse – Opera (REVIEW)
One of the torchbearers of Symphonic Death Metal worldwide returns with their strongest opus to date.
Best song of the album: I Can Never Die

9. Arhat – Secrets of Ancient Gods (REVIEW)
The newborn spawn by this Ukrainian horde will take you on a journey into the world of ancient gods and mysterious rituals.
Best song of the album: Abyss of Flame

10. Grand Magus – Sunraven (REVIEW)
Sweden’s own Heavy and Doom Metal institution is back with a new collection of battle hymns inspired by the tale of Beowulf and Grendel.
Best song of the album: Skybound

And here we have the runner-ups, completing the top 20 for the year:

11. Ecclesia – Ecclesia Militans (REVIEW)
12. The Last of Lucy – Godform (REVIEW)
13. Rotting Christ – Προ Χριστού (Pro Xristou) (REVIEW)
14. Rage – Afterlifelines (REVIEW)
15. Ingested – The Tide of Death and Fractured Dreams (REVIEW)
16. Blaze Bayley – Circle of Stone (REVIEW)
17. Striker – Ultrapower (REVIEW)
18. Kerry King – From Hell I Rise (REVIEW)
19. Accept – Humanoid (REVIEW)
20. Hiraes – Dormant (REVIEW)

In addition, as I always like to say, sometimes a band doesn’t need to release a full album to kick some ass, and that’s why we also have our Top 10 EP’s of 2024 to show that sometimes less is more, or maybe I should say, less is heavier!

1. Rifftera – Coda (REVIEW)
2. Trollwar – Tales from the Frozen Wastes (REVIEW)
3. Atavistia – Inane Ducam (REVIEW)
4. Ways. – Are We Still Alive? (REVIEW)
5. Enforced – A Leap Into The Dark (REVIEW)
6. Gutvoid – Breathing Obelisk (REVIEW)
7. Onslaught Kommand – Visions of Blood and Gore (REVIEW)
8. Golgothan Remains – Bearer of Light, Matriarch of Death (REVIEW)
9. Infernalivm – Conquering the Most High (REVIEW)
10. Dragoncorpse – Fall of House Abbarath (REVIEW)

Do you agree with our list? What are your top 10 albums of 2024? Also, don’t forget to tune in every Tuesday at 10pm BRT on Rádio Coringão to enjoy the best of classic and underground metal with Jorge Diaz and his Timão Metal, and every Thursday at 8pm UTC+2 on Midnight Madness Metal e-Radio for the best of underground metal with The Headbanging Moose Show!

Metal Xmas and a Headbanging New Year! See you in 2025!

In the end, there’s no Christmas-inspired song this year, nor anything festive like that, but I’ll leave you with the official video for one of the most important songs ever recorded by Iron Maiden, one with a strong punk and thrash vibe, with the one and only Paul Di’Anno on vocals. Let’s raise our horns to him forever and ever, my fellow metalheads! RIP legend!

Album Review – Zen Disdain / Inanition (2024)

An up-and-coming Netherlands-based Blackened Doom/Death Metal outfit will reach deep inside your soul with their incendiary first full-length opus.

Formed in 2021 by the creative minds behind the Symphonic Extreme Metal band Esperoza, Enschede, Netherlands-based Blackened Doom/Death Metal outfit Zen Disdain has quickly expanded into a full-bodied act, drawing talented musicians from different bands, having already released their debut EP Premonition in 2023. Now the band formed of Zoya Belous (Zoya, Esperoza) on vocals, Dmitrii Prihodko (Esperoza) on the guitars, Ivo Bijker (Krijs, Dimensional Psychosis) on bass, and Ronny Meinders (Diseased Brains, Death Squad) on drums will unleash their highly anticipated debut album, Inanition, an album that will surely captivate new audiences and solidify their place in the metal world.

The scorching, strident riffs by Dmitrii ignite the venomous opener Everpresent, with its deep guttural vocals sounding haunting and absolutely impressive throughout its almost seven minutes of a first-class hybrid of Death and Doom Metal; whereas a tempest-infused intro explodes into a feast of Blackened Doom in The Shore, also presenting elements from old school Black Metal, in special in the riffage by Dmitrii, with Zoya also delivering classy operatic vocals. It’s truly interesting how the band managed to add hints of an amalgamation of styles to their music, like in The Woods, where we can sense some Gothic and Symphonic Metal nuances thanks to the dynamic vocals by Zoya.

The title-track Inanition will darken your minds and thoughts in the name of extreme music, with the metallic, reverberating bass by Ivo and the pounding drums by Ronny hitting us hard until the very last second; and then investing in a much heavier, more electrifying sonority led by the hammering drums by Ronny we face Spiritual Desert, while Zoya continues to hypnotize us all with her powerful vocals. Symbols again presents a strong and hammering Doom Metal vibe, with the piercing riffs by Dmitrii walking hand in hand with the blast beats by Ronny, and the closing tune What Remains of Us is sluggish and pensive from the very first second, with Zoya delivering her most melancholic, somber vocals lines of the whole album, sounding and feeling like a classic by Paradise Lost and My Dying Bride.

Blending diverse influences to craft a style that’s as haunting as it is dynamic, Zen Disdain are on fire throughout their entire first full-length opus, which you can grab a copy from their own BandCamp page. Don’t forget to also follow the band on Facebook and on Instagram, subscribe to their YouTube channel, and stream their music on Spotify, letting the dark and mesmerizing music by those Dutch metallers reach deep inside your soul while they conquer the world of heavy music with more excellent albums like Inanition, setting the bar high for any other band hailing from their stunning homeland and, of course, darkening the skies with a huge dosage of high quality doom for our total delight.

Best moments of the album: Everpresent, Spiritual Desert and Symbols.

Worst moments of the album: Inanition.

Released in 2024 Independent

Track listing
1. Everpresent 6:48
2. The Shore 6:07
3. The Woods 6:01
4. Inanition 5:57
5. Spiritual Desert 6:37
6. Symbols 7:30
7. What Remains of Us 8:42

Band members
Zoya Belous – vocals
Dmitrii Prihodko – guitars, harsh vocals
Ivo Bijker – bass
Ronny Meinders – drums

Album Review – Thy Legion / Grand Cosmic Funeral (2024)

One of the best bands hailing from Malta returns with their strongest album to date, a brutal and thrilling slab of Black and Death Metal.

Formed in 2004 in the city of Birkirkara, located in the Central Region in the island of Malta, Blackened Death Metal horde Thy Legion is unleashing their fourth studio effort, titled Grand Cosmic Funeral, the follow-up to their critically acclaimed 2017 album World Stigmata. Recorded and produced at XIR Recording Studios, and mixed and mastered by Daniel Bezzina at RiverStone Studios, the new album by Tonio Spiteri and Mark Dimech (Martyrium) on vocals, Elton Falzon and Emanuel Portelli (Hemplifier, Animamortua, Victims of Creation) on the guitars, Kurt Dimech (Martyrium) on bass, and Clayton Cini (Animamortua) on drums will definitely strengthen the name of the band in their local scene and anywhere else where good extreme music is appreciated, representing another solid step forward in their career.

An obscure and imposing intro led by the venomous guttural by Tonio and Mark will darken the skies in the opener Black World Funeral, oozing of classic Black Metal, with Elton and Emanuel delivering caustic riffs nonstop; then putting the pedal to the metal and succumbing to the most devilish side of music the band fires the ruthless Midnight Malediction, where Clayton hammers his drums nonstop supported by the rumbling bass by Kurt. Dark Mother, the first single of the album, offers us all an enfolding fusion of Melodic Black Metal with atmospheric nuances, sounding creepy and haunting at first before exploding into more of the band’s trademark violence, whereas the melodious guitars by Elton and Emanuel kick off the also visceral Those Who Are Awake, with the band’s vocal duo bursting their lungs roaring.

The Adoration of Omega brings to our damned ears almost seven minutes of beautiful Black Metal with an atmospheric twist, with the riffs blasted by the band’s axe men piercing our souls like an arrow in pitch black darkness, not to mention Clayton once again sounds demonic behind his drums; and their second to last ode to Death and Black Metal comes in the form of From Flesh to Spirit, with both Tonio and Mark sounding like beats incarnate on vocals, adding an extra touch of insanity to the overall result. Last but not least, we face another seven minutes of blackened sounds made in Malta in Upon A Wretched Throne, starting yet again in a sinister, slow way before all hell breaks loose to the vile vociferations by Tonio and Mark, while the riffage by Elton and Emanuel reeks of evil and hatred.

Thy Legion are undoubtedly one of the top metal bands hailing from the always vibrant and interesting Maltese scene, and one of the most hardworking and focused as well, and the quality of the music found in their new album Grand Cosmic Funeral is proof of that, pointing to an even brighter future ahead of them. Hence, you can find more information about such an amazing blackened squad on Facebook and on Instagram, stream their music on Spotify or other streaming services, and grab your copy of their heavy-as-hell new album from Art Gates Records. Grand Cosmic Funeral is by far their strongest release to date, and I wouldn’t be surprised if after this album the band starts paying visits to all parts of the world to spread darkness upon us with their infernal music.

Best moments of the album: Midnight Malediction, Dark Mother and The Adoration of Omega.

Worst moments of the album: Those Who Are Awake.

Released in 2024 Art Gates Records

Track listing
1. Black World Funeral 5:59
2. Midnight Malediction 6:08
3. Dark Mother 6:34
4. Those Who Are Awake 5:10
5. The Adoration of Omega 6:40
6. From Flesh to Spirit 4:48
7. Upon A Wretched Throne 7:08

Band members
Tonio Spiteri – vocals
Mark Dimech – vocals
Elton Falzon – guitars
Emanuel Portelli – guitars
Kurt Dimech – bass
Clayton Cini – drums

Guest musician
Clint Aquilina – vocals

Album Review – The Spirit / Songs Against Humanity (2024)

This ruthless German duo brings forth a compilation of songs against humanity in their newborn Blackened Death Metal beast.

Formed in Saarbrücken in 2015, The Spirit have emerged from the depths of the German Extreme Metal void to breathe new life into the Black and Death Metal genre. Now in 2024 the duo formed of Matthias Trautes on vocals and stringed weapons, and Manuel Steitz on drums attacks again with their fourth full-length installment, titled Songs Against Humanity. Mixed by V. Santura (Triptykon) at Woodshed Studio, and displaying a grim artwork by Eliran Kantor, Songs Against Humanity is a Blackened Death Metal beast highly recommended for fans of Harakiri For The Sky, Dissection, Satyricon, UADA, Hypocrisy and Kataklysm, among others, circling around an astronomic leitmotif in its lyrics and concepts while mixing a misanthropic view on the world with cosmic metaphors and the call to see our often narrow-minded and egocentric existence in the larger context of our whole universe.

It’s absolute chaos and hatred from the very first notes in Against Humanity, with Manuel taking the lead with his Thrash Metal-inspired drumming while Matthias roars like a beast in the name of extreme music, followed by Room 101, presenting psychological lyrics barked by Matthias (“Suppressing the words of sanity / As we lost our way towards utopia / Instead evolved into a dystopian nightmare / When technological progress / Gave rise to the indoctrination of the human mind”) amidst a melodic yet visceral sound. And the duo continues to venture through the realms of Melodic Death, Thrash and Black Metal in Cosmic Rain and Human Dust, sounding ruthless until the very end, with Matthias’ riffs feeling absolutely caustic.

Spectres of Terror is another explosion of austere, infernal words barked by Matthias (“A grotesque embrace / Of an impending misery / When the past and sense / Are displaced by ideology / Madness and insanity / A grim bane you invoked”), whereas Death is my Salvation offers a more introspective, progressive side of the band, with Matthias slashing his axe manically accompanied by the always venomous beats and fills by Manuel. Then we’re treated to Nothingness Forever, which begins in a serene, grim manner before evolving into a straightforward Black Metal aria led by the crushing drums by Manuel. Finally, we have the extended outro Orbiting Sol IV, which despite being a solid tune, it ends up taking away some of the electricity from the album due to its length.

You can take a very nice and detailed listen at the scorching Songs Against Humanity in full on YouTube and on Spotify, and of course show your support to one of the heaviest duos of the current German scene by purchasing a copy of their new album by clicking HERE or HERE. Don’t forget to also start following them on Facebook and on Instagram for news and tour dates, as they do play live (with the support of guitarist Stanley Robertson and bassist Linus Klausenitzer), having an absolute blast to the sound of their sharp and vile fusion of Black and Death Metal. Matthias and Manuel are bringing forth a compilation of songs against humanity in their newborn beast, and there’s nothing better than their first-class Blackened Death Metal to show how putrid, corrupt and evil the entire humanity can be.

Best moments of the album: Against Humanity, Cosmic Rain and Human Dust and Nothingness Forever.

Worst moments of the album: Orbiting Sol IV.

Released in 2024 AOP Records

Track listing
1. Against Humanity 8:06
2. Room 101 4:15
3. Cosmic Rain and Human Dust 4:55
4. Spectres of Terror 5:39
5. Death is my Salvation 8:33
6. Nothingness Forever 5:46
7. Orbiting Sol IV 3:34

Band members
Matthias Trautes – vocals, guitars, bass
Manuel Steitz – drums

Guest musicians
Stanley Robertson – guitars (live)
Linus Klausenitzer – bass (live)

Album Review – Völva / Desires Profane (2024)

Behold the new album by these three ruthless Swedish Black Metal ladies, a howling, hate-filled voice of rage, fueled by the fire and the fists that have subjugated womankind.

“Like the screams from a thousand vengeful souls from the witch’s bonfire.” – Vittra describes the sound of Völva

Forged in 2018 in in the simmering underground cauldrons of Punk and Black Metal of Malmö, Sweden, Black Metal/Crust outfit Völva will crush your damned soul to pieces in their new album, titled Desires Profane, a howling, hate-filled voice of rage, fueled by the fire and the fists that have subjugated womankind since the old ways were undone by the insidious Christian contamination of the world. Recorded by Oliver Dah in Studio Quaalude, mixed and mastered by Ulf Blomberg at Hoborec, and with a cryptic artwork by The Black Bird Sings, the first full-length album by vocalist and bassist Hedonosticia, guitarist Vittra and drummer Skuld seeks to explore Satanic Feminism, breaking away from conformity and exploring a higher purpose through free will, body and lust, all while being recommended for admirers of the caustic creations by Darkthrone, Urgehal, Wolfbastard and Taake, among many others.

Their evil, dirty and cryptic feast of Black Metal kicks off in full force with The Tower (check their performance playing this amazing song at Quaalude Sessions #15), with Hedonosticia already crushing our minds with her she-wolf gnarls, and it’s time to walk through the fires of hell together with those talented Sweds in Walk With Me, with Vittra showing no mercy for our souls, blasting infernal riffs nonstop. They then go full Black Metal in Expulsion of the Flesh, delivering endless animosity and darkness, with Hedonosticia’s harsh vocals sounding utterly piercing; followed by Inverted Cross, displaying a beautiful name for another explosion of Black Metal magic by the trio, again melting our faces with their unrelenting savagery, blast beats and hellish growls, before we face five minutes of sluggish, grim and visceral passages in Never Forgive, showcasing elements of Doom Metal added to their devilish core essence.

And they keep hammering our putrid souls with their blend of Black Metal and Crust in The Serpent, also delivering elements of Death Metal and Blackened Death Metal, led by the infernal roars by Hedonosticia and the massive beats by Skuld, whereas Perpetual Putrefaction sounds a bit generic compared to the rest of the album, albeit still presenting the band’s characteristic blasphemous, demonic sounds. Asmodeus is one of the most infuriated of all songs in Desires Profane where Vittra’s riffs are the epitome of evil, sounding devilishly metallic, while Hedonosticia continues to summon the creatures of the underworld with her she-demon gnarls; followed by Salvation, another evil onrush of Black Metal masterfully brought into being by the band, living up to the legacy of Swedish Black Metal, with Skuld once again kicking ass on drums. And last but not least, they offer us all a ruthless Black Metal extravaganza titled Vagabond, reminding me of some of the most wicked creations by the mighty Skeletonwitch.

In summary, those three Swedish ladies sound absolutely insane and on fire throughout their entire newborn beast, proving once again that women not only have their place in heavy music, but that they can also sound heavier, darker and more caustic than any man. Hence, you can check what they’re up to on Instagram, including their tour dates, stream their creations on any streaming service like Spotify, and grab a copy of their scathing new album from their own BandCamp, from the Grind To Death Records’ BandCamp, or from the Fiadh Productions’ BandCamp, helping them spread their infernal howl in the name of feminism and Black Metal to all four corners of our sexist and decaying world.

Best moments of the album: Expulsion of the Flesh, The Serpent and Asmodeus.

Worst moments of the album: Perpetual Putrefaction.

Released in 2024 Grind To Death Records/Fiadh Productions

Track listing
1. The Tower 4:10
2. Walk With Me 2:59
3. Expulsion of the Flesh 3:45
4. Inverted Cross 3:12
5. Never Forgive 5:19
6. The Serpent 3:42
7. Perpetual Putrefaction 2:30
8. Asmodeus 2:31
9. Salvation 4:38
10. Vagabond 2:28

Band members
Hedonosticia – vocals, bass
Vittra – guitars, backing vocals
Skuld – drums, backing vocals

Concert Review – Beyond the Gates (Bergen, Norway, 07/31/2024-08/03/2024)

***Review and photos by Mathis Backe***

A metalhead can’t ask for a more fitting experience than four days of extreme metal in the city that is responsible for birthing one of the most notorious and exciting sub-genres, black metal. Bergen, Norway is home to some of the most relevant and awe-inspiring artists, bands and figures such as Enslaved, Gorogorth/Gaahl, Burzum/Varg Vikernes, Immortal/Abbath put this city on the map as it relates to their contributions. It makes perfect sense, then, that this same city is host to the Beyond The Gates Festival, which features many of the Nordic bands that have helped shape black metal, plus a whole selection of other artists and experiences. The 2024 edition proved to be one of the best yet.

DAY ONE

Mayhem @ Beyond the Gates 2024

The day started with Trondheim’s Whoredom Rife who are one of the most exciting bands to come out of Norway in quite some time. They hit the stage with the ferocity of a tsunami and destroyed with a raw, vicious black metal assault. Next up was Polish black metallers Manbryne. As a relatively new entry into the space (having formed in 2017) this five-piece delivered a set like a band with a few decades under their bullet-adorned belts. Next up was American black/death/thrash gods, Black Anvil. If you’ve ever been fortunate enough to catch these guys live, you’ll already know that they truly give it their all. A fantastic band that showcases both their many years of experience and utter exuberance when they hit that stage. The mighty Mayhem hit the larger of two stages at USF Verftet (the venue that hosted the first two days of the festival) with a set that celebrated the band’s 40th anniversary. There is no better place for this to happen, as Bergen is the same city that the band recorded their legendary debut album, De Mysteriis Dom Sathanas. The guys hit the stage and plowed through decades worth of material, which included a couple of tracks from their now-classic debut, Deathcrush (even inviting two former members to the stage to perform these tracks). Ending off the night was Bergen resident and legendary black metal figure, Gaahl, and his newly-revamped Trelldom. For this unfamiliar, Trelldom sprung to life in the 90s, prior to Gaahl joining Gorgorth, and released a few now-legendary albums. They were short-lived, but have recently reformed, releasing a brand new album of experimental music with some tinges of black metal. Their set tonight comprised mostly new material, but they also threw in a few goodies for longtime fans.

DAY TWO

Behemoth @ Beyond the Gates 2024

Waking to a beautiful day in Bergen, we were ready to hit the streets and make our way over to the venue to catch the first two bands of the day: Prague’s Cult Of Fire and Sweden’s Portrait. Both bands put on spectacular, albeit very different, sets. Cult Of Fire are the Buddhists of metal and, as such, their set and theatrics reflect this perfectly. Portrait’s brand of classic heavy metal was a nice change of pace from all the extremity we had witnessed thus far. Next up was the classic lineup of Venom (not to be confused with Venom Inc.) which features original member, Cronos. The larger venue, Hallen, was packed to the gills for this set which featured all the classics fans have grown to love over the last five decades. It was a highly-energized set which included many fan sing-alongs. Switzerland cosmic black metallers, Darkspace, then put on what can only be described as a trip into the outer reaches of the universe punctuated by their brand of hypnosis-inducing black metal. Incredible stuff from a band that does not often play live. Definitely a rare treat. Ending the night were Behemoth and Death SS. Having seen Nergal and crew many times, tonight was probably one of the best performances yet. The festival spared no expense with the pyro and stage props, which allowed the guys to truly capitalize on their already larger-than-life presence. The final act of the night, Death SS, are a band that have existed since the late 70s. Not being too familiar with their material, I was pleasantly surprised by their super high-energy set and the quality of songs that they delivered, which ranged from classic heavy metal all the way to stuff on the more extreme end of things. A very interesting and fun to catch on the live front, if you ever get the chance.

DAY THREE

Enslaved @ Beyond the Gates 2024

With the first two days in the history books, we move to the second of two venues, the famed Grieghallen, for the final two days. If you are familiar with Grieghallen, you would know that the venue was the very same place that many of the legendary Norwegian black metallers recorded their early work. The first band of the evening was Norwegian avant-garde black metal, Dødheimsgard. Frontman, Vicotnik, and his merry band of minstrels, carnivalized their way through an incredible set of vertigo-inducing tracks. Next up was Norway’s Djevel, the band that features one Bard Faust behind the drums (formerly of Emperor). These guys are the gatekeepers of True Norwegian Black Metal, and their set proved as much. There are no frills or gimmicks. It was just straight-up second wave-inspired black metal from start to finish. One of the best performances of the festival thus far. Hometown heroes, Enslaved, are one band that have played many of the previous editions of the festival. Each year, the band tackles one of their classic, early albums. This year, they played through the entirety of their ’95 album, Frost. As such, the stage was adorned with jutting icicles which further enhanced the overall performance. At this point, Enslaved can do no wrong. Let’s hope they are back again next year. The last band of the night, Satyricon, were the only band to play two sets. This first set, comprised material from their entire catalog, with focus on some of their more well-known songs. Satyr and crew did an excellent job of vetting songs that would appeal to fans of different eras of the band. Additionally, the festival hosted a retrospective exhibit of Satyricon’s entire career. Incredible stuff.

DAY FOUR

Blood Fire Death @ Beyond the Gates 2024

Heading into the final day, the sunshine of the previous three days gave way to more inclement, wet weather. Fittingly, the rain of the day perfectly suited the first two bands, Vemod and Vreid, respectively. Both bands delivered stunning sets of Norwegian black metal in the realm of the more atmospheric. Vreid, which features former members of the highly-regarded Windir, were definitely a fan favorite. They even invited the brother of former Windir frontman, Valfar (who tragically passed away a number of years ago), up on the stage as a guest vocalist to honor his brother with a Windir song. Satyricon then charged onto the stage for the second set of the festival with another collection of songs that spanned their entire catalog. This time, there was more focus on later era tracks, which, as a fan of this era, was a welcomed treat. Lastly, the performance that everyone was waiting for: Blood Fire Death, a tribute to Bathory. There can be no better festival to host something like this, as each and every band that performed over the last four days owes something to the legendary Bathory. Each song of the performance featured various members of bands that performed throughout the fest to give their own spin on these songs, with many of the songs featuring a different vocalist. The entire spectacle was overwhelming and will go down in history as one of the pivotal performances of Beyond The Gates.

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